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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions
The Routledge Dictionary of Egyptian Gods and Goddesses contains
one of the most comprehensive listings and descriptions of Egyptian
deities. Now in its second edition, it provides:
- a new introduction
- updated entries and four new entries on deities
- names of the deities as Hieroglyphs
- a survey of gods and goddesses as they appear in classical
literature
- an expanded chronology and updated bibliography, together with
a list of relevant websites
- drawings of the gods and emblems of each district
- a map of ancient Egypt and a time chart
Presenting a vivid picture of the complexity and richness of
imagery in Egyptian mythology, students studying Ancient Egypt,
travelers, visitors to museums and all those interested in
mythology will find this an invaluable resource.
This volume is dedicated to Miguel Civil in celebration of his 90th
birthday. Civil has been one of the most influential scholars in
the field of Sumerian studies over the course of his long career.
This anniversary presents a welcome occasion to reflect on some
aspects of the field in which he has been such a driving force.
In contrast to other traditions, cultic laments in Mesopotamia were
not performed in response to a tragic event, such as a death or a
disaster, but instead as a preemptive ritual to avert possible
catastrophes. Mesopotamian laments provide a unique insight into
the relationship between humankind and the gods, and their study
sheds light on the nature of collective rituals within a
crosscultural context. Cultic laments were performed in Mesopotamia
for nearly 3000 years. This book provides a comprehensive overview
of this important ritual practice in the early 2nd millennium BCE,
the period during which Sumerian laments were first put in writing.
It also includes a new translation and critical edition of
Uruamairabi ('That city, which has been plundered'), one of the
most widely performed compositions of its genre.
There are few studies that deal with an overall treatment of the
Hittite administrative system, and various other works on its
offices and officials have tended to be limited in scope, focusing
only on certain groups or certain time periods. This book provides
a comprehensive investigation of the administrative organization of
the Hittite state throughout its history (ca. 1650-1180 BCE) with
particular emphasis on the state offices and their officials.
Bringing together previous works and updating with data recovered
in recent years, the study presents a detailed survey of the high
offices of the state, a prosopographical study of about 140 high
officials, and a theoretical analysis of the Hittite administration
in respect to factors such as hierarchy, kinship, and diachronical
changes.
Leviathan, a manifestation of one of the oldest monsters in
recorded history (3rd millennium BCE), and its sidekick, Behemoth,
have been the object of centuries of suppression throughout the
millennia. Originally cosmic, terrifying creatures who represented
disorder and chaos, they have been converted into the more
palatable crocodile and hippo by biblical scholars today. However,
among the earliest Jews (and Muslims) and possibly Christians,
these creatures occupied a significant place in creation and
redemption history. Before that, they formed part of a backstory
that connects the Bible with the wider ancient Near East. When
examining the reception history of these fascinating beasts,
several questions emerge. Why are Jewish children today familiar
with these creatures, while Christian children know next to nothing
about them? Why do many modern biblical scholars follow suit and
view them as minor players in the grand scheme of things?
Conversely, why has popular culture eagerly embraced them,
assimilating the words as symbols for the enormous? More
unexpectedly, why have fundamentalist Christians touted them as
evidence for the cohabitation of dinosaurs and humans?
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Celtic Cyclopedia
(Hardcover)
Matthieu Boone, Tyler Omichinski; Contributions by Yulia Novikova
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R2,615
Discovery Miles 26 150
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Ships in 12 - 17 working days
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Animal and Shaman presents a comparative survey of the ancient
customs and religions of Central Asia. The Pre-Christian and
Pre-Muslim peoples of the region, such as the Huns, Scythians,
Turks, Mongols, Manchus, Finns and Hungarians, shared a number of
traditions and rituals. Characteristics observed by anthropologists
today may be traced directly back to an ancient past.
In ancient times there were remarkable commonalities in the
forms of worship and spiritual expression among the different
peoples of Inner Eurasia, all largely based on the role of animals
in their lives. The harsh physical climate of the region led to an
emphasis on hunting and animals, in contrast to the fertility rites
common in more agriculturally hospitable areas. These
characteristics have survived not only in the legends of the
region, but have also found their way into the mythologies of the
West. Baldick proposes that the myths, rituals, and epics of
Central Asia served as possible foundations for such great works at
the "Odyssey, "the Gospels, and "Beowulf, "which seem to have
precursors in Iranian and Inner Eurasian tales.
This monograph studies ancient tefillin (also known as
phylacteries) and mezuzot found in the Caves of Qumran. Most of
these miniature texts were published by the end of 1970s and thus
have long been available to scholars. And yet in several respects,
these tiny fragments remain an unfinished business. A close
scrutiny of their editions reveals a presence of texts that have
not been fully accounted for. These fall into three categories.
First, there are multiple tefillin and mezuzot that contain legible
fragments which their editors were unable to identify. Second,
several tefillin and mezuzot feature imprints of letters that have
not been deciphered. Third, there are texts which were
provisionally classified as tefillin and mezuzot yet left unread.
This monograph offers a detailed study of these unidentified and
undeciphered texts. It thus sheds new light on the contents of
ancient tefillin and mezuzot and on the scribal practices involved
in their preparation.
AN EPIC BATTLE THAT LASTED TEN YEARS. A LEGENDARY STORY THAT HAS
SURVIVED THOUSANDS. 'An inimitable retelling of the siege of Troy .
. . Fry's narrative, artfully humorous and rich in detail, breathes
life and contemporary relevance into these ancient tales' OBSERVER
'Stephen Fry has done it again. Well written and super
storytelling' 5***** READER REVIEW ________ 'Troy. The most
marvellous kingdom in all the world. The Jewel of the Aegean.
Glittering Ilion, the city that rose and fell not once but twice .
. .' When Helen, the beautiful Greek queen, is kidnapped by the
Trojan prince Paris, the most legendary war of all time begins.
Watch in awe as a thousand ships are launched against the great
city of Troy. Feel the fury of the battleground as the Trojans
stand resolutely against Greek might for an entire decade. And
witness the epic climax - the wooden horse, delivered to the city
of Troy in a masterclass of deception by the Greeks . . . In
Stephen Fry's exceptional retelling of our greatest story, TROY
will transport you to the depths of ancient Greece and beyond.
________ 'A fun romp through the world's greatest story. Fry's
knowledge of the world - ancient and modern - bursts through' Daily
Telegraph 'An excellent retelling . . . told with compassion and
wit' 5***** Reader Review 'Hugely successful, graceful' The Times
'If you want to read about TROY, this book is a must over any
other' 5***** Reader Review 'Fluent, crisp, nuanced, begins with a
bang' The Times Literary Supplement 'The characters . . . are
brilliantly brought to life' 5***** Reader Review PRAISE FOR
STEPHEN FRY'S GREEK SERIES: 'A romp through the lives of ancient
Greek gods. Fry is at his story-telling best . . . the gods will be
pleased' Times 'A head-spinning marathon of legends' Guardian 'An
Olympian feat. The gods seem to be smiling on Fry - his myths are
definitely a hit' Evening Standard 'An odyssey through Greek
mythology. Brilliant . . . all hail Stephen Fry' Daily Mail 'A
rollicking good read' Independent
From basic needs, such as lighting, heating or cooking, to symbolic
or ritual engagement, hearths in indoor contexts serve as a focal
point. This is especially evident, both spatially and
architecturally, in structures containing central hearths. In
assessing any gathering around a hearth, the types of social groups
involved need to be determined and their interactions clearly
assessed in each specific case. Beyond clearly domestic contexts,
many rooms or buildings have been deemed religious or cultic places
often based solely on the presence of a hearth, despite other
possible interpretations. This volume appraises and contextualises
diversity in practice centering on the hearth in the Aegean and,
more widely, in areas of the Western Mediterranean closely
connected to Greek civilization, notably through its colonies,
revealing surprising similarities but also local adaptations. In
the West, the use of the hearth often has a unique character
arising from local adaptations born of indigenous practices. The
combined approach presented here, detailing technical aspects of
the hearths themselves, their architectural settings and any
associated artefacts or furnishings, affords a rich spectrum for
cross-cultural analysis between these Mediterranean regions.
This monograph begins with a puzzle: a Babylonian text from late
5th century BCE Uruk associating various diseases with bodily
organs, which has evaded interpretation. The correct answer may
reside in Babylonian astrology, since the development of the zodiac
in the late 5th century BCE offered innovative approaches to the
healing arts. The zodiac-a means of predicting the movements of
heavenly bodies-transformed older divination (such as hemerologies
listing lucky and unlucky days) and introduced more favorable
magical techniques and medical prescriptions, which are comparable
to those found in Ptolemy's Tetrabiblos and non-Hippocratic Greek
medicine. Babylonian melothesia (i.e., the science of charting how
zodiacal signs affect the human body) offers the most likely
solution explaining the Uruk tablet.
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