A brand-new Egyptian novel from the master of adventure fiction, Wilbur Smith.

In the heart of Egypt, under the watchful eye of the gods, a new power is rising.

In the city of Lahun, Hui lives an enchanted life. The favoured son of a doting father, and ruler-in-waiting of the great city, his fate is set. But behind the beautiful façades a sinister evil is plotting. Craving power and embittered by jealousy, Hui's stepmother, the great sorceress Isetnofret, and Hui's own brother Qen, orchestrate the downfall of Hui's father, condemning Hui and seizing power in the city. Cast out and alone, Hui finds himself a captive of a skilled and powerful army of outlaws, the Hyksos. Determined to seek vengeance for the death of his father and rescue his sister, Ipwet, Hui swears his allegiance to these enemies of Egypt. Through them he learns the art of war, learning how to fight and becoming an envied charioteer.

But soon Hui finds himself in an even greater battle - one for the very heart of Egypt itself. As the pieces fall into place and the Gods themselves join the fray, Hui finds himself fighting alongside the Egyptian General Tanus and renowned Mage, Taita. Now Hui must choose his path - will he be a hero in the old world, or a master in a new kingdom?

Ellen Muehlberger explores the diverse and inventive ideas Christians held about angels in late antiquity. During the fourth and fifth centuries, Christians began experimenting with new modes of piety, adapting longstanding forms of public authority to Christian leadership and advancing novel ways of cultivating body and mind to further the progress of individual Christians. Muehlberger argues that in practicing these new modes of piety, Christians developed new ways of thinking about angels. The book begins with a detailed examination of the two most popular discourses about angels that developed in late antiquity. In the first, developed by Christians cultivating certain kinds of ascetic practices, angels were one type of being among many in a shifting universe, and their primary purpose was to guard and to guide Christians. In the other, articulated by urban Christian leaders in contest with one another, angels were morally stable characters described in the emerging canon of Scripture, available to enable readers to render Scripture coherent with emerging theological positions. Muehlberger goes on to show how these two discourses did not remain isolated in separate spheres of cultivation and contestation, but influenced one another and the wider Christian culture. She offers in-depth analysis of popular biographies written in late antiquity, of the community standards of emerging monastic communities, and of the training programs developed to prepare Christians to participate in ritual, demonstrating that new ideas about angels shaped and directed the formation of the definitive institutions of late antiquity. Angels in Late Ancient Christianity is a meticulous and thorough study of early Christian ideas about angels, but it also offers a different perspective on late ancient Christian history, arguing that angels were central rather than peripheral to the emergence of Christian institutions and Christian culture in late antiquity.

Examining the diverse religious texts and practices of the late Hellenistic and Roman periods, this collection of essays investigates the many meanings and functions of ritual sacrifice in the ancient world. The essays survey sacrificial acts, ancient theories, and literary as well as artistic depictions of sacrifice, showing that any attempt to identify a single underlying significance of sacrifice is futile. Sacrifice cannot be defined merely as a primal expression of violence, despite the frequent equation of sacrifice to religion and sacrifice to violence in many modern scholarly works; nor is it sufficient to argue that all sacrifice can be explained by guilt, by the need to prepare and distribute animal flesh, or by the communal function of both the sacrificial ritual and the meal.
As the authors of these essays demonstrate, sacrifice may be invested with all of these meanings, or none of them. The killing of the animal, for example, may take place offstage rather than in sight, and the practical, day-to-day routine of plant and animal offerings may have been invested with meaning, too. Yet sacrificial acts, or discourses about these acts, did offer an important site of contestation for many ancient writers, even when the religions they were defending no longer participated in sacrifice. Negotiations over the meaning of sacrifice remained central to the competitive machinations of the literate elite, and their sophisticated theological arguments did not so much undermine sacrificial practice as continue to assume its essential validity.
Ancient Mediterranean Sacrifice offers new insight into the connections and differences among the Greek and Roman, Jewish and Christian religions.

Religion is a particularly useful field within which to study Roman self-definition, for the Romans considered themselves to be the most religious of all peoples and ascribed their imperial success to their religiosity. This study builds on the observation that the Romans were remarkably open to outside influences to explore how installing foreign religious elements as part of their own religious system affected their notions of what it meant to be Roman. The inclusion of so many foreign elements posed difficulties for defining a sense of Romanness at the very moment when a territorial definition was becoming obsolete. Using models drawn from anthropology, this book demonstrates that Roman religious activity beginning in the middle Republic (early third century B.C.E.) contributed to redrawing the boundaries of Romanness. The methods by which the Romans absorbed cults and priests and their development of practices in regard to expiations and the celebration of ludi allowed them to recreate a clear sense of identity, one that could include the peoples they had conquered. While this identity faced further challenges during the civil wars of the Late Republic, the book suggests that Roman openness remained a vital part of their religious behavior during this time. Foreign Cults in Rome concludes with a brief look at the reforms of the first emperor Augustus, whose activity can be understood in light of Republican activity, and whose actions laid the foundation for further adaptation under the Empire.

This remarkable book is the most ambitious work on mythology since that of the renowned Mircea Eliade, who all but single-handedly invented the modern study of myth and religion. Focusing on the oldest available texts, buttressed by data from archeology, comparative linguistics and human population genetics, Michael Witzel reconstructs a single original African source for our collective myths, dating back some 100,000 years. Identifying features shared by this "Out of Africa" mythology and its northern Eurasian offshoots, Witzel suggests that these common myths--recounted by the communities of the "African Eve"--are the earliest evidence of ancient spirituality. Moreover these common features, Witzel shows, survive today in all major religions. Witzel's book is an intellectual hand grenade that will doubtless generate considerable excitement--and consternation--in the scholarly community. Indeed, everyone interested in mythology will want to grapple with Witzel's extraordinary hypothesis about the spirituality of our common ancestors, and to understand what it tells us about our modern cultures and the way they are linked at the deepest level.

John Nemec examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijna or "Recognition of God]" School of tenth-century Kashmir, the tradition most closely associated with Kashmiri Shaivism. In doing so it offers, for the very first time, a critical edition and annotated translation of a large portion of the first Pratyabhijna text ever composed, the Sivadrsti of Somananda. In an extended introduction, Nemec argues that the author presents a unique form of non-dualism, a strict pantheism that declares all beings and entities found in the universe to be fully identical with the active and willful god Siva. This view stands in contrast to the philosophically more flexible panentheism of both his disciple and commentator, Utpaladeva, and the very few other Saiva tantric works that were extant in the author's day. Nemec also argues that the text was written for the author's fellow tantric initiates, not for a wider audience. This can be adduced from the structure of the work, the opponents the author addresses, and various other editorial strategies. Even the author's famous and vociferous arguments against the non-tantric Hindu grammarians may be shown to have been ultimately directed at an opposing Hindu tantric school that subscribed to many of the grammarians' philosophical views. Included in the volume is a critical edition and annotated translation of the first three (of seven) chapters of the text, along with the corresponding chapters of the commentary. These are the chapters in which Somananda formulates his arguments against opposing tantric authors and schools of thought. None of the materials made available in the present volume has ever been translated into English, apart from a brief rendering of the first chapter that was published without the commentary in 1957. None of the commentary has previously been translated into any language at all."

The city of Constantinople was named New Rome or Second Rome very soon after its foundation in AD 324; over the next two hundred years it replaced the original Rome as the greatest city of the Mediterranean. In this unified essay collection, prominent international scholars examine the changing roles and perceptions of Rome and Constantinople in Late Antiquity from a range of different disciplines and scholarly perspectives. The seventeen chapters cover both the comparative development and the shifting status of the two cities. Developments in politics and urbanism are considered, along with the cities' changing relationships with imperial power, the church, and each other, and their evolving representations in both texts and images. These studies present important revisionist arguments and new interpretations of significant texts and events. This comparative perspective allows the neglected subject of the relationship between the two Romes to come into focus while avoiding the teleological distortions common in much past scholarship.
An introductory section sets the cities, and their comparative development, in context. Part Two looks at topography, and includes the first English translation of the Notitia of Constantinople. The following section deals with politics proper, considering the role of emperors in the two Romes and how rulers interacted with their cities. Part Four then considers the cities through the prism of literature, in particular through the distinctively late antique genre of panegyric. The fifth group of essays considers a crucial aspect shared by the two cities: their role as Christian capitals. Lastly, a provocative epilogue looks at the enduring Roman identity of the post-Heraclian Byzantine state. Thus, Two Romes not only illuminates the study of both cities but also enriches our understanding of the late Roman world in its entirety.

Though many practitioners of yoga and meditation are familiar with the Sri Cakra yantra, few fully understand the depth of meaning in this representation of the cosmos. Even fewer have been exposed to the practices of mantra and puja (worship) associated with it. Andre Padoux, with Roger Orphe-Jeanty, offers the first English translation of the Yoginihrdaya, a seminal Hindu tantric text dating back to the 10th or 11th century CE. The Yoginihrdaya discloses to initiates the secret of the Heart of the Yogini, or the supreme Reality: the divine plane where the Goddess (Tripurasundari, or Consciousness itself) manifests her power and glory. As Padoux demonstrates, the Yoginihrdaya is not a philosophical treatise aimed at expounding particular metaphysical tenets. It aims to show a way towards liberation, or, more precisely, to a tantric form of liberation in this life--jivanmukti, which grants both liberation from the fetters of the world and domination over it.

In her latest book, Ross Shepard Kraemer shows how her mind has changed or remained the same since the publication of her ground-breaking study, Her Share of the Blessings: Women's Religions Among Pagans, Jews and Christians in the Greco-Roman World (OUP 1992). Unreliable Witnesses scrutinizes more closely how ancient constructions of gender undergird accounts of women's religious practices in the Greco-Roman Mediterranean.
Kraemer analyzes how gender provides the historically obfuscating substructure of diverse texts: Livy's account of the origins of the Roman Bacchanalia; Philo of Alexandria's envisioning of idealized, masculinized women philosophers; rabbinic debates about women studying Torah; Justin Martyr's depiction of an elite Roman matron who adopts chaste Christian philosophical discipline; the similar representation of Paul's fictive disciple, Thecla, in the anonymous Acts of (Paul and) Thecla; Severus of Minorca's depiction of Jewish women as the last hold-outs against Christian pressures to convert, and others.
While attentive to arguments that women are largely fictive proxies in elite male contestations over masculinity, authority, and power, Kraemer retains her focus on redescribing and explaining women's religious practices. She argues that - gender-specific or not - religious practices in the ancient Mediterranean routinely encoded and affirmed ideas about gender. As in many cultures, women's devotion to the divine was both acceptable and encouraged, only so long as it conformed to pervasive constructions of femininity as passive, embodied, emotive, insufficiently controlled and subordinated to masculinity.
Extending her findings beyond the ancient Mediterranean, Kraemer proposes that, more generally, religion is among the many human social practices that are both gendered and gendering, constructing and inscribing gender on human beings and on human actions and ideas. Her study thus poses significant questions about the relationships between religions and gender in the modern world.

'A beautiful and profound retelling' - Madeline Miller, author of The Song of Achilles and Circe 'Gives the serpent-headed monster of myth a powerful and haunting humanity' - Jennifer Saint, author of Ariadne and Elektra _________________ If I told you that I'd killed a man with a glance, would you wait to hear the rest? The why, the how, what happened next? Monster. Man-hater. Murderess. Forget everything you've been told about Medusa. Internationally bestselling author Jessie Burton flips the script in this astonishing retelling of Greek myth, illuminating the woman behind the legend at last. Exiled to a far-flung island after being abused by powerful Gods, Medusa has little company other than the snakes that adorn her head instead of hair. Haunted by the memories of a life before everything was stolen from her, she has no choice but to make peace with her present: Medusa the Monster. But when the charmed and beautiful Perseus arrives on the island, her lonely existence is blown apart, unleashing desire, love... and betrayal. Adapted from the hardback illustrated by Olivia Lomenech-Gill, this paperback edition is perfect for readers who loved Circe and Ariadne, as Medusa comes alive in a new version of the story that history set in stone long ago. _________________ '... a must-read for women of all ages' - Red magazine 'Utterly transporting' - Guardian Books of the Year '... an impressive addition to the shelves of feminist retellings, balancing rage with beautiful storytelling' - Irish Times

Thomas O'Loughlin focuses on such issues as the immanence and transcendence of God, the notion of creation, the relation between the individual and community, the heroic ideal of Christian life, and notions of death and resurrection.

An A-Z of some of the most celebrated creatures in Greek mythology, from the lizard-like Centaur, Abas, to Zeus, tyrannical king of the Olympian gods, and including Alcyoneus, Bia, the Chimaera, Damysus, Echidna, Fear and Famine, Geryon, the Hydra, Ixion, Jealousy, Kourotrophus, Ladon, Medusa, the Nemean Lion, Orthrus, Peace and Quiet, Rhoetus, Sisyphus, Thanatos, Udaeus, Violence, War, Xanthus, Yearning and the zealous Zelus. Also featured are the Aloadae, baleful Boars, Corybantes and Curetes, Dactyls, Erinyes, the three Fates, Gasterocheires, Gorgons, Graeae, Harpies, the Ichthyocentauroi, the torments of Jason, the death-dealing Keres, the man-eating Laestrygones, Maenades, the Neikeai, the Olympians, Prayers and Entreaty, Quarrels, River-Gods, Sirens, Telchines, Unicorns, Vice and Virtue, Wind Gods and the twelve spirits of the Zodiac.

Practiced today by more than 500 million adherents, Buddhism emerged from India between the sixth and fourth centuries BCE. Based around the original teachings of the Buddha, key texts emerged to promote a true understanding of Buddhist ethics and spiritual practices. The Buddhist traditions created a vast body of mythological literature, much of it focused on the life of the Buddha. For example, the 550 Jataka Tales tell of Buddha's early life and renunciation, as well as his previous human and animal incarnations. The stories also tell of Gautama Buddha's family, such as his mother Mara, and her dream of a white elephant preceding his birth; as well as his cousin, Devadatta, a disciple monk who rebelled against Buddha and tried to kill him. Buddhist literature includes numerous parables - such as the Turtle Who Couldn't Stop Talking - as well as recounting scenes from the Indian epic the Ramayana. History and myth intermingle in texts such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed as a model of Buddhist kingship. Illustrated with 120 photographs and artworks, Buddhist Myths is an accessible, engaging and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential religions.

In ancient Rome (753 BC - 476 AD) mythology was integral to various aspects of society, from religion, to politics, to the founding of the city. Today, we may encounter the legacy of these stories before we encounter the stories themselves, whether this is in day-to-day speech, the 18th century art on display at the Louvre, or the works of William Shakespeare. The Roman tendency to accept their mythology as part of history creates a degree of uncertainty around the historical basis of the figures featured in these legendary tales. Truth, fiction, or both, the significance of mythology to this people is palpable. From Romulus and Remus and the founding of Rome to Lucretia and the Republic; from Livy and the Dii Consentes to Virgil's Aeneid; from Dis Pater in the underworld to Jupiter, god of the sky. Illustrated with 180 colour and black-and-white photographs, artworks, and maps, Roman Myths is an engaging and informative book, offering an introduction to Roman mythology, its roots, and its ongoing importance.

Examining the theme of child sacrifice as a psychological challenge, this book applies a unique approach to religious ideas by looking at beliefs and practices that are considered deviant, but also make up part of mainstream religious discourse in Judaism, Islam, and Christianity. Ancient religious mythology, which survives through living traditions and transmitted narratives, rituals, and writings, is filled with violent stories, often involving the targeting of children as ritual victims. Christianity offers Abraham's sacrifice and assures us that the "only begotten son" has died, and then been resurrected. This version of the sacrifice myth has dominated the West. It is celebrated in an act of fantasy cannibalism, in which the believers share the divine son's flesh and blood. This book makes the connection between Satanism stories in the 1980s, the Blood Libel in Europe, The Eucharist, and Eastern Mediterranean narratives of child sacrifice.

Gorgeous Collector's Edition. Many medieval writers, especially from France and Wales, wrote stories about the great British leader, King Arthur. Legends, folklore and myths from this period come together to paint a picture of who he was with some describing him as a great warrior, defending Britain from its enemies, while others suggest Arthur had magical qualities. Throughout this mystery, King Arthur has become an iconic figure, known for his court and knights and his chivalric adventures. This collection offers a selection of myths, featuring Arthur's knights of the round table, his love for Queen Guinevere and of course the ultimate betrayal by his most trusted knight, Sir Lancelot. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

The stories of the gods and goddesses of ancient Greece are sprawling, dramatic and wonderfully strange; their lives intertwine with mortals and their behaviours fluctuate wildly from benevolent to violent, from didactic to fickle, from loving to enraged. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Jean Menzies captures the magic of Greek myths by drawing on a wide variety of vivid retellings from the nineteenth and twentieth centuries, which bring to life the stories of Zeus, Athena, Poseidon, Hermes, Pandora and many more. Coupled with her own entertaining commentary, this is the perfect book for learning about the world of the Greek deities and a treat for all fans of Greek mythology