"Forbidden Archaeology's Impact" offers readers an inside look at how mainstream science reacts with ridicule, threats, and intimidation to any challenge to its deeply held beliefs. Since 1993 the controversial book "Forbidden Archaeology" has shocked the scientific world with its extensive evidence for extreme human antiquity. "Forbidden Archaeology's" Impact documents the explosive reactions to this underground classic. It includes proactive compilation of reviews, correspondence, and media interviews.

This book provides a short, readable introduction to historical archaeology, which focuses on modern history in all its fascinating regional, cultural, and ethnic diversity. Accessibly covering key methods and concepts, including fundamental theories and principles, the history of the field, and basic definitions, Historical Archaeology also includes a practical look at career prospects for interested readers. Orser discusses central topics of archaeological research such as time and space, survey and excavation methods, and analytical techniques, encouraging readers to consider the possible meanings of artifacts. Drawing on the author’s extensive experience as an historical archaeologist, the book’s perspective ranges from the local to the global in order to demonstrate the real importance of this subject to our understanding of the world in which we live today.

The third edition of this popular textbook has been significantly revised and expanded to reflect recent developments and discoveries in this exciting area of study. Each chapter includes updated case studies which demonstrate the research conducted by professional historical archaeologists. With its engaging approach to the subject, Historical Archaeology continues to be an ideal resource for readers who wish to be introduced to this rapidly expanding global field.

Table of Contents

Section I: Foundations of Historical Archaeology

Chapter 1 What Is Historical Archaeology?

Chapter 2 A Brief History of Historical Archaeology

Chapter 3 Culture, History, and Archaeological Sites

Chapter 4 Time and Space

Section II: Doing Historical Archaeology

Chapter 5 Site Survey and Location in Historical Archaeology

Chapter 6 Pre-Excavation Fieldwork: Documents, Interviews, Buildings

Chapter 7 Archaeological Fieldwork: Field and Laboratory

Chapter 8 Artifacts and Interpretation in Historical Archaeology

Chapter 9 Historical Archaeology and Cultural Resource Management

Section III: Interpretation in Historical Archaeology

Chapter 10 Theory in Historical Archaeology

Chapter 11 The Historical Archaeology of Individuals and Groups

Chapter 12 Global Historical Archaeology and Modern-World Archaeology

Chapter 13 Historical Archaeology and The Past Today

Guide to Further Reading

Glossary

In the past, Bronze Age painted plaster in the Aegean and the Eastern Mediterranean has been studied from a range of different but isolated viewpoints. One of the current questions about this material is its direction of transfer. This volume brings both technological and iconographic (and other) approaches closer together: 1) by completing certain gaps in the literature on technology and 2) by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the late Middle and Late Bronze Age in the eastern Mediterranean. This study approaches the topic of painted plaster by a multidisciplinary methodology. Moreover, when human actors and their interactions are placed in the centre of the scene, it demonstrates the human forces through which transfer was enabled and how multiple social identities and the inter-relationships of these actors with each other and their material world were expressed through their craft production and organization. The investigated data from sixteen sites has been contextualized within a wider framework of Bronze Age interconnections both in time and space because studying painted plaster in the Aegean cannot be considered separate from similar traditions both in Egypt and in the Near East. This study makes clear that it is not possible to deduce a one-way directional transfer of this painting tradition. Furthermore, by integrating both technology and iconography with its hybrid character, a clear technological style was defined in the predominant al fresco work found on these specific sites. The author suggests that the technological transfer most likely moved from west to east. This has important implications in the broader politico-economic and social dynamics of the eastern Mediterranean during the LBA. Since this art/craft was very much elite-owned, it shows how the smaller states in the LBA, such as the regions of the Aegean, were capable of staying within the large trade and exchange network that comprised the large powers of the East and Egypt. The painted plaster reflects a very visible presence in the archaeological record and, because it cannot be transported without its artisans, it suggests specific interactions of royal courts in the East with the Aegean peoples. The painted plaster as an immovable feature required at least temporary presence of a small team of painters and plasterers. Exactly this factor forms an argument in support of travelling artisans, who, in turn, shed light onto broader aspects of contact, trade and exchange mechanisms during the late MBA and LBA.

Kommos, located on the south coast of Crete, is widely known for its important sanctuary of the Greek period for its earlier role as a major Minoan harbortown. Volumes II and III in this series, dealing with the Minoan pottery, have already been published. Volume I, Part I (1995), offered a general introduction to the site, followed by chapters on the archaeological exploration of the area, its geology, fauna and flora, land use, as well as on the Minoan implements and indsutries. Now Volume I, Part II introduces the Kommos town (Joseph W. Shaw), and analyzes and interprets the houses on the hilltop (Maria C. Shaw and Lucia F. Nixon) and hillside (James C. Wright and John McEnroe). There is a catalog of miscellaneous finds from the houses (Mary K. Dabney, Katherine A. Schwab, Maria C. Shaw, John Bennet, Helene Whittaker, David Reese, and Olga Kryszowska), followed by synthetic chapters on town planning and domesetic architecture (Maria C. Shaw) and site development (Joseph W. Shaw). Combined, the interrelated Kommos volumes present an unusually thorough, interdisciplinary interpretation of a prehistoric site in Greece. An excavation by the University of Toronto and the Royal Ontario Museum under the auspices of the American School of Classical Studies in Athens. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ten years after the first volume, this book highlights the important contribution Raman spectroscopy makes as a non-destructive method for characterising the chemical composition of objects with archaeological and historical importance. The original book was ground-breaking in its concept, but the past ten years have seen some advancement into new areas, consolidation of some of the older ones and novel applications involving portable instrumentation, on site in museums and in the field. This new volume maintains the topic at the cutting edge, the Editors have approached prominent contributors to provide case-studies sorted into themes. Starting with a Foreword from the British Museum Director of Scientific Research and an Introduction from the Editors, which offer general background information and theoretical context, the contributions then provide global perspectives on this powerful analytical tool. Aimed at scientists involved in conservation, conservators and curators who want to better understand their collections at a material level and researchers of cultural heritage.

Documentation, analysis, and explanation of culture change have long been goals of archaeology. Scientific graphs facilitate the visual thinking that allow archaeologists to determine the relationship between variables, and, if well designed, comprehend the processes implied by the relationship. Different graph types suggest different ontologies and theories of change, and particular techniques of parsing temporally continuous morphological variation of artefacts into types influence graph form. North American archaeologists have grappled with finding a graph that effectively and efficiently displays culture change over time. Line graphs, bar graphs, and numerous one-off graph types were used between 1910 and 1950, after which spindle graphs displaying temporal frequency distributions of specimens within each of multiple artefact types emerged as the most readily deciphered diagram. The variety of graph types used over the twentieth century indicate archaeologists often mixed elements of both Darwinian variational evolutionary change and Midas-touch like transformational change. Today, there is minimal discussion of graph theory or graph grammar in introductory archaeology textbooks or advanced texts, and elements of the two theories of evolution are still mixed. Culture has changed, and archaeology provides unique access to the totality of humankind's cultural past. It is therefore crucial that graph theory, construction, and decipherment are revived in archaeological discussion.

Combining historical research with a lucid explication of archaeological methodology and reasoning, "Measuring Time with Artifacts" examines the origins and changing use of fundamental chronometric techniques and procedures and analyzes the different ways American archaeologists have studied changes in artifacts, sites, and peoples over time.

In highlighting the underpinning ontology and epistemology of artifact-based chronometers--cultural transmission and how to measure it archaeologically--this volume covers issues such as why archaeologists used the cultural evolutionism of L. H. Morgan, E. B. Tylor, L. A. White, and others instead of biological evolutionism; why artifact classification played a critical role in the adoption of stratigraphic excavation; how the direct historical approach accomplished three analytical tasks at once; why cultural traits were important analytical units; why paleontological and archaeological methods sometimes mirror one another; how artifact classification influences chronometric method; and how graphs illustrate change in artifacts over time.

An understanding of the history of artifact-based chronometers enables us to understand how we know what we think we know about the past, ensures against modern misapplication of the methods, and sheds light on the reasoning behind archaeologists' actions during the first half of the twentieth century.

Two of the questions most frequently asked by archaeologists of sites and the objects that populate them are 'How old are you?' and 'Where are you from?' These questions can often be answered through archaeometric dating and provenance analyses. As both archaeological sites and objects, shipwrecks pose a special problem in archaeometric dating and provenance because when they sailed, they often accumulated new construction material as timbers were repaired and replaced. Additionally, during periods of globalization, such as the so-called Age of Discovery, the provenance of construction materials may not reflect where the ship was built due to long-distance timber trade networks and the global nature of these ships' sailing routes. Accepting these special challenges, nautical archaeologists must piece together the nuanced relationship between the ship, its timbers, and the shipwreck, and to do so, wood samples must be removed from the assemblage. Besides the provenance of the vessel's wooden components, selective removal and analysis of timber samples can also provide researchers with unique insights relating to environmental history. For this period, wood samples could help produce information on the emergent global economy; networks of timber trade; forestry and carpentry practices; climate patterns and anomalies; forest reconstruction; repairs made to ships and when, why, and where those occurred; and much more. This book is a set of protocols to establish the need for wood samples from shipwrecks and to guide archaeologists in the removal of samples for a suite of archaeometric techniques currently available to provenance the timbers used to construct wooden ships and boats. While these protocols will prove helpful to archaeologists working on shipwreck assemblages from any time period and in any place, this book uses Iberian ships of the 16th to 18th centuries as its case studies because their global mobility poses additional challenges to the problem at hand. At the same time, their prolificacy and ubiquity make the wreckage of these ships a uniquely global phenomenon.

Long before the Norman Conquest of 1066, England saw periods of profound change that transformed the landscape and the identities of those who occupied it. The Bronze and Iron Ages saw the introduction of now-familiar animals and plants, such as sheep, horses, wheat, and oats, as well as new forms of production and exchange and the first laying out of substantial fields and trackways, which continued into the earliest Romano-British landscapes. The Anglo-Saxon period saw the creation of new villages based around church and manor, with ridge and furrow cultivation strips still preserved today. The basis for this volume is The English Landscapes and Identities project, which synthesised all the major available sources of information on English archaeology to examine this crucial period of landscape history from the middle Bronze Age (c. 1500 BC) to the Domesday survey (c. 1086 AD). It looks at the nature of archaeological work undertaken across England to assess its strengths and weaknesses when writing long-term histories. Among many other topics it examines the interaction of ecology and human action in shaping the landscape; issues of movement across the landscape in various periods; changing forms of food over time; an understanding of spatial scale; and questions of enclosing and naming the landscape, culminating in a discussion of the links between landscape and identity. The result is the first comprehensive account of the English landscape over a crucial 2500-year period. It also offers a celebration of many centuries of archaeological work, especially the intensive large-scale investigations that have taken place since the 1960s and transformed our understanding of England's past.

Papers on various aspects of dyes and dyeing presented at the annual meeting of the Dyes in History and Archaeology group.

The Roman Town at Silchester, Calleva Atrebatum, was a working archaeological dig - the University of Reading Field School - which took place every summer for eighteen years. Taking advantage of the last opportunity to record 'life on the dig' in 2014, artist Jenny Halstead spent the summer creating and collating material for a beautiful and historic book. Jenny's superior draughtsmanship, her eye for colour and her wide variety of techniques produce evocative, lively images. The resulting book is a fitting and enduring record of this historic episode in the life of an ancient city.

This is the definitive account of the ground-breaking conservation project to conserve the cave paintings of the Mogao Grottoes in China. The Mogao Grottoes, a World Heritage Site in northwestern China, are located along the ancient caravan routes, collectively known as the Silk Road, that once linked China with the West. Founded by a Buddhist monk in the late fourth century, Mogao flourished over the following millennium, as monks, local rulers, and travellers commissioned hundreds of cave temples cut into a mile-long rock cliff and adorned them with vibrant murals. More than 490 decorated grottoes remain, containing thousands of sculptures and some 45,000 square metres of wall paintings, making Mogao one of the world's most significant sites of Buddhist art. In 1997 the Getty Conservation Institute, which had been working with the Dunhuang Academy since 1989, began a case study using the Late-Tang dynasty Cave 85 to develop a methodology that would stabilize the deteriorating wall paintings. This abundantly illustrated volume is the definitive report on the project, which was completed in 2010.

Architectures of Fire attempts to present the entanglement between the physical phenomenon of fire, the pyro-technological instrument that it is, its material supports, and the human being. In this perspective, the physical process of combustion, material culture, as well as the development of human action in space, are addressed together. Fire is located at the centre of all pre-modern architecture. It creates the living or technological space. Fire creates architectures since it imposes geometry, from the simple circles of stone or clay, which control its spread (and which are the geometrical figures of its optimal efficiency), to cone trunks, cylinders, half-spheres, half-cylinders or parallelepipeds, circular geometric figures that efficiently control the air-draught process required for combustion. All these forms involving the circle are determined by the control and conservation of thermal energy. We should not imagine that the term 'architecture' evokes only constructed objects that delimit human action. Architecture means not only the built space, but also the experienced space, in the present case around the pyro-instruments. Pyro-instruments involve an ergonomic, kinesthetic and visual relationship, as well as the rhythmic actions of feeding or maintaining fire at a certain technological tempo. The technological agency is structured both by the physics of the combustion phenomenon, and by the type of operation to be performed.

The Archaeology of Food explains how archaeologists reconstruct what people ate, and how such reconstructions reveal ancient political struggles, religious practices, ethnic identities, gender norms, and more. Balancing deep research with accessible writing, Katheryn Twiss familiarizes readers with archaeological data, methods, and intellectual approaches as they explore topics ranging from urban commerce to military provisioning to ritual feasting. Along the way, Twiss examines a range of primary evidence, including Roman bars, Aztec statues, Philistine pig remains, Nubian cooking pots, Mississippian squash seeds, and the bones of a medieval king. Her book introduces both archaeologists and non-archaeologists to the study of prehistoric and historic foodways, and illuminates how those foodways shaped and were shaped by past cultures.

The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.

Archaeology: What It Is, Where It Is, and How to Do It has been written as a practical introduction on the investigation of the material remains of the past which can be interpreted with contemporary historical and literary evidence. The book also explains where to find this evidence and what to do next. Many aspects of archaeological investigation are discussed, including aerial and ground survey, excavation and fieldwork, recording methods, soil sampling and small finds.

Homeless Heritage describes the process of using archaeological methodologies to collaboratively document how contemporary homeless people use and experience the city. Drawing on fieldwork undertaken in Bristol and York, the book first describes the way in which archaeological methods and theory have come to be usefully applied to the contemporary world, before exploring the historical development of the concept of homelessness. Working with homeless people, the author undertook surveys and two excavations of contemporary homeless sites, and the team co-curated two public heritage exhibitions - with surprising results. Complementing a growing body of literature that details how collaborative and participatory heritage projects can give voice to marginalised groups, Homeless Heritage details what it means to be homeless in the twenty first century.

The fiery transformation of the dead is replete in our popular culture and Western modernity's death ways, and yet it is increasingly evident how little this disposal method is understood by archaeologists and students of cognate disciplines in the humanities and social sciences. In this regard, the archaeological study of cremation has much to offer. Cremation is a fascinating and widespread theme and entry-point in the exploration of the variability of mortuary practices among past societies. Seeking to challenge simplistic narratives of cremation in the past and present, the studies in this volume seek to confront and explore the challenges of interpreting the variability of cremation by contending with complex networks of modern allusions and imaginings of cremations past and present and ongoing debates regarding how we identify and interpret cremation in the archaeological record. Using a series of original case studies, the book investigates the archaeological traces of cremation in a varied selection of prehistoric and historic contexts from the Mesolithic to the present in order to explore cremation from a practice-oriented and historically situated perspective.

Experimental Archaeology: Making, Understanding, Story-telling is based on the proceedings of a two-day workshop on experimental archaeology at the Irish Institute of Hellenic Studies at Athens in 2017, in collaboration with UCD Centre for Experimental Archaeology and Material Culture. Scholars, artists and craftspeople explore how people in the past made things, used and discarded them, from prehistory to the Middle Ages. The papers include discussions of the experimental archaeological reconstruction and likely past experience of medieval houses, and also about how people cast medieval bronze brooches, or sharpened Bronze Age swords, made gold ornaments, or produced fresco wall paintings using their knowledge, skills and practices. The production of ceramics is explored through a description of the links between Neolithic pottery and textiles, through the building and testing of a Bronze Age Cretan pottery kiln, and through the replication and experience of Minoan figurines. The papers in this volume show that experimental archaeology can be about making, understanding, and storytelling about the past, in the present.

""Archaeological Oceanography" is a must-have book for anyone interested in this emerging field. Never has there been a collection of articles as comprehensive as this one. For the first time in a single source are authoritative articles on the technology, field techniques, and even the preservation of these irreplaceable deep-water cultural resources with discussions on ways to bring them to the public's eye. The contributors are experts in their fields and present readable, data-packed overviews. The book will be the standard for many years to come."--Donny Hamilton, Texas A&M University

"An excellent and accessible introduction to the work that Robert Ballard and his colleagues have done in the pioneering field of archaeology in the deep sea. This challenging new domain requires a mix of oceanography, archaeology, and engineering, and this volume shows how the best research seamlessly interweaves the three. A must-read for anyone interested in exploring our sunken past."--David Mindell, Massachusetts Institute of Technology

"A significant and major contribution. This is a valuable work that will have relevance and importance to professional audiences in the fields of oceanography, deep-sea technology, and public policy in regard to ocean science, robotics, and various subdisciplines of archaeology. This work will be viewed as an essential read, and will become the standard reference."--James P. Delgado, executive director of the Institute of Nautical Archaeology

"This book addresses a subject of very widespread interest among the general public as well as for professional archaeologists and oceanographers. Moreover, the authors are all firsthand experts with considerableexperience in the subject matter they describe and discuss."--Patty Jo Watson, professor emerita, Washington University in St. Louis

"There is nothing else like this book. Dr. Ballard and his coauthors have led the way in exploring deep shipwrecks. They are the world leaders in deepwater archaeology. Their credentials are unquestioned. The book will be a significant contribution to the field."--George F. Bass, professor emeritus, Texas A&M University

"There is no doubt that when it comes to the investigation of very deepwater sites, this group has been at the forefront of the technological developments to prospect for and then map such archaeology. A very useful anthology of their work."--Justin Dix, University of Southampton

This volume addresses the relationship between archaeologists and the dead, through the many dimensions of their relationships: in the field (through practical and legal issues); in the lab (through their analysis and interpretation); and in their written, visual and exhibitionary practice - disseminated to a variety of academic and public audiences. Written from a variety of perspectives, its authors address the experience, effect, ethical considerations, and cultural politics of working with mortuary archaeology. Whilst some papers reflect institutional or organisational approaches, others are more personal in their view: creating exciting and frank insights into contemporary issues which have hitherto often remained 'unspoken' amongst the discipline. Reframing funerary archaeologists as 'death-workers' of a kind, the contributors reflect on their own experience to provide both guidance and inspiration to future practitioners, arguing strongly that we have a central role to play in engaging the public with themes of mortality and commemoration, through the lens of the past. Spurred by the recent debates in the UK, papers from Scandinavia, Austria, Italy, the US, and the mid-Atlantic, frame these issues within a much wider international context which highlights the importance of cultural and historical context in which this work takes place.

For more than a century, the study of hunting and gathering societies has been central to the development of both archaeology and anthropology as academic disciplines, and has also generated widespread public interest and debate. The Oxford Handbook of the Archaeology and Anthropology of Hunter-Gatherers provides a comprehensive review of hunter-gatherer studies to date, including critical engagements with older debates, new theoretical perspectives, and renewed obligations for greater engagement between researchers and indigenous communities. Chapters provide in-depth archaeological, historical, and anthropological case-studies, and examine far-reaching questions about human social relations, attitudes to technology, ecology, and management of resources and the environment, as well as issues of diet, health, and gender relations - all central topics in hunter-gatherer research, but also themes that have great relevance for modern global society and its future challenges. The Handbook also provides a strategic vision for how the integration of new methods, approaches, and study regions can ensure that future research into the archaeology and anthropology of hunter-gatherers will continue to deliver penetrating insights into the factors that underlie all human diversity.

This book concerns textile production at the fringes of north-western Europe - areas in western Norway and the North Atlantic in the expanding, dynamic and transformative period from the early Viking Age into the Middle Ages. Textiles constitute one of the basic needs in human life - to protect and keep the body warm but also to show social status and affiliations. Textiles had a wide spectrum of use areas and qualities, fine and coarse in various contexts, and in the Viking Age not least related to the production of sails - all essential for the development and character of the period. So, what were the tools and textiles like, who made them, who used them and who exposed them? By tracing textile production from the remains of tools and textiles in varied landscapes and settings - Viking Age graves and in-situ workplaces from the whole period - and combining this with textual information, many layers of information are exposed about technology and qualities as well as gender, gender roles, social relations, power and networks. By combining tools, textiles and texts in various settings, this book aims to contextualise dispersed archaeological finds of tools and textiles to uncover patterns across larger areas and in a long-term perspective of half a millennium. Related to the overall societal changes from the early Viking Age raids, colonisation to centralisation to urbanisation in the Middle Ages, the tools and textiles reveal diversity, as well as stability and change.

Laying the Foundations, which developed out of the British Museum's 'Iraq Scheme' archaeological training programme, covers the core components for putting together and running an archaeological field programme. The focus is on practicality. Individual chapters address background research, the use of remote sensing, approaches to surface collection, excavation methodologies, survey with total (and multi) stations, use of a dumpy level, context classification, on-site recording, databases and registration, environmental protocols, conservation, photography, illustration, post-excavation site curation and report writing. While the manual is oriented to the archaeology of Iraq, the approaches are no less applicable to the Middle East more widely, an aim hugely facilitated by the open-source distribution of translations into Arabic and Kurdish.

Zooarchaeology has emerged as a powerful way of reconstructing the lives of past societies. Through the analysis of animal bones found on a site, zooarchaeologists can uncover important information on the economy, trade, industry, diet, and other fascinating facts about the people who lived there. Animal Bones in Australian Archaeology is an introductory bone identification manual written for archaeologists working in Australia. This field guide includes 16 species commonly encountered in both Indigenous and historical sites. Using diagrams and flow charts, it walks the reader step-by-step through the bone identification process. Combining practical and academic knowledge, the manual also provides an introductory insight into zooarchaeological methodology and the importance of zooarchaeological research in understanding human behaviour through time.