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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions
A brand-new Egyptian novel from the master of adventure fiction, Wilbur Smith.
In the heart of Egypt, under the watchful eye of the gods, a new power is rising.
In the city of Lahun, Hui lives an enchanted life. The favoured son of a doting father, and ruler-in-waiting of the great city, his fate is set. But behind the beautiful façades a sinister evil is plotting. Craving power and embittered by jealousy, Hui's stepmother, the great sorceress Isetnofret, and Hui's own brother Qen, orchestrate the downfall of Hui's father, condemning Hui and seizing power in the city. Cast out and alone, Hui finds himself a captive of a skilled and powerful army of outlaws, the Hyksos. Determined to seek vengeance for the death of his father and rescue his sister, Ipwet, Hui swears his allegiance to these enemies of Egypt. Through them he learns the art of war, learning how to fight and becoming an envied charioteer.
But soon Hui finds himself in an even greater battle - one for the very heart of Egypt itself. As the pieces fall into place and the Gods themselves join the fray, Hui finds himself fighting alongside the Egyptian General Tanus and renowned Mage, Taita. Now Hui must choose his path - will he be a hero in the old world, or a master in a new kingdom?
Ellen Muehlberger explores the diverse and inventive ideas
Christians held about angels in late antiquity. During the fourth
and fifth centuries, Christians began experimenting with new modes
of piety, adapting longstanding forms of public authority to
Christian leadership and advancing novel ways of cultivating body
and mind to further the progress of individual Christians.
Muehlberger argues that in practicing these new modes of piety,
Christians developed new ways of thinking about angels. The book
begins with a detailed examination of the two most popular
discourses about angels that developed in late antiquity. In the
first, developed by Christians cultivating certain kinds of ascetic
practices, angels were one type of being among many in a shifting
universe, and their primary purpose was to guard and to guide
Christians. In the other, articulated by urban Christian leaders in
contest with one another, angels were morally stable characters
described in the emerging canon of Scripture, available to enable
readers to render Scripture coherent with emerging theological
positions. Muehlberger goes on to show how these two discourses did
not remain isolated in separate spheres of cultivation and
contestation, but influenced one another and the wider Christian
culture. She offers in-depth analysis of popular biographies
written in late antiquity, of the community standards of emerging
monastic communities, and of the training programs developed to
prepare Christians to participate in ritual, demonstrating that new
ideas about angels shaped and directed the formation of the
definitive institutions of late antiquity. Angels in Late Ancient
Christianity is a meticulous and thorough study of early Christian
ideas about angels, but it also offers a different perspective on
late ancient Christian history, arguing that angels were central
rather than peripheral to the emergence of Christian institutions
and Christian culture in late antiquity.
Examining the diverse religious texts and practices of the late
Hellenistic and Roman periods, this collection of essays
investigates the many meanings and functions of ritual sacrifice in
the ancient world. The essays survey sacrificial acts, ancient
theories, and literary as well as artistic depictions of sacrifice,
showing that any attempt to identify a single underlying
significance of sacrifice is futile. Sacrifice cannot be defined
merely as a primal expression of violence, despite the frequent
equation of sacrifice to religion and sacrifice to violence in many
modern scholarly works; nor is it sufficient to argue that all
sacrifice can be explained by guilt, by the need to prepare and
distribute animal flesh, or by the communal function of both the
sacrificial ritual and the meal.
As the authors of these essays demonstrate, sacrifice may be
invested with all of these meanings, or none of them. The killing
of the animal, for example, may take place offstage rather than in
sight, and the practical, day-to-day routine of plant and animal
offerings may have been invested with meaning, too. Yet sacrificial
acts, or discourses about these acts, did offer an important site
of contestation for many ancient writers, even when the religions
they were defending no longer participated in sacrifice.
Negotiations over the meaning of sacrifice remained central to the
competitive machinations of the literate elite, and their
sophisticated theological arguments did not so much undermine
sacrificial practice as continue to assume its essential
validity.
Ancient Mediterranean Sacrifice offers new insight into the
connections and differences among the Greek and Roman, Jewish and
Christian religions.
Religion is a particularly useful field within which to study Roman
self-definition, for the Romans considered themselves to be the
most religious of all peoples and ascribed their imperial success
to their religiosity. This study builds on the observation that the
Romans were remarkably open to outside influences to explore how
installing foreign religious elements as part of their own
religious system affected their notions of what it meant to be
Roman. The inclusion of so many foreign elements posed difficulties
for defining a sense of Romanness at the very moment when a
territorial definition was becoming obsolete. Using models drawn
from anthropology, this book demonstrates that Roman religious
activity beginning in the middle Republic (early third century
B.C.E.) contributed to redrawing the boundaries of Romanness. The
methods by which the Romans absorbed cults and priests and their
development of practices in regard to expiations and the
celebration of ludi allowed them to recreate a clear sense of
identity, one that could include the peoples they had conquered.
While this identity faced further challenges during the civil wars
of the Late Republic, the book suggests that Roman openness
remained a vital part of their religious behavior during this time.
Foreign Cults in Rome concludes with a brief look at the reforms of
the first emperor Augustus, whose activity can be understood in
light of Republican activity, and whose actions laid the foundation
for further adaptation under the Empire.
This remarkable book is the most ambitious work on mythology since
that of the renowned Mircea Eliade, who all but single-handedly
invented the modern study of myth and religion. Focusing on the
oldest available texts, buttressed by data from archeology,
comparative linguistics and human population genetics, Michael
Witzel reconstructs a single original African source for our
collective myths, dating back some 100,000 years. Identifying
features shared by this "Out of Africa" mythology and its northern
Eurasian offshoots, Witzel suggests that these common
myths--recounted by the communities of the "African Eve"--are the
earliest evidence of ancient spirituality. Moreover these common
features, Witzel shows, survive today in all major religions.
Witzel's book is an intellectual hand grenade that will doubtless
generate considerable excitement--and consternation--in the
scholarly community. Indeed, everyone interested in mythology will
want to grapple with Witzel's extraordinary hypothesis about the
spirituality of our common ancestors, and to understand what it
tells us about our modern cultures and the way they are linked at
the deepest level.
John Nemec examines the beginnings of the non-dual tantric
philosophy of the famed Pratyabhijna or "Recognition of God]"
School of tenth-century Kashmir, the tradition most closely
associated with Kashmiri Shaivism. In doing so it offers, for the
very first time, a critical edition and annotated translation of a
large portion of the first Pratyabhijna text ever composed, the
Sivadrsti of Somananda. In an extended introduction, Nemec argues
that the author presents a unique form of non-dualism, a strict
pantheism that declares all beings and entities found in the
universe to be fully identical with the active and willful god
Siva. This view stands in contrast to the philosophically more
flexible panentheism of both his disciple and commentator,
Utpaladeva, and the very few other Saiva tantric works that were
extant in the author's day. Nemec also argues that the text was
written for the author's fellow tantric initiates, not for a wider
audience. This can be adduced from the structure of the work, the
opponents the author addresses, and various other editorial
strategies. Even the author's famous and vociferous arguments
against the non-tantric Hindu grammarians may be shown to have been
ultimately directed at an opposing Hindu tantric school that
subscribed to many of the grammarians' philosophical views.
Included in the volume is a critical edition and annotated
translation of the first three (of seven) chapters of the text,
along with the corresponding chapters of the commentary. These are
the chapters in which Somananda formulates his arguments against
opposing tantric authors and schools of thought. None of the
materials made available in the present volume has ever been
translated into English, apart from a brief rendering of the first
chapter that was published without the commentary in 1957. None of
the commentary has previously been translated into any language at
all."
The city of Constantinople was named New Rome or Second Rome very
soon after its foundation in AD 324; over the next two hundred
years it replaced the original Rome as the greatest city of the
Mediterranean. In this unified essay collection, prominent
international scholars examine the changing roles and perceptions
of Rome and Constantinople in Late Antiquity from a range of
different disciplines and scholarly perspectives. The seventeen
chapters cover both the comparative development and the shifting
status of the two cities. Developments in politics and urbanism are
considered, along with the cities' changing relationships with
imperial power, the church, and each other, and their evolving
representations in both texts and images. These studies present
important revisionist arguments and new interpretations of
significant texts and events. This comparative perspective allows
the neglected subject of the relationship between the two Romes to
come into focus while avoiding the teleological distortions common
in much past scholarship.
An introductory section sets the cities, and their comparative
development, in context. Part Two looks at topography, and includes
the first English translation of the Notitia of Constantinople. The
following section deals with politics proper, considering the role
of emperors in the two Romes and how rulers interacted with their
cities. Part Four then considers the cities through the prism of
literature, in particular through the distinctively late antique
genre of panegyric. The fifth group of essays considers a crucial
aspect shared by the two cities: their role as Christian capitals.
Lastly, a provocative epilogue looks at the enduring Roman identity
of the post-Heraclian Byzantine state. Thus, Two Romes not only
illuminates the study of both cities but also enriches our
understanding of the late Roman world in its entirety.
Though many practitioners of yoga and meditation are familiar with
the Sri Cakra yantra, few fully understand the depth of meaning in
this representation of the cosmos. Even fewer have been exposed to
the practices of mantra and puja (worship) associated with it.
Andre Padoux, with Roger Orphe-Jeanty, offers the first English
translation of the Yoginihrdaya, a seminal Hindu tantric text
dating back to the 10th or 11th century CE. The Yoginihrdaya
discloses to initiates the secret of the Heart of the Yogini, or
the supreme Reality: the divine plane where the Goddess
(Tripurasundari, or Consciousness itself) manifests her power and
glory. As Padoux demonstrates, the Yoginihrdaya is not a
philosophical treatise aimed at expounding particular metaphysical
tenets. It aims to show a way towards liberation, or, more
precisely, to a tantric form of liberation in this
life--jivanmukti, which grants both liberation from the fetters of
the world and domination over it.
In her latest book, Ross Shepard Kraemer shows how her mind has
changed or remained the same since the publication of her
ground-breaking study, Her Share of the Blessings: Women's
Religions Among Pagans, Jews and Christians in the Greco-Roman
World (OUP 1992). Unreliable Witnesses scrutinizes more closely how
ancient constructions of gender undergird accounts of women's
religious practices in the Greco-Roman Mediterranean.
Kraemer analyzes how gender provides the historically obfuscating
substructure of diverse texts: Livy's account of the origins of the
Roman Bacchanalia; Philo of Alexandria's envisioning of idealized,
masculinized women philosophers; rabbinic debates about women
studying Torah; Justin Martyr's depiction of an elite Roman matron
who adopts chaste Christian philosophical discipline; the similar
representation of Paul's fictive disciple, Thecla, in the anonymous
Acts of (Paul and) Thecla; Severus of Minorca's depiction of Jewish
women as the last hold-outs against Christian pressures to convert,
and others.
While attentive to arguments that women are largely fictive proxies
in elite male contestations over masculinity, authority, and power,
Kraemer retains her focus on redescribing and explaining women's
religious practices. She argues that - gender-specific or not -
religious practices in the ancient Mediterranean routinely encoded
and affirmed ideas about gender. As in many cultures, women's
devotion to the divine was both acceptable and encouraged, only so
long as it conformed to pervasive constructions of femininity as
passive, embodied, emotive, insufficiently controlled and
subordinated to masculinity.
Extending her findings beyond the ancient Mediterranean, Kraemer
proposes that, more generally, religion is among the many human
social practices that are both gendered and gendering, constructing
and inscribing gender on human beings and on human actions and
ideas. Her study thus poses significant questions about the
relationships between religions and gender in the modern world.
Thomas O'Loughlin focuses on such issues as the immanence and
transcendence of God, the notion of creation, the relation between
the individual and community, the heroic ideal of Christian life,
and notions of death and resurrection.
'A beautiful and profound retelling' - Madeline Miller, author of
The Song of Achilles and Circe 'Gives the serpent-headed monster of
myth a powerful and haunting humanity' - Jennifer Saint, author of
Ariadne and Elektra _________________ If I told you that I'd killed
a man with a glance, would you wait to hear the rest? The why, the
how, what happened next? Monster. Man-hater. Murderess. Forget
everything you've been told about Medusa. Internationally
bestselling author Jessie Burton flips the script in this
astonishing retelling of Greek myth, illuminating the woman behind
the legend at last. Exiled to a far-flung island after being abused
by powerful Gods, Medusa has little company other than the snakes
that adorn her head instead of hair. Haunted by the memories of a
life before everything was stolen from her, she has no choice but
to make peace with her present: Medusa the Monster. But when the
charmed and beautiful Perseus arrives on the island, her lonely
existence is blown apart, unleashing desire, love... and betrayal.
Adapted from the hardback illustrated by Olivia Lomenech-Gill, this
paperback edition is perfect for readers who loved Circe and
Ariadne, as Medusa comes alive in a new version of the story that
history set in stone long ago. _________________ '... a must-read
for women of all ages' - Red magazine 'Utterly transporting' -
Guardian Books of the Year '... an impressive addition to the
shelves of feminist retellings, balancing rage with beautiful
storytelling' - Irish Times
An A-Z of some of the most celebrated creatures in Greek mythology,
from the lizard-like Centaur, Abas, to Zeus, tyrannical king of the
Olympian gods, and including Alcyoneus, Bia, the Chimaera, Damysus,
Echidna, Fear and Famine, Geryon, the Hydra, Ixion, Jealousy,
Kourotrophus, Ladon, Medusa, the Nemean Lion, Orthrus, Peace and
Quiet, Rhoetus, Sisyphus, Thanatos, Udaeus, Violence, War, Xanthus,
Yearning and the zealous Zelus. Also featured are the Aloadae,
baleful Boars, Corybantes and Curetes, Dactyls, Erinyes, the three
Fates, Gasterocheires, Gorgons, Graeae, Harpies, the
Ichthyocentauroi, the torments of Jason, the death-dealing Keres,
the man-eating Laestrygones, Maenades, the Neikeai, the Olympians,
Prayers and Entreaty, Quarrels, River-Gods, Sirens, Telchines,
Unicorns, Vice and Virtue, Wind Gods and the twelve spirits of the
Zodiac.
A remote village. A deadly secret. An outsider who knows the
truth... 'ATMOSPHERIC AND COMPELLING' Catherine Cooper, Sunday
Times bestselling author of The Chalet and The Chateau 'SPLENDIDLY
CREEPY' DAILY MAIL 'DELICIOUSLY UNSETTLING' OBSERVER Maggie Mackay
has been haunted her entire life. No matter what she does, she
can't shake the sense that something is wrong with her. And maybe
something is... When she was five years old, without proof, Maggie
announced that someone in the remote village of Blairmore in the
Outer Hebrides had murdered a local man, sparking a media storm.
Now, Maggie is determined to discover what really happened and what
the villagers are hiding. But everyone has secrets, and some are
deadly. As she gets closer to the horrifying truth, Maggie's own
life is in danger... From the critically-acclaimed author of
Mirrorland comes a darkly disturbing new thriller that will chill
you to the bone. PRAISE FOR CAROLE JOHNSTONE'S DEBUT NOVEL,
MIRRORLAND: 'DARK AND DEVIOUS' Stephen King 'UTTERLY ENGROSSING'
Daily Mail 'TWISTY AND RICHLY ATMOSPHERIC' Ruth Ware 'TIGHTLY
PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough 'A HAUNTING
THRILLER' Woman's Weekly 'TOTALLY ABSORBING' T.M. Logan 'AN
UNSETTLING, LABYRINTHINE TALE' New York Times
Practiced today by more than 500 million adherents, Buddhism
emerged from India between the sixth and fourth centuries BCE.
Based around the original teachings of the Buddha, key texts
emerged to promote a true understanding of Buddhist ethics and
spiritual practices. The Buddhist traditions created a vast body of
mythological literature, much of it focused on the life of the
Buddha. For example, the 550 Jataka Tales tell of Buddha's early
life and renunciation, as well as his previous human and animal
incarnations. The stories also tell of Gautama Buddha's family,
such as his mother Mara, and her dream of a white elephant
preceding his birth; as well as his cousin, Devadatta, a disciple
monk who rebelled against Buddha and tried to kill him. Buddhist
literature includes numerous parables - such as the Turtle Who
Couldn't Stop Talking - as well as recounting scenes from the
Indian epic the Ramayana. History and myth intermingle in texts
such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed
as a model of Buddhist kingship. Illustrated with 120 photographs
and artworks, Buddhist Myths is an accessible, engaging and highly
informative exploration of the fascinating mythology underlying one
of the world's oldest and most influential religions.
Examining the theme of child sacrifice as a psychological
challenge, this book applies a unique approach to religious ideas
by looking at beliefs and practices that are considered deviant,
but also make up part of mainstream religious discourse in Judaism,
Islam, and Christianity. Ancient religious mythology, which
survives through living traditions and transmitted narratives,
rituals, and writings, is filled with violent stories, often
involving the targeting of children as ritual victims. Christianity
offers Abraham's sacrifice and assures us that the "only begotten
son" has died, and then been resurrected. This version of the
sacrifice myth has dominated the West. It is celebrated in an act
of fantasy cannibalism, in which the believers share the divine
son's flesh and blood. This book makes the connection between
Satanism stories in the 1980s, the Blood Libel in Europe, The
Eucharist, and Eastern Mediterranean narratives of child sacrifice.
AN EPIC BATTLE THAT LASTED TEN YEARS. A LEGENDARY STORY THAT HAS
SURVIVED THOUSANDS. 'An inimitable retelling of the siege of Troy .
. . Fry's narrative, artfully humorous and rich in detail, breathes
life and contemporary relevance into these ancient tales' OBSERVER
'Stephen Fry has done it again. Well written and super
storytelling' 5***** READER REVIEW ________ 'Troy. The most
marvellous kingdom in all the world. The Jewel of the Aegean.
Glittering Ilion, the city that rose and fell not once but twice .
. .' When Helen, the beautiful Greek queen, is kidnapped by the
Trojan prince Paris, the most legendary war of all time begins.
Watch in awe as a thousand ships are launched against the great
city of Troy. Feel the fury of the battleground as the Trojans
stand resolutely against Greek might for an entire decade. And
witness the epic climax - the wooden horse, delivered to the city
of Troy in a masterclass of deception by the Greeks . . . In
Stephen Fry's exceptional retelling of our greatest story, TROY
will transport you to the depths of ancient Greece and beyond.
________ 'A fun romp through the world's greatest story. Fry's
knowledge of the world - ancient and modern - bursts through' Daily
Telegraph 'An excellent retelling . . . told with compassion and
wit' 5***** Reader Review 'Hugely successful, graceful' The Times
'If you want to read about TROY, this book is a must over any
other' 5***** Reader Review 'Fluent, crisp, nuanced, begins with a
bang' The Times Literary Supplement 'The characters . . . are
brilliantly brought to life' 5***** Reader Review PRAISE FOR
STEPHEN FRY'S GREEK SERIES: 'A romp through the lives of ancient
Greek gods. Fry is at his story-telling best . . . the gods will be
pleased' Times 'A head-spinning marathon of legends' Guardian 'An
Olympian feat. The gods seem to be smiling on Fry - his myths are
definitely a hit' Evening Standard 'An odyssey through Greek
mythology. Brilliant . . . all hail Stephen Fry' Daily Mail 'A
rollicking good read' Independent
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