0
Your cart

Your cart is empty

Browse All Departments
Price
  • R100 - R250 (4)
  • R250 - R500 (18)
  • R500+ (521)
  • -
Status
Format
Author / Contributor
Publisher

Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)

Engaging Bach - The Keyboard Legacy from Marpurg to Mendelssohn (Hardcover, New): Matthew Dirst Engaging Bach - The Keyboard Legacy from Marpurg to Mendelssohn (Hardcover, New)
Matthew Dirst
R2,821 Discovery Miles 28 210 Ships in 12 - 19 working days

More than any other part of Bach's output, his keyboard works conveyed the essence of his inimitable art to generations of admirers. The varied responses to this repertory - in scholarly and popular writing, public lectures, musical composition and transcription, performances and editions - ensured its place in the canon and broadened its creator's appeal. The early reception of Bach's keyboard music also continues to affect how we understand and value it, though we rarely recognize that historical continuity. Here, Matthew Dirst investigates how Bach's music intersects with cultural, social and music history, focusing on a repertory which is often overshadowed in scholarly and popular literature on Bach reception. Organized around the most productive ideas generated by Bach's keyboard works from his own day to the middle of the nineteenth century, this study shows how Bach's remarkable and long-lasting legacy took shape amid critical changes in European musical thought and practice.

Histories of Heinrich Schutz - Musical Performance and Reception (Hardcover, New): Bettina Varwig Histories of Heinrich Schutz - Musical Performance and Reception (Hardcover, New)
Bettina Varwig
R2,836 Discovery Miles 28 360 Ships in 12 - 19 working days

Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schutz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schutz's career - the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) - are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schutz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.

The Musician in Literature in the Age of Bach (Hardcover): Stephen Rose The Musician in Literature in the Age of Bach (Hardcover)
Stephen Rose
R2,802 Discovery Miles 28 020 Ships in 12 - 19 working days

Using novels and autobiographies from Bach's Germany, Stephen Rose suggests new ways of interpreting the lives and social status of musicians. The study focuses on satirical novels written by musicians that describe the lives of performers and composers, as well as the autobiographies of Bach's contemporaries. These narratives represent musicians variously as picaresque outcasts, honourable craft-workers, foolish bunglers and respected virtuosos. They probe the lives of musicians considered taboo or aberrant in the period, such as street entertainers and Italian castratos. The novels and autobiographies also reveal two major debates that shaped the mindset and social identity of musicians: was music a sensual or rational craft, and should musicians integrate within society or be regarded as outsiders? Quoting from an array of little-known novels, this book shows how an interdisciplinary approach can transform our understanding of Bach and his contemporaries.

Opera's Orbit - Musical Drama and the Influence of Opera in Arcadian Rome (Hardcover): Stefanie Tcharos Opera's Orbit - Musical Drama and the Influence of Opera in Arcadian Rome (Hardcover)
Stefanie Tcharos
R2,845 Discovery Miles 28 450 Ships in 12 - 19 working days

Exploring the dynamic yet problematic context of musical drama in Rome, this study probes opera's relationship to modernity during the late seventeenth and early eighteenth century. Opera instigated a range of discourses, most notably among Rome's Academy of Arcadians, whose apprehension towards opera refracted larger aesthetic and cultural debates, and socio-political tensions. Tcharos presents a unique perspective, engaging opera as a historical force that established a sphere of influence across several genres and matrices of culture. The juxtaposition of opera against the prominent forms of the oratorio, serenata and cantata illustrates opera's constitutive role in a trans-genre cultural matrix, where the dialogical connections between musico-dramatic forms vividly capture the historicism, nostalgia, contradiction and cultural reform that opera inspired. By illuminating other genres as reactionary sites of music and drama, Opera's Orbit boldly reconstructs opera's eighteenth-century critical turn.

'Allegri's Miserere' in the Sistine Chapel (Hardcover): Graham O'Reilly 'Allegri's Miserere' in the Sistine Chapel (Hardcover)
Graham O'Reilly
R1,541 Discovery Miles 15 410 Ships in 12 - 19 working days

The Miserere by Italian composer Gregorio Allegri (1582-1652) is one of the most popular, oft performed and recorded choral pieces of late Renaissance/early Baroque music. Yet the piece known today bears little resemblanceto Allegri's original or to the piece as it was performed before 1870. The Miserere attributed to the Italian composer Gregorio Allegri (1582-1652) is one of the most popular, often performed and recorded choral pieces of late Renaissance/early Baroque music. It was composed during the reign of Pope Urban VIII in the 1630s, for the exclusive use of the Papal Choir in the Sistine Chapel during Holy Week, the last of thirteen surviving Misereres sung at the services of Tenebrae since 1514. When the young Mozart visited Rome, so the story goes, he transcribed it from memory, risking excommunication but helping posterity to reclaim the piece. Yet the Miserere known today bears little resemblance to Allegri's original or to its method of performance before 1900. This book is the first detailed account of this iconic work's performance history in the Sistine Chapel, in particular focussing on its heyday in the eighteenth and nineteenth centuries. Rather than looking at the Miserere as a work on paper, the key to its genesis - as this book reveals - can only be found in a performance context. The book includes consideration both of the implications of that context in recreating it for performance, and of the history and practice of the "English Miserere" - the version commonly heard today. Appendices present key source transcriptions and two performance editions.

Timpani Tone and the Interpretation of Baroque and Classical Music (Paperback): Steven Schweizer Timpani Tone and the Interpretation of Baroque and Classical Music (Paperback)
Steven Schweizer
R972 Discovery Miles 9 720 Ships in 12 - 19 working days

Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts.
In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music.
Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.

The Life of Mozart - Including His Correspondence (Book): Edward Holmes The Life of Mozart - Including His Correspondence (Book)
Edward Holmes
R1,093 Discovery Miles 10 930 Ships in 12 - 19 working days

This 1845 biography of Mozart by the music journalist Edward Holmes was the first to be published in English. Holmes, who numbered the poet Keats and the publisher Vincent Novello amongst his friends, wrote extensively for periodicals including the Musical Times and The Atlas. A lifelong admirer of Mozart's work, Holmes's keen understanding of its significance is evident throughout the biography. It is based on a thorough study of the then available printed and manuscript sources, in particular many of Mozart's letters which Holmes translated and included as he 'endeavoured throughout to let the composer tell his own story'. He was also able to consult Mozart's own catalogue of his works, that compiled by the publisher Johann Andre, and the Mozart autograph manuscripts bought by Andre from Mozart's widow Constanze. The work is written in a very approachable style and will appeal to anyone with an interest in Mozart.

Bach'S Dialogue with Modernity - Perspectives on the Passions (Hardcover): John Butt Bach'S Dialogue with Modernity - Perspectives on the Passions (Hardcover)
John Butt
R2,843 Discovery Miles 28 430 Ships in 12 - 19 working days

Providing a detailed analysis of Bach's Passions, this 2010 book represents an important contribution to the debate about the culture of 'classical music', its origins, priorities and survival. The angles from which each chapter proceeds differ from those of a traditional music guide, by examining the Passions in the light of the mindsets of modernity, and their interplay with earlier models of thought and belief. While the historical details of Bach's composition, performance and theological context remain crucial, the foremost concern of this study is to relate these works to a historical context that may, in some threads at least, still be relevant today. The central claim of the book is that the interplay of traditional imperatives and those of early modernity renders Bach's Passions particularly fascinating as artefacts that both reflect and constitute some of the priorities and conditions of the western world.

The Allemande and the Tanz (Book): Richard Hudson The Allemande and the Tanz (Book)
Richard Hudson
R1,265 Discovery Miles 12 650 Ships in 12 - 19 working days

First published in 1986, this is the first of two volumes devoted to the evolution of the Allemande, the Balletto, and the Tanz from 1540 to 1750. This first volume traces the history of the dances from the time of the Renaissance to the Baroque period as they moved across the face of Europe. Volume II supplements the history with an anthology of musical compositions.

The Life of Handel - Cambridge Library Collection - Music (Book): Victor Schoelcher The Life of Handel - Cambridge Library Collection - Music (Book)
Victor Schoelcher
R1,254 Discovery Miles 12 540 Ships in 12 - 19 working days

Victor Schoelcher (1804 93) was a French writer chiefly remembered for his part in the fight for the abolition of slavery. In America on business in 1829 30, he was so appalled by the conditions he found that he became an abolitionist campaigner, concentrating his writings on conditions in the French Caribbean islands. He became President of the French commission for abolition and achieved his goal when in 1848 the French government abolished slavery in all its colonies. Schoelcher went into political exile for nearly twenty years after the coup d'etat of Louis Napoleon, and during this time he pursued his other great interest, music. His Life of Handel, translated into English by James Lowe, was published in 1857. It was regarded as one of the finest biographies ever written, and it was ahead of its time in the amount of research into primary sources which the author had undertaken.

The Cambridge History of Eighteenth-Century Music - The Cambridge History of Music (Hardcover): Simon P. Keefe The Cambridge History of Eighteenth-Century Music - The Cambridge History of Music (Hardcover)
Simon P. Keefe
R6,838 Discovery Miles 68 380 Ships in 12 - 19 working days

The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations, than any century before or since, yet huge swathes of its musical activity remain under-appreciated. The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.

The Stuart Court Masque and Political Culture (Hardcover): Martin Butler The Stuart Court Masque and Political Culture (Hardcover)
Martin Butler
R3,740 Discovery Miles 37 400 Ships in 12 - 19 working days

Court masques were multi-media entertainments, with song, dance, theater, and changeable scenery, staged annually at the English court to celebrate the Stuart dynasty. They have typically been regarded as frivolous and expensive entertainments. This book dispels this notion, emphasizing instead that they were embedded in the politics of the moment, and spoke in complex ways to the different audiences who viewed them. Covering the whole period from Queen Anne s first masque at Winchester in 1603 to Salmacida Spolia in 1640, Butler looks in depth at the political functions of state festivity. The book contextualizes masque performances in intricate detail, and analyzes how they shaped, managed, and influenced the public face of the Stuart kingship. Butler presents the masques as a vehicle through which we can read the early Stuart court s political aspirations and the changing functions of royal culture in a period of often radical instability.

Anthology to accompany GATEWAYS TO UNDERSTANDING MUSIC (Hardcover): Samuel N. Dorf, Heather MacLachlan, Julia Randel Anthology to accompany GATEWAYS TO UNDERSTANDING MUSIC (Hardcover)
Samuel N. Dorf, Heather MacLachlan, Julia Randel
R4,520 Discovery Miles 45 200 Ships in 12 - 19 working days

This anthology to accompany Gateways to Understanding Music is comprised of musical "texts." These broadly defined texts-primarily musical scores-facilitate the integration of score study and music theory into the ethno/musicology curriculum, a necessary focus in the training of the professional musician. As posed by the textbook, the last question in each modular "gateway" is "Where do I go from here?" This resource provides one more opportunity to go beyond the textbook to examine music scores and texts in even greater depth. This anthology is a combination of primary sources for study: musical scores and music transcriptions, along with a few primary source documents and musical exercises.

C.P.E. Bach Studies - Cambridge Composer Studies (Hardcover): Annette Richards C.P.E. Bach Studies - Cambridge Composer Studies (Hardcover)
Annette Richards
R2,839 Discovery Miles 28 390 Ships in 12 - 19 working days

C. P. E. Bach Studies collects together nine wide-ranging essays by leading scholars of eighteenth-century music. Offering fresh perspectives on one of the towering figures of the period, the authors explore Bach's music in its cultural contexts, and show in diverse and complementary ways the reciprocal relationship between Bach's work and contemporary literary, theological, and aesthetic debates. Topics include Bach's relation to theories of sensibility and the sublime; the free fantasy and concepts of self and being; and Bach's engagement with music history and the legacy of his predecessors. Wider questions of C. P. E. Bach reception also play an important part in the book, which explores not only the interpretation of Bach's music in his time, but also its reception over the two centuries since his death.

An Introduction to Bach Studies (Paperback, Revised): Daniel R. Melamed, Michael Marissen An Introduction to Bach Studies (Paperback, Revised)
Daniel R. Melamed, Michael Marissen
R887 Discovery Miles 8 870 Ships in 12 - 19 working days

An Introduction to Bach Studies is a comprehensive guide to the resources and materials of Bach scholarship, both for students beginning work in the enormous literature on J. S. Bach, and for the Bach specialist looking for a convenient and up-to-date survey of the field. Covering a broad range of both primary and secondary sources, well-known Bach scholars Daniel R. Melamed and Michael Marissen draw on their extensive research experience to describe the principal tools of Bach research and how to use them. With clear descriptions and explanations, the multiple bibliographies and tables help students and instructors quickly find the most appropriate sources on Bach's life, his repertory, approaches to his music, and many other topics. Additionally, this volume provides insights into potentially confusing sources and detailed information on the technical topics important to all Bach scholars.
Concise and comprehensive, this user-friendly guide brings together useful bibliographic resources in one place, and is an indispensable resource for all who conduct research on Bach.

Early Music History - Studies in Medieval and Early Modern Music (Hardcover, New): Iain Fenlon Early Music History - Studies in Medieval and Early Modern Music (Hardcover, New)
Iain Fenlon
R4,614 Discovery Miles 46 140 Ships in 12 - 19 working days

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-three include: Guillaume de Machaut and his canonry of Reims 1338-1377; 'Notes as a garland': the chronology and narrative of Byrd's Gradualia; Reading carnival: the creation of a Florentine carnival song; Schein's occasional music and the social order in 1620s Leipzig.

Printed Musical Propaganda in Early Modern England (Hardcover): Joseph Arthur Mann Printed Musical Propaganda in Early Modern England (Hardcover)
Joseph Arthur Mann
R3,874 Discovery Miles 38 740 Ships in 12 - 19 working days
J.S. Bach's Great Eighteen Organ Chorales (Paperback, New Ed): Russell Stinson J.S. Bach's Great Eighteen Organ Chorales (Paperback, New Ed)
Russell Stinson
R2,042 Discovery Miles 20 420 Ships in 12 - 19 working days

On the 250th anniversary of the composer's death, this volume offers an in-depth look at the "Great Eighteen" organ chorales, among the most celebrated works for organ, and a milestone in the history of the chorale. Addressed to organists, scholars, and general listeners alike, this lucid and engaging book examines the music from a wide spectrum of historical and analytical perspectives.

Stinson examines the models used by Bach in conceiving the original pieces, his subsequent compilation of these works into a collection, and his compositional process as preserved by the autograph manuscript. Himself an accomplished organist, Stinson also considers various issues of performance practice and concludes with a discussion of the music's reception--its dissemination in manuscript and printed form, its performance history, and its influence on later composers. Completely up-to-date and presenting a wealth of new material, much of it translated into English for the first time, this study will open up fresh perspectives on some of the composer's greatest creations.

The Baroque Clarinet (Paperback): Albert R Rice The Baroque Clarinet (Paperback)
Albert R Rice
R1,385 Discovery Miles 13 850 Ships in 12 - 19 working days

The Baroque Clarinet is a sourcebook for the historical study of the European clarinet during the first half of the eighteenth century. The book is based on a comprehensive study of the theoretical, musical, and iconographical evidence, and many conclusions are presented here for the first time.

The Routledge Research Companion to Johann Sebastian Bach (Hardcover): Robin Leaver The Routledge Research Companion to Johann Sebastian Bach (Hardcover)
Robin Leaver
R7,065 Discovery Miles 70 650 Ships in 12 - 19 working days

The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the results of research over the past thirty-fifty years, concentrating on the most significant and controversial, such as: the debate over Smend's NBA edition of the B minor Mass; Blume's conclusions with regard to Bach's religion in the wake of the 'new' chronology; Rifkin's one-to-a-vocal-part interpretation; the rediscovery of the Berlin Singakademie manuscripts in Kiev; the discovery of hitherto unknown manuscripts and documents and the re-evaluation of previously known sources. Secondly, each author provides a critical analysis of current research being undertaken that is exploring new aspects, reinterpreting earlier assumptions, and/or opening-up new methodologies. For example, Martin W. B. Jarvis has suggested that Anna Magdalena Bach composed the cello suites and contributed to other works of her husband - another controversial hypothesis, whose newly proposed forensic methodology requires investigation. On the other hand, research into Bach's knowledge of the Lutheran chorale tradition is currently underway, which is likely to shed more light on the composer's choices and usage of this tradition. Thirdly, each author identifies areas that are still in need of investigation and research.

Bach: The Orgelbuchlein (Paperback): Russell Stinson Bach: The Orgelbuchlein (Paperback)
Russell Stinson
R889 Discovery Miles 8 890 Ships in 12 - 19 working days

This is the first book-length study of the Orgelbüchlein, the masterly collection of organ chorales by J. S. Bach. This 'Little Organ Book' is regarded by Bach scholars as one of the composer's most important achievements and by organ scholars as a milestone in the development of the chorale. Russell Stinson, himself an organist, examines the collection from a range of historical and analytical perspectives in a way that will resonate with not only organists and scholars but the average concert-goer or CD-buyer.

Restoration Cathedral Music: 1660-1714 (Hardcover): Ian Spink Restoration Cathedral Music: 1660-1714 (Hardcover)
Ian Spink
R6,136 Discovery Miles 61 360 Ships in 12 - 19 working days

Ian Spink, a leading authority on 17th-century English music, has carried out a remarkable new investigation of the musical sources of the Restoration period, and of the archives of every cathedral and choral foundation. For the first time, perhaps, the true character and shape of this period of musical history is revealed, taking in the work of the great men of the age, including Purcell, Locke, and Handel, and many lesser masters such as Humfrey, Blow, Clarke, Weldon, and Croft.

Music in Spain During the Eighteenth Century (Hardcover, New): Malcolm Boyd, Juan Jose Carreras Music in Spain During the Eighteenth Century (Hardcover, New)
Malcolm Boyd, Juan Jose Carreras
R2,831 Discovery Miles 28 310 Ships in 12 - 19 working days

Traditional musicology has tended to see the Spanish 18th century as a period of decline, but this volume shows it to be rich in interest and achievement. Covering stage genres, orchestral and instrumental music, and vocal music (both sacred and secular), it brings together the results of much recent research on such topics as opera, musical instruments, the secular cantata and the villancico, and challenges received ideas about how Italian and Austrian music of the period influenced (or was opposed by) Spanish composers and theorists. Two final chapters outline the presence of Spanish musical sources in the New World.

Bach Performance Practice, 1945-1975 - A Comprehensive Review of Sound Recordings and Literature (Paperback): Dorottya Fabian Bach Performance Practice, 1945-1975 - A Comprehensive Review of Sound Recordings and Literature (Paperback)
Dorottya Fabian
R1,588 Discovery Miles 15 880 Ships in 12 - 19 working days

Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.

The Performance of the Basso Continuo in Italian Baroque Music (Paperback): Tharald Borgir The Performance of the Basso Continuo in Italian Baroque Music (Paperback)
Tharald Borgir
R707 Discovery Miles 7 070 Ships in 10 - 15 working days

Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period. Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.

Free Delivery
Pinterest Twitter Facebook Google+
You may like...
A Catalogue of French Harpsichord Music…
Bruce Gustafson, David Fuller Hardcover R7,681 Discovery Miles 76 810
Tainted Glory in Handel's Messiah - The…
Michael Marissen Hardcover R1,809 Discovery Miles 18 090
Music for a Mixed Taste - Style, Genre…
Steven Zohn Hardcover R2,333 Discovery Miles 23 330
Rameau
Simon Trowbridge Hardcover R2,328 Discovery Miles 23 280
Four Coronation Anthems
George Frideric Handel Sheet music R538 Discovery Miles 5 380
Johann Sebastian - A Tercentenary…
Seymour L. Benstock Hardcover R2,759 Discovery Miles 27 590
Bach Studies - Liturgy, Hymnology, and…
Robin A Leaver Paperback R1,317 Discovery Miles 13 170
Bewitching Russian Opera - The Tsarina…
Inna Naroditskaya Hardcover R3,068 Discovery Miles 30 680
The Musical Discourse of Servitude…
Harry White Hardcover R1,980 Discovery Miles 19 800
Water Music - Making Music in the Spas…
Ian Bradley Hardcover R1,095 Discovery Miles 10 950

 

Partners