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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions > Ancient Egyptian religion
This is the first English translation of a highly appealing volume
originally published in French in 1993. Informed by a sense of
wonderment at divine doings, it treats the ancient Egyptian gods as
if they were an ethnic group that captured the fancy of
ethnologists or sociologists. The book begins with the discussion
of the gods' community as a society unto itself. The authors
describe the structures of the society of the gods and some of the
conflicts that frequently upset it, with individual gods acting to
protect their own positions in an established hierarchy and
struggling to gain power over their fellows. The nature of their
immortal but not vulnerable bodies, their pleasures, and their
needs are considered. What did they eat, the authors ask, and did
they feel pain? The second part of the book cites familiar
traditions and littleknown texts to explain the relationship of the
gods to the pharaoh, who was believed to represent them on earth.
By performing appropriate rites, the pharaoh maintained a delicate
equilibrium, balancing the sky home of the sun god, the underworld
of Osiris and the dead, and the earth itself. While each world was
autonomous and had its own mythological context, the separate
spheres were also interdependent, requiring the sun's daily course
and the pharaoh's ritual actions to ensure the cohesion of the
universe.
Rudolf Steiner emphasizes the astonishing and special relationship
between our own time and that of ancient Egypt-how, in the natural
rhythm of the ages, the so-called third Post-Atlantian (Egyptian)
epoch is mirrored by the fifth (present) epoch. In this sense,
today it is especially relevant to look at ancient Egypt with fresh
eyes. The evolution of Western civilization has been profoundly
influenced by Egyptian myths through the Greek mysteries. Because
of other influences, however, this heritage has
degenerated-thinking has mummified, and myth has all but
disappeared. Consequently, it is important to revive the seed of
goodness passed down to us from ancient Egypt. Through true
imagination, we have the task of renewing human knowledge of the
creative forces in nature, as the Egyptians attempted through the
Osiris-Isis myth, and the Greeks through the myth of Demeter. This
is what Steiner attempts in this lecture cycle. Steiner's subjects
include: experiences of Egyptian initiations; esoteric anatomy and
physiology; the stages of evolution of the human form; and much
more. The final lecture is on the Christ impulse as the conqueror
of matter.
A Study of the Temple-Worship and Mythology of the Ancient
Egyptians; Contents: The Worship of the Sun and the Dawn; First
Glimpses of Egyptian Astronomy; Astronomical Basis of the Egyptian
Pantheon; Two Horizons; Yearly Path of the sun-God; Probable
Hor-Shesu Worship; Methods of Determining the Orientation of
Temples; Earliest Solar Shrines in Egypt; Other Similar Shrines
Elsewhere; Solar Temple of Amen-Ra at Karnak; Age of the Temple of
Amen-Ra at Karnak; Stars-Their Risings and Settings; Egyptian
Heavens-Zodiacs of Denderah; Circumpolar Constellations: The Myth
of Horus; Temples Directed to the Stars; Further Inquiries with
Regard to the Stellar Temples; Building Inscriptions; Star Temples
at Karnak; Personification of Stars-Temple of Isis at Denderah;
Temple of Hathor at Denderah; Star-Cults; Egyptian Year and the
Nile; Years of 360 and 365 Days; Vague and the Sirian Years; Sothic
Cycle and the Use made of it; Calendar and its Revision; Fixed Year
and Festival Calendars; Mythology of Isis and Osiris; Temple-Stars;
History of Sun-Worship at Annu and Thebes; Early Temple and Great
Pyramid Builders; Cult of Northern as Opposed to Southern Stars;
Origin of Egyptian Astronomy-Northern Schools; General Conclusions
as to the North and South Races; Egyptian and Babylonian Ecliptic
Constellations; Influence of Egypt Upon Temple-Orientation in
Greece.
With Their Influence on the Opinions of Modern Christendom. "When
Christians shall at length acknowledge that many of those
doctrines, which together now make up orthodoxy, or the religion of
the majority, as distinguished from the simple religion which Jesus
taught and practised; when they shall acknowledge that many of them
are so many sad and lamentable errors; then, and not till then,
will they seek to know their origin, and enquire from which of the
several branches of Paganism they sprung. They will then see that
most of the so-called Christian doctrines, that have no place in
the New Testament, reached Europe from Egypt, through Alexandria."
Contents: Religion of Upper Egypt; Religion of Lower Egypt;
Religion Under the Persian Conquerors; Religion Under the
Ptolemies; Religion Under the Romans; Christianity Under the Roman
Emperors; Christianity Under the Byzantine Emperors.
What is the Tekenu? What was its function? What are its origins?
These are questions upon which Egyptologists have long pondered.
However, Egyptologists, until now, have avoided any major work on
the topic. Previous treatments of the Tekenu largely adopt a
selective approach focusing on a specific form. Rarely has the
Tekenu been examined profoundly in all of its forms or contexts
with its possible origins commented upon merely in passing. The aim
of The Tekenu and Ancient Egyptian Funerary Ritual is to provide a
provocative examination and interpretation of the Tekenu in an
endeavour to proffer plausible answers hitherto eluding scholars.
Attested from the Fifth Dynasty until, and including the Saite
Period, the Tekenu is a puzzling icon which is depicted within the
funerary scenes in the tombs of some ancient Egyptian nobles. In
this work four distinct types of Tekenu are identified and
classified and then a Corpus Catalogue is formed. The Tekenu is
appraised within the context of the wall scene. Two tombs are dealt
with in greater detail.
This book provides the first edition with an extensive introduction
and full commentary of a unique land survey written on papyrus in
Greek which derives from that area of southern (Upper) Egypt known
as the Apollonopolite (or Edfu) nome and is now preserved in
Copenhagen. Dating from the late second century BC, this survey
provides a new picture of both landholding and taxation in the area
which differs significantly from that currently accepted. The
introduction sets this new evidence in its contemporary context,
drawing particular attention to what it reveals about the nature of
the relations of the Ptolemaic royal administration with local
grandees, Egyptian temples and the army. No student of Hellenistic
Egypt can afford to ignore this text, which importantly extends our
knowledge of Upper Egypt under the Ptolemaic kings and involves
some modification to the prevailing picture of landholding in
Hellenistic Egypt.
This catalogue documents an exhibition at the Kelsey Museum of
Archaeology on the mysterious ancient Egyptian jackal-headed gods
associated with death and the afterlife. These gods are immediately
identifiable symbols of ancient Egypt, but their specific
identities and roles are often less well known. Death Dogs is the
first exhibition to examine their mysteries. The exhibition and
catalogue focus on the three most important jackal gods: Anubis
(embalmer and guide to the dead), Wepwawet (opener of the ways to
the afterlife) and Duamutef (son of Horus, protector of the canopic
jar). Jackal gods are represented by a variety of artifacts in the
Kelsey Museum collectionstatues, paintings, amulets and other
objects. These artifacts are used to examine the jackal gods and
their functions in the wider context of ancient Egyptian religion
and follow their changing roles into the Graeco-Roman period and
beyond. The catalogue features 44 artifacts from the exhibition,
some never before exhibited or published, many from University of
Michigan excavations in Egypt, along with supplementary artifacts,
archival photographs, vintage book illustrations and explanatory
graphics. Modern pop cultural manifestations of the Egyptian jackal
gods are included to document their persistence into the present.
Includes 181 colour illustrations.
Akhenaten, also known as Amenhotep IV, was king of Egypt during the
Eighteenth Dynasty and reigned from 1375 to 1358 B.C. E. Called the
"religious revolutionary," he is the earliest known creator of a
new religion. The cult he founded broke with Egypt's traditional
polytheism and focused its worship on a single deity, the sun god
Aten. Erik Hornung, one of the world's preeminent Egyptologists,
here offers a concise and accessible account of Akhenaten and his
religion of light.Hornung begins with a discussion of the
nineteenth-century scholars who laid the foundation for our
knowledge of Akhenaten's period and extends to the most recent
archaeological finds. He emphasizes that Akhenaten's monotheistic
theology represented the first attempt in history to explain the
entire natural and human world on the basis of a single principle.
"Akhenaten made light the absolute reference point," Hornung
writes, "and it is astonishing how clearly and consistently he
pursued this concept." Hornung also addresses such topics as the
origins of the new religion; pro-found changes in beliefs regarding
the afterlife; and the new Egyptian capital at Akhetaten which was
devoted to the service of Aten, his prophet Akhenaten, and the
latter's family.
The Wheel of the Year in Ancient Egypt isbn 978190695138 The very
oldest Egyptian ritual calendar was lunar. The evidence for this is
very complex and in the words of Professor Leo Depuydt, "does not
exactly jump out at you " This ancient lunar calendar continued a
veiled existence alongside the dominant solar or civil year. Many
details are lost so the project of this book is to bring together
what has survived. Revealed here is a very ancient pantheon of
gods, including Set, Min, & Hathor, one for each month of the
lunar year. I have provided for them a unique collection of
liturgy, ritual and prayers as may have been offered in the homes,
sanctuaries and temples of the original Egypt. Many of these feasts
of Ancient Egypt were celebrated on the phases of the moon -
principally when it was new or full. So whatever your favorite god
or goddess, make offerings on either of these days and you will be
reviving an old and authentic form of the Ancient Egyptian magical
religion. To complete the picture I present over several chapters
all the technical details of the lunar month as well as its more
well known civil replacement. Here you will find information on how
certain key days were calculated when needed. These later chapters
also provide related material on the mysteries of the Northern
Constellations. Finally there are descriptions of the thirty lunar
days of each month and lunar omens. So in total this is the most
complete and authoritative guide to the ritual wheel of the year at
all stages of its use in the Ancient Egyptian magical religion.
In attempting even a brief and imperfect outline of the history of
Egyptian queens the author has undertaken no easy task and craves
indulgence for its modest fulfillment. The aim has been merely to
put the little that is known in a readable and popular form, to
gather from many sources the fragments that remain, partly
historic, partly legendary, of a dead past. To present -- however
imperfectl -- sketches of the women who once lived and breathed as
Queens of Egypt.
In this guide to the cosmology of ancient Egypt, Jeremy Naydler
recreates the experience of living in another time and place.
Temple of the Cosmos explores Egypt's sacred geography and
mythology; but more importantly, it reveals with unprecedented
clarity an ancient consciousness in tune with the rhythms of the
earth. The ancient Egyptians experienced their gods not as remote
beings but rather as psychic and natural forces, transpersonal
energies that played a part in everyday life. This direct
experience of the gods shaped the Egyptian concepts of human
development, healing, magic, and the soul's journey through the
Underworld as described in the Books of the Dead. While building on
the pioneering efforts of R. A. Schwaller de Lubicz and others,
"Temple of the Cosmos" is much more than a recapitulation of
previous theories of Egyptian spirituality. Rather, this book
breaks new ground by placing the work of other Egyptologists in an
original, magical context. The result is a brilliant reimagining of
the Egyptian worldview and its sacred path of spiritual unfolding.
Deep within each of us lives a primal memory of a time when the
natural world was recognized as divine and our temples were built
from sacred materials enlivened through magic. Temples were not
places you visited once a week; they were centres of community,
divine work, healing, and wisdom, places where Heaven and Earth
meet. This union of Heaven and Earth--the sacred temple--is also a
union of Thoth and Isis: the Egyptian god of wisdom and the
creative cosmic force and the Egyptian goddess of civilizing
knowledge. Their relationship established the celestial teachings
on Earth, for Thoth taught Isis all the mysteries and magic she
knows and Isis acted as Thoth's instrument to deliver the teachings
in a form humanity could use. In this initiatic guide to temple
building on the spiritual and physical planes, Normandi Ellis and
Nicki Scully explain how to create a communal spiritual structure
for connecting with the ancient Egyptian pantheon as well as how to
consecrate yourself and become a vessel suitable for divine wisdom
and a home for your personal gods. The authors detail the
construction, shamanic visioning, and ritual consecration of a Moon
Temple dedicated to Thoth. They explore teachings that help you
develop relationships with the Egyptian neteru and realize your
place within the family of the Egyptian pantheon. They guide you as
you create your inner heart temple, the adytum, a safe place in
which to receive guidance and access your higher spiritual bodies
and oracular gifts. They provide shamanic journeys and initiations
on ascension, shamanic death and renewal, soul retrieval and
healing, multidimensional realities, and more. By creating a sacred
temple within and without, we each can take part in the union of
Isis and Thoth and restore the magic of the Egyptian mysteries to
our time.
Bojana Mojsov tells the story of the cult of Osiris from beginning
to end, sketching its development throughout 3,000 years of
Egyptian history.
Draws together the numerous records about Osiris from the third
millennium B.C. to the Roman conquest of Egypt.
Demonstrates that the cult of Osiris was the most popular and
enduring of the ancient religions.
Shows how the cult provided direct antecedents for many ideas,
traits and customs in Christianity, including the concept of the
trinity, baptism in the sacred river, and the sacrament of the
Eucharist.
Reveals the cult's influence on other western mystical traditions
and groups, such as the Alchemists, Rosicrucians and Freemasons.
Written for a general, as well as a scholarly audience.
In their wide-ranging interpretation of the religion of ancient
Egypt, Francoise Dunand and Christiane Zivie-Coche explore how,
over a period of roughly 3500 years, the Egyptians conceptualized
their relations with the gods. Drawing on the insights of
anthropology, the authors discuss such topics as the identities,
images, and functions of the gods; rituals and liturgies; personal
forms of piety expressing humanity's need to establish a direct
relation with the divine; and the afterlife, a central feature of
Egyptian religion. That religion, the authors assert, was
characterized by the remarkable continuity of its ritual practices
and the ideas of which they were an expression.Throughout, Dunand
and Zivie-Coche take advantage of the most recent archaeological
discoveries and scholarship. Gods and Men in Egypt is unique in its
coverage of Egyptian religious expression in the Ptolemaic and
Roman periods. Written with nonspecialist readers in mind, it is
largely concerned with the continuation of Egypt's traditional
religion in these periods, but it also includes fascinating
accounts of Judaism in Egypt and the appearance and spread of
Christianity there."
Presents proof that an advanced black African civilization
inhabited the Sahara long before Pharaonic Egypt
- Reveals black Africa to be at the genesis of ancient civilization
and the human story
- Examines extensive studies into the lost civilization of the
"Star People" by renowned anthropologists, archaeologists, genetic
scientists, and cultural historians as well as the authors'
archaeoastronomy and hieroglyphics research
- Deciphers the history behind the mysterious Nabta Playa
ceremonial area and its stone calendar circle and megaliths
Relegated to the realm of archaeological heresy, despite a wealth
of hard scientific evidence, the theory that an advanced
civilization of black Africans settled in the Sahara long before
Pharaonic Egypt existed has been dismissed and even condemned by
conventional Egyptologists, archaeologists, and the Egyptian
government. Uncovering compelling new evidence, Egyptologist Robert
Bauval and astrophysicist Thomas Brophy present the
anthropological, climatological, archaeological, geological, and
genetic research supporting this hugely debated theory of the black
African origin of Egyptian civilization.
Building upon extensive studies from the past four decades and
their own archaeoastronomical and hieroglyphic research, the
authors show how the early black culture known as the Cattle People
not only domesticated cattle but also had a sophisticated grasp of
astronomy; created plentiful rock art at Gilf Kebir and Gebel
Uwainat; had trade routes to the Mediterranean coast, central
Africa, and the Sinai; held spiritual and occult ceremonies; and
constructed a stone calendar circle and megaliths at the ceremonial
site of Nabta Playa reminiscent of Stonehenge, yet much older.
Revealing these "Star People" as the true founders of ancient
Egyptian civilization, this book completely rewrites the history of
world civilization, placing black Africa back in its rightful place
at the center of mankind's origins.
For more than 2,000 years, between 1500 BCE and 600 CE, the
Egyptian processional oracle was one of the main points of contact
between temple-based religion and the general population. In a
public ceremony, a god would indicate its will or answer questions
through the movements of a portable cult statue borne by priests or
important members of the community. The Egyptian Oracle Project is
an interactive performance that adapts this ceremony to serve as
the basis for a mixed-reality educational experience for children
and young adults, using both virtual reality and live performance.
The scene is set in a virtual Egyptian temple projected onto a
wall. An oracle led by a high priest avatar (controlled by a live
human puppeteer) is brought into the presence of a live audience,
who act in the role of the Egyptian populace. Through the mediation
of an actress, the audience interacts with the avatar, recreating
the event. The series of carefully focused essays in this book
provides vital background to this path-breaking project in three
sections. After a brief introduction to educational theatre and
virtual reality, the first section describes the ancient ceremony
and its development, along with cross-cultural connections. Then
the development of the script and its performance in the context of
mixed-reality and educational theatre are examined. The final set
of essays describes the virtual temple setting in more detail and
explores the wider implications of this project for virtual
heritage.
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