Wie man sich standesgemass einrichtet, war im Kaiserreich eine zentrale Frage burgerlicher Lebensfuhrung. 'Wohnsuchtig' nannte Walter Benjamin das 19. Jahrhundert. Die neuen Kaufhauser stellten komplette Wohnwelten aus, Einrichtungsratgeber und Wohnzeitschriften kamen auf. Erstmals wurden Moebel mit Maschinen in Serie produziert. Exemplarisch zeigt das Buch, welche Wahlmoeglichkeiten Familien des burgerlichen Mittelstands bei der Wohnungseinrichtung hatten. Aus einer interdisziplinaren Perspektive untersucht die Studie, inwieweit sich Angebot und Nachfrage nach Moebeln und die neuen Produktionstechniken gegenseitig beeinflussten - stilistisch, technisch und preislich.

Join the art critic Ben Eastham on a private tour of an extraordinary museum. Let him walk you through a building constructed from memory and filled with a series of bewildering art works, while he delivers a guide comprised of personal experience, professional expertise and sympathy. In this stunningly original book, an introduction to contemporary art is combined with the author's own memories and reflections on what art means. With the help of a cast of interfering security guards, pretentious curators, sceptical visitors, angry protestors and elusive ghosts, Eastham proposes that the art of today offers a way of understanding our increasingly strange and complex times. Eastham doesn't ask you to like the artworks in his imaginary museum, but offers the tools for you to formulate and express your own opinion of them. He argues that art should be judged by the feelings it provokes and the conversations it generates: in talking about art, we learn to talk about ourselves and the world in which we live.

The late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Cezanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris. Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm. It is an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.

This original work introduces readers to the hyperrealist movement, a style applied to painting whose techniques aspire to photographic exactitude in drawing. From the first action before viewing the piece - the search for information and reference images - to different drawing and sculpture techniques, the book offers a step-by-step explanation of the creative process and shows readers how to illustrate in black and white and with colored pencils, how to work with watercolors and oil, how to create a trompe l'oeil and how to create a realistic looking 3D model. Readers will find all the techniques and suggestions they need to make their own hyperrealist creations, all explained in a pleasant and fun way. It is an original and creative way to introduce different drawing techniques that will awaken the artist inside of us all and whose results will strike most readers as surprising given the degree of realism achieved, as if they were photographs. The book includes references to contemporary artists who have used each of the techniques described, curiosities in the world of art and other tricks of the trade.

Making connections between drama and drawing, Drawing as Performance introduces visual artists and designers to rehearsal techniques, theory, and games as ways of developing image-making and visual communication skills. Drawing from the fields of theatre and anthropology, this book is full of practical exercises that encourage experimentation and play as methods of making expressive, communicative, and meaningful images. Ideas are adapted from the rehearsal room to the drawing studio, offering artists a fresh approach to translating experiences into visual images. Games and exercises are accompanied by demonstrations and responses from professional practitioners and visual communication students. This one-of-a-kind book guides students and professionals alike to improvisation, self-expression, and reflective visual communication techniques in order to narrow the gap between the handmade image and inner experience from which artists draw their inspiration.

The humble sketch is the foundation of great art, where thoughts and concepts first come to life as an image-but rarely are sketches celebrated like they deserve to be for their power to explore, inspire, and entertain. In Sketching from the Imagination: Sci-fi, a selection of fifty talented traditional and digital artists, ranging from industry legends to talented up-and-comers, have been chosen to share their sketches and reveal the ideas, inspirations, and techniques behind their creative processes. Continuing the high-quality format of 3dtotal Publishing's previous successes, Sketching from the Imagination: An Insight into Creative Drawing and Sketching from the Imagination: Fantasy, this new title is dedicated to fantasy's sibling genre, sci-fi, in all its forms. From doodles of robots and aliens to concept designs for spaceships and speculative life-forms, including rendered drawings of invented worlds, Sketching from the Imagination: Sci-fi presents a handpicked collection of the best sketches and drawings by sci-fi artists from across the globe-each with their own unique style and approach to the genre. Each artist presents an impressive showcase of images from their sketchbooks, accompanied by their own enlightening commentary, and page upon page of useful tips, techniques, creative insights, and invaluable advice for getting your ideas out of your brain and onto the page. Sketching from the Imagination: Sci-fi is not only a must-have resource for any concept designer's shelf, but a stunning compilation of drawings that will delight sci-fi fans and any admirer of beautiful artwork.

In Drawing and Painting Expressive Little Faces, artist and popular Skillshare instructor Amarilys Henderson shares her practical and creative techniques for drawing and painting faces with style and personality. Gathering supplies. Consider the creative possibilities of watercolor, ink, and markers, and create a mobile sketch pack so you can capture faces and expressions on the go. Simplifying the face and identifying proportions. Use photos to simplify the face's key elements, learn about facial proportions and factors and variables for placing facial features, and apply these concepts through a simple warm up using a single color to paint a face in multiple values. Facial shapes and features. Learn about the five basic facial shapes and how to modify the chin line, ears, and hairline, and how to draw and paint mouths, eyes, and noses and make alterations to show pose and personality. Mixing color. The pigments and brushes you'll need to achieve a wide range of realistic skin tones, shadows, and expressions. Bringing faces to life. Navigate the process from start to finish, learn to adjust line quality to suggest different genders and ethnicities, and change up artistic styling to put a unique spin on your creations. Project ideas. Get inspired by some cool ways to apply your new skills: party invitations, repeat patterns, comic books, and more! Don't be intimidated by the challenge of drawing and painting faces. Improve your face game with Drawing and Painting Expressive Little Faces!

Imaginarium: The Process Behind the Pictures is a compendium of practical advice and information covering the photographic process--from idea cultivation through execution. The guidance in this book is written with an understanding of the nature of artists at their core and explores the science of how ideas are born, the conditions that facilitate the productive creation of art, and the elements necessary to make creative work. This compendium is applicable across genres, for individual artists and for those working in a commercial capacity. It brings together strategies and tools to help readers generate compelling ideas and create unique images. From the simplest idea to the most fantastical, you will learn brainstorming, concept development, pre-visualization, pre-production, problem solving, and execution steps in the creative process, including practical tools and ideas for overcoming obstacles and achieving success along the way. Contributors: Beth Taubner Mercurylab Alessia Glaviano Vogue Italia Rebecca Manson The Post Office Interviews with: Maggie Steber, Roger Ballen, Sara Lando, Gabriela Iancu, Robin Schwartz, and Eleanor Macnair *** Imaginarium: The Process Behind the Pictures Table of Contents 1: ON ART The Purpose of Art Strong Images Development of an Artist Goals for Making Work Chapter Wrap-Up 2: ARTISTIC LIFESTYLE The Foundation Curation of Experiences Tapping into the Unconscious Creative Psychology Health Nurturing Creativity Community of Artists Chapter Wrap-Up 3: TIME MANAGEMENT Motion Versus Progress Productivity Motivation Work That Fits into Your Life Chapter Wrap-Up 4: PREVISUALIZATION Concept Generation Triggers Divergent Thinking Free Association Brainstorming Mind Mapping Mood Boards Previsualization Concept Development Chapter Wrap-Up 5: PRODUCTION Pre-Production Resources and Research Building a Team Plan B, C, and D On Set Checklist Best Practices Editing Post-Production Chapter Wrap-Up 6: THE VIEWER EXPERIENCE The Viewer Experience Presentation Considerations Critique and Feedback Series and Long-Term Projects Assignments/Commissions Body of Work: What We Leave Behind Chapter Wrap-Up Conclusion Artist Interviews

How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment Europe Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium-aquatint-which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco Goya, Maria Catharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art's collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC October 24, 2021-February 21, 2022

In CHROMA Derek Jarman explains the use of colour in Medieval paintingthrough the Renaissance to the modernists and draws on the great colour theorists from Pliny to Leonardo. He also talks about the meaning of colours in literature, science, philosophy, psychology, religion and alchemy. The colours on Jarman's palette are mixed with memory and insight to create an evocative and highly personal work.

This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

This volume covers Chinese art during the reign of the Sui and Tang Dynasties during which the various disciplines of plastic and performing arts all entered a stage of unprecedented prosperity and development. It also traces new explorations in calligraphy, painting, and mural art and highlights architectural achievements during the historic period. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

Silverpoint, and metalpoint more generally, is the practice of marking with soft metal on a specifically prepared drawing surface. Practiced for centuries, the artform is experiencing a resurgence in recent years, with contemporary work exploring abstract as well as realist, conceptual as well as traditional. Silverpoint and Metalpoint Drawing is the essential manual of metalpoint technique, written by Susan Schwalb and Tom Mazzullo, contemporary masters of the medium. This book is the first treatise on the subject for artists and art teachers with chapters on early history, materials including grounds, supports, metals, and tools, techniques for working in metalpoint as well as mixed media, and finally, the care of metalpoint works. Not only beautifully illustrated, this book also demonstrates how to photograph and exhibit metalpoint art. Featuring a gallery of drawings by contemporary artists, along with their tips and insight, Silverpoint and Metalpoint Drawing is a perfect introduction for students of the medium and an inspiration for those already more familiar with it.

Sonia Delaunay is one of the most important artists of the early twentieth century, whose contribution to European Modernism was fundamental, if not always fully acknowledged in its own right. She is known for translating her experiments via painting into the realm of fashion, interior design and crafts and, thus, consciously transcending the boundaries between fine and applied art. The focus within mainstream art history has been her relationship with her husband Robert Delaunay. Tom Sandqvist shifts this focus on her Jewish roots and sheds a light on the influence of growing up in the typical Eastern European shtetl, which has not attracted any special attention in the analysis of Delaunay's art. Tom Sandqvist reflects on the impact of Judaism on Sonia Delaunay's oeuvre, with a special focus on her early contributions to Simultanism and Orphism within the interwar Parisian Avant-Garde.

The historiography of timekeeping is traditionally characterized by a dichotomy between research that investigates the evolution of technical devices on the one hand, and research that is concerned with the examination of the cultures and uses of time on the other hand. Material Histories of Time opens a dialogue between these two approaches by taking monumental clocks, table clocks, portable watches, carriage clocks, and other forms of timekeeping as the starting point of a joint reflection of specialists of the history of horology together with scholars studying the social and cultural history of time. The contributions range from the apparition of the first timekeeping mechanical systems in the Middle Ages to the first evidence of industrialization in the 18th and 19th centuries.