This book approaches the religion and rituals of the pre-Islamic Arabian nomads using the Safaitic inscriptions. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. The author attempts to reconstruct this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context.

The mythological hero Orpheus occupied a central role in ancient Greek culture, but 'the son of Oeagrus' and 'Thracian musician' venerated by the Greeks has also become a prominent figure in a long tradition of classical reception of Greek myth. This book challenges our entrenched idea of Orpheus and demonstrates that in the Classical and Hellenistic periods depictions of his identity and image were not as unequivocal as we tend to believe today. Concentrating on Orpheus' ethnicity and geographical references in ancient sources, Tomasz Mojsik traces the development of, and changes in, the mythological image of the hero in Antiquity and sheds new light on contemporary constructions of cultural identity by locating the various versions of the mythical story within their socio-political contexts. Examination of the early literary sources prompts a reconsideration of the tradition which locates the tomb of the hero in Macedonian Pieria, and the volume argues for the emergence of this tradition as a reaction to the allegation of the barbarity and civilizational backwardness of the Macedonians throughout the wider Greek world. These assertions have important implications for Archelaus' Hellenizing policy and his commonly acknowledged sponsorship of the arts, which included his incorporating of the Muses into the cult of Zeus at the Olympia in Dium.

The formula 'for the life of' is often found in votive inscriptions, cast in Aramaic and other languages, which originate from the Syrian-Mesopotamian desert and adjacent areas and which roughly date from the first three centuries A.D. They belong to objects like statues and altars that usually were erected in temples and other structures with a ritual or sacred function. The inscriptions establish a relationship between the dedicator and one or more beneficiaries, those persons for whose life the dedication was made.
Since the social context evidently bears on both the meaning of the inscriptions as well as the status of the dedications, this volume deals with the nature of the relationships and the socio-religious function the dedications perform.

The volume presents a selection of research projects in Digital Humanities applied to the "Biblical Studies" in the widest sense and context, including Early Jewish and Christian studies, hence the title "Ancient Worlds". Taken as a whole, the volume explores the emergent Digital Culture at the beginning of the 21st century. It also offers many examples which attest to a change of paradigm in the textual scholarship of "Ancient Worlds": categories are reshaped; textuality is (re-) investigated according to its relationships with orality and visualization; methods, approaches and practices are no longer a fixed conglomeration but are mobilized according to their contexts and newly available digital tools.

Mystery Cults in Visual Representation in Graeco-Roman Antiquity aims to fill a gap in the study of mystery cults in Graeco-Roman Antiquity by focusing on images for investigating their ritual praxis. Nicole Belayche and Francesco Massa have gathered experts on visual language in order to illuminate cultic rituals renowned for both their "mysteries" and their images. This book tackles three interrelated questions. Focusing on the cult of Dionysus, it analyses whether, and how, images are used to depict mystery cults. The relationship between historiography and images of mystery cults is considered with a focus on the Mithraic and Isiac cults. Finally, turning to the cults of Dionysus and the Mother of the Gods, this work shows how depictions of specific cultic objects succeed in expressing mystery cults.

Since the 2015 publication of The Poetic Edda: Stories of the Norse Gods and Heroes, Old Norse specialist Dr. Jackson Crawford has delighted readers with his English-language translations of Old Norse sagas and poems that tell the tales of Odin, Thor, Loki, dragon-slayer Sigurd, Brynhild the Valkyrie, Hrolf Kraki, and many more. This limited-edition set collects three of Dr. Crawford's Hackett Publishing books, The Poetic Edda (2015), The Saga of the Volsungs (2017), and Two Sagas of Mythical Heroes (2021) in a beautifully designed, hand-numbered, and hand-crafted slipcase box. Each book in the set features smyth-sewn hardcover bindings with new custom artwork for the front covers. The Poetic Edda features a medallion of the wolf Fenrir, The Saga of the Volsungs a medallion of the dragon/serpent Fafnir, and Two Sagas of Mythical Heroes a medallion of a bear. Each volume in the set begins with a phrase hand-written by Dr. Crawford that best exemplifies the text to follow or Dr. Crawford's favorite passage from the book. The quotes in The Poetic Edda and Two Sagas of Mythical Heroes also contain the runic "originals." The Poetic Edda also includes a bookplate personally signed by Dr. Crawford and hand-tipped into the front of the book.

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.

Traditionally, in the year 312, the Roman emperor Constantine experienced a "vision of the Cross" that led him to convert to Christianity and to defeat his last rival to the imperial throne; and, in 394, a divine wind carried the emperor Theodosius to victory at the battle of the Frigidus River. Other stories heralded the discovery of the True Cross by Constantine's mother, Helena, and the rise of a new kind of miracle-maker in the deserts of Egypt and Syria. These miracle stories helped Christians understand the dizzying changes in their fortunes during the century. They also shed light on Christianity's conflict with other faiths and the darker turn it took in subsequent ages. In A Century of Miracles, historian H. A. Drake explores the role miracle stories played in helping Christians, pagans, and Jews think about themselves and each other. These stories, he concludes, bolstered Christian belief that their god wanted the empire to be Christian. Most importantly, they help explain how, after a century of trumpeting the power of their god, Christians were able to deal with their failure to protect the city of Rome from a barbarian sack by the Gothic army of Alaric in 410. Augustine's magnificent City of God eventually established a new theoretical basis for success, but in the meantime the popularity of miracle stories reassured the faithful - even when the miracles came to an end. A Century of Miracles provides an absorbing illumination of the pivotal fourth century as seen through the prism of a complex and decidedly mystical phenomenon.

This study presents a comprehensive treatment of a crucial aspect of Greek religion hitherto largely neglected in the English language. Simon Pulleyn makes a full examination of all the relevant literary and inscribed material available in order both to describe ancient Greek practices and to explain their significance.

Over the past 20 years, Boeotia has been the focus of intensive archaeological investigation that has resulted in some extraordinary epigraphical finds. The most spectacular discoveries are presented for the first time in this volume: dozens of inscribed sherds from the Theban shrine of Heracles; Archaic temple accounts; numerous Classical, Hellenistic and Roman epitaphs; a Plataean casualty list; a dedication by the legendary king Croesus. Other essays revisit older epigraphical finds from Aulis, Chaironeia, Lebadeia, Thisbe, and Megara, radically reassessing their chronology and political and legal implications. The integration of old and new evidence allows for a thorough reconsideration of wider historical questions, such as ethnic identities, and the emergence, rise, dissolution, and resuscitation of the famous Boeotian koinon. Contributors include: Vassilios Aravantinos, Hans Beck, Margherita Bonanno, Claire Grenet, Yannis Kalliontzis, Denis Knoepfler, Angelos P. Matthaiou, Emily Mackil, Christel Muller, Nikolaos Papazarkadas, Isabelle Pernin, Robert Pitt, Adrian Robu, and Albert Schachter.

This book is the first full cognitive history of an ancient religious practice. In this ground-breaking study on one of the most intriguing and mysterious cults, Olympia Panagiotidou, with contributions from Roger Beck, shows how cognitive historiography can supplement our historical knowledge and deepen our understanding of past cultural phenomena. The cult of the sun god Mithras, which spread widely across the Graeco-Roman world at the same time as other 'mystery cults', offered its devotees certain images and assumptions about reality. Initiation into the mysteries of Mithras and participation in the life of the cult significantly affected and transformed the ways in which the initiated perceived themselves, the world, and their position within it. The cult's major ideas were conveyed mainly through its symbolic complexes. The ancient written testimonies and other records are not adequate to establish a definitive reconstruction of Mithraic theologies and the meaning of its complex symbolic structures. The Roman Mithras Cult identifies the cognitive and psychological processes which would have taken place in the minds and bodies of the Mithraists during their initiation and participation in the mysteries, enabling the perception, apprehension, and integration of the essential images and assumptions of the cult in its worldview system.

God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city. Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior in the great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.

Ritual Journeys with Great British Goddesses answers the question, who is the great British goddess? It provides thirteen rituals for development and growth, one for each of the thirteen different great British goddesses who were worshipped by our British ancestors. The goddesses are described in both historical and mythological terms, with rituals, meditations, and poems to help readers form a relationship with the goddess. The rituals are linked to the modern months of the year and the Celtic fire festivals, solstices, and equinoxes. The rituals can be followed word for word or used as the starting point for personal creative rituals. Suggestions for creating unique rituals and how to do so with focus and in a safe environment are given. Enjoy a year of discovery with the great British goddess and explore the Celtic heritage of the British Isles. Susie Fox writes poetry, songs, and music in the British folk tradition; teaches music, Reiki, and Seichem; and is involved in two local pagan groups. She follows a Celtic-British path of paganism, focusing on healing.