The term 'kink' evokes a variety of cultural responses ranging from curiosity and arousal to disgust and fear. Many of these responses are based on assumptions about its practices and participants, due to often inaccurate and ever-more-frequent representations in popular culture. These selected authors challenge those assumptions and emphasize how a number of non-normative sexual activities and ways of being can be empowering and liberating rather than deleterious or 'deviant', helping to bring the world of kink out of the shadows. They illuminate past and present kinky phenomena by exploring BDSM, experimentation, fetishism, gender bending, performativity, and sexual role-playing, as experienced in a variety of domains and represented in literature, film, and television. Contributing to revised notions of inclusivity and acceptance, this interdisciplinary work deftly identifies both historical and current approaches to understanding and analyzing kink, and pinpoints avenues for future research. It is an important addition to the emergent areas of BDSM and kink studies.

Counterculture, while commonly used to describe youth-oriented movements during the 1960s, refers to any attempt to challenge or change conventional values and practices or the dominant lifestyles of the day. This fascinating three-volume set explores these movements in America from colonial times to the present in colorful detail. "American Countercultures" is the first reference work to examine the impact of countercultural movements on American social history. It highlights the writings, recordings, and visual works produced by these movements to educate, inspire, and incite action in all eras of the nation's history. A-Z entries provide a wealth of information on personalities, places, events, concepts, beliefs, groups, and practices. The set includes numerous illustrations, a topic finder, primary source documents, a bibliography and a filmography, and an index.

Although tattoos have become increasingly available to us, there are still spaces where they are not accepted, and even 'othered'. Looking at the UK, where media discourses are often unfavourable towards tattooed women discussing their own bodies, this book explores how we understand tattooed women's bodies in the UK - through the lens of gender and class. Unpacking themes which focus on how femininity is embodied, and how unwritten rules are broken or followed, Charlotte Dann demonstrates how meaning is key to our understanding of female body art. Drawing our attention to how traditional constructions of femininity are conformed to and resisted against, Dann positions media discourses of trends, regret, and transformation alongside tattooed women's own thoughts of their tattoos. The chapters uncover how tattoos relate to the embodiment, or resistance, of femininity where the body plays a complex role - in care, in the community, and in families. Delving into the societal norms about what women should and shouldn't do with their bodies, and looking specifically at motherhood, employment, and consumption, Dann demonstrates how meaning-making is critical to how women's tattooed bodies are understood, and how personal narratives take centre stage in the justification for tattoos. Providing a fuller understanding of the nuances particular to tattooed women, this book equips readers to reconstruct how we theorize femininity and the body.

Vilified and marginalized, the Romani people--widely referred to as Gypsies, Roma, and Travelers--are seen as a people without place, either geographically or socially, no matter where they live or what they do. In this new chronological history of the Romani, "Another Darkness, Another Dawn" demonstrates how their experiences provide a way to understand mainstream society's relationship with outsiders and immigrants.
Becky Taylor follows the Gypsies, Roma, and Travelers from their roots in the Indian subcontinent to their travels across the Byzantine and Ottoman Empires to Western Europe and the Americas, exploring their persecution and enslavement at the hands of others. Rather than seeing these peoples as separate from society and untouched by history, she sets their experiences in the context of broader historical changes. Their history, she reveals, is ultimately linked to the founding of empires; the Reformation and Counter-Reformation; numerous wars; the expansion of law, order, and nation-states; the Enlightenment; nationalism; modernity; and the Holocaust. Taylor also shows how the lives of the Romani today reflect the increasing regulation of modern society. Ultimately, she demonstrates that history is not always about progress: the place of Gypsies remains as contested and uncertain today as it was upon their first arrival in Western Europe in the fifteenth century.
As much a history of Europe as of the Romani, "Another Darkness, Another Dawn "paints a revealing portrait of a people who still struggle to be understood.

In Bureaucratic Manoeuvres, John Grundy examines profound transformations in the governance of unemployment in Canada. While policy makers previously approached unemployment as a social and economic problem to be addressed through macroeconomic policies, recent labour market policy reforms have placed much more emphasis on the supposedly deficient employability of the unemployed themselves, a troubling shift that deserves close, critical attention. Tracing a behind-the-scenes history of public employment services in Canada, Bureaucratic Manoeuvres shows just how difficult it has been for administrators and frontline staff to govern unemployment as a problem of individual employability. Drawing on untapped government records, it sheds much-needed light on internal bureaucratic struggles over the direction of labour market policy in Canada and makes a key contribution to Canadian political science, economics, public administration, and sociology.

The origins and deeds of the old Goths were constructed by Roman historians in fear of the Goth as a barbarian outsider; at the same time, the Goths were themselves the heroic subject of their own histories, constructed by their supporters as stories of their mythical origin and the deeds that led them to be rulers of their own kingdoms in post-Roman Late Antiquity. Who the old Goths were, their origins and their deeds, was a product of history, historiography and myth-making. In this book, Spracklen and Spracklen use the idea of collective memory to explore the controversies and boundary-making surrounding the genesis and progression of the modern gothic alternative culture. Spracklen and Spracklen argue that goth as sub-culture in the eighties was initially counter cultural, political and driven by a musical identity that emerged from punk. However, as goth music globalised and became another form of pop and rock music, goth in the nineties retreated into an alternative sub-culture based primarily on style and a sense of transgression and profanity. By this century goth became the focus of teenage rebellions, moral panics and growing commodification of counter-cultural resistance, so that by the goth has effectively become another fashion choice in the late-modern hyper-real shopping malls, devoid generally of resistance and politics. Goth, like punk, is in danger of being co-opted altogether by capitalism. This book suggests that the only way for goth culture to survive is if it becomes transgressive and radical again.

Alternativity delineates those spaces, scenes, club-cultures, objects and practices in modern society that are considered to be actively designed to be counter or resistive to mainstream popular culture. The idea of the alternative in popular culture became mainstream with the rise of the counter culture in 1960s America (though there were earlier forms of alternative cultures in America and other Western countries). Alternativity is associated with marginalization, both actively pursued by individuals, and imposed on individuals and sub-cultures, and was originally represented and constructed through acts of transgression, and through shared sub-cultural capital. This edited collection maps the landscape of alternativity and marginalization, providing new theory and methods in a currently under-theorized area, setting out the issues, questions, concerns and directions of this area of study. It demonstrates the theoretical richness and empirical diversity of the interdisciplinary field it encompasses, and is deliberately feminist in its approach and its composition, with a majority of the contributors being women. Divided into three sub-sections, focused on sub-cultures, bodies and spaces, contributors explore this exciting new terrain, both through critiques of theory and new theoretical developments, and case studies of alternativity and marginalization in practice and in performance, expanding our understanding of the alternative, the liminal and the transgressive.

'Beautifully written and structured, deeply moving, and realised in wise, thoughtful, chiselled prose... it is that rarity: a genuine non-fiction classic' William Dalrymple 'A troubling and moving account of lives gone wrong in the search for an eastern Utopia' Damon Galgut, author of the Booker Prize-winning The Promise A spellbinding story about love, faith, the search for utopia - and the often devastating cost of idealism. It's the late 1960s, and two lovers converge on an arid patch of earth in South India. John Walker is the handsome scion of a powerful East Coast American family. Diane Maes is a beautiful hippie from Belgium. They have come to build a new world - Auroville, an international utopian community for thousands of people. Their faith is strong, the future bright. So how do John and Diane end up dying two decades later, on the same day, on a cracked concrete floor in a thatch hut by a remote canyon? This is the mystery Akash Kapur sets out to solve in Better to Have Gone, and it carries deep personal resonance: Diane and John were the parents of Akash's wife, Auralice. Akash and Auralice grew up in Auroville; like the rest of their community, they never really understood those deaths. In 2004, Akash and Auralice return to Auroville from New York, where they have been living with John's family. As they re-establish themselves, along with their two sons, in the community, they must confront the ghosts of those distant deaths. Slowly, they come to understand how the tragic individual fates of John and Diane intersected with the collective history of their town. Better to Have Gone is a book about the human cost of our age-old quest for a more perfect world. It probes the under-explored yet universal idea of utopia, and it portrays in vivid detail the daily life of one utopian community. Richly atmospheric and filled with remarkable characters, spread across time and continents, this is narrative writing of the highest order - a heartbreaking, unforgettable story.

Kate Nicholls left England to raise her five children in Botswana: an experience that would change each of their lives. Living on a shoestring in a lion conservation camp, Kate home-schools her family under a camelthorn tree while they also learn at first hand about the individual lives of wild lions. Their deep attachment to these magnificent animals is palpable. This contemporary, gritty and humorous memoir explores the shocking impact of PTSD on a close-knit family, and their eventual recovery. It is a timely book that shines a light on an aspect of sexual crime that is often shrouded in shame: children of parents with PTSD can suffer collateral damage. The character-driven narrative moves effectively across time and place, revealing the gradual fragmentation of a strong woman. Kate Nicholls pulls no punches and her passion to act as advocate for the secondary victims of trauma is expressed in raw, unsentimental prose. She skilfully counterbalances this with amusing insight into family life. She explores the universal challenges of child-rearing with wit and engaging honesty, offering an unsanitised insight into raising a family in the African bush. Kate Nicholls' tightly constructed narrative has received widespread praise and she made a much-acclaimed appearance at the Hay Festival with Jane Garvey in May 2019.

Few terms elicit such strong and varied feelings and yet have so little clarity as "democracy." Leaders of large states use "democracy" to designate their nations' public character even as critics and rivals use the term to validate their own political perspectives. In Envisioning Democracy, the editors and contributors address the following questions: What does democracy mean today? What could it mean tomorrow? What is the dynamic of democracy in an increasingly interdependent world? Envisioning Democracy explores these questions amid the dynamic of democracy as a political phenomenon interacting with forms of economic, ethical, ethnic, and intellectual life. The book draws on the work of Sheldon S. Wolin (1922-2015), one of the most influential American theorists of the last fifty years. Here, scholars consider the historical conditions, theoretical elements, and practical impediments to democracy, using Wolin's insights as touchstones in thinking through the possibilities and obstacles facing democracy now and in the future.

It's not every day that we wake up and decide to put life on hold and start living. This is what Jonathan did after turning forty. Having realized that probably he had already lived half his life he decided to embark on a sabbatical to enjoy time off, reflect about his life and make sure he was living life on his terms and not on someone else's. Coming from a small Mediterranean island, culture and circumstance often dictate our actions, behaviors, and next steps. Jonathan broke with this norm and is calling on us to re-evaluate what really makes us tick. #Forty is a journey which questions the way we have done things and assists us in answering the 'what next?'. It is our journey - one of self-discovery. A thought provoking, easy to use hand book of a few of the life lessons Jonathan has picked up along the years and others which he is still working on. Pick it up, put it down. Read a chapter or two and reflect. Use it whichever way you wish - there is a lesson for each and every one of us. Most of all - enjoy the journey. Table of Contents: 1. Exploit Your Current 2. The Management Perception 3. Choose whih Battles are Worth Winning 4. The Power of Engagement 5. Making Yourself Redundant 6. Your Most Complex Machine 7. Reinventing Yoursefl 8. The Emotion of Negotiations 9. The Solitude of Leadership 10. It's Not What We Say but How We Say It 11. 80% of your Fears will never Happen 12. Don't Just Think It, Ink It 13. The Big Fish Small Pond Syndrome 14. See for the First Time 15. Why Grit Matters? 16. You Can Be Your Worst Enemy 17. Food for Tonight 18. Technology and Patience 19. Share Your Plans as much as You Can 20. Some Business Tips 21. Learn To Let Go 22. Sabbatical at Forty 23. The Art of Firing People 24. Reward Yourself at Milestones 25. People Who Know Don't Talk. Those Who Don't Know Talk A Lot 26. It is Nice to be Important. But it is Important to be Nice 27. You Don't Choose Your Family 28. Meet the Monkey 29. About Mindfulness 30. More than Words

A bullet train of a book, fast-paced, hilarious, rich with action. A harbinger of good things to come in mysterious ways. It all began at a cocktail party at Wallace Stegner's for the Stanford writing class of 1958. Ken Kesey and Ken Babbs became cronies, embarking on a frolicking, rambunctious adventure that lasted over 40 years. Babbs calls the 70 stories of this book "burlesques" because, after 85 years of living, much of it in the wide friendly center of an evolving, at times psychedelic culture, memory no longer can, or even should include an exact retelling, but only a tasty sprinkling of the truth, mixed with an endless enigma, all topped with the best of humor and heart. The troupe of characters include the Kens Kesey and Babbs, Neal Cassady, Allen Ginsberg, Jack Kerouac, Gregory Corso, Timothy Leary, Jerry Garcia, Pigpen, Bob Weir, Phil Lesh, Mountain Girl, Sonny Barger, Larry McMurtry, Wavy Gravy, Hunter S. Thompson, Kirk Douglas, Paul Newman, Jan Kerouac, Bill Walton, Wendell Berry, a pick-up bed-sized sturgeon, and always the many free-spirited, creative, friendly men and women who made up the Merry Band of Pranksters. Come along for the ride on the famous bus trip to Manhattan. Join the Hells Angels at their partying best. Drop in for the early Acid Tests. Experience the Berkeley Vietnam anti-war rally. Relish the stories of Kesey's pot busts and "suicide." Climb aboard-"Board!"-for six months on the lam in Mexico. Take the Further tours with the Grateful Dead. Make the ultimate move to Oregon, where Babbs and Kesey grew a magical friendship and collaboration until Kesey passed in 2001. Irreverent, unencumbered by social norms, literary and poetic, Cronies is a poignant view of the Sixties and beyond from someone who was there, and remembers it well. Kind of...

The senses are made, not given. This revolutionary realization has come as of late to inform research across the social sciences and humanities, and is currently inspiring groundbreaking experimentation in the world of art and design, where the focus is now on mixing and manipulating the senses. The Sensory Studies Manifesto tracks these transformations and opens multiple lines of investigation into the diverse ways in which human beings sense and make sense of the world. This unique volume treats the human sensorium as a dynamic whole that is best approached from historical, anthropological, geographic, and sociological perspectives. In doing so, it has altered our understanding of sense perception by directing attention to the sociality of sensation and the cultural mediation of sense experience and expression. David Howes challenges the assumptions of mainstream Western psychology by foregrounding the agency, interactivity, creativity, and wisdom of the senses as shaped by culture. The Sensory Studies Manifesto sets the stage for a radical reorientation of research in the human sciences and artistic practice.

In the coming decade, we may see the advent of multinational federalism on an international scale. As great powers and international organizations become increasingly uncomfortable with the creation of new states, multinational federalism is now an important avenue to explore, and in recent decades, the experiences of Canada and Quebec have had a key influence on the approaches taken to manage national and community diversity around the world. Drawing on comparative scholarship and several key case studies (including Scotland and the United Kingdom, Catalonia and Spain, and the Quebec-Canada dynamic, along with relations between Indigenous peoples and various levels of government), The Legitimacy Clash takes a fresh look at the relationship between majorities and minorities while exploring theoretical advances in both federal studies and contemporary nationalisms. Alain-G. Gagnon critically examines the prospects and potential for a multinational federal state, specifically for nations seeking affirmation in a hostile context. The Legitimacy Clash reflects on the importance of legitimacy over legality in assessing the conflicts of claims.

This book is the story of how three brilliant scholars and one ambitious freshman crossed paths in the early sixties at a Harvard-sponsored psychedelic-drug research project, transforming their lives and American culture and launching the mind/body/spirit movement that inspired the explosion of yoga classes, organic produce, and alternative medicine.

The four men came together in a time of upheaval and experimentation, and their exploration of an expanded consciousness set the stage for the social, spiritual, sexual, and psychological revolution of the 1960s. Timothy Leary would be the rebellious trickster, the premier proponent of the therapeutic and spiritual benefits of LSD, advising a generation to "turn on, tune in, and drop out." Richard Alpert would be the seeker, traveling to India and returning to America as Ram Dass, reborn as a spiritual leader with his "Be Here Now" mantra, inspiring a restless army of spiritual pilgrims. Huston Smith would be the teacher, practicing every world religion, introducing the Dalai Lama to the West, and educating generations of Americans to adopt a more tolerant, inclusive attitude toward other cultures' beliefs. And young Andrew Weil would be the healer, becoming the undisputed leader of alternative medicine, devoting his life to the holistic reformation of the American health care system.

It was meant to be a time of joy, of peace, and of love, but behind the scenes lurked backstabbing, jealousy, and outright betrayal. In spite of their personal conflicts, the members of the Harvard Psychedelic Club would forever change the way Americans view religion and practice medicine, and the very way we look at body and soul.

In the coming decade, we may see the advent of multinational federalism on an international scale. As great powers and international organizations become increasingly uncomfortable with the creation of new states, multinational federalism is now an important avenue to explore, and in recent decades, the experiences of Canada and Quebec have had a key influence on the approaches taken to manage national and community diversity around the world. Drawing on comparative scholarship and several key case studies (including Scotland and the United Kingdom, Catalonia and Spain, and the Quebec-Canada dynamic, along with relations between Indigenous peoples and various levels of government), The Legitimacy Clash takes a fresh look at the relationship between majorities and minorities while exploring theoretical advances in both federal studies and contemporary nationalisms. Alain-G. Gagnon critically examines the prospects and potential for a multinational federal state, specifically for nations seeking affirmation in a hostile context. The Legitimacy Clash reflects on the importance of legitimacy over legality in assessing the conflicts of claims.

The Middle East has not, historically, been a first-order priority for Canadian foreign and defence policy. Most major Canadian decisions on the Middle East have come about through ad hoc decision-making rather than strategic necessity. Balancing international obligations with domestic goals, Canadian relations with this region try to find a balance between meeting alliance obligations and keeping domestic constituents content. Middle Power in the Middle East delves into some of Canada's key bilateral relations with the Middle East and explores the main themes in Canada's regional presence: arms sales, human rights, defence capacity-building, and mediation. Contributors analyse the key drivers of Canada's foreign and defence policies in the Middle East, including diplomatic relations with the United States, ideology, and domestic politics. Bringing together many of Canada's foremost experts on Canada-Middle East relations, this collection provides a fresh perspective that is particularly timely and important following the Arab uprisings.

Metal music has long nurtured an obsession with visions of the Middle Ages, with countless album covers and lyric sheets populated by Vikings, knights, wizards, and castles. Medievalism and Metal Music Studies: Throwing down the Gauntlet addresses this fascination with all things medieval, exploring how metal musicians and fans find inspiration both in authentically medieval materials and neomedievalist depictions of the period in literature, cinema, and other media. Within metal music, the medieval takes on multiple, and even contradictory meanings, becoming at once a cipher of difference and grotesque alterity while simultaneously being imagined as a simpler, more authentic time, as opposed to the complexities and stresses of modernity. In this fashion, the medieval period becomes both a source for artistic creativity and a vector for countercultural social and political critique. The contributors in this book hail from a wide range of fields including medieval history, music performance, musicology, media studies, and literature, and computer linguistics, bringing a variety of critical perspectives to bear on the topic. Engaging in analyses of cover art, liner notes, lyrics, and musical style, the contributors investigate issues of research methodologies, crucial concerns over identity and nationalism, and the recontextualisation of historical materials, all aimed at critically examining how and why medievalism has permeated heavy metal music and culture. Hearken to our tales!

Exploring pressing questions around Canadian citizenship, Canada in Question delves into contemporary issues that come into play in identifying what it means to be Canadian. Beginning with an update on the status of Canadian citizenship, Peter MacKinnon acknowledges that with the exception of Indigenous peoples, most Canadians migrated to Canada in the last 400 years. In surveying the status of citizenship, the author addresses the impact of these newcomers on Indigenous peoples, and the subsequent impression that the following influx of new immigrants and migrants has had on citizenship. MacKinnon investigates the ties that bind Canadians to their country and to their fellow citizens, and how these ties are often challenged by global influences, such as identity politics and social media. Shedding light on the connection between economic opportunity and citizenship, and on the institutional context in which differences must be accommodated, Canada in Question examines current circumstances and new challenges, and looks to the unique future of Canadian citizenship.

The extraordinary, bestselling memoir from Japan's foremost geisha. 'A glimpse into the exotic, mysterious, tinged-with-eroticism world of the almost mythical geisha' Val Hennessy, Daily Mail '[An] eloquent and innovative memoir' The Times 'I can identify the exact moment when things began to change. It was a cold winter afternoon. I had just turned three.' Emerging shyly from her hiding place, Mineko encounters Madam Oima, the formidable proprietress of a prolific geisha house in Gion. Madam Oima is mesmerised by the child's black hair and black eyes: she has found her successor. And so Mineko is gently, but firmly, prised away from her parents to embark on an extraordinary profession, of which she will become the best. But even if you are exquisitely beautiful and the darling of the okiya, the life of a geisha is one of gruelling demands. And Mineko must first contend with her bitterly jealous sister who is determined to sabotage her success . . . Captivating and poignant, Geisha of Gion tells of Mineko's ascendancy to fame and her ultimate decision to leave the profession she found so constricting. After centuries of mystery Mineko is the only geisha to speak out. This is the true story she has long wanted to tell and the one that the West has long wanted to hear.

In the first decade of the twentieth century, a few closely related families established a utopian community in Canada's smallest province. Known officially as B. Compton Limited but described by a journalist in 1935 as "Prince Edward Island's unique 'brotherly love' community," this utopia owed its longevity to the cohesion provided by its communal organization, dense kin ties, and long-held millenarianism - and to a decidedly pragmatic approach to business. All Things in Common demonstrates how "un-utopian" such a community could be while problematizing the contention that the inevitable end of all utopian experiments is a full-blown dystopia. Beginning with a compelling backstory and locating the Compton community in the historiography of North American utopias, the author goes on to explore the community's business endeavours, its religious, familial, and transgressive aspects, and its brief period of international fame before assessing the factors that led to its dissolution in 1947. Providing a strong narrative framework, All Things in Common draws on rich family and archival records and diverse secondary sources, concluding with a consideration of the community's legacy for its alumni and their descendants.

Coloniality and Racial (In)Justice in the University examines the disruption and remaking of the university at a moment in history when white supremacist politics have erupted across North America, as have anti-racist and anti-colonial movements. Situating the university at the heart of these momentous developments, this collection debunks the popular claim that the university is well on its way to overcoming its histories of racial exclusion. Written by faculty and students located at various levels within the institutional hierarchy, this book demonstrates how the shadows of settler colonialism and racial division are reiterated in "newer" neoliberal practices. Drawing on critical race and Indigenous theory, the chapters challenge Eurocentric knowledge, institutional whiteness, and structural discrimination that are the bedrock of the institution. The authors also analyse their own experiences to show how Indigenous dispossession, racial violence, administrative prejudice, and imperialist militarization shape classroom interactions within the university.

Supporting Children and Their Families Facing Health Inequities in Canada fills an urgent national need to analyze disparities among vulnerable populations, where socio-economic and cultural factors compromise health and create barriers. Offering solutions and strategies to the prevalent health inequities faced by children, youth, and families in Canada, this book investigates timely issues of social, economic, and cultural significance. Chapters cover a diverse range of socio-economic and cultural factors that contribute to health inequality among the country's most vulnerable youth populations, including mental health challenges, low income, and refugee status. This book shares scientific evidence from thousands of interviews, questionnaires, surveys, and client consultations, while also providing professional insights that offer key information for at-risk families experiencing health inequities. Timely and transformative, this book will serve as an informed and compassionate guide to promote the health and resiliency of vulnerable children, youth, and families across Canada.

This book compares the state of knowledge on men and masculinities in 14 countries across Europe, examining the effects of social change, Europeanization, globalization and new post-socialist configurations of Europe for men. Special attention is given to home and work, social exclusion, violence, and health.

With its implications for health care, the economy, and an assortment of other policy areas, population aging is one of the most pressing issues facing governments and society today, and confronting its complex reality is becoming increasingly urgent, particularly in the age of COVID-19. In The Four Lenses of Population Aging, Patrik Marier looks at how Canada's ten provinces are preparing for an aging society. Focusing on a wide range of administrative and policy challenges, this analysis explores multiple actions from the development of strategic plans to the expansion of long-term care capacity. To enhance this analysis, Marier adopts four lenses: the intergenerational, the medical, the social gerontological, and the organizational. By comparing the unique insights and contributions of each lens, Marier draws attention to the vital lessons and possible solutions to the challenges of an aging society. Drawing on over a hundred interviews with senior civil servants and thousands of policy documents, The Four Lenses of Population Aging is a significant contribution to public administration, provincial politics, and comparative public policy literatures, and a timely resource for policymakers and general readers seeking an informed perspective on a timely and important issue.