How to Keep a Sketch Journal is the essential travel-sized guide to keeping a visual diary of your surroundings. Whether you're a habitual sketcher or just starting out, this book will teach you how to improve your observational sketching, indoors or outdoors, whether you're drawing still lifes, environments, or scenes. It covers sketching with different media, from a simple pen or pencil to using watercolors or pastels on the go. The book stands perfectly on its own as a guidebook, or can be used as a complement to 3dtotal's Sketch Journal travel portfolio, fitting neatly alongside your favorite sketching tools.

Whether you're discovering printmaking for the first time or you're looking for fresh ideas to reinvigorate your practice, you'll find plenty of inspiration in The Printmaking Ideas Book. From traditional methods such as screenprinting, etching and lithography to contemporary techniques such as risography and digital collage, this book is packed with new ideas, methods and tips on every page. Brimming with experimental, arresting and beautiful examples of printmaking from all over the world, it will take your creativity further and awaken new ideas.

What goes into creating art? How can we learn to "read" paintings? What are the key elements of composition? If you've ever found yourself seeking the answers to the above questions and more, then this may be the book for you! An art book like no other, How Art Works uses practical graphics to demonstrate the techniques, styles, materials, and concepts that lie behind great art. It shows you how to interpret paintings, drawings, and sculptures, and reveals how art is made, laying out the key techniques and materials in visual detail. It also explains the nuts and bolts of the technical aspects behind art, such as perspective and composition, and shows how to identify major artistic styles and movements. This awe-inspiring art history book features: - Oil and watercolour painting, drawing, ceramics, sculpture, and more - Explains the technical aspects of visual arts including perspective, light, colour, form, and texture - A selection of major art movements such as Impressionism, Cubism, Surrealism and more - Shows how information, messages, and emotion can be conveyed through art - Highlights key inventions and developments Providing all you need to know to build on your artistic understanding and appreciation, this is the perfect book for art lovers of all kinds, whether you're an art student, or you're simply a lover of visual art and are looking to discover more about art but aren't sure where to begin. At DK, we believe in the power of discovery. So why stop there? How Art Works is part of DK's widely successful How Stuff Works series. Discover the inner workings of the mind with How the Brain Works, succeed in all things science with How Science Works and discover the cosmos like you've never known before with How Space Works. Whatever topic sparks your interests, there's a plethora of knowledge to discover!

Where do great artists get their inspiration? And how could they help you make something extraordinary? In You Are an Artist, over fifty artists from around the world share their creative techniques, and give you brilliantly imaginative exercises to inspire you to make your own art. Among other things, you'll invent imaginary friends, construct a landscape, find the quietest place, measure your history and become someone else (or at least try). You don't need special materials or experience. Your only challenge is to create art that reflects the world as you see it. Curator Sarah Urist Green brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.

Based on the success of Tattoo Bible - Book One, ArtKulture and Superior Tattoo bring to market Tattoo Bible - Book Two, another unique and colorful collection of flash art. Everything is here, from Skulls to Tribal, from Americana to the avant-garde. Tattoo Bible - Book Two, covers different styles and an endless supply of ideas. The images are represented in a range of physical sizes, some are printed two or four per page, the more intricate designs are reproduced one per page. The categories include Hearts, Dragons, Roses, Skulls, Butterflies, Girls, Crosses, Celestial, Tribal, Back Pieces, and Nautical.

Die Autorin analysiert umfassend das Fruhwerk des deutschen Kunstlers Otto Freundlich (1878-1943). Dieser begann bereits wahrend seines ersten Paris-Aufenthaltes 1908 eine eigenstandige, nicht-gegenstandliche Formensprache zu entwickeln, ohne sich wie zahlreiche seiner Zeitgenossen den vorherrschenden Kunststilen anzupassen oder unterzuordnen: "Ich habe [...] nach meiner inneren UEberzeugung geschaffen, die verlangte, von der Tradition abzugehen." Anhand der Rekonstruktion seines Netzwerkes positioniert die Untersuchung den Kunstler als selbstbewussten Wegbereiter der Abstraktion innerhalb der Pariser Avantgarde.

A Visual Language is a practical introduction to the language of the visual arts, with a strong, innovative methodology. This expanded second edition begins with the basics of shape, composition and drawing, and gradually moves on to explore more complex arrangements, including abstract and representational analysis and composition. Building on the principles of visual language established in their last book, the authors now explore three-dimensional forms of increasing complexity. The final chapter of the book is devoted to a selection of sketchbook studies on ten international artists from various different visual disciplines, from architects and animators to painters and performance artists. This section demonstrates practically the methods presented earlier in the book, and helps visual artists to develop skills and confidence in their artistic work. Featuring a large number of new images, this book is essential reading for any artist in any field, regardless of their level, and is the only introduction to the visual arts that a beginner should require.

Originally published in 1916, this book contains guidance on drawing with perspective, with specific reference to architectural drawings. Wright and Rudd illustrate their principles with over three hundred drawings of complex architectural features such as ovolo moulding and mastabas. This book will be of value to anyone with an interest in illustration, art or perspective.

This is a translation of the 1802 introduction to studio practices for sculpture students by Francesco Carradori (1747-1824), a sculptor, restorer, and instructor of sculpture at the Accademia in Florence from 1786 to 1821.
Carradori's instructions are vital to understanding the art and craft of sculpting as they were practiced before the twentieth century, since little substantial material exists that demonstrates, in an informed, didactic manner, the various tools and techniques used by ancient sculptors to execute work. Carradori's work is the most comprehensive and instructive and includes thirteen articles that explain how to restore marble sculpture, model clay, work with stucco and wax, cast and finish bronze, and carve and enlarge models into marble and stone, as well as seventeen tables that illustrate the arrangement, methods, and tools used in each of these processes. Paolo Bernardini discusses the historical and theoretical aspects of sculptural practice in nineteenth-century Italy. Translator Matti Auvinen gives an introduction to sculptural studio practice in the nineteenth century. In addition, the complete Italian text is reprinted.

Art Journal Color Art Journal Composition Art Journal Freedom

Color is all around us and we often find ourselves drawn to particular combinations or arrangements. But how can you effectively and artistically capture those eye-catching compositions in your art journal?

It's true, art journaling has no "rules" and is a safe place for free expression of your one-of-a-kind life. But knowledge is power and knowing the "rules" of color and composition gives you the freedom to use and break them willfully to create the effects you want. Dina shares these principles in a fun and approachable way with dozens upon dozens of unique journal pages to show you just some of the many possibilities.

Inside You Will Find:

• Lessons and tips about composition and color including dominance and repetition, symmetry, contrast and the power of black and white.
• 10 step-by-step technique demonstrations.
• Dozens of color and design tips and page challenges.

A resource for both beginners and those returning to watercolor including traveling architects, artists, and designers this guide covers sketching on site, sketching in the studio, environmental color, color values, and more. Exercises depicting a range of subjects from architectural details to large landscapes provide practical experience with the medium."

Painting "without color" has long held a fascination for artists. In this striking and original book, the authors explore how and why artists from the 15th century to the present have chosen to paint in black, white, and shades of gray. Sometimes artists used trompe l'oeil monochromatic effects to represent other media, such as sculpture, prints, or photography; others have consciously limited their palette as a means of re-focusing the viewer's attention, while contemporary artists such as Gerhard Richter and Bridget Riley have often found inspiration in pushing black and white to its limits, and in new directions. The authors trace the history of this art form, from the symbolism of sacred images in medieval church ritual - epitomized in Netherlandish painting from the 15th century onwards by Hans Memling and Jan van Eyck - to the modern era and the work of artists such as Josef Albers and Ellsworth Kelly. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (10/30/17-02/18/18) Museum Kunstpalast, Dusseldorf (03/21/18-07/15/18)