Master the art of linear perspective. If you're an animator, illustrator, comic book artist, game artist or anything in between, you need to be able to create images that accurately and realistically show space, dimension and form. Simplifying Perspective is the one and only guide that thoughtfully and clearly breaks down the principles of perspective into something that's easy to understand and use. With approachable lessons and clear visual step-by-step instruction, Robert Pastrana provides you with powerful techniques that help you turn a troubled drawing into a living, breathing, dimensional scene. With Simplifying Perspective, you'll never have to wade through dense, complex technical manuals again - this comprehensive guide to perspective is tailored specifically for artists who need to learn the ins and outs of one, two, and three-point perspective, measuring, shadows, reflections, and more. Simplifying Perspective presents complex drawing concepts in an easy-to-follow, approachable manner so you can finally learn the essentials of perspective without the anticipated frustration. Provides clarity, depth, and a wealth of examples - this is your must-have guide to understanding and using linear perspective Detailed visual instruction includes hundreds of color coded, step-by-step diagrams that allow you to easily follow the technical process of each construction Comprehensive companion website includes additional resources on perspective with a range of work to help further your skills

In Creative Watercolor and Mixed Media, popular watercolor artist, instructor, and author Ana Victoria Calderon shares her simple step-by-step techniques for painting exciting and colorful motifs by combining watercolor with a variety of other user-friendly materials. Start with the essentials-paint, paper, and brushes-then learn about the featured mediums for mixing, including masking fluid, gold leaf, bleach, salt, and alcohol Take a step-by-step look at fundamental watercolor techniques Learn to paint a variety of striking organic motifs and surface effects, including stirring skies and clouds, sparkling galaxies, flowing oceans, and dazzling crystals Find great project ideas for stylish gifts and stationery Whether you're new to the medium or are looking to add new techniques to your watercolor practice, go grab a brush, paints, and some easy-to-use materials and take a beautiful creative journey with watercolor! Perfect for all skill levels, the books in the Art for Modern Makers series take a fun, practical approach to learning about and working with paints and other art mediums to create beautiful DIY projects and crafts.

How to Draw is for artists, architects and designers. It is useful to the novice, the student and the professional. You will learn how to draw any object or environment from your imagination, starting with the most basic perspective drawing skills. Early chapters explain how to draw accurate perspective grids and ellipses that in later chapters provide the foundation for more complex forms. The research and design processes used to generate visual concepts are demonstrated, making it much easier for you to draw things never-before-seen! Best of all, more than 25 pages can be scanned via a smartphone or tablet using the new Design Studio Press app, which link to video tutorials for that section of the book! With a combined 26 years of teaching experience, Scott Robertson and Thomas Bertling bring you the lessons and techniques they have used to help thousands of their students become professional artists and designers. This book is indispensable for anyone who wants to learn, or teaches others, how to draw.

A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten's Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt's studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten's magnum opus--here available in an English print edition for the first time--brings textual sources into dialogue with the author's own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten's arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.

'Human Figure Drawing' offers a refreshing perspective on this time timeless topic, with clear and helpful explanations and around 500 illustrations in b&w and colour. This book shows us how to learn to draw the human figure and regain our ability to observe a subject. Being able to capture the human body is a basic requirement for any artist and 'Human Figure Drawing' will help the reader conquer the fear of making mistakes and teach them how to draw with the confidence and curiosity of a child. In this new edition, the layout is completely new, the images have been updated and the readability has been improved.

Join the art critic Ben Eastham on a private tour of an extraordinary museum. Let him walk you through a building constructed from memory and filled with a series of bewildering art works, while he delivers a guide comprised of personal experience, professional expertise and sympathy. In this stunningly original book, an introduction to contemporary art is combined with the author's own memories and reflections on what art means. With the help of a cast of interfering security guards, pretentious curators, sceptical visitors, angry protestors and elusive ghosts, Eastham proposes that the art of today offers a way of understanding our increasingly strange and complex times. Eastham doesn't ask you to like the artworks in his imaginary museum, but offers the tools for you to formulate and express your own opinion of them. He argues that art should be judged by the feelings it provokes and the conversations it generates: in talking about art, we learn to talk about ourselves and the world in which we live.

This book is a selection of different ways to interpret a map at the illustrative level. Several artists have created maps of the worlds most beautiful places and also its main cities, including Paris, Berlin, Dubai, Rio de Janeiro, and more. They are colorful illustrations in which each artist shows us his or her own way of working with lines and geometrical shapes, some very detailed or synthesized, some using computers or watercolors, and some simply using a pen.

With Draw 62 Animals and Make Them Happy, illustrator Terry Runyan shows you how to draw 62 amusing animals-and animals in silly situations-by following her easy step-by-step instructions. On the left-hand page, follow the steps for drawing each subject, from simple shapes to identifying marks. On the right-hand page, you'll find several other cleveroptions for varying animals by changing the view, the posture, accessories, or expression. Grab your pen and use the open spaces throughout the book to create your own versions and variations. Whether you're drawing a sidesplitting pooch, a comical cat, or a facetious fox, with Draw 62 Animals and Make Them Happy you're sure to enjoy learning how to bring them to life! Fresh, modern, and with a dash of clever humor, the Draw 62 series from Quarry Books is the most entertaining way to practice your illustration and expand your imagination.

What is creature design? We all have a notion―mostly consisting of evocative images of otherworldly beings galloping, swimming, flying, and often attacking the hero of an epic film or story. But what makes a creature believable? In the follow-up to her bestseller, Animals Real and Imagined: The Fantasy of What Is and What Might Be, world-renowned artist Terryl Whitlatch reveals the secret behind believable creature design: anatomy. How anatomy applies practically to the natural history and story is the prime cornerstone on which successful creature design hangs, whether the creature is real or imaginary. Studying, understanding, drawing, and applying accurate anatomy to an imaginary creature will make viewers suspend their disbelief to welcome a new vision into their worlds. We invite you to immerse yourself in the intricate workings of numerous animal anatomies―and the beauty they possess―in the Science of Creature Design: Understanding Animal Anatomy. Whitlatch’s delightful and charismatic illustrations will inform and thrill readers with every turn of the page. She shares valuable techniques reaped from years working for Lucasfilm and Walt Disney Feature Animation, and on such films as Jumanji, Brother Bear, and The Polar Express. In addition, Whitlatch exemplifies an endless love for real animals that continues to inspire her fantastic imaginary creatures, which have captivated audiences around the world.

Wie man sich standesgemass einrichtet, war im Kaiserreich eine zentrale Frage burgerlicher Lebensfuhrung. 'Wohnsuchtig' nannte Walter Benjamin das 19. Jahrhundert. Die neuen Kaufhauser stellten komplette Wohnwelten aus, Einrichtungsratgeber und Wohnzeitschriften kamen auf. Erstmals wurden Moebel mit Maschinen in Serie produziert. Exemplarisch zeigt das Buch, welche Wahlmoeglichkeiten Familien des burgerlichen Mittelstands bei der Wohnungseinrichtung hatten. Aus einer interdisziplinaren Perspektive untersucht die Studie, inwieweit sich Angebot und Nachfrage nach Moebeln und die neuen Produktionstechniken gegenseitig beeinflussten - stilistisch, technisch und preislich.

Be inspired by this fun compilation sketchbook of four favorite volumes from Quarry Books' 20 Ways series! Designed to offer artists, designers, and doodlers a fun and sophisticated collection of illustration fun, each spread features 20 inspiring illustrated examples of 135 themes, over 3600 drawings total! From trees and flowers to animals and sea creatures and everything in between. Don't worry, there's tons of room for you to draw your own versions of these amazing doodles right on the pages. This is not a step-by-step technique book - within the pages you'll find drawings simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. These four artists each have a uniquely creative style, resulting in an engaging and motivational practice book that provides a new take on the world of sketching, doodling, and designing.

The late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Cezanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris. Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm. It is an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.

Making connections between drama and drawing, Drawing as Performance introduces visual artists and designers to rehearsal techniques, theory, and games as ways of developing image-making and visual communication skills. Drawing from the fields of theatre and anthropology, this book is full of practical exercises that encourage experimentation and play as methods of making expressive, communicative, and meaningful images. Ideas are adapted from the rehearsal room to the drawing studio, offering artists a fresh approach to translating experiences into visual images. Games and exercises are accompanied by demonstrations and responses from professional practitioners and visual communication students. This one-of-a-kind book guides students and professionals alike to improvisation, self-expression, and reflective visual communication techniques in order to narrow the gap between the handmade image and inner experience from which artists draw their inspiration.