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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions
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Into the Quiet
(Hardcover)
Beth C Greenberg; Edited by Susan Atlas; Cover design or artwork by Betti Gefecht
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R786
Discovery Miles 7 860
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Ships in 12 - 19 working days
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Where did the idea of sin arise from? In this meticulously argued
book, David Konstan takes a close look at classical Greek and Roman
texts, as well as the Bible and early Judaic and Christian
writings, and argues that the fundamental idea of "sin" arose in
the Hebrew Bible and the New Testament, although this original
meaning was obscured in later Jewish and Christian interpretations.
Through close philological examination of the words for "sin," in
particular the Hebrew hata' and the Greek hamartia, he traces their
uses over the centuries in four chapters, and concludes that the
common modern definition of sin as a violation of divine law indeed
has antecedents in classical Greco-Roman conceptions, but acquired
a wholly different sense in the Hebrew Bible and New Testament.
This book aims to give students an introduction to the religious
and social world of ancient Israel. It consists of two parts. The
first explores the major religious offices mentioned in the Old
Testament, including prophets, priests, sages and kings. As well as
considering what these key people said and did, the author traces
the process someone might have gone through to become recognised as
a prophet, priest or sage, and where you would have had to go in
ancient Israel if you wanted to locate someone who held one of
these offices. In the second part the focus is on the religious
beliefs and practices of the "common" people as this was the group
that made up the vast majority of ancient Israel's population.
This book uses the mythological hero Heracles as a lens for
investigating the nature of heroic violence in Archaic and
Classical Greek literature, from Homer through to Aristophanes.
Heracles was famous for his great victories as much as for his
notorious failures. Driving each of these acts is his heroic
violence, an ambivalent force that can offer communal protection as
well as cause grievous harm. Drawing on evidence from epic, lyric
poetry, tragedy, and comedy, this work illuminates the strategies
used to justify and deflate the threatening aspects of violence.
The mixed results of these strategies also demonstrate how the
figure of Heracles inherently - and stubbornly - resists reform.
The diverse character of Heracles' violent acts reveals an enduring
tension in understanding violence: is violence a negative
individual trait, that is to say the manifestation of an internal
state of hostility? Or is it one specific means to a preconceived
end, rather like an instrument whose employment may or may not be
justified? Katherine Lu Hsu explores these evolving attitudes
towards individual violence in the ancient Greek world while also
shedding light on timeless debates about the nature of violence
itself.
A remote village. A deadly secret. An outsider who knows the
truth... 'ATMOSPHERIC AND COMPELLING' Catherine Cooper, Sunday
Times bestselling author of The Chalet and The Chateau 'SPLENDIDLY
CREEPY' DAILY MAIL 'DELICIOUSLY UNSETTLING' OBSERVER Maggie Mackay
has been haunted her entire life. No matter what she does, she
can't shake the sense that something is wrong with her. And maybe
something is... When she was five years old, without proof, Maggie
announced that someone in the remote village of Blairmore in the
Outer Hebrides had murdered a local man, sparking a media storm.
Now, Maggie is determined to discover what really happened and what
the villagers are hiding. But everyone has secrets, and some are
deadly. As she gets closer to the horrifying truth, Maggie's own
life is in danger... From the critically-acclaimed author of
Mirrorland comes a darkly disturbing new thriller that will chill
you to the bone. PRAISE FOR CAROLE JOHNSTONE'S DEBUT NOVEL,
MIRRORLAND: 'DARK AND DEVIOUS' Stephen King 'UTTERLY ENGROSSING'
Daily Mail 'TWISTY AND RICHLY ATMOSPHERIC' Ruth Ware 'TIGHTLY
PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough 'A HAUNTING
THRILLER' Woman's Weekly 'TOTALLY ABSORBING' T.M. Logan 'AN
UNSETTLING, LABYRINTHINE TALE' New York Times
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