This inspiring sketchbook is part of the new "20 Ways "series from Quarry Books, designed to offer artists, designers, and doodlers a fun and sophisticated collection of illustration fun. Each spread features 20 inspiring illustrated examples of 45 themes - tree, tulip, shell, owl, peacock feather, mushroom, cloud, and much, much more-over 900 drawings, with blank space for you to draw your take on "20 Ways to Draw a Tree."This is not a step-by-step technique book--rather, the stylized flowers, trees, leaves, and clouds are simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms meld to create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. Presented in the author's uniquely creative style, this engaging and motivational practice book provides a new take on the world of sketching, doodling, and designing.
Get out your favorite drawing tool, and remember, there are not just "20 Ways to Draw a Tree"

Discover how to draw true-to-life human figures and poses with detailed step-by-step instructions and tips and tricks on the best drawing techniques.

Grab your sketchbook, pens, and pencils and follow along as this instructional drawing guide teaches you everything you need to know about creating the most realistic human figures.

With more than 150 easy-to-follow illustrations, Drawing People is the perfect guide for aspiring artists looking to develop their people-drawing skills. Start off simple with learning how to draw basic body shapes. By the end, you will have gained the anatomical knowledge you need to make your human figures as realistic as possible including learning to draw:

• Specific muscle groups
• Artistic body poses
• Lifelike portraits and much more!

Whether you’re a beginner or a drawing pro, Drawing People is the perfect book for anyone looking to hone their technical drawing skills and take their illustrations to the next level.

Origami, the art of paper folding, has a rich mathematical theory. Early investigations go back to at least the 1930s, but the twenty-first century has seen a remarkable blossoming of the mathematics of folding. Besides its use in describing origami and designing new models, it is also finding real-world applications from building nano-scale robots to deploying large solar arrays in space. Written by a world expert on the subject, Origametry is the first complete reference on the mathematics of origami. It brings together historical results, modern developments, and future directions into a cohesive whole. Over 180 figures illustrate the constructions described while numerous 'diversions' provide jumping-off points for readers to deepen their understanding. This book is an essential reference for researchers of origami mathematics and its applications in physics, engineering, and design. Educators, students, and enthusiasts will also find much to enjoy in this fascinating account of the mathematics of folding.

Following on from his successful Drawing Geometry, Jon Allen explores the creation of the many-sided three-dimensional forms known as the Platonic and Archimedean solids. Based on patterns of equally spaced points on a sphere, these polyhedra have been the fundamentals of geometric exploration for millennia. Many professionals find they need to be able to build three-dimensional shapes accurately, and understand the principles behind them. This unique book shows them how to make models of all the Platonic and Archimedean solids, as well as several other polyhedra and stellated forms. It provides step-by-step instructions for constructing the three-dimensional forms, as well as showing how to draw out accurately the geometry of the paperfold nets. Beginners and experienced artists and designers alike will find this book a source of practical guidance, as well as delight and inspiration which will amply repay the careful attention needed to construct the models.

Learn to draw authentic anime and manga faces and expressions from a manga master. In this follow-up to Manga Drawing Deluxe, renowned Japanese manga artist and international instructor Nao Yazawa guides you step by step through all phases of drawing and painting anime and manga faces, from the basics of creating essential anime and manga characters to creating dynamic and authentic expressions to coloring and adding special touches. Manga Faces 101. Learn about must-have supplies, basic drawing techniques, and a summary of the process from rough sketches to finished drawings. Essential Guide to Expressive Characters. Explore how to draw key anime and manga characters as well as how to depict a range of emotions for each, from delight to sadness to terror. Inking, Coloring, and Special Effects. Take your drawings to the next level by adding striking definition, stunning color, and special finishing touches that will give your characters just the right note of authenticity. Drawing and Painting Anime and Manga Faces gives you the tools you need to create expressive characters that will make your anime and manga stories come alive.

Simone Grunewald is a 3dtotal Publishing favorite as the designer of popular characters for Character Design Quarterly magazine, and the author of Sketch Every Day, a book packed with her much sought-after sketching techniques and character-design tips. This new title, The Art of Simone Grunewald, is a beautifully produced hardback that goes even further to delight existing fans, as well as aspiring character designers new to her work. Simone is an expert in the art of imbuing scenes and character with a depth of mood, emotion, and atmosphere. The resulting images are incredibly engaging and thoughtful, while still being accessible and commercial. This mix of talent and an understanding of creating work that has wide appeal is a professional approach that readers will be keen to learn and apply to their own art. In addition to fan-favorites from her portfolio and exciting new art commissioned especially for the book, Simone shares the digital and traditional tools and techniques she uses to acquire her results. Brand-new tutorials illustrate Simone's talent not just for drawing, but for teaching techniques in a fun and lively way.

This essential publication reintroduces the importance of learning to 'see by hand', to visualize large-scale design schemes and explain them through drawing, before using the digital tools that are so crucial to efficient and cost-effective building solutions. Combining traditional drawing techniques with those from CAD rendering, Drawing for Landscape Architecture guides practitioners from their very first impression of a site, through concept and schematic design and client presentation to construction and site drawings, concluding with two case studies that show the final result. Just as hand-drawing returns to design courses around the world, this welcome publication celebrates the best aspects of traditional techniques while incorporating them into today's digital design methods.

This volume brings together performance texts from nine productions by the experimental theatre company Lightwork and one playtext from Lightwork's precursor company Academy Productions, presented between 1997 and 2011. Lightwork specialized in collaboratively created and multimedia performance. The company also experimented with several performance forms that emerged at the turn of the twenty-first century, including verbatim and site-specific approaches. Because of this, the texts cover a range of forms and formats - scripted plays such as Here's What I Did With My Body One Day by Dan Rebellato and Blavatsky by Clare Bayley; multimedia adaptations of classical myths such as Back At You (based on the story of Echo and Narcissus) and Once I was Dead (based on the story of Daedalus and Icarus); site-specific experiments such as The Good Actor, which took place in various spaces across Hoxton Hall, a Victorian theatre in London's East End; and the use of verbatim witness testimony from the Court of Bosnia and Herzegovina, War Crimes section in Sarajevo Story. The defining aspect of the Lightwork aesthetic is that multimedia and scenographic experimentation does not come at the expense of the mainstays of dramatic theatre: character, story and emotional resonance. What lies at the heart of the Lightwork shows you will encounter here are human-scale stories: relationships between lovers or family members, confrontations with the past (both as personal and as cultural history) and, in many cases, matters of life or death that entail wrestling with causality, consequence and fate. The twelve-year span covered by this work reflects a period in British performance practice when the interrelation of page and stage, process and production, text and 'non-text', were being radically rethought. In the collaborative and processual theatre making that Lightwork exemplifies, the text may be one element among many and is more likely to be the outcome of the process than its precursor. How do such playtexts (or performance texts) differ from those that are conceived and scripted by a single desk-based playwright in advance of the rehearsal? What gaps are left when the work of many hands is channelled through the pen (or keyboard) of one among them? The texts featured in this volume represent a number of answers to these questions about the nature of writing for the stage. The performance texts are each preceded (and sometime followed) by short essays written by some of the many people who have been involved in productions by Lightwork, including established academics and theatre practitioners: David Annen, Clare Bayley, Gregg Fisher, Sarah Gorman, Andy Lavender, Aneta Mancewicz, Bella Merlin, Alex Mermikides, Jo Parker, Dan Rebellato, and Ayse Tashkiran. Their contributions reflect the collaborative nature of the company and the respect that it accorded the various disciplinary perspectives that make up a theatre company. There are sections on scenography, sound design and technical operation, as well as on those crafts that might more usually draw attention: directing, writing and acting. These contributions offer an insight into the collaborative, multi-layered and sometimes messy business of their creation from an individual maker's or spectator's point of view. This book will be invaluable for those who are making, studying or researching performance in the twenty-first century, and an essential resource for the rehearsal room. Primary readership will include researchers, educators, students and practitioners interested in creative practice, theatre-making, integrated design and performance, and contemporary theatre. It will be an important resource for those on theatre and performance courses at all levels, as well as acting, theatre and performance design, dramaturgy and direction courses, creative writing courses and media arts programmes. It will have appeal for general readers interested in new texts and processes in theatre and performance, and individual texts are likely to be of interest to specialist researchers working in related fields - for example performance and the occult (Blavatsky), performance and conflict (Sarajevo Story).

It's difficult to say what "The Iron Tonic" is about, although it is "known the skating pond conceals a family of enormous eels," and that "the light is fading from the day. The rest is darkness and dismay." Finally, though, "The Iron Tonic" could be seen as Edward Gorey's version of a winter afternoon in one of the great Russian novels of the nineteenth century.

The only color guide a designer will ever need; The Complete Color Harmony, Pantone Edition has been completely updated with Pantone colors and new text.

Leatrice Eiseman, Executive Director of the Pantone Color Institute, is a color specialist who has been called “the international color guru.” The latest installment in a best-selling series, this must-have book for designers and artists covers the phenomenon of color, the color wheel, the psychology of color, and color and mood, plus over 30 color palettes and more than 3,500 Pantone Colors and color trends.

This valuable resource will inspire and inform all of those who love color.

• 30 color moods of 36 palettes
• Including 3,500 Pantone Colors

The portrait is one of the world's oldest artforms, but today's technology and culture mean it's time to take a fresh look at how today's portrait artists work outside the realms of realism and elevate their technique. The Instagram-friendly appeal of the portrait means that the modern version can be seen everywhere on social media as digital artists of all skill levels share their captivating characters, focusing on the face. This much-needed book for beginners to digital portraiture goes back to basics (simple anatomy, lighting, color, and perspective) as the starting point for even the most stylized of subjects. Professional artists with recognisable styles, including Loish, Simone Grunwald, and Francisco Garces, still use these fundamentals. Readers learn from industry professionals how to infuse their subject with believable detail and atmospheric storytelling (especially relevant when working from photographs, as many artists do today). Experts demonstrate step-by-step their digital workflow, sharing techniques for rendering stylized skin tones, hair, and eyes. Sci-fi, fantasy, historical, and anthropomorphic portraits are created. Real-world individuals are highly stylized, yet convince the viewer. This is the essential guide for the next generation of portrait artists who want to create contemporary, stylized work that is compelling, emotive, and memorable.

Ist Schwarz eine Farbe oder nur Kontrastgeber? Ist Schwarz ein einziger Farbton oder sind es mehrere? Sind Einstellungen zur Farbe Schwarz kulturell gepragt? Wenn man Schwarz sagt, meint man dann tatsachlich auch Schwarz? Es heisst, Schwarz ist die am wenigsten verstandene aller Farben. Insofern ist es eine besondere Herausforderung, die Sinngebung der Farbe Schwarz in den kulturhistorischen Landschaften der Welt auszuleuchten. Eben dies wird in dieser Studie angestrebt, wobei der Diskussion uber Farbmetaphorik besondere Aufmerksamkeit geschenkt wird. Hier werden Erkenntnisse der verschiedensten Fachdisziplinen ausgewertet - darunter der Kunstgeschichte, der Anthropologie, der Linguistik, der Forschung uber kulturelle Stereotypen und der Religionsgeschichte - und zu einer Gesamtschau verdichtet. Dieses Buch ist in einem verstandlichen Essaystil geschrieben und spricht damit den allgemein interessierten akademischen Leser an. Daruber hinaus eignet es sich nach seinem Inhalt und der Vielzahl an Quellenverweisen ebenso als Forschungsinstrument fur die verschiedensten Fachvertreter.

The possibilities for creation are endless with 3D printing, sculpting, scanning, and milling, and new opportunities are popping up faster than artists can keep up with them. 3D Technology in Fine Art and Craft takes the mystery out of these exciting new processes by demonstrating how to navigate their digital components and showing their real world applications. Artists will learn to incorporate these new technologies into their studio work and see their creations come to life in a physical form never before possible. Featuring a primer on 3D basics for beginners,interviews, tutorials, and artwork from over 80 artists, intellectual property rights information, and a comprehensive companion website, this book is your field guide to exploring the exhilarating new world of 3D. Follow step-by-step photos and tutorials outlining the techniques, methodologies, and finished products of master artists who have employed 3D technology in new and inventive ways Learn how to enlarge, reduce, and repurpose existing artwork and create virtual pieces in physical forms through a variety of mediums Research your options with an accessible list of pros and cons of the various software, 3D printers, scanners, milling machines, and vendors that provide services in 3D technology Listen to podcasts with the artists and learn more tips and tricks through the book's website at www.digitalsculpting.net

Computers can calculate perspective angles and create a drawing for us, but the spontaneity of mark making, the tactile quality of a writing surface, the weight of a drawing instrument, and the immediacy of the human touch are sensations that keep traditional drawing skills perpetually relevant. The sensuality and convenience of the hand persists and will survive as a valuable communication tool, as will the need to accurately express your ideas on paper. As a professional, understanding the foundations of drawing, how we process images, and how we interpret what we see are principal skills. Understanding linear perspective enables artists to accurately communicate their ideas on paper. The Complete Guide to Perspective Drawing offers a step-by-step guide for the beginner as well as the advanced student on how to draw in one-point through six-point perspective and how to make scientifically accurate conceptual illustrations from simple to complex situations.

In this book, gouache, a classic technique-used by Turner, Toulouse-Lautrec, Bonnard, Picasso, Gris, Braque, Matisse and Miro, among many others often compared to watercolour, acquires a new dimension, as it offers a bolder approach to contemporary artists, illustrators and graphic designers. Gouache erases the boundaries between 'proper painting' and the spontaneous charm of watercolour, combining the advantages of both techniques. Diluted, gouache is almost like watercolour, but when used on its own, it can be applied in opaque layers with a matte surface reminiscent of pastels. Soluble in water, it is rather forgiving and allows for corrections and revisions, and finally, the fine grain of the pigment it contains makes detailed drawings possible. Award-winning illustrator Aljoscha Blau shares his many years of experience, offers material recommendations, tips for swift success, suggestions on composition, the use of colour, tools and processes. And he spices it all up with his own illustrations, which are both an incentive and a feast for the eyes...

The definitive six-volume catalogue raisonne of the drawings of one of the most important artists working today Six decades of both iconic and intimate works by Jasper Johns (b. 1930), who is still producing at the age of 88, are given their full due in this magnificent multi-volume publication. Featuring exquisite full-page illustrations of all 813 known drawings by Johns, more than 200 of which have not been published or exhibited, the volumes demonstrate how Johns has been instrumental in elevating and establishing drawing as a major medium in contemporary art, and his drawings chart his artistic interests and aesthetic evolution. Five volumes are dedicated to the drawings, documenting materials and listing exhibition and publication histories, and the large-scale reproductions feature special production details. These include the use of special inks, such as a combination with silver for graphite works and custom mixes to represent particular colors, ensuring that the reproductions are as faithful as possible with state-of-the-art printing technology. The sixth volume includes an exhibition chronology and bibliography focused on drawings, as well as indexes to the set. This landmark publication is a must-have for contemporary art collectors, drawings connoisseurs, art reference libraries, and university art departments. Distributed for The Menil Collection

Make your dream of drawing Japanese-style manga a reality with Manga Academy! This book, loaded with Chihiro Howe's delightfully simple techniques, teaches all you need to know to get started creating your own manga. Learn tips for selecting the best materials and tools, how to design manga characters, coloring and inking techniques, how to tell a compelling story, and much more. Features 10 step-by-step full manga character demonstrations, as well as exciting extras like Japanese lessons!

A PNBA Bestseller! Color the Pacific Northwest is an inky exploration of the people, places, plants, and popular culture that define Oregon, Washington, and British Columbia. The 50 illustrations appear on only one side of a high-quality paper that supports a variety of mediums, including pencils and markers. You can color Sasquatch, ink your own latte art, fill in the details of an intricate family of salmon, discover the Oregon Trail, and color a flying fish from Seattle's Pike Place Market, all from the comfort of your own home.

Drawing and Painting Beauitful Faces is an inspiring, mixed media workbook on how to draw and paint beautiful, fashion illustration-style faces. Author Jane Davenport is a beloved artist, and popular international workshop instructor known by her thousands of students and fans for her over-the-top, enthusiastic, happy and encouraging style. In this book, she guides you step-by-step through the foundations of drawing a face, developing successful features, creating skintones, playing with bright colors, shading, highlighting and much more as you learn to create amazing mixed media portraits. Master a variety of techniques that employ pencil, marker, pen, watercolor, acrylic paint, ink, pastel, and ephemera as you happily dance your way through the exercises in this brilliant guide.