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Architectures of Fire: Processes, Space and Agency in Pyrotechnologies (Paperback)
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Architectures of Fire: Processes, Space and Agency in Pyrotechnologies (Paperback)
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Architectures of Fire attempts to present the entanglement between
the physical phenomenon of fire, the pyro-technological instrument
that it is, its material supports, and the human being. In this
perspective, the physical process of combustion, material culture,
as well as the development of human action in space, are addressed
together. Fire is located at the centre of all pre-modern
architecture. It creates the living or technological space. Fire
creates architectures since it imposes geometry, from the simple
circles of stone or clay, which control its spread (and which are
the geometrical figures of its optimal efficiency), to cone trunks,
cylinders, half-spheres, half-cylinders or parallelepipeds,
circular geometric figures that efficiently control the air-draught
process required for combustion. All these forms involving the
circle are determined by the control and conservation of thermal
energy. We should not imagine that the term 'architecture' evokes
only constructed objects that delimit human action. Architecture
means not only the built space, but also the experienced space, in
the present case around the pyro-instruments. Pyro-instruments
involve an ergonomic, kinesthetic and visual relationship, as well
as the rhythmic actions of feeding or maintaining fire at a certain
technological tempo. The technological agency is structured both by
the physics of the combustion phenomenon, and by the type of
operation to be performed.
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