Making connections between drama and drawing, Drawing as Performance introduces visual artists and designers to rehearsal techniques, theory, and games as ways of developing image-making and visual communication skills. Drawing from the fields of theatre and anthropology, this book is full of practical exercises that encourage experimentation and play as methods of making expressive, communicative, and meaningful images. Ideas are adapted from the rehearsal room to the drawing studio, offering artists a fresh approach to translating experiences into visual images. Games and exercises are accompanied by demonstrations and responses from professional practitioners and visual communication students. This one-of-a-kind book guides students and professionals alike to improvisation, self-expression, and reflective visual communication techniques in order to narrow the gap between the handmade image and inner experience from which artists draw their inspiration.

Fractals are intricate geometrical forms that contain miniature copies of themselves on ever smaller scales. This colorful book describes methods for producing an endless variety of fractal art using a computer program that searches through millions of equations looking for those few that can produce images having aesthetic appeal. Over a hundred examples of such images are included with a link to the software that produced these images, and can also produce many more similar fractals. The underlying mathematics of the process is also explained in detail.Other books by the author that could be of interest to the reader are Elegant Chaos: Algebraically Simple Chaotic Flows (J C Sprott, 2010) and Elegant Circuits: Simple Chaotic Oscillators (J C Sprott and W J Thio, 2020).

An essential handbook for studio potters working towards achieving a fantastic spectrum of colourful glazes. Colour in Glazes teaches you all the methods for achieving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Find out about the types of base glazes and the fluxes used to make them in relation to colour response as well as using colouring oxides to achieve depth and variety of colour, rather than resorting to commercial ceramic stains. Discover the practical aspects of mixing, applying, testing and adjusting glazes, and explore a large section of test tiles and glaze recipes for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. This new edition, fully updated and revised, contains advances in technology and new discoveries in the Periodic Table. It is an infallible handbook to achieving the colour you want, and to help you broaden your palette.

Creating Professional Characters: Develop Spectacular Designs from Basic Concepts is an inspiring and informative exploration of how popular professional character designers take the basic concept of a character in a production brief and develop these ideas into an original, high-quality design. Suitable for student and professional character designers alike, this book focuses on how to approach your character designs in ways that ensure the target audience and production needs are met while still creating fun, imaginative characters. This visually appealing book includes twenty thorough tutorials guiding you through the design and decision making processes used to create awesome characters. Replicating the processes used in professional practice today, this book demonstrates the types of brief a professional designer might receive, the iterative design process used to explore the brief, the influence of production feedback on the final design, and how final designs are presented to clients. This detailed, enlightening book is an excellent guide to creating incredible imaginative characters suitable for your future professional projects.

"There are more than 50 creative prompts for the artist (or artist at heart) to explore. Take the title of this book as affirmation, and get started." -Fast Company More than 50 assignments, ideas, and prompts to expand your world and help you make outstanding new things to put into it Curator Sarah Urist Green left her office in the basement of an art museum to travel and visit a diverse range of artists, asking them to share prompts that relate to their own ways of working. The result is You Are an Artist, a journey of creation through which you'll invent imaginary friends, sort books, declare a cause, construct a landscape, find your band, and become someone else (or at least try). Your challenge is to filter these assignments through the lens of your own experience and make art that reflects the world as you see it. You don't have to know how to draw well, stretch a canvas, or mix a paint color that perfectly matches that of a mountain stream. This book is for anyone who wants to make art, regardless of experience level. The only materials you'll need are what you already have on hand or can source for free. Full of insights, techniques, and inspiration from art history, this book opens up the processes and practices of artists and proves that you, too, have what it takes to call yourself one. You Are an Artist brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.

This book makes it easy to create and admire wonderful Japanese-style paintings and portraits! Modern Japanese-style paintings are recognizable by their restrained use of three-dimensionality and perspective, reliance upon expressive lines, and the bold use of color to direct the viewer's eye. There are other ways that artists imbue their work with Japanese- inspired attributes, including through the skillful use of shape, texture, and facial expression. Author Shinichi Fukui introduces readers to 7 notable modern Japanese artists (Kazuo Kawakami, Chiaki Takasugi, Miho Tanaka, Ryohei Nishiyama, Jose Franky, Ryohei Murata, and Keiji Yano) who specialize in shin hanga-style portraiture of Japanese women. He then presents instructions to create 21 different original paintings--from sketching models, preparing and mixing paints, blocking in color, and rendering fine details. Using these techniques, and a bit of acrylic paint, readers will be able to create eye-catching works of art that express a timeless Japanese aesthetic.

The possibilities for creation are endless with 3D printing, sculpting, scanning, and milling, and new opportunities are popping up faster than artists can keep up with them. 3D Technology in Fine Art and Craft takes the mystery out of these exciting new processes by demonstrating how to navigate their digital components and showing their real world applications. Artists will learn to incorporate these new technologies into their studio work and see their creations come to life in a physical form never before possible. Featuring a primer on 3D basics for beginners,interviews, tutorials, and artwork from over 80 artists, intellectual property rights information, and a comprehensive companion website, this book is your field guide to exploring the exhilarating new world of 3D. Follow step-by-step photos and tutorials outlining the techniques, methodologies, and finished products of master artists who have employed 3D technology in new and inventive ways Learn how to enlarge, reduce, and repurpose existing artwork and create virtual pieces in physical forms through a variety of mediums Research your options with an accessible list of pros and cons of the various software, 3D printers, scanners, milling machines, and vendors that provide services in 3D technology Listen to podcasts with the artists and learn more tips and tricks through the book's website at www.digitalsculpting.net

-- Whether you're embellishing field notes or learning a new skill, you'll appreciate the easy directions in this guide
-- The clearest, easiest method yet for learning to draw Florida's birds, reptiles, amphibians, and mammals
-- Shows the basic shapes of every type of Florida bird
-- Plants, trees, and landscapes also included
-- Each section includes a partially finished drawing for you to complete
-- Lists the simple tools and materials you'll need
-- A great gift for budding artists or naturalists, adults and children alike

Anatomy for Artists is an extensive compendium of high quality, detailed photography and drawings, showing the human figure in a variety of shapes, sizes and poses that can be used as a solid foundation for all character art.This thorough and detailed library of visual resources will consist of stunning photography and comprehensive drawings showing the muscular structure of figures of varying body types. These male and female references will act as an invaluable starting point for artists trying to create art based on the human figure. Whether you're a traditional sculptor, oil painter or 3D digital artist, the resources within this book will prove to be useful and informative and will help you improve the quality and accuracy of your own art.

Living Histories is a collection of new scholarship that explores histories of art education through a series of international contexts. The first truly international text highlighting histories of art education, with contributions from over 30 scholars based in 18 countries. Art education holds an important role in promoting historical awareness of the multiple relations that connect pedagogic inquiry with culture, heritage, place and identity, locally and globally. To keep pace with the movements of art and society, Garnet and Sinner consider that art education requires more inclusive and holistic versions of history from transnational perspectives that break down barriers and cross borders in the pursuit of more informed and diverse understandings of the field. The broad focus of this edited collection is to provide both new perspectives of art education from around the world, and to introduce transnationalism into the field as a way to conceptualize the entanglements of historical research in our globalized age. Transnational histories of art education focus on the linkages and flows that shift focus away from the nation-state to other transnational actors such as individuals, communities, institutions and/or organizations. Contributions from scholars and educators based and working in Australia, Austria, Brazil, Canada, Colombia, Croatia, Czech Republic, Finland, India, Iran, Japan, Malta, South Africa, Spain, Trinidad and Tobago, UK, USA and Zimbabwe. Includes chapters that adapt an approach of 'artwork histories' to explore the legacies of art education as an anticipatory mode of historical thinking and practice across the visual arts and sites of art education. The book offers an opportunity for authentic engagement and intellectual risk, which includes the rejection of 'correct' interpretations of historical problems. As active agents, art education historians are not passive collectors of the past, but engaged in new ways of doing history predicated on cultivating stories that move beyond representation to attend to aesthetic dimensions that bridge historiography, material culture, oral history, art history and teacher education. Living Histories provides an interpretation of historical thinking and consciousness through the interrelations of time and space to provoke critical and creative practices in education. This is the latest book in the Artwork Scholarship series, which aims to invite debate on, and provide an essential resource for transnational scholars engaged in, creative research involving visual, literary and performative arts. With contributors from 18 countries, this book will have a substantial international readership among art educators and those interested in the history of art education, primarily in universities and colleges. It will also be particularly useful for graduate students. It will also appeal to scholars in arts education more broadly - music education, dance education, theatre education scholars, cultural and art historians, art theorists, international educators, and curators.

The monochrome - a single colour of paint applied over the entirety of a canvas - remains one of the more contentious modernist artistic inventions. But whilst the manufacture of these 'pictures of nothing' was ostensibly straightforward, their subsequent theorisation has been anything but. More than a history, Monochrome: Darkness and Light in Contemporary Art is the first account of the monochrome's lively role in contemporary art. Liberated from the burden of representation, the monochrome first stood for emancipation: an ideological and artistic impulse that characterised the avant-garde of the early twentieth century. Historically, the monochrome embodied the most extreme form of abstraction and pure materiality. Yet more recently, adaptations of the art form have focused on a broader range of cultural and interpretive contexts. Provocative, innovative and timely, this book argues that the latest artistic strategies go beyond stylistic concerns and instead seek to re-engage with ideas around authorship, process and the conditions of the visible as they are given and understood through both light and darkness. Discussing works by artists such as Katie Paterson, Hiroshi Sugimoto, Tom Friedman, Bruno Jakob, Sherrie Levine and Ceal Floyer, the book shows that the debates around an artwork's form and its possibility for meaning that the monochrome first engendered remain very much alive in contemporary visual culture.

The techniques of depositing a thin metallic layer on an object for decoration, corrosion protection, electrical conductivity, wear resistance and so on have been known for many years but have been developed and improved to a remarkable extent in the second half of this century. This book sets out to discuss the principles and practice of those forms of plating most suited to the amateur and small workshop, using relatively simple and inexpensive equipment to produce results virtually undetectable from work carried out by major plating concerns. Jack Poyner, a professional involved in all forms of plating for many years, is also a keen model engineer able to recognise the dividing line between what his average fellow enthusiast would consider practical and worthwhile and what is really better left to experts in the field. The result is a really useful and practical book, which will be of value to both amateur and light industrial users in many diverse fields.

50 of Donna's favorite projects in one gorgeous book

Donna Dewberry flowers are beautiful to behold, and they are beautifully simple to create. You can achieve the same loveliness using her easy-to-master One-Stroke painting techniques. Inside, you'll see how--step by simple step. Pages are abloom with Donna's favorite flowers (soon to be your favorites, too ), fabulous landscapes, and garden projects to make your outside space a happier place.

An intro chapter covers all the basics, from selecting your tools and loading your brush, to fundamental brushstrokes, palette knife painting techniques, and instructions for painting a variety of beautiful backgrounds. Then follow along step by step to create:

• 38 flowers--cottage garden blooms, spring bulb flowers, wildflowers, herbs, exotics, floral motifs and more.
• 7 beautiful outdoor projects, including an address sign, a trio of butterfly houses, and a patio clock.
• 5 fast and fabulous landscapes, from wildflower fields to a tropical paradise.

Perspective is a discipline often set aside when it comes to general art study, though it is essential to master in order to produce any piece of art that is and feels realistic. Framed Perspective 1 equips artists with the technical knowledge needed to produce successful visual storytelling-related drawings: from understanding the basics of the space around us and how we perceive it, all the way to more sophisticated endeavors, like creating entire locations that will become the believable set ups our characters and stories will happen within. As intimidating as perspective may seem, best-selling author and artist Marcos Mateu-Mestre delivers each lesson in an accessible and informative way that takes the mystery out of achieving successful scenes. The book includes extensive step-by-step practical explanations of how to build objects and environments of all sorts, taking that first sketch to a fully rendered artwork with many of his finished illustrations as examples. Sure to be the most popular book in your art library, it will train you to see the world in a way that allows you to enjoy every curve and slope you see in it and, more importantly, translate that vision into art with accuracy and a great sense and understanding of depth and proportion. Your perspective will never be the same!

Bestselling author and drawing master Catherine V. Holmes distills a lifetime of drawing knowledge into 101 easy-to-grasp tips for artists who want to improve their drawing. Artist extraordinaire Catherine V. Holmes has written numerous successful step-by-step drawing books.101 Drawing Secrets takes a different spin on the traditional how-to-draw book. Busy artists who are short on time or just want to learn something new easily can dip into the book at any point and pick up a tip or trick they can immediately apply to their own artwork. From quick written tips, to illustrated examples, to simple step-by-step tutorials, the tips provide valuable insight into drawing for anyone wanting to take their art to the next level. Tips include: Draw from different points of view; Draw what you see, not what you think, by drawing upside down; Use a grid system to improve accuracy; Look at negative space to check accuracy; Break the subject down into simple shapes; Sketch daily to improve more quickly; Create an eye-catching focal point; Draw on unusual surfaces; Convert your reference image to black and white to simplify; Draw with one continuous line to strengthen your brain, eye, and hand coordination; Develop your signature style; Draw more realistic teeth; Focus on the process, not the product; Avoid smudging that can ruin your drawings; Crop your artwork to create a more compelling piece.

This extraordinary seven-part book covers the processes of creating 13 projects -- from pencils to vases to bicycles -- for all personalities, skill levels and interests. It is specifically designed for students, beginning welders, hobbyists, and do-it-yourselfers. Many of the plans have been built multiple times by students and others. The plans are easy to read and the projects are meant to motivate the reader to want to learn the welding and fabrication processes. All plans include a list of materials, dimensions, special notes as needed., plus any commentaries about special equipment that might be necessary to compete the projects.Kristi Richardson McCoy is a self-taught welding instructor, with over 16 years of teaching and studying the welding process. Each year she has striven to learn something new about the field, weather it is the certification process, finishes and paints, or trying something new like underwater welding. She earned certification in SMAW and GMAW. Having an art background has helped her develop a creative teaching style that holds the interests of students who might otherwise be intimidated by the welding environment. McCoy teaches Computer-Aided Drafting, Electronics, Woodworking, Basic Welding, Advanced Welding,and Welding Sculpture at Spearfish High School in south Dakota. Part 1: Beginning Gas Metal Arc Welding. Part 2: Beginning Shielded Metal Arc Welding Projects. Part 3: Gas Welding Projects. Part 4: Beginning Gas Tungsten Arc Welding. Part 5: Bending Wrought Iron Projects. Part 6: Metal & Wood

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Over the past half century, computing has profoundly altered the ways stories are imagined and told. Immersive, narrative, and database technologies transform creative practices and hybrid spaces revealing and concealing the most fundamental acts of human invention: making stories. The Digital Imaginary illuminates these changes by bringing leading North American and European writers, artists and scholars, like Sharon Daniel, Stuart Moulthrop, Nick Montfort, Kate Pullinger and Geof Bowker, to engage in discussion about how new forms and structures change the creative process. Through interviews, commentaries and meta-commentaries, this book brings fresh insight into the creative process from differing, disciplinary perspectives, provoking questions for makers and readers about meaning, interpretation and utterance. The Digital Imaginary will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including storymakers, educators, curators, critics, readers and artists, alike.

The overall subject of the book is visual culture. What sets it apart and gives it such an original emphasis is its multi-disciplinarity and the range of critical voices, ranging through film studies, architecture, creative practice, biology, pedagogy and media theory, which are brought to bear upon the question of visuality and its relationship to futurity. In our everyday lives, we navigate across a vast sea of visual imagery. Yet, we rarely pause to question how or why we derive meaning from this sea. Nor do we typically contemplate the impact that it has on our motivations, our assumptions about science and about other people, and our actions as individuals and collectives. This book is a collection of interdisciplinary perspectives, from science to film, from graffiti and virtual environments to architecture and education that examines the ways in which we interact and engage with the visual elements of our environments. Visual Futures provides an interdisciplinary examination of how we visualize and use visuals to make meaning within our environment. A diverse range of contributions and perspectives from biology, film, virtual reality, urban graffiti, architecture, critical pedagogy and education challenge our current attitudes, norms and practices of looking and seeing, opening up questions about the future. The future is a concept with significant political stakes and the work of rethinking and reimagining possible worlds requires a host of practices, which include the work of seeing, of image-making and of representation - all of which is political work taken up by the book contributors. Primary readership will be among scholars and students of visual culture, media studies, digital cultures, fine art, architecture, education, science communication and sociology. Clearly aimed at an academic readership, it will also appeal to practising artists, architects, software developers and educators.

Inspired by the vivid colors of impressionist art and infused with an extraordinary love of life, The Traveling Artist follows painter and writer Missy Dunaway's voyages over five years, spanning four continents, intimately rendered by hand into the pages of her journals. As a Fulbright Fellow, solo-traveler, and artist-in-residence, Missy traverses a variety of terrain, from urban Istanbul to Morocco's Sahara Desert to bucolic Iceland. Gorgeous paintings instantly transport readers through the hand and eye of an artist with the spirit of a poet. Complementing her artwork is a special introduction that reflects on the development of her process as a traveling artist, along with explanations of her artistic techniques, including how to best capture fleeting moments while on the move. Every reader- whether armchair or voyager-will journey with Missy and witness as her sketchbook becomes a beloved travel companion. Readers just might be inspired to take the same road, paintbrush in hand.