In The Sacred Landscape of Dra Abu el-Naga during the New Kingdom, Angeles Jimenez-Higueras offers the reconstruction of the physical, religious and cultural landscape of Dra Abu el-Naga south and its conceptual development from the 18th to the 20th Dynasties (1550-1069 BC). A wider insight into the Theban necropolis is provided, including the position played by the Dra Abu el-Naga cemetery within the Theban funerary context understood as an inseparable complex of diverse components. For this study, Angeles Jimenez-Higueras has reconciled textual and archaeological perspectives with theories relating to Landscape Archaeology, which efficiently manages to compile and to link prosopographical-genealogical, archaeological and GIS (Geographical Information System) data.

The reign of the "heretic pharaoh" Akhenaten-the so-called Amarna Period-witnessed an unprecedented attack on the cult of Amun, King of the Gods, with his cult center at ancient Thebes (modern Luxor). A program to reinstate Amun to pre-eminence in the traditional pantheon was instituted by Akhenaten's successors Tutankhamun, Ay, and Horemhab. Damaged reliefs and inscriptions were restored and new statues of Amun and his consorts Mut and Amunet commissioned to replace those destroyed under Akhenaten. In this study, over 60 statues and fragments of statues attributable to the post-Amarna Period on the basis of an inscription, physiognomy, and/or stylistic analysis are discussed, as well as others that have been incorrectly assigned to the era.

Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details.

Knossos is one of the most important sites in the ancient Mediterranean. It remained amongst the largest settlements on the island of Crete from the Neolithic until the late Roman times, but aside from its size it held a place of particular significance in the mythological imagination of Greece and Rome as the seat of King Minos, the location of the Labyrinth and the home of the Minotaur. Sir Arthur Evans’ discovery of ‘the Palace of Minos’ has indelibly associated Knossos in the modern mind with the ‘lost’ civilisation of Bronze Age Crete. The allure of this ‘lost civilisation’, together with the considerable achievements of ‘Minoan’ artists and craftspeople, remain a major attraction both to scholars and to others outside the academic world as a bastion of a romantic approach to the past. In this volume, James Whitley provides an up-to-date guide to the site and its function from the Neolithic until the present day. This study includes a re-appraisal Bronze Age palatial society, as well as an exploration of the history of Knossos in the archaeological imagination. In doing so he takes a critical look at the guiding assumptions of Evans and others, reconstructing how and why the received view of this ancient settlement has evolved from the Iron Age up to the modern era.

**The mesmerising retelling from the woman at the heart of one of Ancient Greece's most famous myths.** 'I absolutely adored this book and am encouraging everyone I know to buy a copy.' REAL READER REVIEW 'The last few pages will easily become tear soaked. I loved every minute of this book' REAL READER REVIEW 'A lyrical, insightful re-telling' - Daily Mail 'If you like Madeline Miller's Circe and Song of Achilles, you will eat up Ariadne [. . .] Saint makes it a page-turner' - Glamour 'Exquisitely written and exceptionally moving, this is a mythical retelling to savour.' - Elodie Harper, author of THE WOLF DEN 'ARIADNE gives voice to the misused Princess of Crete who betrayed her father to save Theseus from the Minotaur. Relevant and revelatory.' - Stylist Ariadne, Princess of Crete and daughter of the fearsome King Minos, grows up hearing stories of gods and heroes. But beneath the golden palace something else stirs, the hoofbeats and bellows echoing from the Labyrinth below. Every year its captive, the Minotaur - Ariadne's brother - demands blood. When Theseus, Prince of Athens, arrives as a sacrifice to the beast, Ariadne sees in him her chance to escape. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that drawing the attention of the mercurial gods may cost her everything. In a world where women are nothing more than the pawns of powerful men, will Ariadne's decision to risk everything for love ensure her happy ending? Or will she find herself sacrificed for her lover's ambition? ARIADNE gives a voice to the forgotten women of one of the most famous Greek myths. Beautifully written and completely immersive, this exceptional debut novel is perfect for fans of CIRCE, A SONG OF ACHILLES, and THE SILENCE OF THE GIRLS. 'With her wonderfully executed debut that reimagines the classic tale of Theseus, Adriane and the Minotaur, Jennifer Saint joins the likes of Madeline Miller and Pat Barker in forging mesmerising retellings of ancient Greek myths from a female perspective.' - Waterstones.com 'Saint's immersive novel thrusts the reader straight into the heart of Greek mythology with this wonderful reimagining of the story of Ariadne.' - iPaper 'What happens after the monster is defeated and the princess leaves with the hero? Jennifer Saint's ARIADNE is a shimmering tapestry of two sisters bound by deceit and the shadows of family history. . .With a fresh voice and keen insight, Saint adds flesh and bone to an ancient myth, drawing the reader into an uneasy world of ever-afters.' - Yangsze Choo, New York Times bestselling author of THE NIGHT TIGER WHAT THE READERS ARE SAYING... 'Stunning writing, fabulous storytelling and surprisingly real characters who you could empathise with' 'This is an essential book in the new and rising volume of retelling from the women's point of view - so revealing and questioning. The ending 5 pages of this book killed me.' 'So real, so matter of fact, like a good chat on a girls' night out.'