With forty accessible essays on the key intellectual contributions to Pan-Africanism, this volume offers readers a fascinating insight into the intellectual thinking and contributions to Pan-Africanism. The book explores the history of Pan-Africanism and quest for reparations, early pioneers of Pan-Africanism as well as key activists and politicians, and Pan-African philosophy and literati. Diverse and key figures of Pan-Africanism from Africa, the Caribbean, and America are covered by these chapters, including: Edward Blyden, W.E.B. Du Bois, Marcus Garvey, Amy Ashwood Garvey, George Padmore, Kwame Nkrumah, Franz Fanon, Amilcar Cabral, Arthur Lewis, Maya Angelou, C.L.R. James, Ruth First, Ali Mazrui, Wangari Maathai, Thabo Mbeki, Wole Soyinka, Derek Walcott, and Chimamanda Adichie. While acknowledging the contributions of these figures to Pan-Africanism, these essays are not just celebratory, offering valuable criticism in areas where their subjects may have fallen short of their ideals. -- .

Explores the history of Britain's colonial army in West Africa, especially the experiences of ordinary soldiers recruited in the region. West African Soldiers in Britain's Colonial Army explores the complex and constantly changing experience of West African soldiers under British command in Nigeria, the Gold Coast (now Ghana), Sierra Leone, and the Gambia. Since cost and tropical disease limited the deployment of British metropolitan troops to the region, British colonial rule in West Africa depended heavily on locally recruited soldiers and their families. This force became Britain's largest colonial army in Sub-Saharan Africa. West African Soldiers looks at the development of this colonial military from the conquest era of the late nineteenth century to decolonization in the 1950s. Rather than describing the many battles fought by this army both regionally and overseas, and informed by the concept of military culture, the book looks at the broad and overlapping themes of identity, culture, daily life, and violence. Chapter topics include the enslaved origins of the force, military identities including the myth of martial races, religious life, visual symbols like uniforms and insignia, health care related to tropical and sexually transmitted diseases, the experience of army wives, disciplinary flogging, mutiny, day-to-day violence committed by troops, and the employment of former soldiers by the colonial state. Based on archival research in five countries, the book derives inspiration from previous work on ordinary African soldiers in the British and German colonies of East Africa and in French West Africa.

African photography has emerged as a significant focus of research and scholarship over the last twenty years, the result of a growing interest in postcolonial societies and cultures and a turn towards visual evidence across the humanities and social sciences. At the same time, many rich and fascinating photographic collections have come to light. This volume explores the complex theoretical and practical issues involved in the study of African photographic archives, based on case studies drawn from across the continent dating from the 19th century to the present day. Chapters consider what constitutes an archive, from the familiar mission and state archives to more local, vernacular and personal accumulations of photographs; the importance of a critical and reflexive engagement with photographic collections; and the question of where and what is 'Africa', as constructed in the photographic archive. Essential reading for all researchers working with photographic archives, this book consolidates current thinking on the topic and sets the agenda for future research in this field.

When the British took control of the Indian Ocean island of Mauritius soon after the abolition of the slave trade, they were faced with a labour-hungry and potentially hostile Franco-Mauritian plantocracy. This book explores the context in which Indian convicts were transported to the island and put to work building the infrastructure necessary to fuel the expansion of the sugar industry. Drawing on hitherto unexplored archival material, it is shown how convicts experienced transportation and integrated into the Mauritian social and economic fabric.

The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work. The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather the winds of change in order to change themselves. Divided into six books, The Crock of Gold-no doubt inspired by the Irish oral tradition of storytelling-follows the Philosopher's quest to save the most beautiful woman in the world; his encounter with the gods who have captured her; his return home and arrest for murder (he has been framed by leprechauns incensed at the loss of their crock of gold); and finally, the Thin Woman's quest to find the fabled Three Infinites. James Stephens' The Crock of Gold is perhaps unparalleled in its ability to weave together ancient narrative techniques, mythological sources, and such dominant themes of its day as gender equality and humanity's quest for self-understanding beyond the traditional boundaries of faith and religion. It is also a darkly comic novel, full of ironic political commentary and suspiciously human conversations situated within the animal world. Most popular of Stephens' works, The Crock of Gold conceals in its humorous, irreverent outlook a deeply serious, ultimately reverent love for the human soul-unsurprising for an author whose life was marked with difficulty from the very beginning. With a beautifully designed cover and professionally typeset manuscript, this new edition of James Stephens' The Crock of Gold is a classic of Irish literature reimagined for modern readers.

Native Life in South Africa (1916) is a book by Solomon T. Plaatje. Written while Plaatje was serving as General Secretary of the South African Native National Congress, the work shows the influence of American activist and socialist historian W. E. B. Du Bois, whom Plaatje met and befriended. Using historical analysis and firsthand accounts from native South Africans, Plaatje exposes the cruelty of colonialism and analyzes the significance of the 1913 Natives' Land Act. "Awaking on Friday morning, June 20, 1913, the South African Native found himself, not actually a slave, but a pariah in the land of his birth." Native Life in South Africa begins with the passage of the 1913 Natives' Land Act, which made it illegal for Black South Africans to lease and purchase land outside of government designated reserves. The act, which was the first of many segregation laws passed by the Union Parliament, was devastating to millions of poor South African natives, most of whom relied on leasing land from white farmers to survive.< With a beautifully designed cover and professionally typeset manuscript, this edition of Solomon T. Plaatje's Native Life in South Africa is a classic of South African literature reimagined for modern readers.

The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work. The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather the winds of change in order to change themselves. Divided into six books, The Crock of Gold-no doubt inspired by the Irish oral tradition of storytelling-follows the Philosopher's quest to save the most beautiful woman in the world; his encounter with the gods who have captured her; his return home and arrest for murder (he has been framed by leprechauns incensed at the loss of their crock of gold); and finally, the Thin Woman's quest to find the fabled Three Infinites. James Stephens' The Crock of Gold is perhaps unparalleled in its ability to weave together ancient narrative techniques, mythological sources, and such dominant themes of its day as gender equality and humanity's quest for self-understanding beyond the traditional boundaries of faith and religion. It is also a darkly comic novel, full of ironic political commentary and suspiciously human conversations situated within the animal world. Most popular of Stephens' works, The Crock of Gold conceals in its humorous, irreverent outlook a deeply serious, ultimately reverent love for the human soul-unsurprising for an author whose life was marked with difficulty from the very beginning. With a beautifully designed cover and professionally typeset manuscript, this new edition of James Stephens' The Crock of Gold is a classic of Irish literature reimagined for modern readers.

This book provides fresh insights into how the British press affected both British perceptions of decolonisation in Africa and British policy towards it during the 'wind of change' period. It also reveals, for the first time, the extent to which British newspaper coverage was of relevance to African and white settler readerships. British newspapers informed the political strategies and civic cultures of African activists, nationalists, liberal whites in Africa, the staunchest of white settler communities, and the first governments of independent African states and their opponents. The British press, British public opinion and British journalists became etched into the lived experiences of the end of empire affecting Anglo-African and Anglo-settler relations to this day. Arguing that the press cast a transnational web of influence over the decolonisation process in Africa, the author explores the relationships between the British, African and settler public and political spheres, and highlights the mediating power of the British press during the late 1950s. The book draws from a range of British newspapers, official government documents, newspaper archives, interviews, memoirs, autobiographies and articles printed in African and white settler papers. It will be of interest to historians of decolonisation, Africa, the media and the British Empire.

This edited volume systematically analyzes the connection between xenophobia, nativism, and Pan-Africanism. It situates attacks on black Africans by fellow black Africans within the context of ideals such as Pan-Africanism and Ubuntu, which emphasize unity. The book straddles a range of social science perspectives to explain why attacks on foreign nationals in Africa usually entail attacks on black foreign nationals. Written by an international and interdisciplinary team of scholars, the book is divided into four sections that each explain a different facet of this complicated relationship. Section One discusses the history of colonialism and apartheid and their relationship to xenophobia. Section Two critically evaluates Pan-Africanism as a concept and as a practice in 21st century Africa. Section Three presents case studies on xenophobia in contemporary Africa. Section Four similarly discusses cases of nativism. Addressing a complex issue in contemporary African politics, this volume will be of use to students and scholars interested in African studies, African politics, human rights, migration, history, law, and development economics.

How do some dictatorships become institutionalized ruled-based systems, while others remain heavily personalist? Once implemented, do executive constraints actually play an effective role in promoting autocratic stability? To understand patterns of regime institutionalization, this book studies the emergence of constitutional term limits and succession procedures, as well as elite power-sharing within presidential cabinets. Anne Meng argues that institutions credibly constrain leaders only when they change the underlying distribution of power between leaders and elites by providing elites with access to the state. She also shows that initially weak leaders who institutionalize are less likely to face coup attempts and are able to remain in office for longer periods than weak leaders who do not. Drawing on an original time-series dataset of 46 countries in Sub-Saharan Africa from 1960 to 2010, formal theory, and case studies, this book ultimately illustrates how some dictatorships evolve from personalist strongman rule to institutionalized regimes.

First published to mark the centenary of Nelson Mandela's birth, The Prison Letters of Nelson Mandela sparked celebrations around the globe. Featuring 94 letters selected from that landmark collection, as well as new introductory material and six new letters that have never been published, this historic paperback provides an essential political history of the late twentieth century and illustrates how Mandela maintained his inner spirit while imprisoned. Whether they are longing love letters to his wife, Winnie; heartrending notes to his beloved children; or articulations of a human-rights philosophy that resonates today, these letters reveal the heroism of a man who refused to compromise his moral values in the face of extraordinary human punishment, invoking a "story beyond their own words" (The New York Times). This new paperback edition-essential for any literature lover, political activist and student-positions Mandela amongst the most inspiring historical figures of the twentieth century.

Drama for Life, University of the Witwatersrand, aims "to enhance the capacity of young people, theatre practitioners and their communities to take responsibility for the quality of their lives in the context of HIV and AIDS in Africa. We achieve this through participatory and experiential drama and theatre that is appropriate to current social realities but draws on the rich indigenous knowledge of African communities." Collected here is a representative set of research essays written to facilitate dialogue across disciplines on the role of drama and theatre in HIV/AIDS education, prevention, and rehabilitation. Reflections are offered on present praxis and the media, as well as on innovative research approaches in an interdisciplinary paradigm, along with HIV/AIDS education via performance poetry and other experimental methods such as participant-led workshops. Topics include: the call for a move away from the binaries of much critical pedagogy; a project, undertaken in Ghana and Malawi with people living with AIDS, to create and present theatre; the contradictions between global and local expectations of applied drama and theatre methodology, in relation to folk media, participation, and syncretism. Three case studies report on mapping as a creative device for playmaking; the methodology of Themba Interactive Theatre; and applying drama with women living with HIV in the Zandspruit Informal Settlement. The essays validate the importance of play in both energizing those in positions of hopelessness and enabling the distancing essential to observe one's situation and enable change. The book stimulates the ongoing investigation of current practice and extends an invitation to further develop innovative approaches.

The ongoing tension and hostility between China and Taiwan in Africa are a continuation of the Chinese Civil War (1927-1949) between the forces of the Chinese Communist Party (CCP) which remained in mainland China, and the Kuomintang (KMT) of the Republic of China (ROC) which fled to the island of Taiwan. In the intervening years, China has claimed Taiwan as part of its territory and through persistent and aggressive political and economic efforts convinced much of the world to accept her as the sole and legitimate seat of the Chinese people and government. Africa-China-Taiwan Relations, 1949-2020 provides a coherent account of why and how China was able to convince African governments to acquiesce to her claims which have resulted in the expulsion of and the diplomatic isolation of Taiwan on the African continent. This volume, edited by Sabella Ogbobode Abidde, also explains Taiwan's unsuccessful efforts at blunting China's maneuvers. It further discusses the endogenous and exogenous factors that swayed African governments to switch their diplomatic allegiance away from Taiwan-a country that was for many years an ally and dependable partner in their quest for growth and development. Finally, the book contains critical assessments of the role and place of China and Taiwan and their current relationship with states and societies on the African continent.

The battle of Rorke's Drift is established in history as one of Britain's most incredible actions where approximately 155 defenders held off a Zulu force of over 4,000 warriors, in a savage, bloody conflict with no quarter given by either side. The battle led to a display of incredible fortitude, courage and tenacity resulting in mutual respect between British red coat and Zulu warrior. Using a vast array of primary accounts, including lesser known, and previously unpublished examples, the author describes the battle in vivid detail. The actions of each of the 11 Victoria Cross recipients are looked at in detail, together with those men who were awarded the DCM. Illustrated with previously unpublished artwork, 'Rorke's Drift-A New Perspective' is a gripping account, which questions what is commonly believed to be the true interpretation of the hospital fighting. A truly compelling read, packed with numerous footnotes and sources, appealing to both the casual reader and the serious historian.

A reinterpretation of the history of Sokoto that provides a new assessment of its leaders and their visions for the Muslim state. Sokoto was the largest and longest lasting of West Africa's nineteenth-century Muslim empires. Its intellectual and political elite left behind a vast written record, including over 300 Arabic texts authored by the jihad's leaders: Usman dan Fodio, his brother Abdullahi and his son, Muhammad Bello (known collectively as the Fodiawa). Sokoto's early years are one of the most documented periods of pre-colonial African history, yet current narratives pay little attention to the formative role these texts played in the creation of Sokoto, and the complex scholarly world from which they originated. Far from being unified around a single concept of Muslim statecraft, this book demonstrates how divided the Fodiawa were about what Sokoto could and should be, and the various discursive strategies they used to enrol local societies into their vision. Based on a close analysis of the sources (some appearing in English translation for the first time) and an effort to date their intellectual production, the book restores agency to Sokoto's leaders as individuals with different goals, characters and methods. More generally, it shows how revolutionary religious movements gain legitimacy, and how the kind of legitimacy they claim changes as they move from rebels to rulers.

This book completes a trilogy by the anthropologist Wendy James. It is a case study of how the Uduk-speaking people, originally from the Blue Nile region between the 'north' and the 'south' of Sudan, have been caught up in and displaced by a generation of civil war. Some have responded by defending their nation, others by joining the armed resistance of the Sudan People's Liberation Army, and yet others eventually finding security as international refugees in Ethiopia, and even further afield in countries such as the USA. Sudan's peace agreement of 2005 leaves much uncertainty for the future of the whole country, as conflict still rages in Darfur. The Uduk case shows how people who once lived together now try to maintain links across borders and even continents through modern communications, and where possible recreate their 'traditional' forms of story-telling, music, and song.

The earliest development of Arabic historical writing remains shrouded in uncertainty until the 9th century CE, when our first extant texts were composed. This book demonstrates a new method, termed riwaya-cum-matn, which allows us to identify citation-markers that securely indicate the quotation of earlier Arabic historical works, proto-books first circulated in the eighth century. As a case study it reconstructs, with an edition and translation, around half of an annalistic history written by al-Layth b. Sa'd in the 740s. In doing so it shows that annalistic history-writing, comparable to contemporary Syriac or Greek models, was a part of the first development of Arabic historiography in the Marwanid period, providing a chronological framework for more ambitious later Abbasid history-writing. Reconstructing the original production-contexts and larger narrative frames of now-atomised quotations not only lets us judge their likely accuracy, but to consider the political and social relations underpinning the first production of authoritative historical knowledge in Islam. It also enables us to assess how Abbasid compilers combined and augmented the base texts from which they constructed their histories.

Kwame Nkrumah's Political Kingdom and Pan-Africanism ReInterpreted, 1909-1972 provides an in-depth study of the life of the late Pan-African leader from the former Gold Coast, Kwame Nkrumah. Authors A.B. Assensoh and Yvette M. Alex-Assensoh analyze Nkrumah's life from his birth on the Gold Coast through his studies in the United Kingdom and the United States, his activism and political life, and his exile and death. Throughout, Assensoh and Alex-Assensoh present a twenty-first-century reinterpretation of Nkrumah's Pan-Africanist views in the context of Black unity as well as Black liberation within the African continent and the United States and Caribbean diaspora.

The Umayyad World encompasses the archaeology, history, art, and architecture of the Umayyad era (644-750 CE). This era was formative both for world history and for the history of Islam. Subjects covered in detail in this collection include regions conquered in Umayyad times, ethnic and religious identity among the conquerors, political thought and culture, administration and the law, art and architecture, the history of religion, pilgrimage and the Qur'an, and violence and rebellion. Close attention is paid to new methods of analysis and interpretation, including source critical studies of the historiography and inter-disciplinary approaches combining literary sources and material evidence. Scholars of Islamic history, archaeologists, and researchers interested in the Umayyad Caliphate, its context, and infl uence on the wider world, will find much to enjoy in this volume.

Enjoy a rich collection of folktales, myths and legends from all over Africa and the Caribbean, re-told for young readers. From the trickster tales of Anansi the spider, to the story of how the leopard got his spots; from the tale of the king who wanted to touch the moon, to Aunt Misery's magical starfruit tree. This book includes traditional favourites and classic folktales and mythology.

This book investigates the experiences of second- and third-generation Italians living in South Africa, exploring how nostalgia for Italy influences their sense of identity and belonging.

The Italian community in South Africa is a unique diaspora, with a complex history, including roots in Italian colonial activities in Africa, and in World War II. This book looks at how the descendants of these early migrants take pride in being Italian and value the Italian language. They also ascribe much importance to their family roots, and have often created a romanticized image of Italy, mostly based on childhood vacation visits. The longing for an imaginary idealized version of Italy is closely linked to their wider search for a sense of identity and belonging against the backdrop of South African society, currently still grappling with its own multicultural identity.

Interdisciplinary by design, this book draws on insights from both cultural studies and psychology in order to shine a light on an important and under-studied diasporic community. The book will be of interest to scholars from across migration studies and the Humanities in general.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Table of Contents

Chapter 1: Situating our work

Chapter 2: Meeting in the diaspora, researching the diaspora

Chapter 3: Theoretical context

Chapter 4: Historical context of the Italian community

Chapter 5: "Our family does everything together": The importance of the family of origin

Chapter 6: "I find it unique and I am proud to be Italian": The relationship with Italy and the larger Italian community in South Africa

Chapter 7: "The point of going to Italy is the sense of belonging": The meaning of visits to Italy

Chapter 8: "There is a lot of pain that I have inherited": Identity through nostalgia

Chapter 9: "I don’t feel Italian there and I don’t feel South African here": Finding belonging in an interliminal space

Chapter 10: Conclusion

Appendix: The participants

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The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists.
There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom.
With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.