A brand-new Egyptian novel from the master of adventure fiction, Wilbur Smith.

In the heart of Egypt, under the watchful eye of the gods, a new power is rising.

In the city of Lahun, Hui lives an enchanted life. The favoured son of a doting father, and ruler-in-waiting of the great city, his fate is set. But behind the beautiful façades a sinister evil is plotting. Craving power and embittered by jealousy, Hui's stepmother, the great sorceress Isetnofret, and Hui's own brother Qen, orchestrate the downfall of Hui's father, condemning Hui and seizing power in the city. Cast out and alone, Hui finds himself a captive of a skilled and powerful army of outlaws, the Hyksos. Determined to seek vengeance for the death of his father and rescue his sister, Ipwet, Hui swears his allegiance to these enemies of Egypt. Through them he learns the art of war, learning how to fight and becoming an envied charioteer.

But soon Hui finds himself in an even greater battle - one for the very heart of Egypt itself. As the pieces fall into place and the Gods themselves join the fray, Hui finds himself fighting alongside the Egyptian General Tanus and renowned Mage, Taita. Now Hui must choose his path - will he be a hero in the old world, or a master in a new kingdom?

This book is the first attempt that has ever been made to give a comprehensive account of the religious life of ancient Athens. The city's many festivals are discussed in detail, with attention to recent anthropological theory; so too, for instance, are the cults of households and of smaller
groups, the role of religious practice and argumentation in public life, the authority of priests, the activities of religious professionals such as seers and priestesses, magic, the place of theatrical representations of the gods within public attitudes to the divine. A long final section considers
the sphere of activity of the various gods, and takes Athens as a uniquely detailed test case for the structuralist approach to polytheism. The work is a synchronic, thematically organized complement (though designed to be read independently) to the same author's Athenian Religion: A History (OUP,
1996).

This book studies Egyptian ideas about death and the afterlife during the Ptolemaic and Roman Periods. Mark Smith analyses Egyptian attitudes toward death, looks at the various means by which the Egyptians attempted to ensure a smooth transition from existence in this world to that in the next, and examines how they envisaged life in the hereafter. Traversing Eternity is based on a corpus of sixty texts specially selected for the light which they throw upon these topics. Some of the texts are ritual in character, and were recited for the benefit of the deceased by priests, while others were interred along with the dead so that they themselves could make use of them in the afterlife. Each text is translated in its entirety, with annotation to elucidate obscure points, and each is supplied with a detailed introduction. Smith also addresses key issues such as that of continuity and change in Egyptian religious beliefs during the Ptolemaic and Roman Periods and attempts to answer the question of why the composition of texts for the afterlife flourished to such a remarkable extent at this time.

Greek mythology is known to us from various artistic and literary sources. Of the latter, the poetic sources (such as Homer and tragedy) are familiar to many readers, but the prose sources are much less so. Early Greek Mythography: Volume 2 is a detailed commentary on the texts of Early GreekMythography: Volume 1, which provided a critical edition of the twenty-nine authors of this genre of Greek prose from the late sixth to the early fourth centuries BC.
After a general introduction, this volume offers in its first part a mythological commentary on the texts, arranged according to the major topics of Greek mythology (the Trojan Cycle, Herakles, the Argonauts, etc.). The aim is to recover, so far as possible, what each writer said about the stories, with full consideration of their historical context and significance for Greek literature, mythology, and religion. The synoptic, topic-by-topic approach allows all the fragments pertinent to any given myth to be treated together, so that one can more easily identify variants and trends, and plot the history of the myth. The second part of the volume is a philological commentary on the separate authors, discussing their life, works, and contribution to the genre, as well as textual problems and non-mythological questions raised by individual fragments.

In Ancient Egypt: State and Society, Alan B. Lloyd attempts to define, analyse, and evaluate the institutional and ideological systems which empowered and sustained one of the most successful civilizations of the ancient world for a period in excess of three and a half millennia. The volume adopts the premise that all societies are the product of a continuous dialogue with their physical context - understood in the broadest sense - and that, in order to achieve a successful symbiosis with this context, they develop an interlocking set of systems, defined by historians, archaeologists, and anthropologists as culture. Culture, therefore, can be described as the sum total of the methods employed by a group of human beings to achieve some measure of control over their environment. Covering the entirety of the civilization, and featuring a large number of up-to-date translations of original Egyptian texts, Ancient Egypt focuses on the main aspects of Egyptian culture which gave the society its particular character, and endeavours to establish what allowed the Egyptians to maintain that character for an extraordinary length of time, despite enduring cultural shock of many different kinds.

THE SECOND INSTALLMENT IN THE HOUSE OF SHADOWS DUOLOGY, A GRIPPING FANTASY INSPIRED BY GREEK MYTH. Return to the Underworld... Deina has finally found what matters most to her in all the world. And lost it. To save the one she loves, she's bound herself to the Underworld and an endless future of darkness. But not even her sacrifice is enough to secure Theron or her friends' safety in the mortal realm. Aristaeus has seized power in Thebes and his tyrannical reign is a constant, looming threat to their lives. So when Deina is offered the chance to destroy him and the gods altogether, she sets out on a new quest. But to succeed, she must turn away from everything she holds true. In a game with the gods, the rewards are infinite . . . but the punishments are eternal. Be prepared for a nail-biting race for survival in this breathtaking sequel to Daughter of Darkness. PRAISE FOR DAUGHTER OF DARKNESS: 'Everything I want in a fantasy and more' - Mary Watson, author of Blood to Poison 'A book of smart, savage beauty' - Josh Winning, author of The Shadow Glass 'Deliciously dark, dangerously exciting, absolutely immersive fantasy from two goddesses of storytelling' - Sinéad O'Hart, author of The Eye of the North 'Rich with mythology, this twisty adventure spins a new story from old - one that will leave you breathless, broken and begging for more' - Bex Hogan, author of the Isles of Storm and Sorrow trilogy 'A beautiful breath-taking adventure' - Holly Race, author of Midnight's Twins

The Ancient Egyptians continue to fascinate people from all walks of life. Of all the knowledge we have of their culture, the rituals connected to death and the afterlife are the most compelling.

In ancient Rome (753 BC - 476 AD) mythology was integral to various aspects of society, from religion, to politics, to the founding of the city. Today, we may encounter the legacy of these stories before we encounter the stories themselves, whether this is in day-to-day speech, the 18th century art on display at the Louvre, or the works of William Shakespeare. The Roman tendency to accept their mythology as part of history creates a degree of uncertainty around the historical basis of the figures featured in these legendary tales. Truth, fiction, or both, the significance of mythology to this people is palpable. From Romulus and Remus and the founding of Rome to Lucretia and the Republic; from Livy and the Dii Consentes to Virgil's Aeneid; from Dis Pater in the underworld to Jupiter, god of the sky. Illustrated with 180 colour and black-and-white photographs, artworks, and maps, Roman Myths is an engaging and informative book, offering an introduction to Roman mythology, its roots, and its ongoing importance.

Thomas O'Loughlin focuses on such issues as the immanence and transcendence of God, the notion of creation, the relation between the individual and community, the heroic ideal of Christian life, and notions of death and resurrection.

This is a complete edition, with prolegomena, translation, and commentary of the first, "philosophical" part of Philodemus' De Pietate, preserved in papyri. Introducing a new method for reconstructing the fragmented papyrus rolls recovered from Herculaneum, this is the first edition based on the papyri themselves (where they still exist), rather than on faulty reproductions, and the first edition to bring together fragments hitherto thought to be from different rolls. It will also be the first translation of the work into any language. An innovative format presents on facing pages the technical details of the papyrus, and a conventional, continuous text with interpretive notes. The work itself comprises a polemical treatise on the gods, mythography, and religion, presenting a defence of Epicurus's view of religion as an outgrowth of cultural history, and a philosophical rationale for participation in traditional cult practices in order to further social cohesion.

An A-Z of some of the most celebrated creatures in Greek mythology, from the lizard-like Centaur, Abas, to Zeus, tyrannical king of the Olympian gods, and including Alcyoneus, Bia, the Chimaera, Damysus, Echidna, Fear and Famine, Geryon, the Hydra, Ixion, Jealousy, Kourotrophus, Ladon, Medusa, the Nemean Lion, Orthrus, Peace and Quiet, Rhoetus, Sisyphus, Thanatos, Udaeus, Violence, War, Xanthus, Yearning and the zealous Zelus. Also featured are the Aloadae, baleful Boars, Corybantes and Curetes, Dactyls, Erinyes, the three Fates, Gasterocheires, Gorgons, Graeae, Harpies, the Ichthyocentauroi, the torments of Jason, the death-dealing Keres, the man-eating Laestrygones, Maenades, the Neikeai, the Olympians, Prayers and Entreaty, Quarrels, River-Gods, Sirens, Telchines, Unicorns, Vice and Virtue, Wind Gods and the twelve spirits of the Zodiac.

Practiced today by more than 500 million adherents, Buddhism emerged from India between the sixth and fourth centuries BCE. Based around the original teachings of the Buddha, key texts emerged to promote a true understanding of Buddhist ethics and spiritual practices. The Buddhist traditions created a vast body of mythological literature, much of it focused on the life of the Buddha. For example, the 550 Jataka Tales tell of Buddha's early life and renunciation, as well as his previous human and animal incarnations. The stories also tell of Gautama Buddha's family, such as his mother Mara, and her dream of a white elephant preceding his birth; as well as his cousin, Devadatta, a disciple monk who rebelled against Buddha and tried to kill him. Buddhist literature includes numerous parables - such as the Turtle Who Couldn't Stop Talking - as well as recounting scenes from the Indian epic the Ramayana. History and myth intermingle in texts such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed as a model of Buddhist kingship. Illustrated with 120 photographs and artworks, Buddhist Myths is an accessible, engaging and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential religions.

Examining the theme of child sacrifice as a psychological challenge, this book applies a unique approach to religious ideas by looking at beliefs and practices that are considered deviant, but also make up part of mainstream religious discourse in Judaism, Islam, and Christianity. Ancient religious mythology, which survives through living traditions and transmitted narratives, rituals, and writings, is filled with violent stories, often involving the targeting of children as ritual victims. Christianity offers Abraham's sacrifice and assures us that the "only begotten son" has died, and then been resurrected. This version of the sacrifice myth has dominated the West. It is celebrated in an act of fantasy cannibalism, in which the believers share the divine son's flesh and blood. This book makes the connection between Satanism stories in the 1980s, the Blood Libel in Europe, The Eucharist, and Eastern Mediterranean narratives of child sacrifice.

First revealed by a Tibetan monk in the 14th century, Bardo Thodol ("Great Liberation upon Hearing in the Intermediate State") - known more commonly as The Tibetan Book of the Dead - describes the experience of human consciousness in the bardo, the interval between death and the next rebirth in the cycle of death and rebirth. The teachings are designed to help the dying regain clarity of awareness at the moment of death, and by doing so achieve enlightened liberation. Popular throughout the world since the 1960s and overwhelmingly the best-known Buddhist text in the West, this classic translation by Kazi Dawa Samdup is divided into 21 chapters, with sections on the chikhai bardo, or the clear light seen at the moment of death; choenyid bardo, or karmic apparitions; the wisdom of peaceful deities, Buddhas and Bodhisattvas; the 58 flame-enhaloed, wrathful, blood-drinking deities; the judgement of those who the dying has known in life through the "mirror of karma"; and the process of rebirth. The text also includes chapters on the signs of death and rituals to undertake for the dying. Presented in a high-quality Chinese-bound format with accompanying illustrations, The Tibetan Book of the Dead is an ideal resource of ancient wisdom for anyone interested in Tibetan Buddhist notions of death and the path to enlightenment.

Ancient Egyptians imagined the afterlife as a kind of journey you had to make to get to paradise - but it was quite a hazardous journey so you would need help along the way. So spells and magic formulas written on papyrus were placed in coffins and burial chambers and believed to protect and aid the deceased in duat, or the underworld. These funerary texts were developed over many centuries into individualized collections known as the Book of the Dead. One of the best-known versions, the 'Papyrus of Ani', is featured here. Some 192 spells are known, although no single manuscript contains them all. The spells are designed to give the dead mystical knowledge in the afterlife, offer incantations to help preserve different parts of the deceased, and protect the dead from hostile forces. Some of the spells are to make sure you can control your own body after death. The ancient Egyptians believed that a person was made up of different elements: body, spirit, name, heart, all embodiments of a person, and they were afraid that these elements would disperse when you died. Presented in a high-quality Chinese-bound format with accompanying illustrations, Egyptian Book of the Dead is an ideal resource of esoteric wisdom for anyone interested in Ancient Egyptian notions of death and the path to the afterlife.