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Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)

Critica Musica - Essays in Honour of Paul Brainard (Paperback): J. Knowles Critica Musica - Essays in Honour of Paul Brainard (Paperback)
J. Knowles
R883 Discovery Miles 8 830 Ships in 12 - 17 working days

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Eternal source of light divine (Sheet music, Vocal score): George Frideric Handel Eternal source of light divine (Sheet music, Vocal score)
George Frideric Handel; Arranged by John Rutter
R87 Discovery Miles 870 Ships in 12 - 17 working days

for soprano solo and organ (or strings and organ continuo), with optional solo trumpet This deeply expressive arioso, which opens Handel's Ode for the Birthday of Queen Anne (1713), was performed at the wedding of Prince Harry and Meghan Markle at St George's Chapel, Windsor, on 19 May 2018. Originally scored in D major for counter-tenor, with trumpet and strings, the work is here arranged by John Rutter for performance by soprano and organ (or strings and organ continuo), with or without solo trumpet, in the slightly lower key of C major. The orchestral score and instrumental parts are available for purchase as a package containing (1) the orchestral score in C major, and (2) the instrumental parts (solo tpt, vln 1, vln 2, vla, vc, db, organ continuo) in two versions, in C major and D flat major. The D flat version of the parts is to enable performance with modern strings but natural trumpet, the trumpet playing in Handel's original key of D major but at baroque pitch (A = 415).

Blackwell History of Music in Britain: Volume 2 (Hardcover, Volume 2): Bray Blackwell History of Music in Britain: Volume 2 (Hardcover, Volume 2)
Bray
R4,828 Discovery Miles 48 280 Ships in 12 - 17 working days

The music of the sixteenth century has been "rediscovered" regularly since its composition. It was an especially fertile period for English music in particular, and to put the century in a historical and musicological perspective, this volume spans the era from 1485 to 1625, although in order to provide context and perspective the contributors range back to the middle of the fifteenth century and towards the end on the seventeenth.

The book opens with a history of music and musicians in Tudor England, covering composition and performance, as well as the changing functions of music over the period. Two chapters are dedicated to sacred and church music. They cover the last years of Pre-Reformation England (especially the music of Fayrfax, Ashwell, Taverner, and the organ music of Redford, Preston and Rhys), the composers who span the charge to Anglicanism (for example Sheppard and Tallis) and those (such as Tye, Byrd, Morley, Weelkes, Hooper and Gibbons) who helped lay the foundations for the rich heritage of Anglian church music that remains so vibrant a part of the church today. These chapters also consider the particular problems of those who continued to write Latin music after the Reformation (in particular Parsons, White and Byrd). The final three chapters of the book are devoted respectively to secular vocal music, to keyboard music, and to ensemble and lute music. These chapters include a detailed discusson of Tudor partsong, of the consort song, of English Madrigalists, the English Virginal School, the English lutenists and the rich variety of muic for ensemble. The book concludes with full bibliographies and with a comprehensive index.

European Music, 1520-1640 (Paperback): James Haar European Music, 1520-1640 (Paperback)
James Haar; Contributions by Gary Tomlinson, James Haar, Tim Carter, Giulio Ongaro, …
R1,035 Discovery Miles 10 350 Ships in 12 - 17 working days

An authoritative survey of music and its context in the Renaissance. The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schutz among others. The chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of "Renaissance" and "Baroque"). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS,DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

Vivaldi (Paperback, 2 Rev Ed): Michael Talbot Vivaldi (Paperback, 2 Rev Ed)
Michael Talbot
R807 Discovery Miles 8 070 Ships in 12 - 17 working days

Vivaldi has emerged during the last decades as a truly major composer of the early eighteenth-century. Taking account of recent research, to which he himself has made important contributions-including the discovery in 1973 of an unknown set of violin sonatas-Michael Talbot examines the life and works of this remarkable musician in their Venetian, Italian, and international settings.

Exploring Bach's B-minor Mass (Paperback): Yo Tomita, Robin A Leaver, Jan Smaczny Exploring Bach's B-minor Mass (Paperback)
Yo Tomita, Robin A Leaver, Jan Smaczny
R937 Discovery Miles 9 370 Ships in 12 - 17 working days

The B-minor Mass has always represented a fascinating challenge to musical scholarship. Composed over the course of Johann Sebastian Bach's life, it is considered by many to be the composer's greatest and most complex work. The fourteen essays assembled in this volume originate from the International Symposium 'Understanding Bach's B-minor mass' at which scholars from eighteen countries gathered to debate the latest topics in the field. In revised and updated form, they comprise a thorough and systematic study of Bach's Opus Ultimum, including a wide range of discussions relating to the Mass's historical background and contexts, structure and proportion, sources and editions, and the reception of the work in the late eighteenth and early nineteenth centuries. In the light of important new developments in the study of the piece, this collection demonstrates the innovation and rigour for which Bach scholarship has become known.

Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries - A Collection of Essays in Celebration of... Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries - A Collection of Essays in Celebration of Peter Philips's 450th Anniversary (Paperback)
David J. Smith, Rachelle Taylor
R1,619 Discovery Miles 16 190 Ships in 12 - 17 working days

Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. However, a consideration of the networks in which Philips was involved suggests that he was anything but at the periphery of the musical, cultural, religious and political life of his day. In this book, Philips's life and music serve as a touchstone for a discussion of various kinds of network in the late sixteenth and early seventeenth centuries. The study of networks enriches our appreciation and understanding of musicians and the context in which they worked. The wider implication of this approach is a constructive challenge to orthodox historiographies of Western art music in the Early Modern Period.

Rethinking J.S. Bach's The Art of Fugue (Hardcover, New Ed): translated by Marina Ritzarev Rethinking J.S. Bach's The Art of Fugue (Hardcover, New Ed)
translated by Marina Ritzarev; Anatoly Milka; Edited by Esti Sheinberg
R4,173 Discovery Miles 41 730 Ships in 12 - 17 working days

The enigmatic character of The Art of Fugue became apparent as early as in its first edition, printed more than a year after the composer's death. Carl Philipp Emanuel Bach, who published both the first and the second editions, raised several unsolved questions regarding this opus. Anatoly P Milka presents a consistent and coherent solution to the unresolved questions about the history, structure and appearance of J.S. Bach's The Art of Fugue, opening new perspectives for further exploration of this musical masterpiece. Milka challenges the present scholarly consensus that there exist two different versions of The Art of Fugue (the Autograph and the Original Edition) and argues that Bach had considered four versions, of which only two are apparent and have been discussed so far. Only Bach's illness and death prevented him from fulfilling his plan and publishing a fourth, conclusive version of his opus.

Johann Mattheson's Pieces de clavecin and Das neu-eroeffnete Orchestre - Mattheson's Universal Style in Theory and... Johann Mattheson's Pieces de clavecin and Das neu-eroeffnete Orchestre - Mattheson's Universal Style in Theory and Practice (Hardcover, New Ed)
Margaret Seares
R3,872 Discovery Miles 38 720 Ships in 12 - 17 working days

A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson's Pieces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his first major musical treatise Das neu-erAffnete Orchestre of 1713, in which he espoused his views about the musics of the past and present and, in particular, the characteristics of the musics of Germany, Italy, France and England. This latter section of the treatise, Part III, is edited and translated into English in the book's appendix - the first such translation available. Seares then moves on to an evaluation of the Pieces de clavecin as a work in which Mattheson reflects in musical terms the themes of modernism (in the sense of A la mode) and universalism that are such a strong part of his writings of the period, and a work that represents an important precursor for the keyboard suites of Johann Sebastian Bach and Georg Frideric Handel.

Oxford Bach Books for Organ: Manuals Only, Book 1 - Grades 2-5 (Staple bound): Johann Sebastian Bach Oxford Bach Books for Organ: Manuals Only, Book 1 - Grades 2-5 (Staple bound)
Johann Sebastian Bach; Edited by Anne Marsden Thomas
R400 Discovery Miles 4 000 Ships in 12 - 17 working days

This five-volume graded series of organ music by J. S. Bach (2 volumes for manuals only; 3 volumes for manuals and pedals) provides a wonderful selection of pieces for all players. The whole is an authoritative and fully practical introduction to this cornerstone of the organ repertoire, with pieces presented in highly practical form for teachers and students.

Oxford Bach Books for Organ: Manuals and Pedals, Book 1 - Grades 4-5 (Staple bound): Johann Sebastian Bach Oxford Bach Books for Organ: Manuals and Pedals, Book 1 - Grades 4-5 (Staple bound)
Johann Sebastian Bach; Edited by Anne Marsden Thomas
R444 Discovery Miles 4 440 Ships in 12 - 17 working days

This five-volume graded series of organ music by J. S. Bach (2 volumes for manuals only; 3 volumes for manuals and pedals) provides a wonderful selection of pieces for all players. The whole is an authoritative and fully practical introduction to this cornerstone of the organ repertoire, with pieces presented in highly practical form for teachers and students.

Oxford Bach Books for Organ: Manuals and Pedals, Book 3 - Grades 7-8 (Staple bound): Johann Sebastian Bach Oxford Bach Books for Organ: Manuals and Pedals, Book 3 - Grades 7-8 (Staple bound)
Johann Sebastian Bach; Edited by Anne Marsden Thomas
R503 Discovery Miles 5 030 Ships in 12 - 17 working days

This five-volume graded series of organ music by J. S. Bach (2 volumes for manuals only; 3 volumes for manuals and pedals) provides a wonderful selection of pieces for all players. The whole is an authoritative and fully practical introduction to this cornerstone of the organ repertoire, with pieces presented in highly practical form for teachers and students.

The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750 - Music to Delight the Spirit (Hardcover): Richard D.... The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750 - Music to Delight the Spirit (Hardcover)
Richard D. P. Jones
R7,250 Discovery Miles 72 500 Ships in 12 - 17 working days

This is the second of a two-volume study of the music of Johann Sebastian Bach. Taking into account the vast increase in our knowledge of the composer due to the Bach scholarship of the last sixty years, Richard Jones presents a vivid and in some respects radically new picture of his creative development during the Coethen (1717-23) and Leipzig years (1723-50). The approach is, as far as possible, chronological and analytical, but the author has also tried to make the book readable so that it may be accessible to music lovers and amateur performers as well as to students, scholars, and professional musicians. There are many good biographies of Bach, but this is the first, fully-comprehensive, in-depth study of his music making it indispensable for those who want to study specific pieces or learn how he developed as a composer.

Johann Sebastian Bach - The Learned Musician (Paperback, New Ed): Christoph Wolff Johann Sebastian Bach - The Learned Musician (Paperback, New Ed)
Christoph Wolff
R783 R718 Discovery Miles 7 180 Save R65 (8%) Ships in 12 - 17 working days

Although we have heard of the music of J.S. Bach in countless performances and recordings, the composer himself still comes across only as an enigmatic figure in a single familiar portrait. Written to mark the 250th anniversary of Bach's death, author and Bach scholar, Christoph Wolff presents a picture that brings to life this towering figure of the Baroque era. This biography portrays Bach as the living, breathing, and sometimes imperfect human being that he was, while bringing to bear all the advances of the last half-century of Bach scholarship. Wolff demonstrates the intimate connection between the composer's life and his music, showing how Bach's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher. And throughout, we see Bach in the broader context of his time: its institutions, traditions, and influences.

The Rameau Compendium (Paperback): Graham Sadler The Rameau Compendium (Paperback)
Graham Sadler
R696 Discovery Miles 6 960 Ships in 12 - 17 working days

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764) This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular,the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau'stheoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information. GRAHAM SADLER is Professor Emeritus at the University of Hull and Research Professor at Birmingham Conservatoire. He is known internationally as an authority on French music of the seventeenth and eighteenth centuries.

18th-century English Organ Music, Volume 1 - A graded anthology (Sheet music): David Patrick 18th-century English Organ Music, Volume 1 - A graded anthology (Sheet music)
David Patrick
R443 Discovery Miles 4 430 Ships in 12 - 17 working days

This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres, with Cornet and Trumpet Voluntaries, Echo Voluntaries, fugal works with slow introductions, and Full Voluntaries; as such, the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction, with information on instruments of the period, registration, ornamentation, and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; these complete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources, this is a major collection that will be of interest to organists of all abilities.

18th-century English Organ Music, Volume 2 - A graded anthology (Sheet music): David Patrick 18th-century English Organ Music, Volume 2 - A graded anthology (Sheet music)
David Patrick
R443 Discovery Miles 4 430 Ships in 12 - 17 working days

This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres, with Cornet and Trumpet Voluntaries, Echo Voluntaries, fugal works with slow introductions, and Full Voluntaries; as such, the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction, with information on instruments of the period, registration, ornamentation, and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; these complete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources, this is a major collection that will be of interest to organists of all abilities.

18th-century English Organ Music, Volume 3 - A graded anthology (Staple bound): David Patrick 18th-century English Organ Music, Volume 3 - A graded anthology (Staple bound)
David Patrick
R443 Discovery Miles 4 430 Ships in 12 - 17 working days

This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres, with Cornet and Trumpet Voluntaries, Echo Voluntaries, fugal works with slow introductions, and Full Voluntaries; as such, the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction, with information on instruments of the period, registration, ornamentation, and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; these complete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources, this is a major collection that will be of interest to organists of all abilities.

Anthology of 18th-Century English Organ Music 4 - A Graded Anthology (Sheet music): David Patrick Anthology of 18th-Century English Organ Music 4 - A Graded Anthology (Sheet music)
David Patrick
R443 Discovery Miles 4 430 Ships in 12 - 17 working days

This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres, with Cornet and Trumpet Voluntaries, Echo Voluntaries, fugal works with slow introductions, and Full Voluntaries; as such, the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction, with information on instruments of the period, registration, ornamentation, and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; these complete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources, this is a major collection that will be of interest to organists of all abilities.

Organ Music (Paperback): J. S Bach Organ Music (Paperback)
J. S Bach
R705 R615 Discovery Miles 6 150 Save R90 (13%) Ships in 10 - 15 working days

Bach-Gesellschaft edition. 93 works, 6 Trio Sonatas, German Organ Mass, Orgelbüchlein, Six Schubler Chorales, 18 Choral Preludes.

A Bach Book for Harriet Cohen - Transcriptions for Pianoforte from the Works of J. S. Bach (Sheet music): Johann Sebastian Bach A Bach Book for Harriet Cohen - Transcriptions for Pianoforte from the Works of J. S. Bach (Sheet music)
Johann Sebastian Bach; Edited by David Owen Norris
R594 Discovery Miles 5 940 Ships in 12 - 17 working days

This celebrated collection contains arrangements prepared for Harriet Cohen by some of Britain's finest composers, such as Frank Bridge, William Walton, and Ralph Vaughan Williams, and includes favourites such as 'Sleepers, Wake', 'In dulci jubilo', and the Andante from Brandenburg Concerto No. 2. With a new introduction by David Owen Norris, A Bach Book for Harriet Cohen is ideal for all pianists of intermediate standard or above wishing to further explore Bach's music.

Salve Regina (Sheet music, Vocal score): Diogo Dias Melgas Salve Regina (Sheet music, Vocal score)
Diogo Dias Melgas; Edited by Sally Dunkley
R152 Discovery Miles 1 520 Ships in 12 - 17 working days

for SATB unaccompanied This edition of the Salve Regina by Portuguese composer Diogo Dias Melgas (1638-1700) is the first published version of the work, which has previously only been available in a library edition. Suitable for liturgical or concert performance, this setting is in four equally active parts throughout, each of which takes the initial plainsong motif at the opening. The effectiveness of this moving work lies in the skilful manipulation of simple motivic material, through the use of devices such as parallel writing, sequences, repetition, suspensions, and hocket. The vocal score is presented alongside detailed performance and editorial notes, and an optional basso continuo part appears as an appendix. Salve Regina is featured on The Sixteen's CD 'A Golden Age of Portuguese Music', conducted by Harry Christophers (COR16020).

Stabat Mater (Sheet music, Vocal score): Emanuele D'Astorga Stabat Mater (Sheet music, Vocal score)
Emanuele D'Astorga; Edited by Robert King
R295 Discovery Miles 2 950 Ships in 12 - 17 working days

for SATB soloists, SATB chorus, and string ensemble Composed during the early 1700s, Emanuele d'Astorga's nine-movement Stabat Mater was to become one of the most frequently performed choral works of the eighteenth century. Tinged with melancholy, it features ornate solos, duets, and trios interspersed between beautiful imitative moments for full chorus. Robert King has consulted eighteenth-century sources for this edition, which includes an organ reduction for rehearsal purposes. The orchestral score and parts are available on hire/rental.

George Frideric Handel: Volume 4, 1742-1750 - Collected Documents (Hardcover): Donald Burrows, Helen Coffey, John Greenacombe,... George Frideric Handel: Volume 4, 1742-1750 - Collected Documents (Hardcover)
Donald Burrows, Helen Coffey, John Greenacombe, Anthony Hicks
R4,877 Discovery Miles 48 770 Ships in 12 - 17 working days

The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This multi-volume major publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. In charting Handel's activities and the performance and reception of his music during his lifetime, the documents also offer valuable insights into broader eighteenth-century topics such as court life, theatrical history, public concerts and music publishing. Volume Four begins with the re-establishment of Handel's career in London following his return from Dublin in 1742, and covers the period to 1750 which saw the composition of a succession of his greatest English works for his oratorio seasons, including Samson, Semele, Belshazzar, Juda Maccabaeus and Solomon.

Music in the Seventeenth and Eighteenth Centuries - The Oxford History of Western Music (Hardcover): Richard Taruskin Music in the Seventeenth and Eighteenth Centuries - The Oxford History of Western Music (Hardcover)
Richard Taruskin
R3,469 Discovery Miles 34 690 Ships in 12 - 17 working days

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music.
Music in the Seventeenth and Eighteenth Centuries, the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

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