Explore exciting new ways of using graphite, charcoal and mixed media to create dramatic landscape drawings, under the expert tutelage of Robert Dutton. The Innovative Artist series provides a unique insight into the methods and materials used by leading contemporary artists who are pushing the boundaries of their art. Through numerous examples of the author's work alongside practical demonstrations, each book provides a fascinating exploration of the artist's creative process that will inspire the reader to move forward on their own artistic journey. This book is aimed at artists who wish to explore new ways of using a variety of drawing media to create striking, dramatic landscapes. Author-artist Robert Dutton uses his expressive, loose style of drawing and painting to capture, with great emotion, the power and drama of the landscape. Robert combines media such as liquid graphite, inks, metallic inks, charcoal and water-soluble painting and drawing pastels, and also experiments with collage work. Predominantly focusing on working in black and white, Drawing Dramatic Landscapes explores basic drawing techniques using a limited range of media, then introduces new techniques and products as the reader progresses. This is a highly-instructive guide to the techniques Robert himself uses, with numerous exercises and larger step-by-step projects throughout the book showing how he works. Alongside these are numerous examples of the author's finished artworks accompanied by informative captions explaining the methods used to create them, thereby providing both instruction and inspiration. Robert works outdoors from life much of the time, later finishing his artworks in the studio. His work is both achievable and aspirational, making this a highly-attractive book for established artists who wish to gain insight into the work of their contemporaries who are experimenting with new and innovative techniques.

Renowned watercolourist David Bellamy shares his passion for painting seas and shorelines in this inspiring and practical book. There is advice on finding subjects and painting the different moods of the sea; rocks, crags and cliffs; adding figures and animals into your artworks; as well as an in-depth look at the painting and sketching techniques required. David's extensive travels mean that seas and shorelines from all over the world appear in the paintings.

#1 New York Times bestselling author and Eisner-nominated cartoonist Tom Hart has written a poignant and instructive guide for all aspiring graphic memoirists detailing the tenets of artistry and story-telling inherent in the medium. Hart examines what makes a graphic memoir great, and shows you how to do it. With two dozen professional examples and a deep-dive into his own story, Hart encourages readers to hone their signature style in the best way to represent their journeys on the page. With clear examples and visual aids, The Art of the Graphic Memoir is emotive, creative, and accessible.

Written and illustrated by master wood engraver Barry Moser, this primer on the art of wood engraving is filled with valuable knowledge including how to prepare a printing block; how to think in the medium's properties of line, shape, and ink; and how to transfer a drawing onto a block. It also offers practical advice on which tools to use for a project and which ink works best. A highly illustrated guide to this art form, Wood Engraving will be useful to experienced and beginner engravers alike. This book features stunning examples of Moser's art and skill to admire and inspire.

How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment Europe Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium-aquatint-which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco Goya, Maria Catharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art's collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC October 24, 2021-February 21, 2022

The first full edition of the correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, who she eventually married. It dates from the period 1845 to 1861, and covers artistic life in both Paris and London, including the Pre-Raphaelites. This correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, whom she eventually married, dates from the period 1845 to 1861. They were all friends of Rossetti and the Pre-Raphaelite circle, but in addition Henry and Joanna both studied in Paris, and Joanna wrote extensively about her time there, training with Thomas Couture. She wrote for The Saturday Review as well as painting a small number of very interesting and much admired pictures. Her brother George established himself as a successful watercolourist and member of the Old Watercolour Society, having been encouraged both by David Cox on his Welsh sketching expeditions,and by Ruskin, whose letters advising him what to paint in Venice are included here. Henry Wells was primarily a portrait painter. At first he specialised in miniatures, and was commissioned to paint Mary, princess of Cambridge byQueen Victoria. There are vivid accounts of visits to country houses to carry out commissions from their owners. The three wrote constantly about techniques of painting and about the new colours that became available at this period, and about their visits to exhibitions both in Paris and London. They all contributed to the Royal Academy and other exhibitions. In addition, there is the extraordinary story of Joanna's and Henry's courtship and marriage, at first encouraged and then viciously opposed by Joanna's recently widowed mother. The correspondence survives only in an unpublished transcript made in the 1940s, as the originals were all destroyed in a bombing raid on Bath during the second world war. Excerpts from George P. Boyce's diaries were published in the 1930s, but the present edition contains a considerable amount of new material.

An essential guide demonstrating the universal oil painting techniques that allow artists to expand their horizons, break out of ruts, and master a variety of subjects, including figures, portraits, still life, landscapes, and interiors. Many painters limit themselves to a particular genre out of habit or fear, but art instructor Gregg Kreutz reveals how connected oil painting techniques are no matter what subject an artist tackles. Arranged by essential artistic focal points, each chapter reveals the challenges and rewards that painters face when covering specific genres. Through step-by-step lessons and examples from the works of oil painting masters past and present, Kreutz shows how artists can strengthen their skillset for one type of subject matter by painting in another area they may not be as familiar with. This comprehensive breakdown of oil painting provides all of the tools and encouragement painters need to successfully take on any type of oil painting.

A groundbreaking examination of Mel Bochner's inventive drawing practice produced collaboratively with the artist Encompassing both works on paper and oversized wall drawings made from the 1960s to the present, this handsomely designed volume documents the first-ever museum retrospective of drawings by Mel Bochner (b. 1940). Drawing has long been critical to the work of this pioneering conceptual artist, and essayists explore the theoretical framework and playful experimentation of his decades-long practice. The book, conceived and designed in close collaboration with the artist, features his own writings about his philosophy of wall drawings and reflections on significant exhibitions of his work. Bochner was a key figure of the Minimalist and Conceptual Art movements whose first exhibition in 1966 is now recognized as seminal. Today the artist is known for works in a range of media that explore the conventions of language and visual art as well as the relationships between them; his experimental works on paper, canvas, and wall-all of which are celebrated here-are a foundational facet of his practice and a critical influence on contemporary art. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (April 23-August 22, 2022)

Valentin Popov's art combines images of the superhero in American society with traditional religious iconic art from his native Ukraine. His work is in a number of major art museum collections including the National Museum of Ukrainian Art, the Fine Arts Museum of San Francisco, the Metropolitan Museum of Art in New York, and more. Ironic Icons is his first book.

This book is a mosaic or quilt of folk art around the world, from polychrome clay figures made in Izucar de Matamoros, Puebla (Mexico) to the baskets Maori women create in New Zealand, from Japanese lacquer work and decorated paddles to black dolls in Rio de Janeiro, Brazil. The creative impulse found in three continents, four countries, and four geographical regions are juxtaposed to make up a harmonious whole. The book carries out a detailed dissection of a variety of ethnic, racialized, and gender representations in their contemporary forms.

When digging for clues about an ancient society's culture, nothing is more valuable to an archaeologist than ceramic remnants. Dawn Whitehand explains why. Her text is the first to comprehensively explore the complex nature of pit firing based on historical evidence and the artistic perspectives of contemporary ceramicists. Many specialist texts discuss ceramics from an artistic, craft-based, anthropological, archaeological, or historical viewpoint. This book draws information from all these sources and presents it in an informative and accessible manner. Included is a historical chapter, a how-to chapter, and a series of artist profiles that showcase the pit fired ceramics of contemporary practitioners. The book contains detailed photographs of the process and a glossary for those who wish to further explore pit firing and ceramics. It will appeal to everyone from the novice ceramicist to the serious art historian and collector.

Silverpoint, and metalpoint more generally, is the practice of marking with soft metal on a specifically prepared drawing surface. Practiced for centuries, the artform is experiencing a resurgence in recent years, with contemporary work exploring abstract as well as realist, conceptual as well as traditional. Silverpoint and Metalpoint Drawing is the essential manual of metalpoint technique, written by Susan Schwalb and Tom Mazzullo, contemporary masters of the medium. This book is the first treatise on the subject for artists and art teachers with chapters on early history, materials including grounds, supports, metals, and tools, techniques for working in metalpoint as well as mixed media, and finally, the care of metalpoint works. Not only beautifully illustrated, this book also demonstrates how to photograph and exhibit metalpoint art. Featuring a gallery of drawings by contemporary artists, along with their tips and insight, Silverpoint and Metalpoint Drawing is a perfect introduction for students of the medium and an inspiration for those already more familiar with it.

Date Me is a collection of comics that tells stories of dating in a wheelchair, social situations sculpted by people's response to a wheelchair, and the struggle of trying to fit in from a different perspective. Dating is hard enough as an able-bodied person. Throw in the variable of a wheelchair and the "hard" becomes "almost not worth it." Kristin Beale shares stories of her crazy family, the unique and often lousy ways people interact with her because of her disability, and her often failed attempts at dating in a wheelchair with a strained, but ongoing determination not to give up. Relatable for many people who have dated in the 21st century, Date Me offers a different perspective from a wheelchair user and how to interact with them. With a few extra indiscriminate stories thrown in, Kristin's stories keep readers entertained as she reveals the struggles and triumphs of living in a wheelchair in today's world.

3dtotal Publishing is an established authority on art and design, with a growing stable of high-calibre artist-authors. With such incredible talent and know-how under one publishing-house roof, we are uniquely placed to launch the BRAND NEW SERIES, Artists' Masters Series. We have already released several bestselling, well-respected art-theory books including Art Fundamentals 2nd Edition and our much-loved character design titles. We cover the breadth of art and design, offering tutorials and inspiration from hundreds of experts across many genres. Now, this exciting new series takes a deep dive into the key areas of art theory, focusing on specific aspects which, when mastered, make the difference between good and world-class design. This innovative concept launches with Artists' Masters Series: Color & Light. A select few hugely popular industry experts reveal techniques they use to infuse characters with the advanced levels of color and light that make their work instantly recognizable and universally admired. Their in-depth illustrated advice, detailed step-by-step tutorials, enlightening case studies, and awe-inspiring inspiration provide a distinctive and invaluable blend of advanced techniques that can't be found anywhere else. For artists and designers aiming to raise their game to an expert level, the Artists' Masters Series is the key to success.

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An investigation into how landscape drawing informed a new Dutch identity in the sixteenth and seventeenth centuries Throughout the sixteenth and seventeenth centuries, amid enormous expansion in global commerce and colonization, landscape drawing played a key role in forging Dutch national identity. Featuring works on paper by Rembrandt, Bruegel, and Ruisdael, among dozens of other artists, this study examines how a hyperlocal impulse in many of these drawings inspired domestic pride and a sense of connection to the land, as they also reflected aspects of the broader ecological and social change taking place. Incisive essays offer close readings that push our understandings of these artists and their work in important new directions, including eco-criticism, land use and environmentalism, race, and class. Distributed for the Harvard Art Museums Exhibition Schedule: Harvard Art Museums, Cambridge, MA (May 21-August 14, 2022)

Imaginarium: The Process Behind the Pictures is a compendium of practical advice and information covering the photographic process--from idea cultivation through execution. The guidance in this book is written with an understanding of the nature of artists at their core and explores the science of how ideas are born, the conditions that facilitate the productive creation of art, and the elements necessary to make creative work. This compendium is applicable across genres, for individual artists and for those working in a commercial capacity. It brings together strategies and tools to help readers generate compelling ideas and create unique images. From the simplest idea to the most fantastical, you will learn brainstorming, concept development, pre-visualization, pre-production, problem solving, and execution steps in the creative process, including practical tools and ideas for overcoming obstacles and achieving success along the way. Contributors: Beth Taubner Mercurylab Alessia Glaviano Vogue Italia Rebecca Manson The Post Office Interviews with: Maggie Steber, Roger Ballen, Sara Lando, Gabriela Iancu, Robin Schwartz, and Eleanor Macnair *** Imaginarium: The Process Behind the Pictures Table of Contents 1: ON ART The Purpose of Art Strong Images Development of an Artist Goals for Making Work Chapter Wrap-Up 2: ARTISTIC LIFESTYLE The Foundation Curation of Experiences Tapping into the Unconscious Creative Psychology Health Nurturing Creativity Community of Artists Chapter Wrap-Up 3: TIME MANAGEMENT Motion Versus Progress Productivity Motivation Work That Fits into Your Life Chapter Wrap-Up 4: PREVISUALIZATION Concept Generation Triggers Divergent Thinking Free Association Brainstorming Mind Mapping Mood Boards Previsualization Concept Development Chapter Wrap-Up 5: PRODUCTION Pre-Production Resources and Research Building a Team Plan B, C, and D On Set Checklist Best Practices Editing Post-Production Chapter Wrap-Up 6: THE VIEWER EXPERIENCE The Viewer Experience Presentation Considerations Critique and Feedback Series and Long-Term Projects Assignments/Commissions Body of Work: What We Leave Behind Chapter Wrap-Up Conclusion Artist Interviews

Twenty-five leading artist duos and collectives give insight into how and why to work collaboratively Art history is traditionally presented as the individual's struggle for self-expression, yet over the past fifty years, the number of artists working collaboratively has grown exponentially. Co-Art: Artists on Creative Collaboration explores this phenomenon through conversations with twenty-five leading art-world pairs and groups, who offer insight that is relevant beyond the art world, making this book vital for all who seek to work creatively and effectively with others. Artists featured: Allora & Calzadilla, Assemble, Auguste Orts, ayr, Biggs & Collings, Broomberg & Chanarin, ChimPom, Claire Fontaine, DAS INSTITUT, DIS, Elmgreen & Dragset, Eva & Franco Mattes, GCC, Gelitin, Guerrilla Girls, Iain Forsyth and Jane Pollard, Jane and Louise Wilson, John Wood and Paul Harrison, LaBeouf, Roenkkoe & Turner, Lizzie Fitch/Ryan Trecartin, Los Carpinteros, Pauline Boudry/Renate Lorenz, Raqs Media Collective, SUPERFLEX

Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn's etching of The Presentation in the Temple (c. 1640), Joseph Beuys's social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world.