When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands.

Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...

This interdisciplinary study investigates the divine personas in the so-called magical hymns of the Greek magical papyri which, in a corpus usually seen as a significant expression of religious syncretism with strong Egyptian influence, were long considered to be the 'most authentically Greek' contribution. Fifteen hymns receive a line-by-line commentary focusing on religious concepts, ritual practice, language and style. The overarching aim is to categorise the nature of divinity according to its Greek or Egyptian elements, examining earlier Greek and Egyptian sources and religious-magical traditions in order to find textual or conceptual parallels. Are the gods of the magical hymns Greek or Egyptian in nature? Did the magical hymns originate in a Greek or Egyptian cultural background? The book tries to answer these questions and to shed light on the religious plurality and/or fusion of the two cultures in the treatment of divinity in the Greek magical papyri.

"Exploring Religion in Ancient Egypt "offers a stimulating overview of the study of ancient Egyptian religion by examining research drawn from beyond the customary boundaries of Egyptology and shedding new light on entrenched assumptions.Discusses the evolution of religion in ancient Egypt - a belief system that endured for 3,000 yearsDispels several modern preconceptions about ancient Egyptian religious practicesReveals how people in ancient Egypt struggled to secure well-being in the present life and the afterlife

This exploration of cultural resilience examines the complex fate of classical Egyptian religion during the centuries from the period when Christianity first made its appearance in Egypt to when it became the region's dominant religion (roughly 100 to 600 C.E. Taking into account the full range of witnesses to continuing native piety--from papyri and saints' lives to archaeology and terracotta figurines--and drawing on anthropological studies of folk religion, David Frankfurter argues that the religion of Pharonic Egypt did not die out as early as has been supposed but was instead relegated from political centers to village and home, where it continued a vigorous existence for centuries.

In analyzing the fate of the Egyptian oracle and of the priesthoods, the function of magical texts, and the dynamics of domestic cults, Frankfurter describes how an ancient culture maintained itself while also being transformed through influences such as Hellenism, Roman government, and Christian dominance. Recognizing the special characteristics of Egypt, which differentiated it from the other Mediterranean cultures that were undergoing simultaneous social and political changes, he departs from the traditional "decline of paganism/triumph of Christianity" model most often used to describe the Roman period. By revealing late Egyptian religion in its Egyptian historical context, he moves us away from scenarios of Christian triumph and shows us how long and how energetically pagan worship survived.

In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture. Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing on tales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, this volume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.

This novel work uses case studies of both familiar and unfamiliar materials, expanding consideration of ancient Egyptian elite culture to encompass lived experience and exploitation of the natural environment.The opening chapter sets out the conceptual ground for the analyses that follow, arguing that the relatively ephemeral activities under investigation were centrally important to the actors. The first and largest study treats human organization of the landscape and its use to create and transmit elite meanings, especially through pictorial and encyclopaedic forms, and to mobilize emotional values. Next, a treatment of the planning of primarily third millennium settlements on the floodplain argues that Egypt offers a partly rural perspective that provides an alternative to the urban focus of many early civilizations but has parallels in elite culture in much of the world. The third study discusses how a single year's events were orchestrated to culminate in a celebratory hunt in which the king, his court, and high officials participated. The concluding chapter presents an initial synthesis of Egyptian treatments of elite experience, drawing in particular upon additional evidence from literary texts and attitudes to travel.

This important new study looks at the intersection of Greek and Egyptian art forms in the funerary sphere of Roman Egypt. A discussion of artistic change, cultural identity, and religious belief foregrounds the detailed analysis of more than 150 objects and tombs, many of which are presented here for the first time. In addition to the information it provides about individual works of art, supported by catalogue entries, the study explores fundamental questions such as how artists combine the iconographies and representational forms of different visual traditions, and why two distinct visual traditions were employed in Roman Egypt.

The religious and magical practices of the ancient Egyptians have had a profound and lasting effect on the world. Egypt has been described as the "mother of magicians." To appreciate the Egyptian view of magic, we need to accept that to the Egyptians magic was not considered strange or eccentric, but was a part of daily life, to which everyone resorted. Magic blended seamlessly with religion and medicine, being seen as part of a holistic worldview. In this volume these magical and religious practices are explored, from both a historical and practical perspective. The practices are explored from an ancient Egyptian worldview, taking into consideration that the Egyptian culture spread over a period of more than 3000 years. The Egyptians saw the universe as being made of four worlds - the everyday world we live in, the underworld, the sky and the heavens. Subject covered in this book include: -What is Heka? -Ancient Egyptian Worldviews -The Gods and Goddesses of Magic -Symbolism - Colours & Sacred Numbers -The Tools Used -Sacred Words & Gestures -Statues & Masks -Crystals & Other Materials used in Heka -Incenses & Perfumes -Food & Wine used in Offerings & at Feasts -The Ancient Egyptian Magical Calendar -Purification, Sacred Space & Rituals David Rankine is based in London (UK) and is a respected authority on spiritual & magical practices. He is the author of many books, including Climbing the Tree of Life, Circle of Fire & The Guises of the Morrigan. This book, HEKA - The Practices of Ancient Egyptian Magic, is the result of careful research & practical work and is highly recommended to students wishing to pursue practical work within this system.

In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture. Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing on tales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, this volume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.

This revised edition of West's revolutionary reinterpretation of the civilization of Egypt challenges all that has been accpeted as dogma concerning this ancient and enigmatic land. It features a new introduction linking Egyptian science with the perennial wisdom tradition and an appendix updating the author's work in redating the Sphinx. Illustrations.

A divination tool to connect with guides from the Egyptian pantheon
- A 35-card deck with original artwork by award-winning illustrator Kris Waldherr
- Guidebook includes detailed card interpretations and 8 divinatory spreads
- By the authors of "Shamanic Mysteries of Egypt: Awakening the Healing Power of the Heart"
"The Anubis Oracle" is a shamanic guide to inner Egypt, a place of mystery, ancestral wisdom, and abiding love that resides within each of us. It is a place where the "neteru"--the archetypal deities and elemental spirits from the Egyptian pantheon--lead us on our journey of transformation, a journey designed to open our hearts and teach us the inner workings of the soul.
The full-color deck contains a Key Card, a card for each of the 22 deities and 4 elements, and 8 composite cards that portray several deities together. These composites represent 8 major portals of initiation and complex archetypal relationships. The accompanying book provides detailed interpretations for each card and instructions for 8 divinatory spreads that include entering into the mystery, achieving higher love and wisdom, and identifying our sacred purpose. By divining with the neteru, the shaman within awakens. This allows the neteru to reveal the answers we seek in our personal lives and in our interactions with the world by connecting us with the wisdom, guidance, and shamanic mysteries of Egypt that live within us.

This book traces the evolution of religious beliefs and practices within the historical and political contexts of the main periods of Egypt's civilization. It shows how historical and political events influenced state cults, temple rituals and funerary practices, and also emphasizes how religion permeated most aspects of everyday life, including law, medicine and education. The book also describes how some religious customs have even survived, in different forms, until the present day.

The book has extensive bibliographies of primary and secondary sources.

Has the ancient Egyptian cult of immortality resurfaced in Brighton? When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands. Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...

The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. Set was always seen as 'Great of Power', even when he was feared. Putting all his imagery together, placing it in chronological context, sheds new light on the Dark god.

When Jean-Francois Champollion rediscovered how to translate the Egyptian hieroglyphs in the early nineteenth century he described them as "....a complex system, a writing that is figurative, symbolic, and phonetic all within the same text, a single sentence, I would even say a single word." Since then, although his discoveries have led to the translation of most of the ancient Egyptian texts, the emphasis in modern scholarship is to regard the hieroglyphs purely as sounds and to disregard or even deny their symbolic meaning. This book explores how the hieroglyphs function as a comprehensive system of magical symbolism, the medw neter or Words of the Gods by which the sacred truths of the Inner worlds of creation are conveyed to humanity. Their effect is 'magical' because when we study them and ponder their meaning they cause changes in our consciousness, enabling us to reach a deeper understanding of ourselves, of our surroundings and of the universal principles that lie behind all creation. They also incidentally teach us a great deal about the magical beliefs and practices of the ancient Egyptians and their perception of the relationship between the earthly and spiritual worlds. Using many examples and illustrations, this book demonstrates how the hieroglyphs formed the basis of Egyptian magic and were the means by which it was taught and practiced. It offers an entirely new interpretation of Egyptian magic, and shows how the hieroglyphs can be used as a magical tool that is as transformative today as it was in ancient times.