Inside this book you ll find 30 creative art activities inspired by the Mexican holiday Dia de los Muertos. Fun, exotic, and full of psychedelic details, these intricate drawings are sure to spark your imagination and awaken your inner artist. Express yourself with fascinating images based on Day of the Dead sugar skulls. You ll love coloring this mystical folk art, from dancing skeletons to traditional nichos and papel picado . The book also provides valuable advice on coloring and patterning techniques, plus some fully colored examples to get you started. Printed on high quality extra-thick paper, this inspiring coloring book for grownups is perfect for decorating with markers, colored pencils, gel pens, or watercolors. Designed to eliminate bleed-through, each page is pre-perforated for easy removal and display."

Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci's work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci's masterpiece, the Entombment of Christ; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A translated transcription of the inventory is included as an appendix.

"Kriota Willberg's Draw Stronger is a life-saver. Every artist--pro and amateur alike--needs to memorize this essential little book." -- Scott McCloud, Understanding Comics, The Sculptor "Kriota Willberg's Draw Stronger is an indispensable guide to help artists and writers practice self care and sustain their artistic practice. The ups and downs of the creative process can be a pain in the butt but it doesn't have to be a pain in the neck, back, and arms too." -- James Sturm, Director of The Center for Cartoon Studies (CCS) "A concise, thoughtful, and informative manual that should be required reading for all aspiring (and aging) cartoonists." -- Adrian Tomine, author of Killing and Dying Draw Stronger is a comprehensive self-care guide for artists interested in preventing repetitive stress injuries and sustaining a pain free life long drawing practice. Understand how injuries happen and what types of injuries commonly affect drawing professionals. Use practical first aide to help manage pain in the event of injury. Learn what types of symptoms should be diagnosed by doctor. Practice simple exercises to help correct posture and reduce fatigue and pain. Clearly illustrated, informative, and packed with wholesome corrective goodness, this graphic novel can get you started practicing simple routines that will help take care of your most important drawing instrument - your body! Cartoonist Kriota Willberg draws from decades of experience as a massage therapist and educator in health sciences and the arts, creating a comprehensive guide to injury prevention for cartoonists. Her comics appear in: SubCultures, Awesome Possum 3, 4PANEL, Strumpet 5, Comics for Choice, Graphic Canon; and the journals Intima and Broken Pencil. She is the first-ever artist-in-residence at the New York Academy of Medicine Library.

The accumulation of odds and ends of bar and rod is inevitable with any lathework, but rather than throw them into an ever-growing scrap-box, why not turn them into useful little tools to simplify and speed up future work?

In this book Stan Bray describes a variety of small implements, none of which demands much material or takes more than an evening to make.

You may not see an immediate need for some of them but once made it is surprising how often they will be used. There is also the satisfaction of turning what might be wasted into something useful and the knowledge that money has been saved.

Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . Intrinsically collaborative, the magazine is an inherently `open' form, generating constantly evolving relationships. This anthology contextualizes the artist's magazine, surveying the art worlds it has by turns created and superseded; the commercial media forms it has critically appropriated, intervened in or subverted; the alternative, DIY cultures it has brought into being; and the expanded fields of cultural production, exchange and distribution it continues to engender. Surveying case studies of transformational magazines from the early 1960s onwards, this book also includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town and Delhi. Artists surveyed include: Can Altay, Ei Arakawa, Julieta Aranda, Tania Bruguera, Maurizio Cattelan, Eduardo Costa, Dexter Sinister, Rimma Gerlovina, Valeriy Gerlovin, Robert Heinecken, John Holmstrom, John Knight, Silvia Kolbowski, Lee Lozano, Josephine Meckseper, Clemente Padin, Raymond Pettibon, Adrian Piper, Seth Price, Raqs Media Collective, Riot Grrrl, Martha Rosler, Sanaa Seif, Rirkrit Tiravanija, Scott Treleaven, Triple Canopy and Anton Vidokle. Writers include: Saul Anton, Stuart Brand, Jack Burnham, Johanna Burton, Thomas Crow, Edit DeAk, Kenneth Goldsmith, Jurgen Habermas, Martina Koeppel-Yang, Antje Krause-Wahl, Lucy Lippard, Caolan Madden, Valentina Parisi, Howardena Pindell, Georg Schoellhammer, Nancy Spector, Sally Stein, Reiko Tomii, Jud Yalkut and Vivian Ziherl.

A guide to the primary and secondary resources on women in Victorian painting in the WOMENS HISTORY AND CULTURE series. Contemporary reviews, books, articles, essays and dissertations are included, along with general studies of women painters and images of women.

In this quincentennial year of Holbein's birth, this is the first comprehensive annotated bibliography of texts relating to this important Northern European Renaissance artist, with an accompanying historiographic essay on various aspects of Holbein's reception.
The first part of the book, "Some Notes on Reception," contains overviews of texts about specific works such as "The Dead Christ, The Solothurn Madonna, " and "The Meyer Madonna." Other themes addressed include the perception of Holbein's character and his place among other Renaissance masters, his work as a portraitist, his use of illusion, authenticity controversies, and a brief chronicle of Holbein collectors. Previously unaddressed topics include Holbein's influence on later artists, and his impact on fiction, including his influence seen in the works of writers such as Dostoevsky, Henry James and Edith Wharton. This part of the book also contains synopses of the most significant and recent Holbein scholarship. These vignettes constitute a multi-dimensional approach to Holbein reception, sharpened by selected quotations from his critics.
The second part of the book is a comprehensive listing of over 2,500 bibliographic citations for works dealing with Holbein and his oeuvre, each accompanied by an annotation outlining the authors' principal contributions. The range of material covered includes not only books and scholarly journals but also newspapers and other popular publications. Individual sections include texts dealing with primary sources, monographs, compendia, and exhibition catalogues. Others are devoted to texts about Holbein's paintings, drawings and prints, as well as to iconography, technical studies, patronage, collections, influences on Holbein, and Holbein reception. General Index. Author Index.

Silverpoint, and metalpoint more generally, is the practice of marking with soft metal on a specifically prepared drawing surface. Practiced for centuries, the artform is experiencing a resurgence in recent years, with contemporary work exploring abstract as well as realist, conceptual as well as traditional. Silverpoint and Metalpoint Drawing is the essential manual of metalpoint technique, written by Susan Schwalb and Tom Mazzullo, contemporary masters of the medium. This book is the first treatise on the subject for artists and art teachers with chapters on early history, materials including grounds, supports, metals, and tools, techniques for working in metalpoint as well as mixed media, and finally, the care of metalpoint works. Not only beautifully illustrated, this book also demonstrates how to photograph and exhibit metalpoint art. Featuring a gallery of drawings by contemporary artists, along with their tips and insight, Silverpoint and Metalpoint Drawing is a perfect introduction for students of the medium and an inspiration for those already more familiar with it.

Digital artist Zheng Wei Gu (AKA Guweiz) shares his anime-inspired world in this beautifully produced and insightful book, leading you through his fantasy world with a portfolio packed with gritty detail and a surreal vibe. Guweiz began drawing when he was 17, inspired by an anime art tutorial on YouTube. Discovering a natural talent, he carried on drawing and quickly amassed a fan-base for his edgy illustration style. Throughout this book, readers will discover his artistic journey from the very beginning, with behind-the-scenes details about how some of his most popular pieces were created. He reveals his secrets for turning influences into truly original digital art, including that all-important narrative that takes drawing and painting beyond the purely visual. Step-by-step tutorials share techniques and tips to help you create these sorts of effects in your art, resulting in images with the depth of detail and intrigue that Guweiz has made his trademark. The artist's unique urban take on the popular manga/anime style is gripping right from the first page, from the surreal take on Japanese lifestyle to the urban fantasy he creates.

American art megastar Julian Schnabel (born 1951) has made a metier of both painting and film, and while he is equally acclaimed for his achievements in each of these disciplines, the works have often been kept separate in the public eye. Yet Schnabel's painting has drawn on cinematic imagery for years, often connecting otherwise disparate work via this theme, and his award-winning films have drawn on art both formally and as subject matter-most famously in the 1996 hit "Basquiat." Schnabel himself resists categorization: "I make art," he says,"whether it is painting, writing, photography or making a movie." This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-"Basquiat" (1996), "Before Night Falls" (2000), "The Diving Bell and the Butterfly" (2007) and his newest film "Miral," which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, "Julian Schnabel: Art and Film" is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema.
Julian Schnabel was born and raised in Brooklyn, New York. His first solo show was at the Contemporary Arts Museum in Houston in 1976, but it was with his 1979 exhibition at the Mary Boone Gallery in New York that Schnabel first asserted his presence as a figurehead for new possibilities in painting. Retrospectives of his work have been mounted by Tate Gallery, London (1983), the Whitney Museum of American Art (1987) and Museo Nacionale Centro de Arte Reina Sophia, Madrid (2004), among many others. He made his cinematic debut in 1996 with his account of the life of Jean-Michel Basquiat, which starred Jeffrey Wright, David Bowie, Gary Oldman and Dennis Hopper. "The Diving Bell and the Butterfly" earned him Best Director both at the Cannes Film Festival and the Golden Globes, and an Academy Award nomination in this same category.

Creating engaging and believable creature designs is a difficult and enjoyable task. The monsters, aliens and fantasy animals that grace our TV and cinema screens represent the hard work and dedication of a team of incredibly talented artists and designers. This book aims to unlock their world and introduce the fundamentals skills of creating movie quality designs. Covering key topics like animal anatomy and functionality as well as techniques to create unique and engaging designs, this expansive book will be packed full of advice and guidance from some of the most impressive and renowned artists working in this field in the world today.

Aesthetic 3D Lighting: History, Theory, and Application delves into the history, the theory, and the practical and aesthetic application of lighting in the fine arts and 3D animation. In this book, animation industry veteran and lighting expert Lee Lanier examines the importance of lighting and its ability to communicate information to the viewer. Lee examines the history of lighting as applied to the fine arts, film, photography, and 3D animation. He discusses the use of light color, light location and direction, and light shadow types to recreate specific locations and to generate moods. He includes guides for successful lighting in 3D animation. Software-agnostic examples lead you through useful 3D lighting set-ups. Chapter-long case studies step you through more complex 3D lighting projects in Autodesk Maya. An accompanying eResource (www.routledge.com/9781138737570) features 3D model files, scene files, and texture bitmaps, allowing you to practice the discussed techniques in Autodesk Maya and many other 3D programs. The lighting techniques covered in this book include: History of lighting as used in the fine arts The scientific mechanisms of light Light types and light application in 3D programs Light qualities including shadows variations Basic and advanced 3D lighting approaches 1-, 2-, 3-point, naturalistic, and stylistic lighting techniques Replication of real-world lighting scenarios and locations Overview of advanced 3D lighting and rendering systems

This instructional drawing book is intended to guide the reader through a story-telling based approach to gesture drawing, utilizing different techniques and exercises that encourage and develop creative problem solving as it relates to observational studies. This book clearly outlines a work flow and process with a simple exercise program that encourages the artist to ask questions and create work that engages not only their audience but themselves. Rich illustrations are included throughout that depict this workflow and also different drawing and mark-making techniques, and how to apply the exercises throughout the course of the book. Included are video drawing tutorials and examples. Key Features The approach to drawing as explained in the book is broken down into simple, clearly defined concepts. Each chapter outlines a further step in the drawing process, ending with a technique or exercise the reader can then execute to begin applying each concept to their work. Ample amount of illustrations drawn exclusively for this book or taken directly from the author's physical classes to clearly show the reader individual concepts, exercises, techniques, ideas, etc., so the reader may feel comfortable enough to follow the program. Each chapter includes a chapter objective as well as a summary and ample amount of illustrations which relate to the chapter objective. Key Terms will also be highlighted and defined so that they may be referenced throughout the book without causing unnecessary confusion. Companion video tutorials that show the reader different topics and exercises for reference.

A comprehensive and practical guide full of advice and inspiration for anyone wishing to capture the beauty of the urban landscape. The wonderful thing about drawing buildings is that, wherever you travel around the globe, you will never be short of subjects to inspire you. From the most elaborate of Renaissance cathedrals, through to the humble garden shed, you will always be able to practise your skills and learn a few techniques in the process. This hands-on and inspirational book will encourage you to meet the exciting challenges of drawing and painting buildings using a variety of media and a wide range of techniques, including pencil, pen, graphite powder, watercolour, water-soluble pencils and Indian ink. As you work through this book, you will look at materials and their qualities then move on to explore how to put these materials to best use when drawing specific types of building. You will be led gently through levels of learning, with easy and more challenging exercises progressing your knowledge and developing your skills. As the book is divided into discrete sections, you can dip in to a particular type of building that you wish to draw, and use the information and illustration provided, while extended teaching exercises take you through the way the author approaches composing and completing a drawing. Fully annotated paintings, working drawings and extended projects reveal how each effect was achieved. Detailed artworks in a range of styles and media are thoroughly annotated to demonstrate key techniques and important details and there are invaluable exercises for understanding perspective, negative and positive space, tone, choosing details and constructing large-scale images. The book includes thorough studies of a wide range of different architectural styles, from town houses to rural cottages and barns, from churches and classical architecture to continental cafes and street scenes. Taylor's exquisite drawings and paintings demonstrate the quality of the results that can be achieved by following his helpful guidance and advice.

How to Keep a Sketch Journal is the essential travel-sized guide to keeping a visual diary of your surroundings. Whether you're a habitual sketcher or just starting out, this book will teach you how to improve your observational sketching, indoors or outdoors, whether you're drawing still lifes, environments, or scenes. It covers sketching with different media, from a simple pen or pencil to using watercolors or pastels on the go. The book stands perfectly on its own as a guidebook, or can be used as a complement to 3dtotal's Sketch Journal travel portfolio, fitting neatly alongside your favorite sketching tools.

The saw is one of the most basic tools and tends to be taken very much for granted. Many hours and much effort can be saved, and more accurate work produced, if the user has the knowledge of how his saw works and how to keep it in good condition. In this book Ian Bradley provides detailed guidance on the use and maintenance of all types of saw, both hand and mechanical, from the humble junior hacksaw to circular and bandsaws, in the comprehensive and succinct manner that has made him such a respected writer on workshop matters.