Winner of the London Hellenic Prize 2020 The Greek Trilogy of Luis Alfaro gathers together for the first time the three 'Greek' plays of the MacArthur Genius Award-winning Chicanx playwright and performance artist. Based respectively on Sophocles' Electra and Oedipus, and Euripides' Medea, Alfaro's Electricidad, Oedipus El Rey, and Mojada transplant ancient themes and problems into the 21st century streets of Los Angeles and New York, in order to give voice to the concerns of the Chicanx and wider Latinx communities. From performances around the world including sold-out runs at New York's Public Theater, these texts are extremely important to those studying classical reception, Greek theatre and Chicanx writers. This unique anthology features definitive editions of all three plays alongside a comprehensive introduction which provides a critical overview of Luis Alfaro's work, accentuating not only the unique nature of these three 'urban' adaptations of ancient Greek tragedy but also the manner in which they address present-day Chicanx and Latinx socio-political realities across the United States. A brief introduction to each play and its overall themes precedes the text of the drama. The anthology concludes with exclusive supplementary material aimed at enhancing understanding of Alfaro's plays: a 'Performance History' timeline outlining the performance history of the plays; an alphabetical 'Glossary' explaining the most common terms in Spanish and Spanglish appearing in each play; and a 'Further Reading' list providing primary and secondary bibliography for each play. The anthology is completed by a new interview with Alfaro which addresses key topics such as Alfaro's engagement with ancient Greek drama and his work with Chicanx communities across the United States, thus providing a critical contextualisation of these critically-acclaimed plays.

Gorgeous Collector's Edition. The Myths of Ancient Egypt are tied intimately to the presence and natural rhythms of the Nile. With their animalistic mythology, the Egyptians explained the effects of famine, harvest, floods and death by creating a pantheon of gods that still holds our fascination today. This new book of classic tales brings the stories of the ancients to life, from the birth of creation by Ra, the sun god, to the murder of Osiris, and the revenge of Horus. We gain glimpses of the underworld and the afterlife, as the rulers of Egypt claimed lineage from the Gods both worshipped and fashioned by the people of Egypt, at a time when humankind had begun to shape the world around it, Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

Greek religion is filled with strange sexual artifacts - stories of mortal women's couplings with gods; rituals like the basilinna's "marriage" to Dionysus; beliefs in the impregnating power of snakes and deities; the unusual birth stories of Pythagoras, Plato, and Alexander; and more. In this provocative study, Marguerite Rigoglioso suggests such details are remnants of an early Greek cult of divine birth, not unlike that of Egypt. Scouring myth, legend, and history from a female-oriented perspective, she argues that many in the highest echelons of Greek civilization believed non-ordinary conception was the only means possible of bringing forth individuals who could serve as leaders, and that special cadres of virgin priestesses were dedicated to this practice. Her book adds a unique perspective to our understanding of antiquity, and has significant implications for the study of Christianity and other religions in which divine birth claims are central. The book's stunning insights provide fascinating reading for those interested in female-inclusive approaches to ancient religion.

Roman Republican Augury: Freedom and Control proposes a new way of understanding augury, a form of Roman state divination designed to consult the god Jupiter. Previous scholarly studies of augury have tended to focus either upon its legal-constitutional effects or upon its role in maintaining and perpetuating Roman social and political structures. This volume makes a new contribution to the study of Roman religion, politics, and cultural history by focusing instead upon what augury can tell us about how Romans understood their relationship with their gods. Augury is often thought to have told Romans what they wanted to hear. This volume argues that augury left space for perceived expressions of divine will which contradicted human wishes, and that its rules and precepts did not permit human beings to create or ignore signs at will. This analysis allows the Jupiter whom Romans approached in augury to emerge as not simply a source of power to be channelled to human ends, but a person with his own interests and desires, which did not always overlap with those of his human enquirers. When human will and divine will clashed, it was the will of Jupiter which was supposed to prevail. In theory as in practice, it was the Romans, not their supreme god, who were bound by the auguries and auspices.

This collection presents innovative research by scholars from across the globe in celebration of Gabriele Boccaccini's sixtieth birthday and to honor his contribution to the study of early Judaism and Christianity. In harmony with Boccaccini's determination to promote the study of Second Temple Judaism in its own right, this volume includes studies on various issues raised in early Jewish apocalyptic literature (e.g., 1 Enoch, 2 Baruch, 4 Ezra), the Dead Sea Scrolls, and other early Jewish texts, from Tobit to Ben Sira to Philo and beyond. The volume also provides several investigations on early Christianity in intimate conversation with its Jewish sources, consistent with Boccaccini's efforts to transcend confessional and disciplinary divisions by situating the origins of Christianity firmly within Second Temple Judaism. Finally, the volume includes essays that look at Jewish-Christian relations in the centuries following the Second Temple period, a harvest of Boccaccini's labor to rethink the relationship between Judaism and Christianity in light of their shared yet contested heritage.

A pioneering interdisciplinary study of the art, production and social functions of Late Antique ritual artefacts. Utilising case studies from the Graeco-Egyptian magical papyri and the Heidelberg archive it establishes new approaches, provides a holistic understanding of the multi-sensory aspects of ritual practice, and explores the transmission of knowledge traditions across faiths.

This first verse-by-verse commentary on the Greek text of the Testament of Abraham places the work within the history of both Jewish and Christian literature. It emphasizes the literary artistry and comedic nature of the Testament, brings to the task of interpretation a mass of comparative material, and establishes that, although the Testament goes back to a Jewish tale of the first or second century CE, the Christian elements are much more extensive than has previously been realized. The commentary further highlights the dependence of the Testament upon both Greco-Roman mythology and the Jewish Bible. This should be the standard commentary for years to come.

Ancient Greek culture is pervaded by a profound ambivalence regarding female beauty. It is an awe-inspiring, supremely desirable gift from the gods, essential to the perpetuation of a man's name through reproduction; yet it also grants women terrifying power over men, posing a threat inseparable from its allure. The myth of Helen is the central site in which the ancient Greeks expressed and reworked their culture's anxieties about erotic desire. Despite the passage of three millennia, contemporary culture remains almost obsessively preoccupied with all the power and danger of female beauty and sexuality that Helen still represents. Yet Helen, the embodiment of these concerns for our purported cultural ancestors, has been little studied from this perspective. Such issues are also central to contemporary feminist thought. Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own. Moving from Homer and Hesiod to Sappho, Aeschylus, and Euripides, Ruby Blondell offers a fresh examination of the paradoxes and ambiguities that Helen embodies. In addition to literary sources, Blondell considers the archaeological record, which contains evidence of Helen's role as a cult figure, worshipped by maidens and newlyweds. The result is a compelling new interpretation of this alluring figure.

A monograph concerning the sanctuary of Dodona and its role in the political context of Epirus might be a remarkable input. Located in a region that has received more interest in the last years, this book attempts to analyze the way the shrine evolved in connection with the political developments of its surrounding region. The study employs a diachronic perspective and emphasizes throughout that religion was a dynamic, not a static, phenomenon. The chronology of this research extends from the Archaic to Hellenistic periods. Its key novelty is that it offers an entirely new holistic approach to an ancient religious site by considering its polyfunctionality. At the same time that it presents a state-of-the-art analysis of the shrine of Dodona and contributes with a new theory concerning the function of some structures located in the sacred area, it also highlights the close connection between a settlement and its region. For this reason, the aim is to become a reference work that allows continuing the current trend of studies focused on Epirus, a territory traditionally considered as secondary.