This book explores the lived experiences of formerly colonized people in the privacy of their homes, communities, workplaces, and classrooms, and the associations created from these social interactions. It examines the centrality of gender and social identity in the formation of non-western people in the British Empire.

Ancient Egyptian antiquities are dominated by art and artifacts depicting the Netherworld -- the alternate universe mummified bodies would enter at the end of their physical lives, where they would live on for eternity. In this dazzling book, photographs and exhaustive texts illustrate how the promise of a glorious rebirth pervaded the daily life of Egyptians, from commoners to the most powerful pharaohs.

The Quest for Immortality accompanies an exhibition of Egyptian funerary art by the same name, which dates from nearly two thousand years before the Christian era. Drawn from the collection of Cairo's Egyptian Museum, this major exhibition opens at the National Gallery of Art in Washington, D.C. in 2002 and travels throughout the United States over a five-year period before an extended tour in Europe. Objects such as coffins, tombs, masks, jewelry, papyri, sarcophagi, and monumental and small-scale sculpture reveal the reverence and awe with which this highly developed ancient culture considered the mystery of death. Fascinating essays explore Egyptian art history, customs, and worship, with specific focus on the Amduat, a book devoted to the pharaoh's twelve-hour journey to the afterlife. Additional writings detail the background of the collection and focus upon the role of art in ancient Egypt. Throughout, readers will experience the artistry of the ancient Egyptians as it comes to life in this magnificent book.

This book vividly recreates the lives and identities of the children born of relationships between French men and African women in colonial French West Africa. The book shows how colonial policies and attitudes influenced the lives of this mixed-race population, and analyses their responses to living in a racially divided society.

Scholars opinions are mixed regarding the wonders Herodotus described in his travels. Among the buildings, the Egyptian Labyrinth was at the top of his list, and this has given rise to much speculation about its form, size, and purpose over the last two centuries. Pharoah's Gateway to Eternity searches for the answers to these problems.

This book examines the representation of figures, memories and images of childhood in selected contemporary diasporic African fiction by Adichie, Abani, Wainaina and Oyeyemi. The book argues that childhood is a key framework for thinking about contemporary African and African Diasporic identities. It argues that through the privileging of childhood memory, alternative conceptions of time emerge in this literature, and which allow African writers to re-imagine what family, ethnicity, nation means within the new spaces of diaspora that a majority of them occupy. The book therefore looks at the connections between childhood, space, time and memory, childhood gender and sexuality, childhoods in contexts of war, as well as migrant childhoods. These dimensions of childhood particularly relate to the return of the memory of Biafra, the figures of child soldiers, memories of growing up in Cold War Africa, queer boyhoods/sonhood as well as experiences of migration within Africa, North America and Europe.

The study examines the interrelationships which evolved among the rural polities of Kauru and Pengana hills in the Central Nigerian Highlands. It analyses the relations within and between these polities and between them and the Islamic states which emerged in their neighbourhood and which tried to bring the polities under their control. It considers both patterns of peaceful coexistence and military confrontations. The volume is a significant contribution to the growing body of literature on the historiography of African intergroup relations. It is a major addition in the search for the basis of conflict resolutions in North Central Nigeria.

Few of the major campaigns of World War II aroused as much controversy as the War in North Africa, 1940-1943. Figures such as Rommel, Montgomery, and Eisenhower would become world famous because of the fighting in North Africa. This book opens with seven historiographical essays that evaluate and critically assess the major contributions to the literature on the War in North Africa. It then includes an alphabetically arranged bibliography of the 504 entries cited in the essays. The material is easily accessible, with cross-references between the text and the bibliography and a full index.

The volume includes chapters on the Desert War, 1940-42; the Axis Powers in North Africa; Montgomery, Alam Halfa and El Alamein; TORCH: the Landings in French North Africa, and the Tunisian Campaign. Full attention is given to questions and issues historians have raised on such controversies as the Auchinleck-Montgomery dispute, the debate over Operation TORCH, and the Darlan affair. Emphasis is on English-language works, but the most significant Italian, German, and French works are cited and assessed. The book has been written for use in public, college, university, and institutional libraries, and to serve general readers and military historians.

Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s. Maghreb Noir dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.

Muslims from the region that is now Nigeria have been undertaking the Hajj for hundreds of years. But the process of completing the pilgrimage changed dramatically in the twentieth century as state governments became heavily involved in its organization and management. Under British colonial rule, a minimalist approach to pilgrimage control facilitated the journeys of many thousands of mostly overland pilgrims. Decolonization produced new political contexts, with nationalist politicians taking a more proactive approach to pilgrimage management for both domestic and international reasons. The Hajj, which had previously been a life-altering journey undertaken slowly and incrementally over years, became a shorter, safer, trip characterized by round trip plane rides. In examining the transformation of the Nigerian Hajj, this book demonstrates how the Hajj became ever more intertwined with Nigerian politics and governance as the country moved from empire to independence. -- .

Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge, landskappe, genrestukke, portrette, blomstudies en stillewes, interieurs, dierestudies en grafiese werk. Geen moeite is ontsien om hierdie boek so volledig en betroubaar moontlik te maak nie. Argivale bronne in die Kunsargief van die Universiteit van Pretoria, die Argief van die Johannesburg Kunsmuseum en die Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra tot die toevoeging van inligting oor hierdie kunstenaar wat nie voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang lesing met detailinligting oor Oerder se vroee lewe deur mev. Lorimer in die Kunsargief van die Universiteit van Pretoria het bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot dusver is nog geen volledige geskiedenis van sy deelname aan die oorlog geskryf nie. In hierdie boek word Oerder se Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig moontlik afgedruk en beskryf.

The battle of Rorke's Drift is established in history as one of Britain's most incredible actions where approximately 155 defenders held off a Zulu force of over 4,000 warriors, in a savage, bloody conflict with no quarter given by either side. The battle led to a display of incredible fortitude, courage and tenacity resulting in mutual respect between British red coat and Zulu warrior. Using a vast array of primary accounts, including lesser known, and previously unpublished examples, the author describes the battle in vivid detail. The actions of each of the 11 Victoria Cross recipients are looked at in detail, together with those men who were awarded the DCM. Illustrated with previously unpublished artwork, 'Rorke's Drift-A New Perspective' is a gripping account, which questions what is commonly believed to be the true interpretation of the hospital fighting. A truly compelling read, packed with numerous footnotes and sources, appealing to both the casual reader and the serious historian.

On 2 September 1898 Kitchener's Anglo-Egyptian army defeated the massed armies of dervishes at the battle of Omdurman. To commemorate the centenary of these events, eleven historians have collaborated to produce a fresh reappraisal of the reconquest and its international repercussions. They examine some of the policies, personalities and issues involved from different perspectives.
British political and military policies are reviewed, with studies of the aims and motives of Lord Salisbury, the political problems of Kitchener's command, and the experience of campaigning in the Sudan. There are analyses of the images sent back from the Sudan, the difficulties of reporting the campaign, and the role of unofficial correspondents, with a facsimile reproduction of a dispatch from Winston Churchill.
The contributors examine the colonial difficulties that triggered the campaign, the machinations of the Kaiser in trying to bring about a war between Britain and France, the evolution of French attitudes and the resolution of the Fashoda crisis, the well-informed and incisive monitoring of events by Austria-Hungary, and the widespread European view that Omdurman constituted a triumph for 'civilisation'. Finally, the significance of the reconquest is reviewed for its impact upon Sudanese history, particularly for the deeply rooted and enduring legacy of Mahdism.

The Iberian World: 1450-1820 brings together, for the first time in English, the latest research in Iberian studies, providing in-depth analysis of fifteenth- to early nineteenth-century Portugal and Spain, their European possessions, and the African, Asian, and American peoples that were under their rule. Featuring innovative work from leading historians of the Iberian world, the book adopts a strong transnational and comparative approach, and offers the reader an interdisciplinary lens through which to view the interactions, entanglements, and conflicts between the many peoples that were part of it. The volume also analyses the relationships and mutual influences between the wide range of actors, polities, and centres of power within the Iberian monarchies, and draws on recent advances in the field to examine key aspects such as Iberian expansion, imperial ideologies, and the constitution of colonial societies. Divided into four parts and combining a chronological approach with a set of in-depth thematic studies, The Iberian World brings together previously disparate scholarly traditions surrounding the history of European empires and raises awareness of the global dimensions of Iberian history. It is essential reading for students and academics of early modern Spain and Portugal.

Drawing heavily on material from the archives of the governments of colonial Zimbabwe, this invaluable reference tool examines administrative policy concerning issues such as land conservation, community development, and land apportionment to Africans. Much of the original documentation collected here was destroyed by the Rhodesian Front government before Zimbabwean independence in 1980.

As a source book, containing circulars, directives, legislation, official reports, and minutes from office holders, "Hidden Conflict" provides an inside look at administrative policy in colonial Zimbabwe and the intentions behind it. Through her examination of these documents, Passmore highlights the roles played by colonial civil servants in influencing events in Zimbabwe. The issues, controversies, and concerns the author depicts in her book remain relevant for postcolonial Zimbabwe and many other African countries today.

This book explores how modern Nigerian fiction is rooted in writers' understanding of their identity and perception of Nigeria as a country and home. Surveying a broad range of authors and texts, the book shows how these fictionalized representations of Nigeria reveal authentic perceptions of Nigeria's history and culture today. Many of the lessons in these works of literature provide cautionary tales and critiques of Nigeria, as well as an examination of the lasting impact of colonialism. Furthermore, the book presents the nation as both the framework and subject of its narrative. By conducting literary analyses of Nigerian fiction with historical reference points, this work demonstrates how Nigerian literature can convey profound themes and knowledge that resonates with audiences, teaching Nigerians and non-Nigerians about the colonial and postcolonial experience. The chapters cover topics on nationhood, women's writing, postcolonial modernity, and Nigerian literature in the digital age.

Just before Christmas 1989, a small group of armed fighters crossed a narrow river marking the frontier with Sierra Leone, and entered the West African state of Liberia. The civil war which followed plunged the African continent's oldest republic into a long and agonising nightmare, during which the country was torn apart and its people brutalised by terror, violence and bloodshed. The war promised to liberate Liberians after almost ten years of vicious dictatorship under President Samuel Doe; instead, as the first shots were fired, the seeds of Liberia's devastation were sown.
Mark Huband's account of the conflict, which begins a few days after the original incursion, is a moving and dramatic portrayal of the war as it unfolded. His extensive research and access to key figures in the conflict, together with a wealth of poignant and disturbing eye-witness detail, provide a fascinating portrait of Doe, his US-backed rule, and the enemies he made. Vivid and often harrowing, the book draws upon the author's experience of living among the fighters, the leaders and the terrorised population as they witnessed the growing horror of the conflict in which they had become trapped.

Just before Christmas 1989, a small group of armed fighters crossed a narrow river marking the frontier with Sierra Leone, and entered the West African state of Liberia. The civil war which followed plunged the African continent's oldest republic into a long and agonising nightmare, during which the country was torn apart and its people brutalised by terror, violence and bloodshed. The war promised to liberate Liberians after almost ten years of vicious dictatorship under President Samuel Doe; instead, as the first shots were fired, the seeds of Liberia's devastation were sown.
Mark Huband's account of the conflict, which begins a few days after the original incursion, is a moving and dramatic portrayal of the war as it unfolded. His extensive research and access to key figures in the conflict, together with a wealth of poignant and disturbing eye-witness detail, provide a fascinating portrait of Doe, his US-backed rule, and the enemies he made. Vivid and often harrowing, the book draws upon the author's experience of living among the fighters, the leaders and the terrorised population as they witnessed the growing horror of the conflict in which they had become trapped.

Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa.

This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution.

Living in a place between criticism and biography, Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation.

The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.

This book was by far the earliest book-length study of any aspect of modern Arabic literature to be published outside the Arab world.

The core of the book is Oliver's account of his research travels throughout tropical Africa from the 1940s to the 1980s; his efforts to train and foster African graduate students to teach in African universities; his role in establishing conferences and journals to bring together the work of historians and archaeologists from Europe and Africa; his encounters with political and religious leaders, scholars, soldiers, and storytellers; and the political and economic upheavals of the continent that he witnessed.

This open access book is about Mozambicans and Angolans who migrated in state-sponsored schemes to East Germany in the late 1970s and throughout the 1980s. They went to work and to be trained as a vanguard labor force for the intended African industrial revolutions. While they were there, they contributed their labor power to the East German economy. This book draws on more than 260 life history interviews and uncovers complex and contradictory experiences and transnational encounters. What emerges is a series of dualities that exist side by side in the memories of the former migrants: the state and the individual, work and consumption, integration and exclusion, loss and gain, and the past in the past and the past in the present and future. By uncovering these dualities, the book explores the lives of African migrants moving between the Third and Second worlds. Devoted to the memories of worker-trainees, this transnational study comes at a time when historians are uncovering the many varied, complicated, and important connections within the global socialist world.