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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Art techniques & materials > Art techniques & principles
In this fully revised and richly illustrated edition, author and journalist Will Ellsworth-Jones pieces together a complete picture of the life and work of Banksy, perhaps the most iconic, enigmatic and controversial artist of modern times. For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous. This fully updated and illustrated story of Banksy's life and career builds an intriguing picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question 'Who is Banksy?' is as much about his career as it is 'the man behind the wall'. From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for seven-figure sums and hangs on celebrities' walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now moreNational Treasure than edgy outsider, who is Banksy and how did he become what he is today? This book charts Banksy's journey from the graffiti-scrawled streets of Barton Hill, the working class neighbourhood of Bristol where he and others covered the walls with vibrant pieces while trying to avoid the police, through to some of the most prestigious galleries of the world, where his daring acts of guerilla art have forced us to reconsider how we define as art. From the artist's own words to recollections of friends and colleagues, this book also examines the contradictions of Banksy's life: charting how a privately educated boy from a middle class area of Bristol reinvented himself as a rogue and an outlaw who would take the art world by storm. With beautiful reproductions of some of his most controversial and recognisable works, this detailed study is a truly indispensible guide to understanding the ultimate art rebel whose work is no less relevant today than it was when he first started out some thirty years ago.
Mastering Silhouettes explains all the techniques for creating both modern and period-style silhouette portraits, drawing on traditional approaches some of which date as far back as the eighteenth century, along with advice on poses and materials. Throughout, special features on the work of notable silhouette artists provide inspiration for the projects that follow. The techniques used in antique silhouettes will appeal to those who love vintage style, while projects using mixed media collage and digital photography show how the art is relevant today. The book examines silhouette art for every occasion, teaches readers the skills to make silhouettes for themselves, and provides help for those who want to commission an artist to cut silhouettes for a special occasion such as a wedding, anniversary party, festival or corporate event.
Jake Spicer wants you to learn how to draw. This is his complete course in drawing, suitable for complete beginners as well as experienced artists, and designed to help you fit drawing into your lifestyle. Tried-and-tested exercises, ranging from five-minute sketches to dedicated sessions of an hour or longer, cover every subject and location you could wish for, while accessibly written drawing theory helps you relate the technical concepts to your practice, helping you to hone your craft. Whatever your goals are, expert art tutor Jake Spicer gives you the inspiration and encouragement to draw more - and keep improving.
Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.
This volume brings together performance texts from nine productions by the experimental theatre company Lightwork and one playtext from Lightwork's precursor company Academy Productions, presented between 1997 and 2011. Lightwork specialized in collaboratively created and multimedia performance. The company also experimented with several performance forms that emerged at the turn of the twenty-first century, including verbatim and site-specific approaches. Because of this, the texts cover a range of forms and formats - scripted plays such as Here's What I Did With My Body One Day by Dan Rebellato and Blavatsky by Clare Bayley; multimedia adaptations of classical myths such as Back At You (based on the story of Echo and Narcissus) and Once I was Dead (based on the story of Daedalus and Icarus); site-specific experiments such as The Good Actor, which took place in various spaces across Hoxton Hall, a Victorian theatre in London's East End; and the use of verbatim witness testimony from the Court of Bosnia and Herzegovina, War Crimes section in Sarajevo Story. The defining aspect of the Lightwork aesthetic is that multimedia and scenographic experimentation does not come at the expense of the mainstays of dramatic theatre: character, story and emotional resonance. What lies at the heart of the Lightwork shows you will encounter here are human-scale stories: relationships between lovers or family members, confrontations with the past (both as personal and as cultural history) and, in many cases, matters of life or death that entail wrestling with causality, consequence and fate. The twelve-year span covered by this work reflects a period in British performance practice when the interrelation of page and stage, process and production, text and 'non-text', were being radically rethought. In the collaborative and processual theatre making that Lightwork exemplifies, the text may be one element among many and is more likely to be the outcome of the process than its precursor. How do such playtexts (or performance texts) differ from those that are conceived and scripted by a single desk-based playwright in advance of the rehearsal? What gaps are left when the work of many hands is channelled through the pen (or keyboard) of one among them? The texts featured in this volume represent a number of answers to these questions about the nature of writing for the stage. The performance texts are each preceded (and sometime followed) by short essays written by some of the many people who have been involved in productions by Lightwork, including established academics and theatre practitioners: David Annen, Clare Bayley, Gregg Fisher, Sarah Gorman, Andy Lavender, Aneta Mancewicz, Bella Merlin, Alex Mermikides, Jo Parker, Dan Rebellato, and Ayse Tashkiran. Their contributions reflect the collaborative nature of the company and the respect that it accorded the various disciplinary perspectives that make up a theatre company. There are sections on scenography, sound design and technical operation, as well as on those crafts that might more usually draw attention: directing, writing and acting. These contributions offer an insight into the collaborative, multi-layered and sometimes messy business of their creation from an individual maker's or spectator's point of view. This book will be invaluable for those who are making, studying or researching performance in the twenty-first century, and an essential resource for the rehearsal room. Primary readership will include researchers, educators, students and practitioners interested in creative practice, theatre-making, integrated design and performance, and contemporary theatre. It will be an important resource for those on theatre and performance courses at all levels, as well as acting, theatre and performance design, dramaturgy and direction courses, creative writing courses and media arts programmes. It will have appeal for general readers interested in new texts and processes in theatre and performance, and individual texts are likely to be of interest to specialist researchers working in related fields - for example performance and the occult (Blavatsky), performance and conflict (Sarajevo Story).
Following on from his successful Drawing Geometry, Jon Allen explores the creation of the many-sided three-dimensional forms known as the Platonic and Archimedean solids. Based on patterns of equally spaced points on a sphere, these polyhedra have been the fundamentals of geometric exploration for millennia. Many professionals find they need to be able to build three-dimensional shapes accurately, and understand the principles behind them. This unique book shows them how to make models of all the Platonic and Archimedean solids, as well as several other polyhedra and stellated forms. It provides step-by-step instructions for constructing the three-dimensional forms, as well as showing how to draw out accurately the geometry of the paperfold nets. Beginners and experienced artists and designers alike will find this book a source of practical guidance, as well as delight and inspiration which will amply repay the careful attention needed to construct the models.
The Language of Mixed-Media Sculpture is both a survey and a celebration of contemporary approaches to sculptures that are formed from more than one material. It profiles the discipline in all its expanded forms and recognizes sculpture in the twenty-first century not as something solid and static, but rather as a fluid interface in material, time and space. It gives insightful revelations of the creative journeys of ten renowned sculptors and showcases twenty-eight international sculptors. With over two hundred colour photographs, this sumptuously illustrated volume will inspire those intrigued by and interested in contemporary sculpture.
The male form is the focus here--twisting, leaping and tumbling in dramatic action sequences! Master manga and anime artist Kyachi shows you the secrets professional Japanese artists use to create dynamic motion on the page. A series of detailed tutorials show you how to draw the male form in every possible position. Individual lessons cover standing, sitting, reclining, walking, running, kicking, pitching, swimming, dribbling and sparring. A rogues' gallery is also presented, showing how to create dastardly villains, armed with weapons and ready to rumble. With the help of this complete guide, you'll be able to: Populate the page or screen with eye-catching movement and powerful action poses Master Kyachi's methods through step-by-step progressions--before it's time to try it on your own Follow along with charming caricature guides who offer essential tips and steer you clear of pitfalls It can be intimidating to draw people as a beginning artist, but Learn to Draw Manga Men is meant to dispel those exact fears and wipe away any hesitations you may have. Begin with a blank page or empty screen and start populating it with people. Before you know it, your characters will come to life before you! Kyachi has distilled her specialized knowledge of the skeleton, muscles and physical structures, explaining and analyzing the most difficult aspects of figure drawing and presenting it to you in a clear and simple way. With the help of this fantastic resource, you'll soon master detailed male characters to include in your own comic strip or graphic novel! *Recommended for artists 16 & up*
Through a carefully curated selection of quotations, images and interviews, Artists on Art reveals what matters most to the masters. You'll discover how the giants of the different artistic genres developed their distinctive visual styles, the core ideas that underpin their practice and, most importantly, what art means to you.
Art Fundamentals 2nd Edition is a fully revised and updated back-to-basics title, packed with the fundamental concepts, conventions, and theory every beginner artist needs to create successful work. This essential book is written by industry experts who thoroughly address key basics including color and light, composition, perspective and depth, and anatomy in a series of insightful chapters. As well as being the perfect introduction for newcomers, Art Fundamentals 2nd Edition also offers experienced artists the chance to brush up on their theory and discover new tricks, tips, and techniques to advance their art even further. Richly illustrated throughout for optimal learning, each section of the book is specifically designed to guide the reader through the essential yet often challenging elements that make up the foundations of art, no matter which medium or technique is used. As fascinating and illuminating as it is practical and essential, Art Fundamentals 2nd Edition contains the foundations of art, presented, taught, and completely demystified for the today's artist.
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