This book investigates the experiences of second- and third-generation Italians living in South Africa, exploring how nostalgia for Italy influences their sense of identity and belonging.

The Italian community in South Africa is a unique diaspora, with a complex history, including roots in Italian colonial activities in Africa, and in World War II. This book looks at how the descendants of these early migrants take pride in being Italian and value the Italian language. They also ascribe much importance to their family roots, and have often created a romanticized image of Italy, mostly based on childhood vacation visits. The longing for an imaginary idealized version of Italy is closely linked to their wider search for a sense of identity and belonging against the backdrop of South African society, currently still grappling with its own multicultural identity.

Interdisciplinary by design, this book draws on insights from both cultural studies and psychology in order to shine a light on an important and under-studied diasporic community. The book will be of interest to scholars from across migration studies and the Humanities in general.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Table of Contents

Chapter 1: Situating our work

Chapter 2: Meeting in the diaspora, researching the diaspora

Chapter 3: Theoretical context

Chapter 4: Historical context of the Italian community

Chapter 5: "Our family does everything together": The importance of the family of origin

Chapter 6: "I find it unique and I am proud to be Italian": The relationship with Italy and the larger Italian community in South Africa

Chapter 7: "The point of going to Italy is the sense of belonging": The meaning of visits to Italy

Chapter 8: "There is a lot of pain that I have inherited": Identity through nostalgia

Chapter 9: "I don’t feel Italian there and I don’t feel South African here": Finding belonging in an interliminal space

Chapter 10: Conclusion

Appendix: The participants

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The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists.
There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom.
With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.

This volume addresses the ways the 'native labour' question in the Portuguese late colonial empire in Africa became a recurrent topic of international and transnational debate and regulation after the Second World War. As other European colonial empires were tentatively transforming their labour and social policies in the aftermath of the war, the Portuguese Empire in Africa resisted significant changes in this domain, preserving a strict dual labour regime. As a result, a growing number of individuals, networks and institutions abroad engaged with labour and social realities in Portuguese African colonies, giving origin to a series of instances of denunciation of labour-related abuses. Portuguese authorities responded to these initiatives by selectively engaging with international norms, languages and mechanisms. However, as global decolonisation gained momentum, international and transnational events and processes would significantly constrain Portuguese imperial and colonial decision-making procedures, with the aim of retaining the empire. Therefore, the 'native labour' question became in its own right a crucial political and diplomatic element of the broader struggles over the meaning of Portuguese imperial legitimacy. As this volume argues, these historical processes are critical to properly understanding the history of Portuguese late colonialism and its protracted trajectory of decolonisation.

Domestic service has long been one of the largest forms of urban employment across southern Africa. Home economics provides the first comprehensive history of this essential sector in the decades following independence and the end of apartheid. Focusing on Lusaka and drawing wider comparisons, the book traces how Black workers and employers adapted existing models of domestic service as part of broader responses to changing gendered employment patterns, economic decline, and endemic poverty. It reveals how kin-based domestic service gradually displaced wage labour and how women and girl workers came to dominate kin-based and waged domestic service, with profound consequences for labour regulation and worker organising. Theoretically innovative and empirically rich, the book provides essential insights into debates about gender, work, and urban economies that are critical to understanding southern Africa's post-colonial and post-apartheid history. This book is relevant to United Nations Sustainable Development Goal 8, Decent work and economic growth -- .

Chinua Achebe and the Igbo-African World: Between Fiction, Fact, and Historical Representation explores Chinua Achebe's literary works and how they communicated the Igbo-African world to readers. Engaging in the politics of representation, Achebe sought to demystify deterministic views of race and cultural ethnocentrism. While his books and commentaries have been very influential in shaping a unique and multifaceted view of the African world, some scholars have challenged Achebe's representations of historical reality. Through in-depth analyses of his writing, contributors examine the interpretations Achebe imposed on African culture and history in his texts. The chapters cover Achebe's engagement with critical issues like historical representation, gender relations, and indigenous political institutions in a changing society. Throughout, contributors present new ways for understanding Achebe's literary works and show how his work draws from African historical reality and identity while challenging Western epistemological hegemony.

In the midst of apartheid in South Africa, journalist Maurice Hommel documented the cruel injustices and tensions running rampant within the country. What he saw forever impacted his life.

"Conversations and Soliloquies" presents a collection of Hommel's essays and articles from the last fifty-five years, documenting and analyzing South African history during and after apartheid. Over time, the essays illuminate, in sometimes graphic detail, the anti-apartheid struggle that defined South Africa for decades.

Beginning with the Sharpeville Massacre of 1960, Hommel delves into the bloody history of apartheid and traces how it pervaded every segment of society. His interviews with prominent South Africans, including Desmond Tutu and Neville Alexander, offer intimate glimpses into the thoughts of those working for change. In addition, stark photographs capture the emotions of the time.

In its breadth of historical perspectives, this collection is a significant contribution to an understanding of South Africa's evolution to a nonracial, nonsexist, democratic country. Although lingering prejudices and smoldering resentments remain, Hommel carries an unshakable optimism of South Africa's enormous potential. "Conversations and Soliloquies" captures that hope.

Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa.

This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution.

Living in a place between criticism and biography, Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation.

The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.

“How did we move from the inspiring moments of Nelson Mandela’s release after 27 years of incarceration, and the euphoria of our first democratic elections in 1994, to State Capture and the disaster of Jacob Zuma’s reign – a controversial President with over 800 charges of corruption pending? More importantly, what can we as a nation do about it? These are big issues – but Neil Wright does not pull any punches in bringing them out in the open and is not shy to give his opinions and possible solutions. His core message is that for true transformation to happen, it has to happen from the inside out, not imposed from the top down. By embracing the concept of “One Race, the Human Race, Now!” South Africans have the chance to emerge from present challenges and finally shake off the shadow of our divided past.”

From 1927-1948, the Universal Ethiopian Students' Association (UESA) mobilized the African diaspora to fight against imperialism and fascist Italy. Formed by a group of educated Africans, African-Americans, and West Indians based in Harlem and shaped by the ideals of Ethiopianism, communism, Pan-Africanism, Black Nationalism, Garveyism, and the New Negro Movement, the UESA sought to educate the diaspora about its glorious African past and advocate for anti-imperialism and independence. This book focuses on the UESA's literary organ, The African, mapping a constellation of understudied activists and their contributions to the fight for Black liberation in the twentieth century.

Enjoy a rich collection of folktales, myths and legends from all over Africa and the Caribbean, re-told for young readers. From the trickster tales of Anansi the spider, to the story of how the leopard got his spots; from the tale of the king who wanted to touch the moon, to Aunt Misery's magical starfruit tree. This book includes traditional favourites and classic folktales and mythology.

Applies new approaches to the study of a small, densely populated region of West Africa, integrating them into a regional history that analyzes interactions between localities and the modern state. Constructions of Belonging provides a history of local communities living in Southeastern Nigeria since the late nineteenth century, examining the processes that have defined, changed, and re-produced these communities. Harneit-Sievers explores both the meanings and the uses that the community members have given to their particular areas, while also looking at the processes that have shaped local communities, and have made them work and continue tobe relevant, in a world dominated by the modern territorial state and by worldwide flows of people, goods, and ideas. Axel Harneit-Sievers is a Research Fellow at the Center for Modern Oriental Studies, and Director ofthe Nigeria Office of the Heinrich Boell Foundation in Lagos.

Swaziland-recently renamed Eswatini-is the only nation-state in Africa with a functioning indigenous political system. Elsewhere on the continent, most departing colonial administrators were succeeded by Western-educated elites. In Swaziland, traditional Swazi leaders managed to establish an absolute monarchy instead, qualified by the author as benevolent and people-centred, a system which they have successfully defended from competing political forces since the 1970s. This book is the first to study the constitutional history of this monarchy. It examines its origins in the colonial era, the financial support it received from white settlers and apartheid South Africa, and the challenges it faced from political parties and the judiciary, before King Sobhuza II finally consolidated power in 1978 with an auto-coup d'etat. As Hlengiwe Dlamini shows, the history of constitution-making in Swaziland is rich, complex, and full of overlooked insight for historians of Africa.

This book provides a social interpretation of written South African translation history from the seventeenth century to the present, considering how trends involving various languages have reflected ideologies and unequal power relations and focusing attention on translation's often hidden social operation. Translation is investigated in relation to colonial mercantilism, scientific knowledge of extraction, Christian missionary conversion, Islamic education, various nationalisms, apartheid oppression and the anti-apartheid struggle, neoliberalism, exclusion and post-apartheid social transformation by employing Niklas Luhmann's social systems theory. This book will be an essential resource for scholars, graduate students, and general readers who are interested in or work on the history and practice of translation and its cultural agents in the South African context.

He needed to hear Africa speak for itself after a lifetime of hearing Africa spoken about by others Electrifying essays on the history, complexity, diversity of a continent, from the father of modern African literature. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Togo's history from precolonial times to the present is one of a struggle for identity and leadership. A territory relatively untouched by neighboring pre-colonial empires was colonized by both the Germans and the French, and even before independence Togo was shaped by the struggle for political control by prominent families. Since the 1990s, widespread political movements have striven to unseat the ruling Gnassingbe family, in power for more than 50 years, only to be repressed by the military or thwarted at the ballot box. Economically more prosperous compared to many of the other countries in the West African region, Togo has diversified its economy from an early dependence on phosphates, and has navigated trade and foreign relations remarkably well for a country of only 7 million people, with a territory less than a quarter the size of neighboring Ghana. With at least 30 ethnic groups and wide array of languages, religions and cultural traditions, Togo is representative of the rich diversity of contemporary Africa, and a vibrant illustration of the dual quest for development and democracy that characterizes the West African region. The fourth edition of Historical Dictionary of Togo contains a chronology, an introduction, an extensive bibliography, and a dictionary section has over 1,000 cross-referenced dictionary entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Togo.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.
The Dark Princess is a story of magical love and radical politics, a romance facing obstacles in a white-dominated world. Du Bois's allegorical tale follows Mathew Townes from his political disillusionment to his association with a powerful and seductive revolutionary leader, Kautilya, the princess of the Tibetan Kingdom of Bwodpur. With Dark Princess, Du Bois explores the color line from a fantastical angle while inserting his signature sociological style. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Homi Bhahba, this edition is essential for anyone interested in African American history.

Think that Ancient Egypt is just a load of old obelisks? Don't bet your afterlife on it. Ancient Egypt should be deader than most of our yesterdays. After all it was at its height 5,000 years ago. Yet we still marvel at its mummies and ponder over its pyramids. It's easy to forget these people once lived and laughed, loved and breathed ...though not for very long. These were dangerous days for princes and peasants alike. In Ancient Egypt - a world of wars and woes, poverty and plagues - life was short. Forty was a good age to reach. A pharaoh who was eaten by a hippo ended up as dead as a ditch-digger stung by a scorpion. Unwrap the bandages and you'll find that the Egyptians' bizarre adventures in life were every bit as fascinating as the monuments they left to their deaths.

A major new look at how Africa's geological history, climate, geography and biology resulted in the wonderful diversity of life found there. It is also the story of how it was the crucible for the evolution most extraordinary species on Earth - Homo sapiens.

Africa has properties that ensure that most of human evolution could have occurred nowhere else. A greater diversity of mammal, bird and many other forms of life has forced more and more species to squeeze into narrower and narrower niches. Human complexity has evolved directly in response to this, the most complex of continents.

On offer here is an intensely personal portrait of a continent bolstered by Jonathan Kingdon's own animal senses, the same excited set of senses he was born in Africa with. Senses that look, listen, scent and grasp at the mother-continent. Not just his personal motherland but the birthplace of all humanity.

6 symbols with an ancient past: the scarab beetle, cobra goddess Renenutet, falcon god Horu; vulture goddess Nekhbet, the Eye of Horus, and Amun, "the king of gods," depicted as a ram.

International scholars explore one of the most important postcolonial novels of African literature. Joint winner of Best Non-Fiction Biography, Humanities and Social Sciences Awards 2020 Sol Plaatje's Mhudi is the first full-length novel in English to have been written by a black South African and is widely regarded as one of Africa's most important literary works. Drawing upon both oral and literary traditions, Plaatje uses the form of the historical novel, and romance genre, to explore the 19th-century dispossession of his people, to provide a novel black perspective on their history. It is a book that speaks to present-day concerns, to do with land, language, history and decolonisation. Today the novel has iconic status, not only in South Africa, but worldwide - it has been translated into a number of languages - and its impact on other writers has been profound. The novelist Bessie Head described it as "more than a classic; there is just no other book on earth like it. All the stature and grandeur of the author are in it." A century after its writing in London in 1920 [it was published in South Africa in 1930, for reasons explained in the book], and at a time of intellectual ferment, with debates on decolonisation to the fore, in popular culture as much as in the academy, this book celebrates Mhudi's place in African literature, reviews its critical reception, and offers fresh perspectives. The contributors discuss Mhudis genesis, writing and publication; its reception by literary critics from the 1930s to thepresent; Mhudi as a feminist novel; Mhudis use of oral tradition; issues of translation; Mhudi in the context of African literature and history, and the decolonisation of the curriculum. An authoritative listing of all editions of Mhudi, translations as well as in English completes the book. SABATA MOKAE is a novelist and lecturer in creative writing at Sol Plaatje University, Kimberley, and the author of The Story of Sol T. Plaatje (2010). BRIAN WILLAN is Senior Research Fellow at Rhodes University, Extraordinary Professor at Sol Plaatje and North West Universities. He is the author of Sol Plaatje: a life of Solomon Tshekisho Plaatje,1876-1932 (2018), and co-editor (with Janet Remmington and Bheki Peterson) of Sol Plaatje's Native Life in South Africa: Past and Present (2016). Africa: Jacana