Many people crave a creative outlet, but more often than not, don't know where to start. In White, Valentina Zucchi and Francesca Zoboli invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate the silent and tidy colour of white.

White could be considered a non-colour, since it often suggests an absence of something. In fact, the reverse is true: white contains everything, even all the other colours. It has many shades, from chalk to snow white, and is found everywhere, from clouds to wedding dresses. Throughout the book, Valentina and Francesca provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Paul Klee, Michelangelo, Claude Monet and more, you will discover the many shades of white and just some of the ways it can be used to convey meaning.

White is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

Many people crave a creative outlet, but more often than not, don't know where to start. In Black, Valentina Zucchi and Francesca Zoboli invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate the most enigmatic colour of all, black.

Black is a special colour: rich, glossy and elegant on the one hand; strict, sensible and solemn on the other. Throughout the book,Valentina and Francesca provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Francisco Goya, Jackson Pollock, Rembrandt and more, you will discover the many meanings of black and just some of the ways it can be used to express your creative passion.

Black is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

50 of Donna's favorite projects in one gorgeous book

Donna Dewberry flowers are beautiful to behold, and they are beautifully simple to create. You can achieve the same loveliness using her easy-to-master One-Stroke painting techniques. Inside, you'll see how--step by simple step. Pages are abloom with Donna's favorite flowers (soon to be your favorites, too ), fabulous landscapes, and garden projects to make your outside space a happier place.

An intro chapter covers all the basics, from selecting your tools and loading your brush, to fundamental brushstrokes, palette knife painting techniques, and instructions for painting a variety of beautiful backgrounds. Then follow along step by step to create:

• 38 flowers--cottage garden blooms, spring bulb flowers, wildflowers, herbs, exotics, floral motifs and more.
• 7 beautiful outdoor projects, including an address sign, a trio of butterfly houses, and a patio clock.
• 5 fast and fabulous landscapes, from wildflower fields to a tropical paradise.

Many people crave a creative outlet, but more often than not, don't know where to start. In Red, Valentina Zucchi and Paolo d'Altan invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate the prince of colours, red. Discover the reds best-loved by artists - from Tyrian purple to crimson red - which have been used since prehistoric times to conjure up many things, from fire and danger to blood, love and passion. Throughout the book, Valentina and Paolo provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Leonardo da Vinci, Rothko, Titian, Matisse and more, you will discover the many meanings of red and just some of the ways it can be used to express your creative passion. Red is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different artistic techniques and materials and begin their artistic journey.

Many people crave a creative outlet, but more often than not, don't know where to start. In Blue, Valentina Zucchi and Viola Niccolai invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate blue, perhaps the best-loved colour of all. Discover the most important blues, ones that the all-time greatest painters have used in order to paint velvet, mountains, Madonnas, angels, skies and storms. Throughout the book, Valentina and Viola provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including the ancient Egyptians, John Constable, Pablo Picasso, Vincent van Gogh, Yves Klein and more, you will discover the many meanings of blue and just some of the innumerable stories that bring it to life. Blue is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different artistic techniques and materials, and begin their artistic journey.

How fluorescent orange symbolizes the uneven distribution of safety and risk in the neoliberal United States Safety Orange first emerged in the 1950s as a bureaucratic color standard in technical manuals and federal regulations in the United States. Today it is most visible in the contexts of terror, pandemic, and environmental alarm systems; traffic control; work safety; and mass incarceration. In recent decades, the color has become ubiquitous in American public life-a marker of the extreme poles of state oversight and abandonment, of capitalist excess and dereliction. Its unprecedented saturation encodes the tracking of those bodies, neighborhoods, and infrastructures judged as worthy of care-and those deemed dangerous and expendable. Here, Anna Watkins Fisher uses Safety Orange as an interpretive key for theorizing the uneven distribution of safety and care in twenty-first-century U.S. public life and for pondering what the color tells us about neoliberalism's intensifying impact often hiding in plain sight in ordinary and commonplace phenomena. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Application of heat to clay transforms it into a ceramic, and thus the history and technical features of structures supplying that heat - kilns - are of considerable importance. The 14 chapters in this volume discuss ancient and historic kilns from the viewpoint of their excavation, their operational principles, and their contributions to an understanding of ceramic production within ancient economies.

In this visually stunning hardback, globally loved artist Lois van Baarle, AKA Loish, explores the origins, influences, and features of her style, and helps readers do the same deep dive into their own style.

It is her third book with 3dtotal Publishing, a natural progression from the bestselling The Art of Loish (2016) and The Sketch Book of Loish (2018) which to date have sold over 85,000 copies combined. The Style of Loish now sees the artist explore her own style through several facets of her work, including creating volume, choosing color, establishing flow, and the ideas and subjects themselves. While looking at the motivation behind her own work, Loish also guides the reader through ideas and tutorials to help them identify, understand, and even evolve their own style. The book bursts with brand new, specially commissioned art that provides a unique opportunity to understand the foundations of Loish’s style. She reveals the journey she took to pinpoint when and how her style was created.

Combined with candid advice and a passion for supporting fellow artists, the book is beautiful, inspirational, and practical for artists of all styles and abilities.

Widely loved illustrator Tasia brings her unique style to this issue's cover design, and she also provides an in-depth tutorial to show us how she creates her art. Kenneth Anderson creates a 70s rock band, Johanna Forster brings fruit to life, and Sara Paz shows us how to create characters from reference photos. Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.

Whether you re an aspiring artist or new to the medium, seasoned instructor and accomplished artist Nathan Fowkes makes drawing portraits in charcoal not only accessible, but also a real pleasure! From stocking the best supplies to using them effectively, and composing a portrait while avoiding common mistakes, How to Draw Portraits in Charcoal by Nathan Fowkes will place you firmly on the path to producing the charcoal portraits you've dreamed of creating. His easy-to-follow tips, in-depth tutorials, and valuable exercises make this guide your first step toward building an understanding and appreciation for every face you draw. This handy book will equip you with the skills to capture them in beautiful charcoal fashion."

Capture the wonders of nature in watercolour with this quick guide to wildlife painting, packed with techniques and inspiration. Bestselling author Hazel Soan demonstrates how to paint a variety of wildlife, from garden favourites to exotic wild beasts. With easy-to-follow instructions and step-by-step exercises, it has never been easier to capture the likeness of an animal, in your chosen medium, in a few quick strokes. The book covers all the key skills you need, including techniques for speed, capturing pose and proportion, advice on painting fur, feathers, hair, hides and markings, working with colour and light, and adding background and setting, as well as further work that can be completed in the studio. From cats, big and small, birds and foxes to magnificent elephants, lions and zebras, Hazel's simple tips, practical demonstrations and beautiful paintings can be applied to any moving subject and will help you master the art of capturing animals - in watercolour, oils, pencils or pastels - in no time at all.

First published in 1814, Werner's Nomenclature of Colours is a taxonomic guide to colour which been cherished by naturalists and anthropologists for over two centuries - not least by Charles Darwin who found it an indispensable tool during his voyage on the HMS Beagle. Now these charming, handmade colour swatches have been recreated as a box of 50 postcards. Each card reproduces a colour swatch alongside its original poetic description and is matched with an animal, plant, and mineral example according to Werner's unique scheme. These curious keepsakes will be treasured by artists and scientists alike.

You Are an Artist is for everyone who wants to be an artist, but has been too afraid to take the plunge. It combines a thought-provoking meditation on art practice with a series of practical exercises and creative provocations that encourage everyone to fulfil their potential as an artist. The book is itself a kind of art school, helping the reader to work out what kind of artist they are, and what they can achieve. Drawing on the author's experience as an art school teacher, it playfully adapts the methods of art education, mixing these with the sideways approach to creativity popularized by the author's activist campaigns. Smith provides an array of ideas, tips and practical examples, illustrated with documentary photographs of his own specially made work. His riotous paintings and installations are set alongside discussions of time, place, looking, thinking, stealing and becoming, with enlightening forays into the history of art and creativity. A collection of hilarious, at times startling and often moving narratives bring to life a series of lessons about the nature of art and inspiration. Each lesson comes with a series of prompts to harness the reader's own artistic capabilities. Whether we like it or not, says Bob and Roberta Smith, we have been enrolled in the world, and the world is an art school. You are an artist, because every human being who has ever lived was once an artist.

A Darkly Humorous Collection of Cartoons Rejected by The New Yorker

Over the last ten years, Australian artist Matthew Revert has gained a cult fanbase in various artistic fields including graphic design, writing, & music. TRY NOT TO THINK BAD THOUGHTS collects over 150 pieces of absurdist collage, watercolor, and ink, imbued with humor, horror, sex, heart, and surreal love.

An essential and practical handbook on choosing and mixing colours successfully. Choosing and mixing colours successfully in different media is all about creating the maximum colour range from the minimum number of paints. In this comprehensive guide, the authors - all experts in the field - show you how to approach watercolours, acrylics and oils in terms of mixing, blending and diluting them to achieve a wide range of effects. Whether you are an amateur or a professional, The Art of Colour Mixing provides a handy source of invaluable information on how to get the most from your paints in terms of colour. This is a book that should be on all painter's reference shelves.

Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci's work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci's masterpiece, the Entombment of Christ; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A translated transcription of the inventory is included as an appendix.

What does it mean to live in a material world, and how do materials of the past and present hold the keys to our future? This book tackles these questions by focusing on various issues that human beings face and by discussing potential materials-related solutions. Through the lens of intriguing projects by designers, artists, makers, and scientists, it presents a colorful panoply of ideas, technologies, and creative efforts that focus on the earth's most basic elements, while also showing how these elements can be transformed into entirely new materials. It explores, for example, how ancient practices such as dyeing fabric and making glue may hold the secret to renewable and earth-friendly consumer products, as well as how recycling plastics can tackle food waste, and how a type of light metal being developed may one day make air travel less fuel-reliant. This book also investigates the potential of the digital experience, suggesting how this most ephemeral type of matter can be used to improve our world. Eye-catching and provocative, Why Materials Matter serves as both a stimulating catalog of possibilities and a timely manifesto on how to consume, manufacture, and design for a better future.

Video production requires a high degree of organization to be a success. Good organization will require a proper diary to be kept of your production. It is the understanding of the paperwork and its organization that will make your production either a success or a failure.
Explained in accessible terms and assuming little prior knowledge of the subject, this book will help you to: plan successful procedures for all stages of a video production; produce paperwork logically to get professional results; understand the basic principles of setting up and running your own business; avoid common (and costly) pitfalls.

If you are a student who wishes to learn about all aspects of planning and documenting a video production, from conceptualization right through to final screening, this book is for you. It is particularly suitable for the City and Guilds Media Techniques Certificate: Television and Video Production Competences.
This book complements the other three titles in the series, which allow you to understand the overall process of video production, and then look in more detail at sound and lighting.
-Improve your production management skills with this accessible introduction to planning procedures for all stages of video production.
-Learn how to produce paperwork logically to get professional results
-Tips provided to help you avoid common (and costly) pitfalls

For artists interested in using color in a new way, this two-part book offers a fresh, comprehensive approach to understanding color in painting. Part one starts with the basics and teaches, rung by rung, many concepts including color, value, and the use of red, yellow, and blue to build three-dimensional form. Tools given in part one form the foundation for part two's lessons in "temperature painting," an original method created by the author using warm and cool colors. The instructions are easy to follow, step by step, and fully illustrated with beautiful finished pieces by various artists and the author, an accomplished artist who teaches workshops nationally and whose commissioned portraits and paintings are in many private collections.