A monograph concerning the sanctuary of Dodona and its role in the political context of Epirus might be a remarkable input. Located in a region that has received more interest in the last years, this book attempts to analyze the way the shrine evolved in connection with the political developments of its surrounding region. The study employs a diachronic perspective and emphasizes throughout that religion was a dynamic, not a static, phenomenon. The chronology of this research extends from the Archaic to Hellenistic periods. Its key novelty is that it offers an entirely new holistic approach to an ancient religious site by considering its polyfunctionality. At the same time that it presents a state-of-the-art analysis of the shrine of Dodona and contributes with a new theory concerning the function of some structures located in the sacred area, it also highlights the close connection between a settlement and its region. For this reason, the aim is to become a reference work that allows continuing the current trend of studies focused on Epirus, a territory traditionally considered as secondary.

The contributions in this volume are focused on the historical origins, religious provenance, and social function of ancient Jewish and Christian apocalyptic literature, including so-called 'Gnostic' writings. Although it is disputed whether there was a genre of 'apocalyptic literature,' it is obvious that numerous texts from ancient Judaism, early Christianity, and other religious milieus share a specific view of history and the world to come. Many of these writings are presented in form of a heavenly (divine) revelation, mediated through an otherworldly figure (like an angel) to an elected human being who discloses this revelation to his recipients in written form. In different strands of early Judaism, ancient Christianity as well as in Gnosticism, Manichaeism, and Islam, apocalyptic writings played an important role from early on and were produced also in later centuries. One of the most characteristic features of these texts is their specific interpretation of history, based on the knowledge about the upper, divine realm and the world to come. Against this background the volume deals with a wide range of apocalyptic texts from different periods and various religious backgrounds.

This volume remembers Geza Xeravits, a well known scholar of deuterocanonical and Qumran literature. The volume is divided into four sections according to his scholarly work and interest. Contributions in the first part deal with Old Testament and related issues (Thomas Hiecke, Stefan Beyerle, and Matthew Goff). The second section is about the Dead Sea Scrolls (John J, Collins, John Kampen, Peter Porzig, Eibert Tigchelaar, Balazs Tamasi and Reka Esztari). The largest part is the forth on deuterocanonica (Beate Ego, Lucas Brum Teixeira, Fancis Macatangay, Tobias Nicklas, Maria Brutti, Calduch-Benages Nuria, Pancratius Beentjes, Benjamin Wright, Otto Mulder, Angelo Passaro, Friedrich Reiterer, Severino Bussino, Jeremy Corley and JiSeong Kwong). The third section deals with cognate literature (Jozsef Zsengeller and Karin Schoepflin). The last section about the Ancient Synagogue has the paper of Anders Kloostergaard Petersen. Some hot topics are discussed, for example the Two spirits in Qumran, the cathegorization of the Dead Sea Scrolls, the authorship and antropology of Ben Sira, and the angelology of Vitae Prophetarum.

The mythological hero Orpheus occupied a central role in ancient Greek culture, but 'the son of Oeagrus' and 'Thracian musician' venerated by the Greeks has also become a prominent figure in a long tradition of classical reception of Greek myth. This book challenges our entrenched idea of Orpheus and demonstrates that in the Classical and Hellenistic periods depictions of his identity and image were not as unequivocal as we tend to believe today. Concentrating on Orpheus' ethnicity and geographical references in ancient sources, Tomasz Mojsik traces the development of, and changes in, the mythological image of the hero in Antiquity and sheds new light on contemporary constructions of cultural identity by locating the various versions of the mythical story within their socio-political contexts. Examination of the early literary sources prompts a reconsideration of the tradition which locates the tomb of the hero in Macedonian Pieria, and the volume argues for the emergence of this tradition as a reaction to the allegation of the barbarity and civilizational backwardness of the Macedonians throughout the wider Greek world. These assertions have important implications for Archelaus' Hellenizing policy and his commonly acknowledged sponsorship of the arts, which included his incorporating of the Muses into the cult of Zeus at the Olympia in Dium.

This phenomenologically oriented ethnography focuses on experiential aspects of Yanomami shamanism, including shamanistic activities in the context of cultural change. The author interweaves ethnographic material with theoretical components of a holographic principle, or the idea that the "part is equal to the whole," which is embedded in the nature of the Yanomami macrocosm, human dwelling, multiple-soul components, and shamans' relationships with embodied spirit-helpers. This book fills an important gap in the regional study of Yanomami people, and, on a broader scale, enriches understanding of this ancient phenomenon by focusing on the consciousness involved in shamanism through firsthand experiential involvement.

Traditionally, in the year 312, the Roman emperor Constantine experienced a "vision of the Cross" that led him to convert to Christianity and to defeat his last rival to the imperial throne; and, in 394, a divine wind carried the emperor Theodosius to victory at the battle of the Frigidus River. Other stories heralded the discovery of the True Cross by Constantine's mother, Helena, and the rise of a new kind of miracle-maker in the deserts of Egypt and Syria. These miracle stories helped Christians understand the dizzying changes in their fortunes during the century. They also shed light on Christianity's conflict with other faiths and the darker turn it took in subsequent ages. In A Century of Miracles, historian H. A. Drake explores the role miracle stories played in helping Christians, pagans, and Jews think about themselves and each other. These stories, he concludes, bolstered Christian belief that their god wanted the empire to be Christian. Most importantly, they help explain how, after a century of trumpeting the power of their god, Christians were able to deal with their failure to protect the city of Rome from a barbarian sack by the Gothic army of Alaric in 410. Augustine's magnificent City of God eventually established a new theoretical basis for success, but in the meantime the popularity of miracle stories reassured the faithful - even when the miracles came to an end. A Century of Miracles provides an absorbing illumination of the pivotal fourth century as seen through the prism of a complex and decidedly mystical phenomenon.

The Lived Ancient Religion project has radically changed perspectives on ancient religions and their supposedly personal or public character. This volume applies and further develops these methodological tools, new perspectives and new questions. The religious transformations of the Roman Imperial period appear in new light and more nuances by comparative confrontation and the integration of many disciplines. The contributions are written by specialists from a variety of disciplinary contexts (Jewish Studies, Theology, Classics, Early Christian Studies) dealing with the history of religion of the Mediterranean, West-Asian, and European area from the (late) Hellenistic period to the (early) Middle Ages and shaped by their intensive exchange. From the point of view of their respective fields of research, the contributors engage with discourses on agency, embodiment, appropriation and experience. They present innovative research in four fields also of theoretical debate, which are "Experiencing the Religious", "Switching the Code", "A Thing Called Body" and "Commemorating the Moment".

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.

This book is the first full cognitive history of an ancient religious practice. In this ground-breaking study on one of the most intriguing and mysterious cults, Olympia Panagiotidou, with contributions from Roger Beck, shows how cognitive historiography can supplement our historical knowledge and deepen our understanding of past cultural phenomena. The cult of the sun god Mithras, which spread widely across the Graeco-Roman world at the same time as other 'mystery cults', offered its devotees certain images and assumptions about reality. Initiation into the mysteries of Mithras and participation in the life of the cult significantly affected and transformed the ways in which the initiated perceived themselves, the world, and their position within it. The cult's major ideas were conveyed mainly through its symbolic complexes. The ancient written testimonies and other records are not adequate to establish a definitive reconstruction of Mithraic theologies and the meaning of its complex symbolic structures. The Roman Mithras Cult identifies the cognitive and psychological processes which would have taken place in the minds and bodies of the Mithraists during their initiation and participation in the mysteries, enabling the perception, apprehension, and integration of the essential images and assumptions of the cult in its worldview system.

Life has its rhythms, and so should prayer. Drawing on the traditions of Celtic Christianity, The Rhythm of Life is a beautiful daily prayer book that provides offices for each day of the week. With canticles following the Common Worship Lectionary as well as original prayers, David Adam offers an easy-to-use guide that shows us how a cycle of prayer helps us to open our hearts and minds and deepen our relationship with God. Each day is centred around a different liturgical theme, and there are prayers for morning, midday, afternoon and night, with stunning Celtic illustrations throughout. This book offers an accessible framework that is ideal for use in small-group prayer, but is also suited for individual use to keep you on track with prayer or help you refresh your prayer life.

Ritual Journeys with Great British Goddesses answers the question, who is the great British goddess? It provides thirteen rituals for development and growth, one for each of the thirteen different great British goddesses who were worshipped by our British ancestors. The goddesses are described in both historical and mythological terms, with rituals, meditations, and poems to help readers form a relationship with the goddess. The rituals are linked to the modern months of the year and the Celtic fire festivals, solstices, and equinoxes. The rituals can be followed word for word or used as the starting point for personal creative rituals. Suggestions for creating unique rituals and how to do so with focus and in a safe environment are given. Enjoy a year of discovery with the great British goddess and explore the Celtic heritage of the British Isles. Susie Fox writes poetry, songs, and music in the British folk tradition; teaches music, Reiki, and Seichem; and is involved in two local pagan groups. She follows a Celtic-British path of paganism, focusing on healing.