Various goddesses of the ancient Mediterranean world were once understood to be Virgin Mothers--creators who birthed the entire cosmos without need of a male consort. This is the first book to explore evidence of the original parthenogenetic power of deities such as Athena, Hera, Artemis, Gaia, Demeter, Persephone, and the Gnostic Sophia. It provides stunning feminist insights about the deeper meaning of related stories, such as the judgment of Paris, the labors of Heracles, and the exploits of the Amazons. It also roots the Thesmophoria and Eleusinian Mysteries in female parthenogenetic power, thereby providing what is at long last a coherent understanding of these mysterious rites.

A comprehensive investigation of notions of "time" in deuterocanonical and cognate literature, from the ancient Jewish up to the early Christian eras, requires further scholarship. The aim of this collection of articles is to contribute to a better understanding of "time" in deuterocanonical literature and pseudepigrapha, especially in Second Temple Judaism, and to provide criteria for concepts of time in wisdom literature, apocalypticism, Jewish and early Christian historiography and in Rabbinic religiosity. Essays in this volume, representing the proceedings of a conference of the "International Society for the Study of Deuterocanonical and Cognate Literature" in July 2019 at Greifswald, discuss concepts and terminologies of "time", stemming from novellas like the book of Tobit, from exhortations for the wise like Ben Sira, from an apocalyptic time table in 4 Ezra, the book of Giants or Daniel, and early Christian and Rabbinic compositions. The volume consists of four chapters that represent different approaches or hermeneutics of "time:" I. Axial Ages: The Construction of Time as "History", II. The Construction of Time: Particular Reifications, III. Terms of Time and Space, IV. The Construction of Apocalyptic Time. Scholars and students of ancient Jewish and Christian religious history will find in this volume orientation with regard to an important but multifaceted and sometimes disparate topic.

Shulgi-simti is an important example of a woman involved in sponsoring religious activities though having a family life. An Ox of One's Own will be of interest to Assyriologists, particularly those interested in Early Mesopotamia, and scholars working on women in religion. An Ox of One's Own centers on the archive of a woman who died about 2050 B.C., one of King Shulgi's many wives. Her birth name is unknown, but when she married, she became Shulgi-simti, "Suitable for Shulgi." Attested for only about 15 years, she existed among a court filled with other wives, who probably outranked her. A religious foundation was run on her behalf whereby courtiers, male and female, donated livestock for sacrifices to an unusual mix of goddesses and gods. Previous scholarship has declared this a rare example of a queen conducting women's religion, perhaps unusual because they say she came from abroad. The conclusions of this book are quite different. An Ox of One's Own lays out the evidence that another woman was queen at this time in Nippur while Shulgi-simti lived in Ur and was a third-ranking concubine at best, with few economic resources. Shulgi-simti's religious exercises concentrated on a quartet of north Babylonian goddesses.

Archetypal images, Carl Jung believed, when elaborated in tales and ceremonies, shape culture's imagination and behavior. Unfortunately, such cultural images can become stale and lose their power over the mind. But an artist or mystic can refresh and revive a culture's imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, carefully establishing the date at which it came to him (Good Friday, 1300), and maintaining the perspective of that time and place, throughout the work, upon unfolding history. Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche. Some of Dante's innovations (admission of virtuous pagans to Limbo) and individualized scenes (meeting personal friends in the afterlife) more likely spring from unconscious inspiration than conscious didactic intent. For modern readers, a focus on Dante's personal dream-journey may offer the best way into his poem.

"The object of the present little book is to provide in connected form enough information to cover all the ordinary allusions met with, so that by reading it through, the student may get a conspectus of the whole field; while, by means of a copious index, it may also fulfill the function of the Classical Dictionary,"

This volume collects papers written during the past two decades that explore various aspects of late Second Temple period Jewish literature and the figurative art of the Late Antique synagogues. Most of the papers have a special emphasis on the reinterpretation of biblical figures in early Judaism or demonstrate how various biblical traditions converged into early Jewish theologies. The structure of the volume reflects the main directions of the author's scholarly interest, examining the Dead Sea Scrolls, the Apocrypha and Pseudepigrapha, and Late Antique synagogues. The book is edited for the interest of scholars of Second Temple Judaism, biblical interpretation, synagogue studies and the effective history of Scripture.

This volume explores how Pagans negotiate local and global tensions as they craft their identities, both as members of local communities and as cosmopolitan "citizens of the world." Based on cutting edge international case studies from Pagan communities in the United States, Poland, Russia, Ukraine, Israel, South Africa, Australia, New Zealand, and Malta, it considers how modern Pagans negotiate tensions between the particular and universal, nationalism and cosmopolitanism, ethnicity, and world citizenship. The burgeoning of modern Paganisms in recent decades has proceeded alongside growing globalization and human mobility, ubiquitous Internet use, a mounting environmental crisis, the re-valuing of indigenous religions, and new political configurations. Cosmopolitanism and nationalism have both influenced the weaving of unique local Paganisms in diverse contexts. Pagans articulate a strong attachment to local or indigenous traditions and landscapes, constructing paths that reflect local socio-cultural, political, and historical realities. However, they draw on the Internet and the global circulation of people and universal ideas. This collection considers how they confound these binaries in fascinating, complex ways as members of local communities and global networks.

'Lively' THE TIMES 'Engrossing' THE SPECTATOR 'Stunning' WOMAN & HOME 'Marvellous' BBC HISTORY MAGAZINE Through ancient art, evocative myth, intriguing archaeological discoveries and philosophical explorations, Bettany Hughes takes us on a voyage of discovery to reveal the truth behind Venus, and why this immortal goddess is so much more than nudity, romance and sex. It is both the remarkable story of one of antiquity's most potent forces, and the story of human desire - how it transforms who we are and how we behave.

This phenomenologically oriented ethnography focuses on experiential aspects of Yanomami shamanism, including shamanistic activities in the context of cultural change. The author interweaves ethnographic material with theoretical components of a holographic principle, or the idea that the "part is equal to the whole," which is embedded in the nature of the Yanomami macrocosm, human dwelling, multiple-soul components, and shamans' relationships with embodied spirit-helpers. This book fills an important gap in the regional study of Yanomami people, and, on a broader scale, enriches understanding of this ancient phenomenon by focusing on the consciousness involved in shamanism through firsthand experiential involvement.

First revealed by a Tibetan monk in the 14th century, Bardo Thodol ("Great Liberation upon Hearing in the Intermediate State") - known more commonly as The Tibetan Book of the Dead - describes the experience of human consciousness in the bardo, the interval between death and the next rebirth in the cycle of death and rebirth. The teachings are designed to help the dying regain clarity of awareness at the moment of death, and by doing so achieve enlightened liberation. Popular throughout the world since the 1960s and overwhelmingly the best-known Buddhist text in the West, this classic translation by Kazi Dawa Samdup is divided into 21 chapters, with sections on the chikhai bardo, or the clear light seen at the moment of death; choenyid bardo, or karmic apparitions; the wisdom of peaceful deities, Buddhas and Bodhisattvas; the 58 flame-enhaloed, wrathful, blood-drinking deities; the judgement of those who the dying has known in life through the "mirror of karma"; and the process of rebirth. The text also includes chapters on the signs of death and rituals to undertake for the dying. Presented in a high-quality Chinese-bound format with accompanying illustrations, The Tibetan Book of the Dead is an ideal resource of ancient wisdom for anyone interested in Tibetan Buddhist notions of death and the path to enlightenment.