The Botanical Illustrator's Handbook takes a closer look at how to accurately portray the riches of the botanical world. It tackles and explains many of the difficulties that artists encounter so they can extend and expand their choice of subject matter. Written by a respected artist and drawing on her wealth of experience, it offers new insights and a fresh approach to the wonders of botanical illustration. Topics covered include: advice on the labelling and quality of paper, and choice of pencils, paints and brushes; techniques for the mixing and handling of greens; chapters on magnification, managing detail and using scale bars; and finally, instructions for using perspective techniques, and painting complex structures such as pine cones and umbellifers, and tricky details such as hairs.

Colours of Art takes the reader on a journey through history via 80 carefully curated artworks and their palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success. Colour allows artists to express their individuality, evoke certain moods and portray positive or negative subliminal messages. And throughout history the greatest of artists have experimented with new pigments and new technologies to lead movements and deliver masterpieces. But as something so cardinal, we sometimes forget how poignant colour palettes can be, and how much they can tell us. When Vermeer painted The Milkmaid, the amount of ultramarine he could use was written in the contract. How did that affect how he used it? When Turner experimented with Indian Yellow, he captured roaring flames that brought his paintings to life. If he had used a more ordinary yellow, would he have created something so extraordinary? And how did Warhol throw away the rulebook to change what colour could achieve? Structured chronologically, Colours of Art provides a fun, intelligent and visually engaging look at the greatest artistic palettes in art history - from Rafael's use of perspective and Vermeer's ultramarine, to Andy Warhol's hot pinks and Lisa Brice's blue women. Colours of Art offers a refreshing take on the subject and acts as a primer for artists, designers and art lovers who want to look at art history from a different perspective.

How to Read Paintings is a valuable visual guide to Western European painting. Through a gallery of artworks accompanied by informative commentary, it enables readers to swiftly develop their understanding of the grammar and vocabulary of painting, and to discover how to look at diverse paintings in detail, closely reading their meanings and methods. In the first part of the book, the Grammar of Paintings, the author reveals how to read paintings by considering five key areas: shape and support, medium and materials, composition, style and technique, and signs and symbols, as well as the role of the artist. In the second part, we explore fifty paintings through extracted details, accompanied by insightful commentary, training the reader and viewer to understand context and discover meaning within art. As a collection, the pictures featured in How to Read Paintings have a strong relationship with one another, and underpin the story of painting. This book will be a valuable tool whether you are viewing the real thing on a gallery wall, or simply reading around the subject to learn more about Western art.

Discover a whole new realm of botanical painting - the natural life forms that coexist with flowering plants, revealed in exquisite detail. Traditionally, botanical art has focused on the flowers, leaves and form of plants. They are depicted in solitary glory on a page, divorced from the life forms that live alongside them in nature. But award-winning UK botanical painter, Christina Hart-Davies, believes passionately that flowers are only part of the picture and loves to explore the different stages, related species, habitats and associated creatures that provide their setting in the wild. She looks at plants and other life forms from all angles - scientific, aesthetic and cultural - to tell The Whole Story. Showcasing examples of her most popular works, The Whole Story draws on Christina's long and parallel careers in both art and illustration. Take inspiration from her enthusiasm for the details and beauty of all aspects of the natural world and benefit from her experience as she shares techniques for painting moss and insects as well as advice on composition and lettering. This book will transform your perspective and inspire you to look beyond the flowers.

Mitchell Smith's classic 1941 work presents a series of lessons covering all aspects of the art of caricaturing. [Facsimile reprint]