A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. The 'Dante of architecture', Antoni Gaudí crafted extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets of Barcelona. His work merged the influences of Orientalism, natural forms, new materials and religious faith into a unique aesthetic. From the furnishings of the Güell Palace to his masterpiece, the still-incomplete Sagrada Família, his imaginative creations are celebrated in this curated selection of images, accompanied by an essay of his life and work.

Art Nouveau was a style for a new age, but it was also one that continued to look back to the past. This new study shows how in expressing many of their most essential concerns - sexuality, death and the nature of art - its artists drew heavily upon classical literature and the iconography of classical art. It challenges the conventional view that Art Nouveau's adherents turned their backs on Classicism in their quest for new forms. Across Europe and North America, artists continued to turn back to the ancient world, and in particular to Greece, for the vitality with which they sought to infuse their creations. The works of many well-known artists are considered through this prism, including those of Gustav Klimt, Aubrey Beardsley and Louis Comfort Tiffany. But, breaking new ground in its comparative approach, this study also considers some of the movement's less well-known painters, sculptors, jewellers and architects, including in central and eastern Europe, and their use of classical iconography to express new ideas of nationhood. Across the world, while Art Nouveau was a plural style drawing on multiple influences, the Classics remained a key artistic vocabulary for its artists, whether blended with Orientalist and other iconographies, or preserving the purity of classical form.

Gustave Klimt (1862-1918) was one of the most brilliant artists of the Austrian avant-garde. Admired for his sensual images of women and for his powerful and original vision, he produced some of the most haunting and evocative images of all time, including The Kiss, Love and The Three Ages of Woman, all of which are included in this perfect introduction to the artist's work. Klimt started out as a decorator, opening a studio with his brother Ernst. Some of his most famous commissions were for murals, including the magnificent Beethoven Frieze, painted for the exhibition of Max Klinger's statue of Beethoven, and the monumental ceiling paintings for the auditorium of Vienna University, which shocked a conservative public. A founder of Vienna Secession, the band of artists who resigned from the established art bodies to form their own group, Klimt became the principal painter of the Art Nouveau movement, painting glittering portraits of fashionable Viennese society as well as

(Re)discover Art Nouveau at the heart of Brussels. At the end of the 19th century, the anti-academic movement pushed Brussels' architects towards Art Nouveau. Both Victor Horta, in an organic style, and Paul Hankar, in a more geometrical tendency, created an architecture that quickly gained an international reputation. In a little more than a decade, from 1893 on, hundreds of Art Nouveau-fashioned buildings appeared in Brussels, elaborated first by the great pioneers and later by their students and imitators who are also influenced by the Vienna Secession and other trends of European Art Nouveau. At first, this style fulfilled industrial bourgeoisie's dreams, yearning to assert itself in the city's structure through this new, and sometimes exuberant, architecture. This book offers nine walks to discover - in different districts - the multiple aspects of architectural Art Nouveau in Brussels. Witness the personal style of the most important architects as well as decorative methods such as sgraffito. Through interviews with owners, custodians and restorers of Art Nouveau-styled buildings, Brussels Art Nouveau describes the fundamental guardians of this remarkable heritage.

A gorgeous new edition with the cover printed on silver. Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works, many of them presented here in this luxurious volume.

By the time of his death in 1904, critics, arts reformers, and government officials were near universal in their praise of Art Nouveau designer Emile Galle (1846-1904), whose works they described as the essence of French design. Many even went so far as to argue that the artist's creations could reinvigorate France's fading arts industries and help restore its economic prosperity by defining a modern style to represent the nation. For fin-de-siecle viewers, Galle's works constituted powerful reflections on the idea of national belonging, modernity, and the role of the arts in political engagement. While existing scholarship has largely focused on the artist's innovative technical processes, a close analysis of Galle's works brings to light the surprisingly complex ways in which his fragile creations were imbricated in the political turmoil that characterized fin-de-siecle France. Examining Galle's works inspired by Japanese art, his patriotically inflected designs for the Universal Exposition of 1889, his artistic manifesto in support of Dreyfus created in 1900, and finally, his late works that explore the concept of evolution, this book reveals how Galle returns again and again to the question of national identity as the central issue in his work.

The heyday of the Art Nouveau style was relatively short, spanning the decades immediately before and after 1900. However it was a tremendously important period, not only for its radical shift away from the academic and romantic movements of the late 19th century, but also for its embrace of nature and natural forms. This authoritative, accessible and beautifully illustrated book explores fifty of the most important works of the Art Nouveau style. From Mackmurdo's jacket design of Christopher Wren's City Churches to Sykes' sculpture, The Spirit of Ecstasy, each work is presented in double-page spreads that chronologically trace Art Nouveau's development and breadth-from architecture, Gaudi's Sagrada Familia, and from graphic arts, Toulouse-Lautrec's poster advertising the Divan Japonais, to home decor, lamps by Tiffany and Daum Freres and to painting, Munch's Madonnas and Walter Crane's Neptune's Horses. Each entry includes a full-page illustration and concise explanatory texts. An introductory essay on the history and legacy of Art Nouveau, along with brief biographies of the artists featured in the book, making this a comprehensive yet compact reference work.

Now available again, this visually stunning collection of Gustav Klimt's landscape paintings brings to light a lesser-known aspect of the Viennese painter's oeuvre. While Gustav Klimt is largely revered for his opulent, symbolladen portraits of the Viennese bourgeoisie, these works were just one aspect of his artistic expression. His landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. For many years the artist travelled to the Austrian and Italian countryside during the summer, where he took advantage of the extraordinary light and spectacular hues to paint and sketch landscapes. Among the most exquisite of Klimt's landscapes are those in which he experimented with composition and style. Accompanied by scholarly essays, the images reproduced in this book comprise all extant landscapes from this brilliant artist, proving that his mastery extends beyond portraiture and revealing themes that appeared throughout his life's work.

Brussels is well known for its wide variety of buildings in the Art Deco style, which were built in the aftermath of the Great War in the 1920s and 1930s. In this book, the authors have created seven walking (or biking) itineraries that explore Art Deco and modernist architecture in neighbourhoods throughout the city. Several key architects are profiled, and the historical context of the period is discussed, offering readers new insights into the living heritage that lines the streets of Brussels. Also available: Brussels Art Nouveau ISBN 9782390250456.

Rich selection of 170 boldly executed black-and-white illustrations ranging from illustrations for Laclos' Les Liaisons Dangereuses and Balzac's La Comedie Humaine to magazine cover designs, book plates, title-page ornaments for books, silhouettes and delightful mini-portraits of major composers.

The Great age of ocean travel has long since passed, but ocean liners remain one of the most powerful and admired symbols of modernity. No form of transport was as romantic, remarkable, or contested, and ocean liner design became a matter of national prestige as well as an arena in which the larger dynamics of global competition were played out. This beautifully illustrated book considers over a century of liner design: from the striking graphics created to promote liners to the triumphs of engineering, and from luxurious interiors to on board fashion and activities. Ocean Liners explores the design of Victorian and Art Deco 'floating palaces', sleek post-war liners as well as these ships' impact on avant-garde artists and architects such as Le Corbusier.

At the turn of the 20th century, Art Nouveau design blossomed with undulating patterns of luxurious swirls, curves, and highly stylized images. This collection of 203 Vector-based illustrations beautifully captures the period in an amazing assortment of functional forms. Includes a gallery of design ideas and a complete tutorial section.

Compiled by a pioneer in Art Nouveau design, these 72 plates of floral images are reproduced from an edition of a Belle Epoque classic. The book features full-page images, borders, and inserts include illustrations, both real and fanciful, by M.P. Verneuil and others.

Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps and scissors in detailed photographs reprinted from rare, turn-of-the-century folio. Elegant, copyright-free illustrations exquisitely detailed with flower, foliage and butterfly motifs. Readily adaptable to any design use.

Founded in the 1880s as a response to the art world's elitist obsession with painted and sculptural arts, 'New Art' quickly found ethusiastic support. Art Nouveau combined a desire for the complete reflection of art through craft and design, with the flowing lines of nature and Japonisme. It remains hugely popular, with the ever-present work of Mucha, Klimt, Toulouse-Lautrec and Mackintosh.

This book analyzes a wide range of Beardsley's most characteristic work. It establishes his assumptions about the underlying nature of his world, and clarifies why so many observers have considered Beardsley's art indispensable to understanding fin-de-siecle Victorian culture. Beardsley's pictures present a dialogue between seemingly polarized impulses: a desire to scandalize and destabilize the old order, and, equally strong, a need to affirm traditional authority.
Beardsley depicted various grotesque shapes, caricatures, and mutated figures, including foetus/old man, dwarf, Clown, Harlequin, Pierrot, and dandy (the icon of the Decadent "Religion of Art"). Incarnating the fearful contradictions of decadence, these images served as objective correlatives of some "monstrous" metaphysical contortion. His grotesques suggest the impossibility of resolving these contradictions, even as his elegant designs try formalistically to control and recuperate the disfiguration.
As a canonical style, Beardsley's "dandy" sensibility and grotesque caricatures become his means of realigning canonical meaning. Thus, he effects what might be termed a "caricature" of traditional signification. An aesthete devoted to the "Religion of Art," Beardsley, nonetheless, creates a world inescapably "de-formed." He is a Dandy of the Grotesque."

Published to accompany a major new exhibition at the Sainsbury Centre, this book examines the spectacular and controversial vision of art practice that raged across the Western world from the end of the 19th century: Art Nouveau. The role of nature is a key focus of the exhibition. The common theme of translating plants into patterns will be explored as a defining feature of the modern style. Art and objects will represent Art Nouveau from different countries, where it appeared characterised as flowing, tensile line, and dramatic movement, or by organic imagery combined with an informal geometry. Artists and designers include Rene Lalique, Edgar Degas, Charles Rennie Mackintosh, William Morris; Alphonse Mucha and Gabriel Dante Rossetti.

Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.

The story of Klimt's astonishing artistic career is told in this beautifully produced collection of reproductions, photographs and drawings with an accompanying text that places the artist in a unique historical moment and reflects his fierce appetite for life and beauty. Gustav Klimt's career straddled the last gasps of Vienna's golden age and the birth of modernism. When seen through this bifurcated lens, it is easy to understand why his relatively small oeuvre created such a lasting impact. This gorgeously illustrated biography explores the unique environment in which Klimt worked-a society in which the schooling of artists was both appreciated and encouraged; a city that was pouring money into magnificently ornate architecture and portraiture; a population that was both experimenting with and suppressing freedom of thought. The full breadth of Klimt's accomplishments is represented here-history and symbolist paintings, building decorations, murals, posters, magazine illustrations, portraits, and landscapes. Readers will learn how Klimt navigated the complex architecture of fin-de-sie cle Vienna and helped found the Vienna Secession and they will see how Klimt's style and motifs changed extensively through the years. Dozens of key works allow for close inspection of Klimt's dazzling artistry, his profound appreciation of female sensuality and his brilliant application of color and mosaic. The author draws out the importance of the relation between the plane surfaces of Klimt's paintings and the spaces they represent, thereby raising surprising connections between his painting and his skills in the applied arts. Compact and satisfying, this book traces a singular artist's trajectory across an ever-changing cultural landscape.

The Art Nouveau movement became an international phenomenon at the beginning of the twentieth century that ushered in the era of modernity in almost every aspect of cultural life. For decades critics have argued that Art Nouveau was not an artistic period in its own right, but an amalgam of artists and styles that served as a bridge between neoclassicism and modernism. In this comprehensive, authoritative and copiously illustrated book, art historian Norbert Wolf explores Art Nouveau as a logical outgrowth of the historic forces in which it arose. This book focuses on the movement's wide variety of applications and reclaims its prominence in the pantheon of modern art history. Chapters on aesthetics, spirituality and the cult of beauty offer luminous examples of works by Mucha, Gaudi, Hoffmann, Klimt, Horta, Munch and Tiffany, among many others. Wolf's text is both informed and accessible, providing an exciting narrative that brings the Art Nouveau movement into clear focus. Beautifully produced to appeal to a wide range of readers, this new edition gives one of the world's most popular styles the serious consideration it deserves.

Egon Schiele left an enormous artistic legacy that is all the more powerful for the brevity of his career. Isabel Kuhl's lively text follows Schiele's trajectory from an artist in the Art Nouveau style to a powerful interpreter of human sexuality and considers the many hardships, including exile and even imprisonment, faced by Schiele as a young and rebellious artist with a singular vision. Gorgeous reproductions of his most emblematic works are presented chronologically, allowing readers to appreciate the evolution of Schiele's radical style, his uncanny use of colour and line, and his willingness to confront an oppressive society. From unflinching portraits to precisely detailed landscapes, Schiele's artistry shines through on every page.

In the final decades of the nineteenth century, the Glasgow Style introduced Art Nouveau in Britain and helped transform an industrial city into Scotland's premier cultural capital. The predominant force behind the Glasgow Style was Charles Rennie Mackintosh, an architect and designer who personified the movement's intellectual freedom, sensuality, and spirit of collaboration. This lively and informative book showcases the work of Mackintosh and contextualizes it in relation to a larger circle of designers and craftspeople with which he shared sources, stylistic features, and patrons. Filled with color illustrations, archival materials, and essays, this volume explores every aspect of the Glasgow Style-from beautifully appointed homes and restaurants to everyday works of needlepoint, cups and saucers, stained glass windows, magazine illustrations, and textiles. It traces the birth of the Glasgow Style to The Glasgow School of Art, where Mackintosh met fellow students, including his future wife, who would form an influential circle nicknamed the "Immortals." And it reveals how the rise of the Glasgow Style went hand-in-hand with the founding of the city's Technical Arts School, where students trained in both industrial and artistic crafts, which helped establish a talented and creative workforce. Far-reaching and influential, the Glasgow Style improved nearly every facet of daily life. This book celebrates the immense achievements of Mackintosh and his fellow designers and highlights their impact in the United States and beyond.