Though very much an individual and spiritual artist, Alphonse Mucha was a defining figure of the Art Nouveau era and is loved for his distinctive lush style and images of beautiful women in arabesque poses among the plethora of paintings, posters, advertisements and designs he produced. Admire a whole range of his work here in its full glory with succinct accompanying text.

Published to accompany a major new exhibition at the Sainsbury Centre, this book examines the spectacular and controversial vision of art practice that raged across the Western world from the end of the 19th century: Art Nouveau. The role of nature is a key focus of the exhibition. The common theme of translating plants into patterns will be explored as a defining feature of the modern style. Art and objects will represent Art Nouveau from different countries, where it appeared characterised as flowing, tensile line, and dramatic movement, or by organic imagery combined with an informal geometry. Artists and designers include Rene Lalique, Edgar Degas, Charles Rennie Mackintosh, William Morris; Alphonse Mucha and Gabriel Dante Rossetti.

Gustav Klimt is renowned as a quintessential artist of the art nouveau movement, but he was one of a number of Viennese artists who strove to break free of the constraints of the late 19th Century academic art establishment. The Secessionists were united, not in the style of their work, but their desire for freedom, so although there are echoes of similarity in the work of Klimt, Schiele, Kolomon Moser and the many other fine artists, their distinction lies in their magnificent difference. This new illustrated book focuses on the rich diversity of the movement and offers a sumptuous gift of colour and glamour for every art lover.

Dazzling in their bold use of color and wide range of designs, Art Nouveau tiles are enjoying a resurgence in popularity. These international tile designs encompassed striking decorative elements to be used in residences and public buildings. High fired, these tiles retain their original color and beauty despite over one hundred years of use. This book, designed for both the beginning collector and the long time lover of tiles, includes full color examples of over 600 designs. A very useful and beautiful collectors' guide, it provides information about many major tile manufacturers. It is arranged by company and design and contains a guide to market prices, as well as suggestions and tips for tile collectors. Filling a gap in the tile books currently available, this volume provides both the largest collection of single Art Nouveau images published to date, and a concise introduction to the field of tiles. A bibliography contains research sources for more detailed study and information regarding organizations devoted to tile preservation and collection. This is the perfect choice for any lover of ceramic surfaces and those who appreciate and enjoy color and design. It will undoubtedly be instrumental in not only introducing many to the beauty of Art Nouveau design, but also expanding their interest in collecting this amazing art form.

In 1934 Alcoa introduced a revolutionary new line of aluminum alloy giftware and domestic items designed by American pioneer industrial designer Lurelle Guild. Called Kensington Ware, these relatively expensive, slick, machine-age objects were in an unmistakenly Art Deco style with cast brass accents. They represent an important American contribution to modern design and decorative arts. The Kensington plant ceased production around 1970, and collectors have recently been scooping up these compelling objects in the antique and collectible markets. This is the first book to tell the Kensington story and identify, value, and illustrate the aluminum in 375 color, vintage, and black-and-white illustrations. It is a must for anyone interested in aluminum, Art Deco, and the machine-age in America.

This rich treasury of Art Nouveau designs will inspire and enrich your decorative arts projects. The images were originally presented in the 1890s for use in home interiors, ceramics, textiles, stationary, stained glass, and ironwork. Now, even easier to use, they are in both print and digital forms, referenced by page numbers. 775 graphics, 500 in color, are at your fingertips. Specifically created more than a century ago to appeal to an emerging aesthetic called Art Nouveau, or New Art (derived from La Maison de l'Art Nouveau, a gallery for interior design that opened in Paris in 1896), this style became an international fad by the early 20th-century. Art Nouveau is characterized by organic foliate forms, sinuous lines, and non-geometric, whiplash curves that are highly appealing again today. With this wealth of beautiful designs, you can add an authentic antique touch to today's graphics with modern technology.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

By the time of his death in 1904, critics, arts reformers, and government officials were near universal in their praise of Art Nouveau designer Emile Galle (1846-1904), whose works they described as the essence of French design. Many even went so far as to argue that the artist's creations could reinvigorate France's fading arts industries and help restore its economic prosperity by defining a modern style to represent the nation. For fin-de-siecle viewers, Galle's works constituted powerful reflections on the idea of national belonging, modernity, and the role of the arts in political engagement. While existing scholarship has largely focused on the artist's innovative technical processes, a close analysis of Galle's works brings to light the surprisingly complex ways in which his fragile creations were imbricated in the political turmoil that characterized fin-de-siecle France. Examining Galle's works inspired by Japanese art, his patriotically inflected designs for the Universal Exposition of 1889, his artistic manifesto in support of Dreyfus created in 1900, and finally, his late works that explore the concept of evolution, this book reveals how Galle returns again and again to the question of national identity as the central issue in his work.

At the forefront of the Art Deco movement were metalware and sculpture, made by highly skilled craftsmen and artists. This book contains over 200 photographs and illustrations of Art Deco metalwares and sculptures, The author discusses Art Deco's most significant artists, as well as their predecessors and modern counterparts. He provides an introduction to the designs of Hagenauer, WMF, the Bauhaus, Ferdinand Priess, Chiparus, Brancusi, and Brandt, among other important metalworkers of the era. Value Guide.

Part of a series of handy, luxurious Flame Tree Pocket Books. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're delightfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use, handbags and make a dazzling gift. This example features one of Louis Comfort Tiffany's glorious peacock glass designs.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. The 'Dante of architecture', Antoni Gaudí crafted extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets of Barcelona. His work merged the influences of Orientalism, natural forms, new materials and religious faith into a unique aesthetic. From the furnishings of the Güell Palace to his masterpiece, the still-incomplete Sagrada Família, his imaginative creations are celebrated in this curated selection of images, accompanied by an essay of his life and work.

More than 300 historic fabric samples from the mid-1920s and 1930s provide a visual textbook of design ideas prevalent during the Art Deco era. These were the everyday fabrics used for housedresses and curtains, adorned with the era's predominate geometric creations and spiced with the exotic inspirations that spurred one of the most popular artistic movements of all times. This book is an invaluable reference guide for costume historians and a treasure trove of inspiration for designers.

At the turn of the 20th century, Glasgow was the centre for an avant-garde movement of art and design innovation in Europe, which we now refer to as The Glasgow Style. While the "Glasgow Boys" group of painters has been widely written about, their female contemporaries have received far less attention. In this work, the editor redresses this imbalance, bringing together research from 18 scholars on the work of an astonishing number of female artists from this period.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example is based on The Virgin, c. 1913 by Klimt (1862-1918), and printed on silver.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Renowned Austrian artist Gustav Klimt is well-known for his golden masterpieces full of sumptuous ornamentation, as well as his incredible depictions of the female form and vibrant landscapes. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Through the first thoroughly annotated examination of books, articles, exhibition catalogs, and unpublished dissertations, the Art Nouveau period (1890-1905) is revealed as an era dedicated to design reform in all areas of the visual arts. An introductory essay examines the central issues addressed in the literature of the era: the unification of the arts, the necessity for change, the diversion from historical sources, and the importance of providing new directions with new materials. This opening essay presents the ways in which the bibliography is organized. Architecture, interior decoration, furniture, jewelry, bookbinding, posters, ceramics, glass, wallpaper, and textiles, are the subjects of critical documentation; annotated bibliographic entries provide evidence for the spread of design changes in France, Belgium, England, and the United States. These annotated entries are drawn from substantial literature of the actual period under investigation; later publications (until 1996) demonstrate the changes in ways in which the Art Nouveau period has been studied. The entries provide a chronological dimension to the critical literature, they also demonstrate the ways in which certain artists or issues have been studied at given moments in time.

This book is an essential reference for all paperweight collectors. Hundreds of lovely paperweights, dating from 1870 to 1945, and unique items from Bohemia, Silesia, Thuringia, the Bavarian Forest, the "Solling" mountains, and other German areas are beautifully displayed. Pieces from other European areas including Belgium, France, and Scandinavia are vividly placed throughout the book, making it informative and easy to read. Classically designed paperweights from Baccarat, St. Louis, Clichy, English and American glassworks, as well as modern paperweights, are shown and discussed. The book includes 639 color pictures of 720 paperweights with detailed explanations, 131 illustrations of the exterior forms, and three illustrations of production procedures. A glossary, index and a value list of the paperweights shown complete the useful contents.

The streets of Budapest, Hungary, and Vienna, Austria, are rich in masterpieces of Art Nouveau ironwork. Around nearly every corner of the residential districts and business hubs of these great cities, architectural treasures wait to be appreciated by the discerning eye. 500 vivid photos show the many, varied interpretations of Art Nouveau forms used in balustrades and balconies, lanterns and gates, doorways, elevator door faAades, and more. This book will inspire many to make new travel plans and will delight everyone with a passion for beautiful decorative ironwork. Explanations of the settings discuss the details and decorative motifs associated with the various ironwork objects illustrated, and detailed photographs enhance the reader's understanding and appreciation. A bibliography is included.

Scottish architect, designer, and painter Charles Rennie Mackintosh (1868-1928) was one of the earliest pioneers of modern architecture and design. While he did not receive much recognition in his hometown of Glasgow during his lifetime, his bold new blend of simplicity and poetic detail inspired modernists across Europe. Mackintosh's avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining an adventurous dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as "The Four"; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair. On the continent, the "Glasgow Style" was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear yet lyrical forms. In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe. Featured projects include his complete scheme for the Willow Tea Rooms and the Mackintosh Building at the Glasgow School of Art, widely considered Mackintosh's masterwork.

Gustave Klimt (1862-1918) was one of the most brilliant artists of the Austrian avant-garde. Admired for his sensual images of women and for his powerful and original vision, he produced some of the most haunting and evocative images of all time, including The Kiss, Love and The Three Ages of Woman, all of which are included in this perfect introduction to the artist's work. Klimt started out as a decorator, opening a studio with his brother Ernst. Some of his most famous commissions were for murals, including the magnificent Beethoven Frieze, painted for the exhibition of Max Klinger's statue of Beethoven, and the monumental ceiling paintings for the auditorium of Vienna University, which shocked a conservative public. A founder of Vienna Secession, the band of artists who resigned from the established art bodies to form their own group, Klimt became the principal painter of the Art Nouveau movement, painting glittering portraits of fashionable Viennese society as well as

A gorgeous new edition with the cover printed on silver. Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works, many of them presented here in this luxurious volume.

(Re)discover Art Nouveau at the heart of Brussels. At the end of the 19th century, the anti-academic movement pushed Brussels' architects towards Art Nouveau. Both Victor Horta, in an organic style, and Paul Hankar, in a more geometrical tendency, created an architecture that quickly gained an international reputation. In a little more than a decade, from 1893 on, hundreds of Art Nouveau-fashioned buildings appeared in Brussels, elaborated first by the great pioneers and later by their students and imitators who are also influenced by the Vienna Secession and other trends of European Art Nouveau. At first, this style fulfilled industrial bourgeoisie's dreams, yearning to assert itself in the city's structure through this new, and sometimes exuberant, architecture. This book offers nine walks to discover - in different districts - the multiple aspects of architectural Art Nouveau in Brussels. Witness the personal style of the most important architects as well as decorative methods such as sgraffito. Through interviews with owners, custodians and restorers of Art Nouveau-styled buildings, Brussels Art Nouveau describes the fundamental guardians of this remarkable heritage.