Forced Migration, first published in 1982, examines the impact of the slave trade on Africa. There has been much debate over recent years about the effect of the Atlantic slave trade on Africa, with some authorities claiming that there were huge figures involved, and that these set back Africa's development for many years. Other historians reach lower estimates of the figures involved in the Atlantic trade, and hence argue that the effects on the political economy of Africa were more limited. Had widespread slavery existed long before the growth of the European slave trade? How important was the trans-Saharan traffic? Dr Inikori is the most authoritative voice in Africa to take part in this controversial international debate. He has done much original research into records, and here has made and introduced a selection of key papers. He has added elucidating editorial comments that place each paper in its context and link it to the other contributions.

You Can't Go to War without Song explores the role of public performance in political activism in contemporary South Africa. Weaving together detailed ethnographic fieldwork and an astute theoretical framework, Omotayo Jolaosho examines the cohesive power of protest songs and dances within the Anti-Privatisation Forum (APF), one of many social movements that emerged in the wake of South Africa's democratic transition after 1994. Jolaosho demonstrates the ways APF members adapted anti-apartheid songs and dance to create new expressive forms that informed and commented on their struggles for access to water, electricity, housing, education, and health facilities, the costs of which had been made prohibitive by privatization. You Can't Go to War without Song offers profiles of individual activists to amplify its central point: social movements like the APF are best understood as the coming together of individuals, and it is the songs and dances of the movement that bind these individual together and create opportunity for community organization. Chapters on women and youth complicate such understandings of community, however, showing how activist live and experiences are shaped by gender and generation.

In many respects, Zambia is an African success story. From a territory whose borders were drawn with minimal attention either to the ethnic geography of the day or to natural features that combined (and sometimes divided) dozens of distinct ethnic groups, rose a nation with a long record of peace that has enjoyed decades of constitutional rule, and even, in recent years, an increasingly competitive democracy. Perhaps most improbably, the country has forged a national identity. Unfortunately, peace, constitutionalism, democracy, and nationhood constantly face challenges, such as in the elections of 2006 when the ugly language of ethnic confrontation found renewed currency. Moreover, Zambia's economic record and prospects have been on the decline. After over four decades, per capita incomes are lower than they were at the dawn of independence, and 95 percent of its people live on less that $2 per day. Despite repeated efforts to diversify the economy, copper exports and foreign assistance are the main sources of the vast majority of Zambia's foreign exchange earnings. And most devastating at all, the AIDS pandemic has already lowered the average life expectancy below 40. For a country one might regard as "heading in the right direction," Zambia has a long way to go. The third edition of Historical Dictionary of Zambia, through its chronology, introductory essay, appendixes, map, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions and significant political, economic, social, and cultural aspects, provides an important reference on this African country.

If postmortems of the 2016 US presidential election tell us anything, it's that many voters discriminate on the basis of race, which raises an important question: in a society that outlaws racial discrimination in employment, housing, and jury selections, should voters be permitted to racially discriminate in selecting a candidate for public office? In Whitelash, Terry Smith argues that such racialized decision-making is unlawful and that remedies exist to deter this reactionary behavior. Using evidence of race-based voting in the 2016 presidential election, Smith deploys legal analogies to demonstrate how courts can decipher when groups of voters have been impermissibly influenced by race, and impose appropriate remedies. This groundbreaking work should be read by anyone interested in how the legal system can re-direct American democracy away from the ongoing electoral scourge that many feared 2016 portended.

Expanded third edition of this key text on the complex underlying conditions of the civil war from the 1960s to the present day, including a new chapter on the current wars in Sudan's new south and South Sudan. Sudan's post-independence history has been dominated by political and civil strife. Most commentators have attributed the country's recurring civil war either to an age-old racial divide between Arabs and Africans, or to recent colonially constructed inequalities. This book attempts a more complex analysis, briefly examining the historical, political, economic and social factors which have contributed to periodic outbreaks of violence between the state andits peripheries. In tracing historical continuities, it outlines the essential differences between the modern Sudan's first civil war in the 1960s and today, including an analysis of the escalation of the Darfur war, implementation of the 2005 peace agreement and implications of the Southern referendum in 2011 and the new war in Sudan's new south and South Sudan. The author also looks at the series of minor civil wars generated by, and contained within, the major conflict, as well as the regional and international factors - including humanitarian aid - which have exacerbated civil violence. This introduction is aimed at students of North-East Africa, and of conflict and ethnicity. It will be essential reading for those in aid and international organizations who need a straightforward analytical survey which will help them assess the prospects for a lasting peace in Sudan. Douglas H. Johnson isan independent scholar and former international expert on the Abyei Boundaries Commission.

Race and ethnicity continue to be important if unwelcome factors in modern politics. This is evident in East Africa, where the ethnic factor is often dominant in multi-party elections and in Rwanda and Burundi bloodshed and genocidal attacks have been linked to ethnic difference. This book examines the phenomena of race and ethnicity in general, but with particular reference to East Africa. The impact of non-indigenous groups is considered, along with ethnic differences between Africans and the relevance of tourism and religion.

Cape of Torments, first published in 1983, is a detailed examination of slavery in the Colony of the Cape of Good Hope. It describes the reactions of the slaves to their conditions of slavery, concentrating on those aspects of their lives which their masters considered criminal, and above all on the large numbers of occasions when slaves ran away in an attempt to start a new life elsewhere. The book examines Cape society and slave organization; the complex relations between slaves and the other groups of population at the Cape - Khoisan, Xhosa, Sotho-Tswana, Dutch East India Co servants and sailors - and the opportunities for escape; major uprisings and rebellions. The major theme of the book is the extent to which the Cape slaves were able to build a culture of their own, and the legacy of slavery to their descendants in modern South Africa.

Popular culture in Africa is the product of everyday life: the unofficial, the non-canonical. And it is the dynamism of this culture that makes Africa what it is. In this book, Karin Barber offers a journey through the history of music, theatre, fiction, song, dance, poetry, and film from the seventeenth century to the present day. From satires created by those living in West African coastal towns in the era of the slave trade, to the poetry and fiction of townships and mine compounds in South Africa, and from today's East African streets where Swahili hip hop artists gather to the juggernaut of the Nollywood film industry, this book weaves together a wealth of sites and scenes of cultural production. In doing so, it provides an ideal text for students and researchers seeking to learn more about the diversity, specificity and vibrancy of popular cultural forms in African history.

This book is a contribution to the global history of the transfer of political ideas, as exemplified by the case of modern Ethiopia. Like many non-European nation-states, Ethiopia adopted a western model of statehood, that is, the nation-state. Unlike the postcolonial polities that have retained the mode of statehood imposed on them by their colonial powers, Ethiopia was never successfully colonized leaving its ruling elite free to select a model of 'modern' (western) statehood. In 1931, via Japan, they adopted the model of unitary, ethnolinguistically homogenous nation-state, in turn copied by Tokyo in 1889 from the German Empire (founded in 1871). Following the Ethiopian Revolution (1974) that overthrew the imperial system, the new revolutionary elite promised to address the 'nationality question' through the marxist-leninist model. The Soviet model of ethnolinguistic federalism (originally derived from Austria-Hungary) was introduced in Ethiopia, first in 1992 and officially with the 1995 Constitution. To this day the politics of modern Ethiopia is marked by the tension between these two opposed models of the essentially central European type of statehood. The late 19th-century 'German-German' quarrel on the 'proper' model of national statehood for Germany - or more broadly, modern central Europe - remains the quarrel of Ethiopian politics nowadays. The book will be useful for scholars of Ethiopian and African history and politics, and also offers a case in comparative studies on the subject of different models of national statehood elsewhere.

This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife - a form of West African music infusing Ghana's traditional Akan dance rhythms and melodies with European instruments and harmonies - grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana.

In Rage and Carnage in the Name of God, Abiodun Alao examines the emergence of a culture of religious violence in postindependence Nigeria, where Christianity, Islam, and traditional religions have all been associated with violence. He investigates the root causes and historical evolution of Nigeria's religious violence, locating it in the forced coming together of disparate ethnic groups under colonial rule, which planted the seeds of discord that religion, elites, and domestic politics exploit. Alao discusses the histories of Christianity, Islam, and traditional religions in the territory that became Nigeria, the effects of colonization on the role of religion, the development of Islamic radicalization and its relation to Christian violence, the activities of Boko Haram, and how religious violence intermixes with politics and governance. In so doing, he uses religious violence as a way to more fully understand intergroup relations in contemporary Nigeria.

Niger is a crossroad, the gate to the outside for West Africans, and the port of entry into West Africa for cross-Saharan tidings and travelers. It remained for centuries the largely uncontrolled periphery of the large empires of the western Sudan and the market cities of the central Sudan. In these two ways, the land forged a very distinctive identity, a fluid blend of diverse communities which make up a nation of marginal cosmopolitans - a paradox illuminated in this book. This fifth edition of Historical Dictionary of Niger contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Niger.

Originally published in Arabic and now available for the first time in English, this groundbreaking study offers a rare window into the history of slavery in the Sudan, with particular attention to the relationships between slaves and masters. Thoroughly documented, it is one of the few extant publications on enslavement of Africans by Africans, providing valuable context to current issues of global concern and combating persistent myths about African slavery.

In January 2003, Kenya was hailed as a model of democracy after the peaceful election of its new president, Mwai Kibaki. By appointing respected longtime reformer John Githongo as anticorruption czar, the new Kikuyu government signaled its determination to end the corrupt practices that had tainted the previous regime. Yet only two years later, Githongo himself was on the run, having secretly compiled evidence of official malfeasance throughout the new administration. Unable to remain silent, Githongo, at great personal risk, made the painful choice to go public. The result was a Kenyan Watergate.

Michela Wrong's account of how a pillar of the establishment turned whistle-blower--becoming simultaneously one of the most hated and admired men in Kenya--grips like a political thriller while probing the very roots of the continent's predicament.

Since 1954, Japan has become home to a vibrant but little-known tradition of Black Studies. Transpacific Correspondence introduces this intellectual tradition to English-speaking audiences, placing it in the context of a long history of Afro-Asian solidarity and affirming its commitments to transnational inquiry and cosmopolitan exchange. More than six decades in the making, Japan's Black Studies continues to shake up commonly held knowledge of Black history, culture, and literature and build a truly globalized field of Black Studies.

A CONSERVATION HISTORY WITH LESSONS FOR TODAY Conservation Song explores ways in which colonial relations shaped meanings and conflicts over environmental control and management in Malawi. By focus- ing on soil conservation, which required an integrated approach to the use and management of such natural resources as land, water and forestry, it examines the origins and effects of policies and their legacies in the post-colonial era. That interrelationship has fundamental contemporary significance and is not simply a phenomenon created in the colonial period. For instance, like other countries in the region, post-colonial Malawi has been bedevilled by increasing rates of environmental degradation due, in part, to the expansion of human and ani- mal populations, cash crop production, drought and consequent deforestation. These issues are as critical today as they were six or seven decades ago. In fact, they are part of a conservation song that has a long and complex history. The song of conservation was initially composed and performed in the colonial peri- od, modified during the immediate postcolonial period and further refashioned in the post-dictatorship period to suit the evolving political climate; but the basic lyrics remain essentially the same. This book attempts to explain the evolution of the conservationist idea whilst demonstrating changes and continuities in peasant-state relations under different political systems. The dominant narrative posits conservation as a progressive movement aimed at re-organising natural resources and protecting them from destruction but the idea was contested and deeply embedded in colonial power relations and scien- tific ethos. Conservation emerged as an important tool of colonial state interven- tion and control concerning people and scarce resources. Conservation Song shows how the idea of conservation was rooted in and driven by a particular type of science about the organisation of space and landscapes. It offers a strategic entry point to understanding the historical roots of Africa's social and ecological problems over time, which are also intertwined with power and poverty relation- ships. In the postcolonial period, the conservation tempo subsided and became neglected in public discourse, only to re-emerge in the 1990s through the democratisation movement.

This volume interrogates some of the multiple ideas and issues that define the shape of postcolonial Nigeria. Postcolonial Nigeria has been the subject of many literatures that identify and interrogate the many issues and problems that had made it near impossible for Nigerians to achieve the anticolonial aspirations that gave birth to independent Nigeria. The rationale for this volume is to situate the thematic inquiry into the problematic of postcolonial Nigerian within the ambit of the humanities and its concerns. These thematic issues include identity configurations, aesthetics, philosophical reflections, linguistic dynamics, sociological framings, and so on. The objective of the volume is to enable scholars and students to have new insights and arguments about possibilities that postcoloniality throws up for rethinking the Nigerian state and society.

'Extraordinary and thrilling ... This story should be known to every man, woman and child' - Lemn Sissay In 1868, British troops charged into the mountain empire of Ethiopia, stormed the citadel of its monarch Tewodros II and grabbed piles of his treasures and sacred manuscripts. They also took his son - six-year-old Prince Alamayu - and brought the boy back with them to the cold shores of England. For the first time, Andrew Heavens tells the whole story of Alamayu, from his early days in his father's fortress on the roof of Africa to his new home across the seas, where he charmed Queen Victoria, chatted with Lord Tennyson and travelled with his towering red-headed guardian Captain Speedy. The orphan prince was celebrated but stereotyped and never allowed to go home. The book also follows the loot - Ethiopia's 'Elgin Marbles' - and tracks it down to its current hiding places in bank vaults, museum store cupboards and a boarded-up cavity in Westminster Abbey. A story of adventure, trauma and tragedy, The Prince and the Plunder is also a tale for our times, as we re-examine Britain's past, pull down statues of imperial grandees and look for other figures to commemorate and celebrate in their place.

Over the past 25 years, Rwanda has undergone remarkable shifts and transitions: culturally, economically, and educationally the country has gone from strength to strength. While much scholarship has understandably been retrospective, seeking to understand, document and commemorate the Genocide against the Tutsi, this volume gathers diverse perspectives on the changing social and cultural fabric of Rwanda since 1994. Rwanda Since 1994 considers the context of these changes, particularly in relation to the ongoing importance of remembering and in wider developments in the Great Lakes and East Africa regions. Equally it explores what stories of change are emerging from Rwanda: creative writing and testimonies, as well as national, regional, and international political narratives. The contributors interrogate which frameworks and narratives might be most useful for understanding different kinds of change, what new directions are emerging, and how Rwanda's trajectory is shaped by other global factors. The international set of contributors includes creative writers, practitioners, activists, and scholars from African studies, history, anthropology, education, international relations, modern languages, law and politics. As well as delving into the shifting dynamics of religion and gender in Rwanda today, the book brings to light the experiences of lesser-discussed groups of people such as the Twa and the children of perpetrators.

How Books, Reading and Subscription Libraries Defined Colonial Clubland in the British Empire argues that within an entangled web of imperial, colonial and book trade networks books, reading and subscription libraries contributed to a core and peripheral criteria of clubbability used by the "select people"-clubbable settler elite-to vet the "proper sort"-clubbable indigenous elite-as they culturally, economically and socially navigated their way towards membership in colonial clubland. As a microcosm for British-controlled areas of the Caribbean, Asia and Africa, this book assesses the history, membership, growth and collection development of three colonial subscription libraries-the Penang Library in Malaysia, the General Library of the Institute of Jamaica and the Lagos Library in Nigeria-during the nineteenth and twentieth centuries. This work also examines the places these libraries occupied within the lives of their subscribers, and how the British Council reorganized these colonial subscription libraries to ensure their survival and the survival of colonial clubland in a post-colonial world. This book is designed to accommodate historians of Britain and its empire who are unfamiliar with library history, library historians who are unfamiliar with British history, and book historians who are unfamiliar with both topics.

As the French public debates its present diversity and its colonial past, few remember that between 1946 and 1960 the inhabitants of French colonies possessed the rights of French citizens. Moreover, they did not have to conform to the French civil code that regulated marriage and inheritance. One could, in principle, be a citizen and different too. "Citizenship between Empire and Nation" examines momentous changes in notions of citizenship, sovereignty, nation, state, and empire in a time of acute uncertainty about the future of a world that had earlier been divided into colonial empires.

Frederick Cooper explains how African political leaders at the end of World War II strove to abolish the entrenched distinction between colonial "subject" and "citizen." They then used their new status to claim social, economic, and political equality with other French citizens, in the face of resistance from defenders of a colonial order. Africans balanced their quest for equality with a desire to express an African political personality. They hoped to combine a degree of autonomy with participation in a larger, Franco-African ensemble. French leaders, trying to hold on to a large French polity, debated how much autonomy and how much equality they could concede. Both sides looked to versions of federalism as alternatives to empire and the nation-state. The French government had to confront the high costs of an empire of citizens, while Africans could not agree with French leaders or among themselves on how to balance their contradictory imperatives. Cooper shows how both France and its former colonies backed into more "national" conceptions of the state than either had sought.

The Algerian War in Film Fifty Years Later, 2004 - 2012 examines the cultural, political, and aesthetic significance of narrative films made during the fiftieth-anniversary period of the war, between 2004 and 2012. This period was a fruitful one, in which film became a central medium generating varied representations of the war, and Anne Donadey argues that the fiftieth-anniversary film production contributed to France's move from a period of the return of the repressed to one of difficult anamnesis. Donadey provides a close analysis of twenty narrative films made during this period on both side of the Mediterranean, observing that while some films continue to center on the point of view of only one stake-holding group, a number of films open up new opportunities for multicultural French audiences to envision the war through the eyes of Algerian characters on-screen, and other films bring memories from various groups together in thoughtful synthesis that represent the complexity of the situation. Donadey takes this analysis a step further to analyze what types of gendered representations emerge in these films, given the important participation of Algerian women in the revolutionary war. Scholars of Francophone studies, film, women's studies, and history will find this book particularly useful.

Decolonization revolutionized the international order during the twentieth century. Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations-a world in which self-determination was synonymous with nation-building-obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world. Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders. Responding to the experience of racialized sovereign inequality, dramatized by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchy and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to transcend legal, political, and economic hierarchies by securing a right to self-determination within the newly founded United Nations, constituting regional federations in Africa and the Caribbean, and creating the New International Economic Order. Using archival sources from Barbados, Trinidad, Ghana, Switzerland, and the United Kingdom, Worldmaking after Empire recasts the history of decolonization, reconsiders the failure of anticolonial nationalism, and offers a new perspective on debates about today's international order.