This book is about the weird and wonderful lesser-known 'spirit' entities of ancient Egypt -daemons, the mysterious and often fantastical creatures of the Egyptian 'Otherworld' - and the closely related spirits of the dead, which together conjure the excitement of all things otherworldly. Daemons and spirits are generally defined in Egyptology as creatures not of this world, which do not have their own cult centre, and both groups are frequently listed together in protective spells. This volume explores the general nature of daemons and spirits in ancient Egypt and discusses a selection in more detail: it uses artefacts from Wales's important collection of Egyptian objects at the Egypt Centre at Swansea University, in which are to be found a dwarf daemon with sticking out tongue; several guardian daemons of the Otherworld; creatures who are part snake and part feline; spirits of deceased humans; and a Greek satyr Silenus, companion to the wine god Dionysus.

The eighteen articles collected in this volume are the results of the international workshop, "Teaching Morality in Antiquity: Wisdom Texts, Oral Traditions, and Images," held at the Bibliotheca Albertina of the University of Leipzig between November 29th and December 1st, 2016 with the financial support of the Deutsche Forschungsgemeinschaft. During the workshop, fruitful discussions on diverse issues related to the theme "wisdom texts and morality" developed regarding biblical wisdom texts and their parallels from the ancient Egypt, ancient Mesopotamia, and the ancient Levant - more specifically: moral messages and rhetoric in wisdom texts; the dissemination of wisdom teachings; teachings about the divine realm as the core of moral principles or human social order; visualization of divine authority; questions of theodicy; and modern analyses of ancient morality through the eyes of cognitive science.

Standing at the very foundation of monotheism, and so of Western culture, Moses is a figure not of history, but of memory. As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification. To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.

For more than 2,000 years, between 1500 BCE and 600 CE, the Egyptian processional oracle was one of the main points of contact between temple-based religion and the general population. In a public ceremony, a god would indicate its will or answer questions through the movements of a portable cult statue borne by priests or important members of the community. The Egyptian Oracle Project is an interactive performance that adapts this ceremony to serve as the basis for a mixed-reality educational experience for children and young adults, using both virtual reality and live performance. The scene is set in a virtual Egyptian temple projected onto a wall. An oracle led by a high priest avatar (controlled by a live human puppeteer) is brought into the presence of a live audience, who act in the role of the Egyptian populace. Through the mediation of an actress, the audience interacts with the avatar, recreating the event. The series of carefully focused essays in this book provides vital background to this path-breaking project in three sections. After a brief introduction to educational theatre and virtual reality, the first section describes the ancient ceremony and its development, along with cross-cultural connections. Then the development of the script and its performance in the context of mixed-reality and educational theatre are examined. The final set of essays describes the virtual temple setting in more detail and explores the wider implications of this project for virtual heritage.

Volume 2 of the work providing thorough coverage of numerous gods of ancient Egypt by foremost Egyptologist. Information on evolution of cults, rites and gods; the cult of Osiris; the Book of the Dead and its rites; the sacred animals and birds; Heaven and Hell; and more.

Pharaoh Akhenaten, who reigned for seventeen years in the fourteenth century B.C.E, is one of the most intriguing rulers of ancient Egypt. His odd appearance and his preoccupation with worshiping the sun disc Aten have stimulated academic discussion and controversy for more than a century. Despite the numerous books and articles about this enigmatic figure, many questions about Akhenaten and the Atenism religion remain unanswered. In Akhenaten and the Origins of Monotheism, James K. Hoffmeier argues that Akhenaten was not, as is often said, a radical advocating a new religion but rather a primitivist: that is, one who reaches back to a golden age and emulates it. Akhenaten's inspiration was the Old Kingdom (2650-2400 B.C.E.), when the sun-god Re/Atum ruled as the unrivaled head of the Egyptian pantheon. Hoffmeier finds that Akhenaten was a genuine convert to the worship of Aten, the sole creator God, based on the Pharoah's own testimony of a theophany, a divine encounter that launched his monotheistic religious odyssey. The book also explores the Atenist religion's possible relationship to Israel's religion, offering a close comparison of the hymn to the Aten to Psalm 104, which has been identified by scholars as influenced by the Egyptian hymn. Through a careful reading of key texts, artworks, and archaeological studies, Hoffmeier provides compelling new insights on a religion that predated Moses and Hebrew monotheism, the impact of Atenism on Egyptian religion and politics, and the aftermath of Akhenaten's reign.

This seventh volume of The Carlsberg Papyri is dedicated to hieratic manuscripts from the Egyptian Tebtunis temple. The Tebtunis temple library is the only ancient temple library of which substantial remains are preserved, and the immense materialestimated at several hundred manuscriptsmakes it by far the richest, single source of Egyptian literary texts. This present volume is introduced by a survey of the hieratic and hieroglyphic manuscripts from the temple library. The survey is followed by full editions of a series of religious texts: an Osiris liturgy, the Ritual of Bringing Sokar out of the Shetit (previously known only from monumental hieroglyphic versions from temples and manuscripts for funerary use), the Votive Cubit (otherwise known essentially from fragments of the original stone cubits), the Nine-Headed Bes (a parallel to the famous illustrated Brooklyn papyrus but with a fuller description of how the practitioner should proceed), and the Ritual of Opening the Mouth (on

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

In continuation of the demotic votive inscriptions collected in Short Texts Volume I, this volume brings together some 650 demotic and Greek-demotic mummy labels. These are in principle all labels published to date, but this number also contains some fifty unpublished labels as well as some fifty of which only the Greek, not the demotic side had been published previously. Of some two-hundred labels from which the names had been excerpted for use in our onomastic repertoria, the complete text is here published for the first time. In order to enhance the usefulness of this volume, also the demotic inscriptions on mummy linen, coffins, mummy boards and mummy masks, as well as those on the containers of mummified fauna and a number of small funerary papyri are included in this volume, some 260 texts in all. Thus the funerary theme has been treated fairly completely for the demotic texts, except for the demotic funerary stelae which will make up a separate Short Texts volume of their own.The volume is of course completed by Concordances with previous editions and by full Word Indices. Five Appendices treat of various textual, onomastic and palaeographic problems chiefly concerning the mummy labels, which bring new insights in these domains for the Roman period.