Steve Martin has been an international star for over thirty years. Here, for the first time, he looks back to the beginning of his career and charmingly evokes the young man he once was. Born in Texas but raised in California, Steve was seduced early by the comedy shows that played on the radio when the family travelled back and forth to visit relatives. When Disneyland opened just a couple of miles away from home, an enchanted Steve was given his first chance to learn magic and entertain an audience. He describes how he noted the reaction to each joke in a ledger - 'big laugh' or 'quiet' - and assiduously studied the acts of colleagues, stealing jokes when needed. With superb detail, Steve recreates the world of small, dark clubs and the fear and exhilaration of standing in the spotlight. While a philosophy student at UCLA, he worked hard at local clubs honing his comedy and slowly attracting a following until he was picked up to write for TV. From here on, Steve Martin became an acclaimed comedian, packing out venues nationwide. One night, however, he noticed empty seats and realised he had 'reached the top of the rollercoaster'. BORN STANDING UP is a funny and riveting chronicle of how Steve Martin became the comedy genius we now know and is also a fascinating portrait of an era.

Cincinnati has a distinguished television history. Beginning before WLW-T signed on the air in February 1948, its experimental station W8XCT broadcast from the 46th floor of the Carew Tower. WKRC-TV and WCPO-TV signed on in 1949, WCET in 1954, and WXIX-TV in 1968. Since then, television has become part of the family. Uncle Al, Skipper Ryle, Batty Hattie from Cincinnati, the Cool Ghoul, Peter Grant, Al Schottelkotte, Nick Clooney, Ruth Lyons, Paul Baby, Bob Braun, and Jerry Springer visited Cincinnati living rooms on television. Remember Midwestern Hayride, TV Dance Party, PM Magazine, Juvenile Court, Young People's Specials, Lilias, Dotty Mack, Bob Shreve, Mr. Hop, Bean's Clubhouse, The Last Prom, and Ira Joe? They are part of the collective Cincinnati history, part of the Cincinnati culture, and part of the Cincinnati family.

Create stunning contemporary artwork with no painting experience required!

Painting By Numbers: Alpine Village is a complete painting kit for experienced and beginner artists alike, with everything required to get started with a canvas artboard panel, reference sheet, palette, 8 paint pots and 2 paint brushes. By following the simple instructions, this relaxing and mindful pastime helps focus attention and concentration.

Best of all, painting by numbers is an immersive creative outlet that will provide hours of stress-free joy.

• 8 paint pots
• 2 paintbrushes
• a preprinted canvas
• a palette
• a reference sheet

Photographer Otis Hairston's camera snapped nearly forty years of fond memories and historic Greensboro events- from community gatherings and North Carolina A&T Aggie homecomings to celebrations of the historic 1960 sit-in. This stunning photo collection depicts ordinary people, local heroes and national celebrities as it captures the strength of Greensboro s African American community. "Picturing Greensboro" is a landmark volume of spectacular images that will be cherished for years to come.

Craft metal has endless decorative possibilities. It is pliable and can be wrapped around or adhered to any surface you can imagine.

This book is all about using coloured craft metal – decorating it by means of embossing, cutting out designs, adding further colour, taking away colour and filling in 3D designs and much more – to customise blanks and found objects for your home. You will learn more about the metal and supporting mediums, and how to use the tools and familiarise yourself with several techniques, all of which can be applied in making more than 50 decorative and functional items.

The original projects were designed and created specifically to show-case a variety of techniques and applications, including:

• Transferring and tracing designs
• Creating texture by means of inexpensive handheld tools or manual processes
• Using an embossing machine such as the cuttlebug™ for textures, patterns and die-cuts
• Finishing techniques such as sanding, ageing and painting
• Upcycling and repurposing
• Tips and tricks to simplify processes

The projects range from beginners to advanced level and from quick ideas to masterpieces that will take longer to complete. Magnificent photographs of the finished objects will inspire you while step-by-step instructions and photographs will help you to get started right away.

Line and wash is an exciting combination. This practical book shows you how to exploit the strength of ink with the transparency of watercolour to produce powerful and dynamic paintings. With over 170 illustrations, it covers a wide range of styles and subjects, before exploring mixed media, new surfaces and other ways to take your line and wash work to another level. Includes advice on choosing materials; exercises to hone your drawing and painting skills; gives inspiration for new approaches to line and wash and, finally, step-by-step demonstrations of ideas and projects. This book is a visual treat and an essential guide for all artists who want to try this exciting technique.

Die skrywer gee aanwysings vir alles van stempel- en stensilwerk tot verskeie reliefdrukwerkmetodes, insluitend lino-, tekstuurplaat- en kallograafdrukwerk, asook vier soorte skermdrukwerk. Hierbenewens is daar projekte met son- en sianotipe drukwerk en kan jy leer hoe om roes en plantmateriaal vir "eko"-tipe afdrukke te gebruik . Daar is 'n unieke benadering tot oordragmetodes en gewysigde afdrukke wat hierdie druktegnieke baie toeganklik maak. Verreweg die grootste en opwindendste deel van die boek is die oor mono-afdrukke en monotipe afdrukke, met die klem op gela-afdrukke. Angie Franke gebruik haar gelatienbasis-drukkussings (die resep is ingesluit), asook Gelli Plate-drukkussings en klei-afdrukke om monodrukwerktegnieke op vele verskillende maniere aan te bied. Hiermee saam gebruik sy ander prosesse in die boek om 'n fassinerende eindproduk te skep: laag-op-laag ryklik gekombineerde kleurafdrukke wat met stempel-, stensil-, maskeer- en tekstuurplaat-toerusting geskep word. Die aanwysings is maklik om te volg en die manjifieke foto's sal 'n ieder en 'n elk inspireer om afdrukmakery op die proef te stel.

Designed to coordinate page-by-page with the Lesson Books, each Theory Book contains enjoyable games and quizzes that reinforce the principles presented in the Lesson Books. Students can increase their musical understanding while they are away from the keyboard.

Resin jewellery is very easy to make and the technique is incredibly versatile. Popular craft author Sara Naumann shows you how to make beautiful pieces of jewellery for men and women, using simple techniques and inexpensive materials. Great fun and quick to make, you can add paper, fabric, photographs, shells, dried flowers, nail polish and more to the resin, producing professional-looking and stylish pieces that are totally unique. There are more than 50 projects to inspire you to create your own resin jewellery for yourself, or as gifts for family and friends. Ideal for beginners and more experienced crafters, prepare to become addicted!

From actor Cary Elwes, who played the iconic role of Westley in The Princess Bride, comes the New York Times bestselling account and behind-the-scenes look at the making of the cult classic film filled with never-before-told stories, exclusive photographs, and interviews with the cast and crew. The Princess Bride has been a family favourite for close to three decades. Ranked by the American Film Institute as one of the top 100 Greatest Love Stories and by the Writers Guild of America as one of the top 100 screenplays of all time, The Princess Bride will continue to resonate with audiences for years to come. Cary Elwes was inspired to share his memories and give fans an unprecedented look into the creation of the film while participating in the twenty-fifth anniversary cast reunion. In As You Wish he has created an enchanting experience; in addition to never-before seen photos and interviews with his fellow cast mates, there are plenty of set secrets and backstage stories. With a foreword by Rob Reiner and limited edition original artwork by acclaimed artist Shepard Fairey, As You Wish is a must-have for all fans of this beloved film.

Modern Moves traces the movement of American social dance styles between black and white cultural groups and between immigrant and migrant communities during the early twentieth century. Its central focus is New York City, where the confluence of two key demographic streams - an influx of immigrants from Eastern Europe and the growth of the city's African American community particularly as it centered Harlem - created the conditions of possibility for hybrid dance forms like blues, ragtime, ballroom, and jazz dancing. Author Danielle Robinson illustrates how each of these forms came about as the result of the co-mingling of dance traditions from different cultural and racial backgrounds in the same urban social spaces. The results of these cross-cultural collisions in New York City, as she argues, were far greater than passing dance trends; they in fact laid the foundation for the twentieth century's social dancing practices throughout the United States. By looking at dance as social practice across conventional genre and race lines, this book demonstrates that modern social dancing, like Western modernity itself, was dependent on the cultural production and labor of African diasporic peoples - even as they were excluded from its rewards. A cornerstone in Robinson's argument is the changing role of the dance instructor, which was transformed from the proprietor of a small-scale, local dance school at the end of the nineteenth century to a member of a distinct, self-identified social industry at the beginning of the twentieth. Whereas dance studies has been slow to connect early twentieth century dancing with period racial politics, Modern Moves departs radically from prior scholarship on the topic, and in so doing, revises social and African American dance history of this period. Recognizing the rac(ial)ist beginnings of contemporary American social dancing, it offers a window into the ways that dancing throughout the twentieth century has provided a key means through which diverse groups of people have navigated shifting socio-political relations through their bodily movement. Modern Moves asserts that the social practice of modern dancing, with its perceived black origins, empowered displaced people such as migrants and immigrants to grapple with the effects of industrialization, urbanization, and the rise of North American modernity. Far more than simple appropriation, the selling and practicing of "black" dances during the 1910s and 1920s reinforced whiteness as the ideal racial status in America through embodied and rhetorical engagements with period black stereotypes.

In the early 20th century, there was no better example of a classic American downtown than Los Angeles. Since World War II, Los Angeles's Historic Core has been "passively preserved," with most of its historic buildings left intact. Recent renovations of the area for residential use and the construction of Disney Hall and the Staples Center are shining a new spotlight on its many pre-1930s Beaux Arts, Art Deco, and Spanish Baroque buildings.

The newest book from the widely revered Japanese artist Yayoi Kusama features her latest monumental and vibrant work and is the first to explore the experience of seeing it from the lens of the visitor

“My entire life has been painted here. Every day, any day. I will never cease dedicating my whole life to my love for the universe.” —Yayoi Kusama

One of the most influential artists of the twentieth and twenty-first centuries, Yayoi Kusama occupies a unique position within recent art history. Since the 1950s, she has created a profoundly personal oeuvre that resonates with a global audience. Distinctly recognizable, her works frequently deploy repetitive elements—such as dots—to evoke both microscopic and macroscopic universes.

Celebrating the visitor experience, this publication offers an immersive tour of Kusama’s 2023 exhibition at David Zwirner New York. Illustrating thirty-five paintings, a gigantic sculptural maze of pumpkin walls, a lush garden of towering flowers, and a fan-favorite Infinity Mirror Room, the result is a book that offers the sense of experiencing the work in person for readers who have not had the chance.

New scholarship by Robert Slifkin looks at how Kusama innovates and complicates art historical traditions of image production and how her art seeks to connect humans with the greater cosmos. An essay by Lynn Zelevansky reflects on her own long-standing engagement with Kusama’s work and the ways in which it, across the decades, can be seen as a record of love in all its complexity: full of humanity, generosity, affection, sadness, and pain.

Contents include: Lullaby (Tonalization) (F. Schubert); Lullaby (Tonalization) (J. Brahms); Concerto No. 2 in G Major, Op. 13, 3rd Movement (F. Seitz); Concerto No. 5 in D Major, Op. 22, 1st Movement (F.Seitz); Concerto No. 5 in D Major, Op. 22, 3rd Movement (F. Seitz); Concerto in A Minor, 1st Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez); Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez); Perpetual Motion, "Little Suite No. 6" (K. Bohm); Concerto for Two Violins in D Minor, BWV 1043, 1st Movement, Violin II (J. S. Bach)