An Introduction to Computer Graphics for Artists is an application-independent, reader-friendly primer for anyone with a serious desire to understand 3D Computer Graphics. Written by a veteran of the computer graphics industry whose previous career included film animation and various spells as Art Director for video games, Andrew Paquette draws on his experiences both as an artist and a manager. Far too often artists, even professionals, lack a basic understanding of the principles of computer graphics. The result is inefficiency and lower quality of work. This book addresses these issues by providing fundamental information in a university course format, with theoretical material, detailed illustrations, and projects to test the reader's understanding of the concepts covered. Opening with the first and most basic elements of computer graphics, the book rapidly advances into progressively more complex concepts. Each of the elements, however simple, are important to understand because each is an essential link in a chain that allows an artist to master any computer graphics application. With this accomplished, the artist can use technology to satisfy his goals, instead of the technology being master of the artist. All students wanting to learn more about computer graphics from an artistic viewpoint, particularly those intending to pursue a career in computer game design or film animation, will find this book invaluable.

A practical guide to painting nature's flora and fauna from award-winning botanical painting authors Meriel Thurstan and Rosie Martin. Recording the wildlife that surrounds us is an age-old art. The authors, in collaboration with the Eden Project, show us how to accurately and beautifully capture the natural world on canvas and make the most of the revival of this art form. Step by step, they take you through the whole process of capturing the essence of some of the most beautiful things on earth. From dinosaur skeletons and fossils to birds, butterflies and frogs. Learn how to paint the subtle scales on a fish, the iridescence of a feather or the lustre on a shell. The authors take you through the full range of skills and techniques you need to undertake natural history drawing and painting. Key techniques are explained with practical step-by-step demonstrations. Beautiful illustrations by the authors are featured throughout and will inspire you and illuminate the techniques you are learning. Painting Nature's Details is a stunning book on an art form that is fast becoming the new botanical illustration.

This book is a celebration and exploration of the acclaimed, bestselling franchise. It will delve into the history of the games, how they were made, and the real-life context behind the settings and characters. The Art & Making of Sniper Elite will cover the whole franchise, from the first game to the latest. It will contain commentary and insight from the artists and developers, alongside concept art of the iconic characters, weaponry, vehicles and environments. A must-have for any Sniper fan.

Winner of the 2019 CHOICE Award "The authoritative book on the origins, history, and influence of illustration. Bravo!" David Brinley, University of Delaware, USA History of Illustration covers image-making and print history from around the world, spanning from the ancient to the modern. Hundreds of color images show illustrations within their social, cultural, and technical context, while they are ordered from the past to the present. Readers will be able to analyze images for their displayed techniques, cultural standards, and ideas to appreciate the art form. This essential guide is the first history of illustration written by an international team of illustration historians, practitioners, and educators.

This is a irresistible and wonderfully illustrated exploration of the history of colour in art. The history of art is inseparable from the history of colour. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. This book takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay's quest to uncover the origins and science of colour will beguile readers with its warm and conversational style. The rich narrative is illustrated in full colour throughout with 166 major works of art. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cezanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers.

This title provides an insight into the artistic process.

Color Theory features everything an artist might need to know about color, including color psychology, pigment characteristics and terms, color schemes, color mixing, shadows, highlights, and much more. Regardless of your medium, a solid understanding of color and its applications is essential. With a fresh, contemporary take on the subject of color, this essential guide features step-by-step projects and practical tips and techniques to put color knowledge to effective use.

Die Studie widmet sich Lea Grundig (1906-1977) als Prasidentin des Verbandes der Bildenden Kunstler Deutschlands (VBKD) von 1964 bis 1970. Nach Inhaftierung und Verfolgung wahrend der NS-Diktatur fluchtete Grundig 1940 nach Palastina und kehrte 1949 nach Deutschland zuruck, wo sie zur Professorin fur Graphik an der Dresdner Kunstakademie berufen wurde. Sie gehoerte zur "Weimarer Generation" von bildenden Kunstlern und genoss in der ehemaligen DDR hohes Ansehen. Im Jahre 1964 erfolgte die Wahl Grundigs zur neuen Prasidentin des VBKD. Sie war die erste und einzige Frau an der Spitze des ostdeutschen Kunstlerverbandes. Lag das Hauptaugenmerk der Forschung bislang auf dem Wandel Grundigs wahrend der 50er und 60er Jahre zur angepassten und konservativen Kulturfunktionarin, beleuchtet diese kunsthistorisch-zeitgeschichtliche Studie erstmals anhand von bislang unbeachteten Archivunterlagen der Akademie der Kunste zu Berlin die Faktoren, Massnahmen und Auswirkungen der Prasidentschaftszeit Grundigs. Besonderes Augenmerk liegt dabei auf den Beziehungen der Grundig zu Israel vor der Folie des staatlichen Antizionismus und Holocaust-Gedenken in der DDR, den deutsch-deutschen Kunstbeziehungen, den Diskursen innerhalb des VBKD sowie dem Verhaltnis des VBKD zu den kulturpolitischen Liberalisierungsbewegungen in der Tschechoslowakischen Sozialistischen Republik sowie in der Volksrepublik Polen.