Nano is Greek for dwarf and the word nanotechnology 'was first proposed in the early seventies by a Japanese engineer, Norio Taniguchi, implying a new technology that went beyond controlling materials and engineering on the micrometer scale that dominated the 20th Century'. The content for this book has been based on a self-emergent process. It explores an art historical understanding of matter and uses various hypotheses to elucidate the effects on materiality and agency as a result of the emergence of nanotechnology. The blurring of material boundaries are reflected in the establishment of a fluid organic spatial narrative in which to place ideas, propositions and concerns. A cornerstone of the book is the concept posed in the philosophical writings of Lucretius of the unpredictability of the atoms' swerve and its formative role in the beginning of all matter, form, life and individuality. It focusses on the concepts of vibration, vitalism, life and materiality and extends the artist's concepts of agency in relation to matter.

Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.

This inspiring sketchbook is part of the new "20 Ways "series from Quarry Books, designed to offer artists, designers, and doodlers a fun and sophisticated collection of illustration fun. Each spread features 20 inspiring illustrated examples of 45 themes-cat, giraffe, seal, elephant, whale and much, much more-over 900 drawings, with blank space for you to draw your take on" 20 Ways to Draw a Cat."This is not a step-by-step technique book--rather, the stylized animals are simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms meld to create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. Presented in the author's uniquely creative style, this engaging and motivational practice book provides a new take on the world of sketching, doodling, and designing.

Learn how to confidently draw the human form from head to toe with this comprehensive, richly illustrated guide. Expert drawing instructor and storyboard artist Tom Fox knows exactly how to capture the figure in poses that are both dynamic and true to human anatomy. The book details the central figure-drawing elements and techniques that are essential to every artist of every skill level. From understanding the XYZ axis and basic skeleton, to thinking in 3D space and creating mannequins of all levels of detail, the book deals with everything the reader needs to know before moving on to the figure itself. Tom presents in step-by-step details exactly how to add the muscles and depict truly believable poses. Every part of the body is presented in detail, with easy-to-follow breakdowns of the torso, arms, and legs, and the often-tricky head, hands, and feet. The author also shares insightful, game-changing anatomy tips, many learned from years of working for major clients in the entertainment industry and teaching others to draw the human figure, both in person and online. This combination of experiences and skills make Tom an outstanding author of this must-have book for artists in all areas of figure drawing.

Creative Block is a book set out to ruffle feathers, get out of ruts and start those juices flowing. Focussing on creative process and theory, it is filled with over 100 tasks to get your head into a conceptual and creative space, encouraging experimentation and playfulness in art. Ideal for artists, industry creatives and individuals who simply want to delve deeper into their own creativity. This book helps to improve your process and technique when approaching art, in all its forms. Intriguing, fun and challenging, Creative Block will have you distorting, abstracting, morphing, reinventing and, above all, leaving the box behind.

Arthur Wesley Dow taught at major American arts training institutions for 30 years including Teachers College, Columbia University; the Art Students League of New York; Pratt Institute; and his own Ipswich Summer School of Art. His ideas were quite revolutionary for the period, he taught that rather than copying nature, art should be created by elements of the composition, like line, mass and color. He taught many of America's leading artists and craftspeople, including Georgia O'Keeffe, Charles J. Martin, two of the Overbeck Sisters and the Byrdcliffe Colony.

Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.