Includes previously unpublished interviews with figures such as the double agent George Blake, the 'Moors murderer' Myra Hindley and Svetlana Alliluyeva, the daughter of Joseph Stalin

Research skills are as critical to social work practitioners as skills in individual and group counselling, policy analysis, and community development. Adopting strategies similar to those used in direct practice courses, this book integrates research with social work practice, and in so doing promotes an understanding and appreciation of the research process. This second edition of Practising Social Work Research comprises twenty-three case studies that illustrate different research approaches, including quantitative, qualitative, single-subject, and mixed methods. Six are new to this edition, and examine research with First Nations, organizing qualitative data, and statistics. Through these real-life examples, the authors demonstrate the processes of conceptualization, operationalization, sampling, data collection and processing, and implementation. Designed to help the student and practitioner become more comfortable with research procedures, Practising Social Work Research capitalizes on the strengths that social work students bring to assessment and problem solving.

This unique book explores how the aesthetic and cultural movement ""Steampunk"" persuades audiences and wins new acolytes. Steampunk is an aesthetic style grounded in the Victorian era, in clothing and accoutrements modeled on a heightened and hyper-extended age of steam. In addition to its modeling of attire and other symbolic trappings, what is most distinctive is its adherents' use of a machined aesthetic based on steam engines and early electrical machinery - gears, pistons, shafts, wheels, induction motors, clockwork and so forth. Precursors to steampunk can be found in the works of Jules Verne and H. G. Wells. The imagery of the American West contributed to the aesthetic - revolvers, locomotives, and rifles of the late nineteenth century. Among young people, steampunk has found common aesthetic cause with Goth style. Examples from literature and popular culture include William Gibson's fiction, China Mieville's novels, the classic film Metropolis, and the BBC series Doctor Who. This volume recognizes that steampunk, a unique popular culture phenomenon, presents a prime opportunity for rhetorical criticism. Steampunk's art, style, and narratives convey complex social and political meanings. Chapters in Clockwork Rhetoric explore topics ranging from jewelry to Japanese anime to contemporary imperialism to fashion. Throughout, the book demonstrates how language influences consumers of steampunk to hold certain social and political attitudes and commitments.

Academic and popular opinions agree that Canadian public life has become wholly secularized during the last hundred years. As this book acknowledges, religion has indeed lost most of its influence in education, politics and various interest groups. But this rigorously researched volume argues that religion was one of the early institutional bases of the public sphere, and although it has since become differentiated from the state, it should not be overlooked or underestimated by historians and sociologists of modern Canada. A compilation of scholarly case studies, it addresses the continuing influence of religion on modern, 'secular' institutions and thus on shaping communal identities.

Van Die's book brings together some of Canada's leading historians of religion - including an entry by distinguished US historian, Mark Noll. Religion and Public Life in Canada shows an awareness of the effects of issues such as gender, ethnicity, and regionalism, and considers the recent influence of previously 'outsider' religions such as Judaism and Sikhism. By challenging the assumption that religion has become a matter only of private concern, and by showing its historical and continued relevance to public life, the book takes the debate over secularization on to an entirely new plane of concern.

In the first decade of the twentieth century, a few closely related families established a utopian community in Canada's smallest province. Known officially as B. Compton Limited but described by a journalist in 1935 as "Prince Edward Island's unique 'brotherly love' community," this utopia owed its longevity to the cohesion provided by its communal organization, dense kin ties, and long-held millenarianism - and to a decidedly pragmatic approach to business. All Things in Common demonstrates how "un-utopian" such a community could be while problematizing the contention that the inevitable end of all utopian experiments is a full-blown dystopia. Beginning with a compelling backstory and locating the Compton community in the historiography of North American utopias, the author goes on to explore the community's business endeavours, its religious, familial, and transgressive aspects, and its brief period of international fame before assessing the factors that led to its dissolution in 1947. Providing a strong narrative framework, All Things in Common draws on rich family and archival records and diverse secondary sources, concluding with a consideration of the community's legacy for its alumni and their descendants.

Making Surveillance States: Transnational Histories opens up new and exciting perspectives on how systems of state surveillance developed over the nineteenth and twentieth centuries. Taking a transnational approach, the book challenges us to rethink the presumed novelty of contemporary surveillance practices, while developing critical analyses of the ways in which state surveillance has profoundly shaped the emergence of contemporary societies. Contributors engage with a range of surveillance practices, including medical and disease surveillance, systems of documentation and identification, and policing and security. These approaches enable us to understand how surveillance has underpinned the emergence of modern states, sustained systems of state security, enabled practices of colonial rule, perpetuated racist and gendered forms of identification and classification, regulated and policed migration, shaped the eugenically inflected medicalization of disability and sexuality, and contained dissent. While surveillance is thus bound up with complex relations of power, it is also contested. Emerging from the book is a sense of how state actors understood and legitimized their own surveillance practices, as well as how these practices have been implemented in different times and places. At the same time, contributors explore the myriad ways in which these systems of surveillance have been resisted, challenged, and subverted.

High unemployment rates, humiliating relief policy, and the spectre of eviction characterized the experiences of many Ontario families in the Great Depression. Respectable Citizens is an examination of the material difficulties and survival strategies of families facing poverty and unemployment, and an analysis of how collective action and protest redefined the meanings of welfare and citizenship in the 1930s.

Lara Campbell draws on diverse sources including newspapers, family and juvenile court records, premiers' papers, memoirs, and oral histories to uncover the ways in which the material workings of the family and the discursive category of 'respectable' citizenship were invested with gendered obligations and Anglo-British identity. Respectable Citizens demonstrates how women and men represented themselves as entitled to make specific claims on the state, shedding new light on the cooperative and conflicting relationships between men and women, parents and children, and citizen and state in 1930s Canada.