DON'T use comic sans (except ironically!) but DO worship the classic typefaces like Helvetica and Garamond. Graphic Design Rules is a handy guide for professional graphic designers, students, and laymen who incorporate graphic design into their job or small business. Packed with practical advice, this spirited collection of design dos and don'ts takes readers through 365 rules like knowing when to use a modular grid-and when to throw the grid out the window. All designers will appreciate tips and lessons from these highly accomplished authors, who draw on years of experience to help you create good design.

The Colors of Photography aims to provide a deeper understanding of what color is in the field of photography. Until today, color photography has marked the "here and now," while black and white photographs have been linked to our image of history and have formed our collective memory. However, such general dichotomies start to crumble when considering the aesthetic, cultural, and political complexity of color in photography. With essays by Charlotte Cotton, Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder, Deborah Willis. Photographic contributions by Hans Danuser and Raymond Meier.

Demands on landscape architecture students' time are many and varied - when is there a chance to just sketch, and is it worth dedicating your time to the pursuit of drawing? This book shows how in short bursts you can build up your design skills using quick, relaxed sketches, which form the basis for full projects and studio work. This book will provide you with your own image library - sources of inspiration, guidance, and short-cuts to future designs. A variety of paths leading to design discovery, based upon experimental sketching methods, are discussed, demonstrated, and then put into action with valuable exercises. These exercises focus your sketching, giving hints and tips on what to look for, how to capture the essence of the object or location, and how to become a natural in the art of speedy visual communication. Real-life examples of the author's built-works as a landscape architect show how professionals use these techniques in their own design creations. Design Readiness for Landscape Architects presents enjoyable and thought-stirring essays and drawing-based exercises to help students grow more facile and agile in their service as architects of the land, whether using tablets, paints, or pens and pencils.

Demands on landscape architecture students' time are many and varied - when is there a chance to just sketch, and is it worth dedicating your time to the pursuit of drawing? This book shows how in short bursts you can build up your design skills using quick, relaxed sketches, which form the basis for full projects and studio work. This book will provide you with your own image library - sources of inspiration, guidance, and short-cuts to future designs. A variety of paths leading to design discovery, based upon experimental sketching methods, are discussed, demonstrated, and then put into action with valuable exercises. These exercises focus your sketching, giving hints and tips on what to look for, how to capture the essence of the object or location, and how to become a natural in the art of speedy visual communication. Real-life examples of the author's built-works as a landscape architect show how professionals use these techniques in their own design creations. Design Readiness for Landscape Architects presents enjoyable and thought-stirring essays and drawing-based exercises to help students grow more facile and agile in their service as architects of the land, whether using tablets, paints, or pens and pencils.

This book provides a revolutionary new 3-step tracing technique that beginning artists can use to quickly learn to draw manga characters just like a pro! Every page presents a classic manga pose, from walking and running to jumping for joy, in three different steps: 1. A simple outline of the body 2. The defining elements of the character (like clothes, hair and facial expression) highlighted for easy tracing so you can practice placing them onto the basic body outline. 3. The finished drawing (for inspiration). Popular manga artists Junka Morozumi and Tomomi Mizuna guide you through a series of carefully graded lessons to build up your skills gradually. Each pose and scene has a star skill level, so you can build your way up from 1 to 5! Chapter 1 deals with the basic poses of standing, walking, and running. Chapter 2 presents signature manga poses such as turning around in surprise and being angry with hands on hips. Chapter 3 practices various sitting and lying down poses. Chapter 4 deals with drawing perspective, looking at characters from above, below and diagonal viewpoints. Chapter 5 focuses on 2-person manga poses including the classic prince with a princess in his arms. Chapter 6 lets readers try out the skills they have acquired by tracing and copying a full-page manga illustration containing multiple characters. These six lessons are supplemented by expert tips and easy exercises for capturing the right facial expressions, drawing the clothes and getting the perspective and body proportions right. Beginning manga artists are in good hands with Morozumi, who lectures at art academies in Tokyo, and Mizuna, whose work has been exhibited in the U.S., Europe and beyond. If you've been looking for an easy-to-use guide to drawing manga, The Manga Artist's Handbook: Drawing Basic Manga Characters is the perfect place to start!

This essential publication reintroduces the importance of learning to 'see by hand', to visualize large-scale design schemes and explain them through drawing, before using the digital tools that are so crucial to efficient and cost-effective building solutions. Combining traditional drawing techniques with those from CAD rendering, Drawing for Landscape Architecture guides practitioners from their very first impression of a site, through concept and schematic design and client presentation to construction and site drawings, concluding with two case studies that show the final result. Just as hand-drawing returns to design courses around the world, this welcome publication celebrates the best aspects of traditional techniques while incorporating them into today's digital design methods.

A prominent artist ventured behind locked doors to portray three "forgotten" social classes: the elderly, people in mental institutions, and the prison population. Alan E. Cober began his career in the 1960s, when illustration took a turn toward a new expressionism. Influenced by the works of Ben Shahn, George Grosz, and Albrecht Durer, he believed that narrative art could inform public attitudes toward political and social issues. Cober's aim as a "visual journalist" was to effect change by graphically exposing the realities of our times.
"The Forgotten Society" presents ninety-two of Cober's most compelling and emotionally charged "visual essays." The distinctive pen-and-ink portraits reveal the hidden worlds of people removed from the public eye, including residents of retirement homes, of Staten Island's Willowbrook State School, and of Sing Sing Correctional Facility. The artist, who frequently befriended his subjects, offers compassionate views of the isolation of lives lived on the margins of society. Cober received many awards in his lifetime and was recently inducted into the Society of Illustrators' Hall of Fame. This edition features an insightful introduction by his daughter, Leslie Cober-Gentry, who notes, "Cober's art was about communication. The world was his audience."

A companion volume to Lessons in Classical Drawing that breaks down the foundational skills and techniques of painting in a format that is accessible and manageable for all readers. With the same direct, easy-to-follow approach of Juliette Aristides's previous books, Lessons in Classical Painting presents aspiring artists with the fundamental skills and tools needed to master painting in the atelier style. With more than 15 years of experience in ateliers and as an art instructor, Aristides pairs personal examples and insights with theory, assignments and demonstrations for readers, discussions of technical issues and inspirational quotes. After taking a bird's eye look at painting as a whole, Aristides breaks down painting into big-picture topics like grisaille, temperature, colour and composition, demonstrating how these key subjects can be applied by all painters.

Die Hagia Sophia wurde unter Kaiser Justinian I. 532-37 in Konstantinopel als die Hauptkirche des Ostroemischen Reiches erbaut, von Sultan Mehmed II. Fatih 1453 zur Hauptmoschee des Osmanischen Reiches gemacht und von Staatsprasident Kemal Ataturk 1934 in ein Museum umgewandelt. In den Jahren 1847-49 hat der Schweizer Architekt Gaspare Fossati im Auftrage Sultan Abdulmecids I. das baufallig und schabig gewordene 'Weltwunder der Architektur' restauriert. Das 150jahrige Jubilaum dieser Restaurierung, einer fruhen Glanzleistung der Denkmalpflege, ist der Anlass zu einer Ausstellung, die am Institut fur Kunstgeschichte der Universitat Bern erarbeitet wurde und im Jahre 1999 im Bernischen Historischen Museum, im Winckelmann-Museum Stendal und in der Casa del Mantegna in Mantua prasentiert wird. Sie gliedert sich in zwei Abteilungen. Es werden ausgewahlte Zeichnungen und Aquarelle aus Fossatis Nachlass gezeigt, die nicht nur bewundernswerte Bilder der Hagia Sophia sind, sondern auch Fossatis Arbeit am Baudenkmal sowie seine Konservierungsmethoden anschaulich nachvollziehen lassen. Daneben stehen 'Bilder der Hagia Sophia aus sechs Jahrhunderten' - Veduten, analytische Zeichnungen, exakte Bauaufnahmen, Modelle, Photographien - welche die kunstlerische Aneignung des Bauwerks uber einen grossen Zeitraum hinweg sichtbar und zugleich die Geschichte seiner wissenschaftlichen Erforschung, die mit Fossati beginnt, transparent machen sollen.

Barry Herniman shows the reader how to capture the essence of a scene, and to inject that extra something: mood and atmosphere. This 'extra something' is what many watercolour artists seek, and it is clearly explained and beautifully demonstrated in this practical and enthralling guide to painting a variety of landscapes. This beautiful book brings Barry Herniman's stunning artwork to the fore with a sumptuous redesign, complete with new inspirational artworks and expanded sections on colour mixing and techniques.

Originally developed in the 18th century as a visual supplement to botanical nomenclature, botanical illustration and art uniquely fuse art and science by documenting the parts, details, and life cycles of plant species. In Drawing and Painting Botanicals for Artists, eminent botanical artist and veteran workshop instructor Karen Kluglein reveals her secrets for rendering leaves, flowers, berries, and branches both accurately and beautifully. The book begins with a brief history of the art form, followed by guidance on developing observational skills for this genre, key botanical terms and concepts, and the differences among botanical illustration, botanical art, and flower painting. The chapters that follow offer detailed guidance and demonstrations for drawing and painting botanicals in a variety of mediums: Drawing. Explore loose gestural drawing, precise measuring and rendering, and working from photographs with graphite, colored pencil, finepoint markers, pen and ink, and silverpoint. Painting. Master color mixing, washes, layering, gradations, values, and adding details in watercolor, gouache, and acrylic, plus guidance on adding "personality" to your work and knowing when a painting is done. Drawing and Painting Botanicals for Artists shows artists at all skill levels how to translate careful observations into stunning works of art. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

Since its founding in 1881, H. Schmincke & Co has been a premier producer of artists' paints. Artists such as Otto Dix, Emil Nolde and Oskar Kokoschka relied on Schmincke colours, as do many of today's professional and amateur painters. This history of the company traces its development over four generations. It tells the story of H. Schmincke's modest beginnings at the end of the 19th century and their first product: oil paint. During an era of unprecedented artistic achievement in Europe and America, the company added watercolours and pastels to its acclaimed line of products. This book also takes readers through the struggles of the Jewish owners during the Third Reich, and how the family rebuilt the company after its buildings were destroyed in the Second World War. Since then, the company experienced a successful expansion during the post-war decades as well as a downturn caused by the collapsing economy and family issues. Now in its fourth generation of ownership, H. Schmincke is thriving amidst global challenges and opportunities. Beautifully illustrated with artistic and archival images, this is a unique look behind the scenes of a company that has been committed to excellence in manufacturing-and to a rich engagement with the art world-for nearly 150 years.

This book describes in detail the materials and techniques used by medieval iconographers. It offers information about the natural sources, the raw materials, the tools and the technologies involved in preparing them. The book allows entry into the secretive world of very knowledgeable and skilled artisans, about which very little is known. Topics covered include raw materials, pigments, binders, solvents, adhesives, inks and varnishes. Special chapters will be dedicated to the fresco technique as practiced by the early iconographers, grinding, painting on glass and the training/apprenticeship of these craftsmen.