Widely loved illustrator Tasia brings her unique style to this issue's cover design, and she also provides an in-depth tutorial to show us how she creates her art. Kenneth Anderson creates a 70s rock band, Johanna Forster brings fruit to life, and Sara Paz shows us how to create characters from reference photos. Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.

During the latter half of the eighteenth century, especially the period around and just after the French Revolution, what was happening in France in the field of painting restoration influenced all of Europe. In 1750, the museum in the Luxembourg Palace in Paris was opened to the public, and it became necessary to display to the public paintings which had been in storage for years. In the following decades, King Louis XVI and his advisor, the Comte d'Angiviller, developed and enlarged the national collection of paintings. And with this came the need for painting restorers doing quality work - more than just the quick repairs as done by painters in the past - and several full-time painting restorers were employed. By the time the museum in the Louvre was opened to the public in 1793, in the midst of the French Revolution, the profession had been established. During the latter half of the eighteenth century, painting restoration techniques improved and French restorers began to travel to England and to other European countries more frequently, spreading their practical knowledge - especially about the lining and transfer of paintings. In Paris, a national concours was prepared to choose the most capable from a growing group of candidates, and in 1802 plans were drafted for a school of restoration. In this book, the lives and careers of several of the more well-documented painting restorers for the French Royal Collection are traced one-by-one - including as much as possible about their restoration techniques.

Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the multimedia museum, and curatorial design. Rounding out the volume are case studies with accompanying illustrations.

Dealing with forces is part of the basic inventory of artistic processes. In giving shape and movement to material, such forces are manifested in a specific form; as push and pull, for example, as heaviness and lightness, but also as attachment and dissolution. The articles in the book examine notions of formative and motive forces using examples from art, music, dance, theater, photography and literature. The questions posed not only cover how historical notions of force (such as energeia and vis from ancient rhetoric) are adopted, taken further, and correlated with mechanically, metaphysically and organologically based concepts of force, but also how, in the examination of form and movement, the inherent concepts of force are manifested or presented in a new light.

Be inspired by this fun compilation sketchbook of four favorite volumes from Quarry Books' 20 Ways series! Designed to offer artists, designers, and doodlers a fun and sophisticated collection of illustration fun, each spread features 20 inspiring illustrated examples of 135 themes, over 3600 drawings total! From trees and flowers to animals and sea creatures and everything in between. Don't worry, there's tons of room for you to draw your own versions of these amazing doodles right on the pages. This is not a step-by-step technique book - within the pages you'll find drawings simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. These four artists each have a uniquely creative style, resulting in an engaging and motivational practice book that provides a new take on the world of sketching, doodling, and designing.

Each year 11 million people trek to the Louvre to gawk at the Mona Lisa. Many visitors clutch guide books in hand describing the painting. For some, it's the experience of a lifetime, one they'll talk about with friends and family for decades. Yet some modern researchers say that the vast majority of people will never recognize the hidden messages in this painting. That's because those hidden messages are subliminal. Buried below the threshold of conscious awareness, Da Vinci used techniques people never notice. Not only don't people know what they're seeing, they would be shocked to find out. A surprisingly large number of famous paintings fall into the same category. That is, they employ subliminal techniques to enhance the effectiveness of the work or to encode messages within portraits and landscapes. No book, however, has ever attempted to provide an overview of the technical sophistication and arcane methods that artists worldwide have used to conceal secret meaning in their work. Every Picture Hides a Story is the first book to expose the subliminal content in the world's greatest paintings. Titillating, subversive, and building on the groundbreaking work of pioneers of art criticism, this book will enable readers to view art masterpieces with greater understanding. And their enjoyment of these works will be exponentially enhanced. This full-color book contains 90 images of the paintings and their details.

"Computers and Art" provides insightful perspectives on the use of the computer as a tool for artists. The approaches taken vary from its historical, philosophical and practical implications to the use of computer technology in art practice. The contributors include an art critic, an educator, a practising artist and a researcher. Mealing looks at the potential for future developments in the field, looking at both the artistic and the computational aspects of the field.

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Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn's etching of The Presentation in the Temple (c. 1640), Joseph Beuys's social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world.

Building-related art commissioned by the state brings politics, society, architecture, and urban design together in a unique way. In the German Democratic Republic (GDR), it was initially given the function of propagating political contents and idealized images of society. Artists increasingly emancipated themselves from government guidelines and developed their own forms of expression in interplay with their surroundings. Until today, many people identify numerous artworks with their home country. The publication documents the symposium "Building-related Art in the German Democratic Republic" on the occasion of the anniversary "seventy years of building-related art in Germany" in 2020. Renowned experts examine building-related art in the GDR from the perspective of aesthetics and contents and discuss this internationally unique stock of artworks in detail.

This inspiring sketchbook is part of the new "20 Ways "series from Quarry Books, designed to offer artists, designers, and doodlers a fun and sophisticated collection of illustration fun. Each spread features 20 inspiring illustrated examples of 45 themes - tree, tulip, shell, owl, peacock feather, mushroom, cloud, and much, much more-over 900 drawings, with blank space for you to draw your take on "20 Ways to Draw a Tree."This is not a step-by-step technique book--rather, the stylized flowers, trees, leaves, and clouds are simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms meld to create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. Presented in the author's uniquely creative style, this engaging and motivational practice book provides a new take on the world of sketching, doodling, and designing.
Get out your favorite drawing tool, and remember, there are not just "20 Ways to Draw a Tree"