A brand-new Egyptian novel from the master of adventure fiction, Wilbur Smith.

In the heart of Egypt, under the watchful eye of the gods, a new power is rising.

In the city of Lahun, Hui lives an enchanted life. The favoured son of a doting father, and ruler-in-waiting of the great city, his fate is set. But behind the beautiful façades a sinister evil is plotting. Craving power and embittered by jealousy, Hui's stepmother, the great sorceress Isetnofret, and Hui's own brother Qen, orchestrate the downfall of Hui's father, condemning Hui and seizing power in the city. Cast out and alone, Hui finds himself a captive of a skilled and powerful army of outlaws, the Hyksos. Determined to seek vengeance for the death of his father and rescue his sister, Ipwet, Hui swears his allegiance to these enemies of Egypt. Through them he learns the art of war, learning how to fight and becoming an envied charioteer.

But soon Hui finds himself in an even greater battle - one for the very heart of Egypt itself. As the pieces fall into place and the Gods themselves join the fray, Hui finds himself fighting alongside the Egyptian General Tanus and renowned Mage, Taita. Now Hui must choose his path - will he be a hero in the old world, or a master in a new kingdom?

This book is the first attempt that has ever been made to give a comprehensive account of the religious life of ancient Athens. The city's many festivals are discussed in detail, with attention to recent anthropological theory; so too, for instance, are the cults of households and of smaller
groups, the role of religious practice and argumentation in public life, the authority of priests, the activities of religious professionals such as seers and priestesses, magic, the place of theatrical representations of the gods within public attitudes to the divine. A long final section considers
the sphere of activity of the various gods, and takes Athens as a uniquely detailed test case for the structuralist approach to polytheism. The work is a synchronic, thematically organized complement (though designed to be read independently) to the same author's Athenian Religion: A History (OUP,
1996).

The Ancient Egyptians continue to fascinate people from all walks of life. Of all the knowledge we have of their culture, the rituals connected to death and the afterlife are the most compelling.

In ancient Rome (753 BC - 476 AD) mythology was integral to various aspects of society, from religion, to politics, to the founding of the city. Today, we may encounter the legacy of these stories before we encounter the stories themselves, whether this is in day-to-day speech, the 18th century art on display at the Louvre, or the works of William Shakespeare. The Roman tendency to accept their mythology as part of history creates a degree of uncertainty around the historical basis of the figures featured in these legendary tales. Truth, fiction, or both, the significance of mythology to this people is palpable. From Romulus and Remus and the founding of Rome to Lucretia and the Republic; from Livy and the Dii Consentes to Virgil's Aeneid; from Dis Pater in the underworld to Jupiter, god of the sky. Illustrated with 180 colour and black-and-white photographs, artworks, and maps, Roman Myths is an engaging and informative book, offering an introduction to Roman mythology, its roots, and its ongoing importance.

Practiced today by more than 500 million adherents, Buddhism emerged from India between the sixth and fourth centuries BCE. Based around the original teachings of the Buddha, key texts emerged to promote a true understanding of Buddhist ethics and spiritual practices. The Buddhist traditions created a vast body of mythological literature, much of it focused on the life of the Buddha. For example, the 550 Jataka Tales tell of Buddha's early life and renunciation, as well as his previous human and animal incarnations. The stories also tell of Gautama Buddha's family, such as his mother Mara, and her dream of a white elephant preceding his birth; as well as his cousin, Devadatta, a disciple monk who rebelled against Buddha and tried to kill him. Buddhist literature includes numerous parables - such as the Turtle Who Couldn't Stop Talking - as well as recounting scenes from the Indian epic the Ramayana. History and myth intermingle in texts such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed as a model of Buddhist kingship. Illustrated with 120 photographs and artworks, Buddhist Myths is an accessible, engaging and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential religions.

Thomas O'Loughlin focuses on such issues as the immanence and transcendence of God, the notion of creation, the relation between the individual and community, the heroic ideal of Christian life, and notions of death and resurrection.

An A-Z of some of the most celebrated creatures in Greek mythology, from the lizard-like Centaur, Abas, to Zeus, tyrannical king of the Olympian gods, and including Alcyoneus, Bia, the Chimaera, Damysus, Echidna, Fear and Famine, Geryon, the Hydra, Ixion, Jealousy, Kourotrophus, Ladon, Medusa, the Nemean Lion, Orthrus, Peace and Quiet, Rhoetus, Sisyphus, Thanatos, Udaeus, Violence, War, Xanthus, Yearning and the zealous Zelus. Also featured are the Aloadae, baleful Boars, Corybantes and Curetes, Dactyls, Erinyes, the three Fates, Gasterocheires, Gorgons, Graeae, Harpies, the Ichthyocentauroi, the torments of Jason, the death-dealing Keres, the man-eating Laestrygones, Maenades, the Neikeai, the Olympians, Prayers and Entreaty, Quarrels, River-Gods, Sirens, Telchines, Unicorns, Vice and Virtue, Wind Gods and the twelve spirits of the Zodiac.

Gorgeous Collector's Edition. Many medieval writers, especially from France and Wales, wrote stories about the great British leader, King Arthur. Legends, folklore and myths from this period come together to paint a picture of who he was with some describing him as a great warrior, defending Britain from its enemies, while others suggest Arthur had magical qualities. Throughout this mystery, King Arthur has become an iconic figure, known for his court and knights and his chivalric adventures. This collection offers a selection of myths, featuring Arthur's knights of the round table, his love for Queen Guinevere and of course the ultimate betrayal by his most trusted knight, Sir Lancelot. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

Gorgeous Collector's Edition. India, one of the great, ancient civilizations, spawned a fascinating canon of myths and legends. With multiple gods, and a riot of colour and character, this fantastic new book, Indian Myths & Legends, explores the themes and landscapes that created the tales, and reveals the boundless energy that brought us the Ramayana and the Mahabharata, retelling the stories of Krishna, Buddha and Shiva, and some of the many different versions of creation. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

Examining the theme of child sacrifice as a psychological challenge, this book applies a unique approach to religious ideas by looking at beliefs and practices that are considered deviant, but also make up part of mainstream religious discourse in Judaism, Islam, and Christianity. Ancient religious mythology, which survives through living traditions and transmitted narratives, rituals, and writings, is filled with violent stories, often involving the targeting of children as ritual victims. Christianity offers Abraham's sacrifice and assures us that the "only begotten son" has died, and then been resurrected. This version of the sacrifice myth has dominated the West. It is celebrated in an act of fantasy cannibalism, in which the believers share the divine son's flesh and blood. This book makes the connection between Satanism stories in the 1980s, the Blood Libel in Europe, The Eucharist, and Eastern Mediterranean narratives of child sacrifice.

First revealed by a Tibetan monk in the 14th century, Bardo Thodol ("Great Liberation upon Hearing in the Intermediate State") - known more commonly as The Tibetan Book of the Dead - describes the experience of human consciousness in the bardo, the interval between death and the next rebirth in the cycle of death and rebirth. The teachings are designed to help the dying regain clarity of awareness at the moment of death, and by doing so achieve enlightened liberation. Popular throughout the world since the 1960s and overwhelmingly the best-known Buddhist text in the West, this classic translation by Kazi Dawa Samdup is divided into 21 chapters, with sections on the chikhai bardo, or the clear light seen at the moment of death; choenyid bardo, or karmic apparitions; the wisdom of peaceful deities, Buddhas and Bodhisattvas; the 58 flame-enhaloed, wrathful, blood-drinking deities; the judgement of those who the dying has known in life through the "mirror of karma"; and the process of rebirth. The text also includes chapters on the signs of death and rituals to undertake for the dying. Presented in a high-quality Chinese-bound format with accompanying illustrations, The Tibetan Book of the Dead is an ideal resource of ancient wisdom for anyone interested in Tibetan Buddhist notions of death and the path to enlightenment.

A Feminist Mythology takes us on a poetic journey through the canonical myths of femininity, testing them from the point of view of our modern condition. A myth is not an object, but rather a process, one that Chiara Bottici practises by exploring different variants of the myth of "womanhood" through first- and third-person prose and poetry. We follow a series of myths that morph into each other, disclosing ways of being woman that question inherited patriarchal orders. In this metamorphic world, story-telling is not just a mix of narrative, philosophical dialogues and metaphysical theorizing: it is a current that traverses all of them by overflowing the boundaries it encounters. In doing so, A Feminist Mythology proposes an alternative writing style that recovers ancient philosophical and literary traditions from the pre-Socratic philosophers and Ovid's Metamorphoses to the philosophical novellas and feminist experimental writings of the last century.