It is January, 1978. Groups of nervous, dutiful white conscripts begin their National Service with Rhodesia's security forces. Ian Smith's minority regime is in its dying days and negotiations towards majority rule are already under way. For these inexperienced eighteen-year-olds, there is nothing to do but go on fighting, and hold the line while the transition happens around them. Dead Leaves is a richly textured memoir in which an ordinary troopie grapples with the unique dilemmas presented by an extraordinary period in history - the specters of inner violence and death; the pressurized arrival of manhood; and the place of conscience, friendship and beauty in the pervasive atmosphere of futile warfare.

Drum was launched as a popular magazine in the 1950s and quickly came to reflect the image and interests of the urban African. Its reports of the Defiance Campaign, the Congress of the People and the Treason Trial shared column-space with stories of soccer, sex and sin. This combination of yellow-press sensation and social concern gave rise to the short story by black South African writers, and several of Drum's writers established themselves as important figures in South African literature: Es'kia Mphahlele, Can Themba, Richard Rive, James Matthews, Nat Nakasa and Casey Motsisi. This anthology presents a selection of more than 90 stories that appeared in Drum. They depict the danger, the poverty and the spurious glamour of Sophiatown, where the New African - the tsotsi, the jazz musician, the journalist and the writer - affirmed identity and style and refused to submit to the government's determination to 'retribalize'. This second edition (third reprint) contains a new foreword by John Matshikiza in addition to the essay by Michael Chapman, which addresses the significance of the magazine and puts it into historical perspective: 'Most of the writers were concerned with more than just telling a story. They were concerned with what was happening to their people and, in consequence, with moral and social questions.'

This title combines the challenges of Africa's development with leadership theory. Since proper assessment of a particular context - with its historical, philosophical, political, social and technological facets - is crucial for effective leadership, the author attempted to provide sufficient information about Africa to contextualise the leadership challenge.

""This is one of the best books to have emerged from South African musicology in the last decadeIt opens up a new level of discourse about music during the apartheid era: a level on which the theoretical, the ethical, the historical and the aesthetic play against each other in newly meaningful ways.""
--Roger Parker, Cambridge University (UK)

""Composing Apartheid endeavors to trace the relationships between names, concepts and realities as they variously interacted, and continue to interact, on the musical landscape, and it does so as historically and socially responsible scholarship.""
--Grant Olwage, from the Introduction

"Composing Apartheid" is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid's social and political topography. The collection of essays is intentionally broad, and, the contributors include historians, sociologists, and anthropologists, as well as ethnomusicologists, music theorists, and historical musicologists.

The essays focus on a variety of music (jazz, music in the Western art tradition, popular music), major composers (such as Kevin Volans) and works (Handel's "Messiah"). Musical institutions and previously little-researched performers (such as the African National Congress's troupe-in-exile Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies.

This book includes contributions by Lara Allen, University of the Witwatersrand, Johannesburg; Gary Baines, Rhodes University (South Africa); Ingrid Byerly, Duke University; Christopher Cockburn, University of KwaZulu-Natal; David Coplan, University of the Witwatersrand, Johannesburg (South Africa); Michael Drewett, Rhodes University; Shirli Gilbert, University of Southampton; Bennetta Jules-Rosette, University of California, San Diego; Christine Lucia, University of the Witwatersrand, Johannesburg; Carol A. Muller, University of Pennsylvania; Stephanus Muller, University of Stellenbosch (South Africa); Brett Pyper, New York University; and Martin Scherzinger, Princeton University.

"Grant Olwage" is a senior lecturer at the School of Arts at the University of the Witwatersrand, Johannesburg.

In the rush to development in Botswana, and Africa more generally, changes in work, diet, and medical care have resulted in escalating experiences of chronic illness, debilitating disease, and accident. Debility and the Moral Imagination in Botswana documents how transformations wrought by colonialism, independence, industrialization, and development have effected changes in bodily life and perceptions of health, illness, and debility. In this intimate and powerful book, Julie Livingston explores the lives of debilitated persons, their caregivers, the medical and social networks of caring, and methods that communities have adopted for promoting well-being. Livingston traces how Tswana medical thought and practice have become intertwined with Western bio-medical ideas and techniques. By focusing on experiences and meanings of illness and bodily misfortune, Livingston sheds light on the complexities of the current HIV/AIDS epidemic and places it in context with a long and complex history of impairment and debility. This book presents practical and thoughtful responses to physical misfortune and offers an understanding of the complex dynamic between social change and suffering.

In southeast Africa, the power to heal is often associated with crossing borders, whether literal or metaphorical. This wide-ranging volume reveals that healers, whose power depends on the ability to broker therapeutic resources, also contribute to the construction of the borders they transgress. While addressing diverse healing practices such as herbalism, razor-blade vaccination, spirit possession, prophetic healing, missionary health clinics, and traumatic storytelling, the nine lively and provocative essays in Borders and Healers explore the creativity and resilience of the region s healers and those they heal in a world shaped by economic stagnation, declining state commitments to health care, and the AIDS pandemic. This important book contributes to understandings of the ways in which healing practices in southeast Africa mediate divides between the wealthy and the impoverished, the traditional and the modern, the local and the global."

Botswana's large deposits of diamonds have made it one of the richest African countries on a per capita basis. However, more than wealth, what has made Botswana a model country in southern Africa is its long tradition of democratic rule, respect for ethnic and racial differences, freedom of the press, and governmental programs to support its citizens. Even though Botswana has had its share of problems--including ecological disasters such as drought-- the spirit of its people and their willingness, despite cultural differences, to work together to overcome such setbacks make this country exceptional. General readers will find a wealth of up-to-date information on such topics as the legacy of Christian missionaries, especially the famous David Livingstone, society post Independence, the unique blend of Christianity and ancestral spiritual practices, the AIDS crisis, initiation rites, community rule by chiefs, polygamy, cattle raising, food and beer, betrothal customs, education, unique games, the integral music and dance, and much more. The authors provide a thorough, one-stop resource for learning about a significant country that has stayed peaceful despite the strife of neighboring South Africa and Angola, for example. Narrative chapters by these insiders cover the land, people, languages, education, economy, history, religion and worldview, literature and media, art and architecture, cuisine and traditional dress, gender roles, marriage, and family, social customs and lifestyle, and music and dance. Photos, a chronology, and a glossary complement the narrative.

By featuring the life histories of eight senior men, Making Men in Ghana explores the changing meaning of becoming a man in modern Africa. Stephan F. Miescher concentrates on the ideals and expectations that formed around men who were prominent in their communities when Ghana became an independent nation. Miescher shows how they negotiated complex social and economic transformations and how they dealt with their mounting obligations and responsibilities as leaders in their kinship groups, churches, and schools. Not only were notions about men and masculinity shaped by community standards, but they were strongly influenced by imported standards that came from missionaries and other colonial officials. As he recounts the life histories of these men, Miescher reveals that the passage to manhood-and a position of power, seniority, authority, and leadership-was not always welcome or easy. As an important foil for studies on women and femininity, this groundbreaking book not only explores masculinity and ideals of male behavior, but offers a fresh perspective on African men in a century of change.

For many Africanist historians, traditional religion is simply a starting point for measuring the historic impact of Christianity and Islam. In Tongnaab, Jean Allman and John Parker challenge the distinction between tradition and modernity by tracing the movement and mutation of the powerful Talensi god and ancestor shrine, Tongnaab, from the savanna of northern Ghana through the forests and coastal plains of the south. Using a wide range of written, oral, and iconographic sources, Allman and Parker uncover the historical dynamics of cross-cultural religious belief and practice. They reveal how Tongnaab has been intertwined with many themes and events in West African history the slave trade, colonial conquest and rule, capitalist agriculture and mining, labor migration, shifting ethnicities, the production of ethnographic knowledge, and the political projects that brought about the modern nation state. This rich and original book shows that indigenous religion has been at the center of dramatic social and economic changes stretching from the slave trade to the tourist trade."

Postcolonial Images is a comprehensive introduction to and resource for cinema of the Maghreb. In clear and accessible prose, Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indigenous filmmaking in each of the three Maghreb countries Algeria, Morocco, and Tunisia arose with the newly independent nations. Comparative analyses of each country s filmmaking in the decades following independence provide a historical portrait of the conditions and environment for the development of a postcolonial cinema. Armes then turns his attention to an in-depth examination of 10 key films produced between the 1970s and the 1990s, including Omar Gatlato, La Nouba, Halfaouine, Silences of the Palace, and Ali Zaoua. The book includes a dictionary of more than 135 North African filmmakers and a chronological filmography."

Torn by ongoing civil and military violence, Africa presents a challenge to scholars interested in the root causes of conflict. Each conflict is unique, but overall they exhibit common patterns. The contributors of this book employ an eclectic array of current explanations of civil strife and how to resolve it. The first half of the book provides the relevant theoretical background. Theories of conflict and conflict resolution, the larger context of African strife in Africa, and patterns and trends of conflict are discussed. Shifting from the general to the particular, the remaining chapters of this volume gauge the accuracy and usefulness of the current thinking on conflicts by grounding it in case studies drawn from the Great Lakes Region, Liberia, Nigeria, and Zambia.

This is the first major South African study within the current international debate on high skills and an important addition to the discourse on South African education, training and development. This volume critically engages with South Africa's current skills development strategy and analyses the prospects for a successful upskilling of the population.

Among government officials, urban planners, and development workers, Africa's burgeoning metropolises are frequently understood as failed cities, unable to provide even basic services. Whatever resourcefulness does exist is regarded as only temporary compensation for fundamental failure. In For the City Yet to Come, AbdouMaliq Simone argues that by overlooking all that does work in Africa's cities, this perspective forecloses opportunities to capitalize on existing informal economies and structures in development efforts within Africa and to apply lessons drawn from them to rapidly growing urban areas around the world. Simone contends that Africa's cities do work on some level and to the extent that they do, they function largely through fluid, makeshift collective actions running parallel to proliferating decentralized local authorities, small-scale enterprises, and community associations.Drawing on his nearly fifteen years of work in African cities-as an activist, teacher, development worker, researcher, and advisor to ngos and local governments-Simone provides a series of case studies illuminating the provisional networks through which most of Africa's urban dwellers procure basic goods and services. He examines informal economies and social networks in Pikine, a large suburb of Dakar, Senegal; in Winterveld, a neighborhood on the edge of Pretoria, South Africa; in Douala, Cameroon; and among Africans seeking work in Jeddah, Saudi Arabia. He contextualizes these particular cases through an analysis of the broad social, economic, and historical conditions that created present-day urban Africa. For the City Yet to Come is a powerful argument that any serious attempt to reinvent African urban centers must acknowledge the particular history of these cities and incorporate the local knowledge reflected in already existing informal urban economic and social systems.

The role of Africa in the global economy is changing as a result of new corporate strategies, changing international trade regulation and innovative ways of overseeing the globalized production and distribution of goods. African participants in the global economy are facing demands for higher levels of performance and quality. Their responses have generated the occasional success but also many failures. Noted researchers Peter Gibbon and Stefano Ponte describe the central processes that are at the same time integrating some into the global economy while marginalizing others. They show the effects of these processes on African countries, farms and firms through an innovative combination of Global Value Chain analysis and Convention Theory. In doing so, the authors present a timely overview of the economic challenges that lay ahead in Africa and point to ways to best address them.

Bori, in the Mawri society of Niger, are mischievous and invisible beings that populate the bush. Bori is also the practice of taming these wild forces in the context of possession ceremonies. In "Prayer Has Spoiled Everything" Adeline Masquelier offers an account of how this phenomenon intervenes--sometimes subtly, sometimes dramatically--in human lives, providing a constantly renewed source of meaning for Mawri peasants confronted with cultural contradictions and socio-economic marginalization.
To explore the role of bori possession in local definitions of history, power, and identity, Masquelier spent a total of two years in Niger, focusing on the diverse ways in which spirit mediums share, transform, and contest a rapidly changing reality, threatened by Muslim hegemony and financial hardship. She explains how the spread of Islam has provoked irreversible change in the area and how prayer--a conspicuous element of daily life that has become virtually synonymous with Islamic practice in this region of west Africa--has thus become equated with the loss of tradition. By focusing on some of the creative and complex ways that bori at once competes with and borrows from Islam, Masquelier reveals how possession nonetheless remains deeply embedded in Mawri culture, representing more than simple resistance to Islam, patriarchy, or the state. Despite a widening gap between former ways of life and the contradictions of the present, it maintains its place as a feature of daily life in which villagers participate with varying degrees of enthusiasm and approval.
Specialists in African studies, in the anthropology of religion, and in the historical transformations of colonial and postcolonial societies will welcome this study.

Contemporary Africa is the product of three major influences--an indigenous heritage, Western culture, and Islamic culture. "The Africans" looks at these legacies, how they co-exist, and their impact on the continent and the people who are called African. This reader, a supplement to the telecourse, provides an introduction to a variety of historical and contemporary writings on Africa.

Many books and articles have been written on the nature and role of the military in Africa, largely as a result of the numerous coups which have taken place on the continent since 1960. But we are not likely to understand the role of the military in post independence Africa unless we also study that of the military in pre-colonial and colonial Africa. And it is imperative that the different aspects of welfare in Africa should be given serious attention if current myths about pre-colonial Africa are to be exploded.