Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
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Songs without Words - Keyboard Arrangements of Vocal Music in England, 1560-1760 (Hardcover)
Loot Price: R2,976
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Songs without Words - Keyboard Arrangements of Vocal Music in England, 1560-1760 (Hardcover)
Series: Eastman Studies in Music
Expected to ship within 12 - 17 working days
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Pathbreaking study of a vast and intriguing repertoire:
arrangements for keyboard instruments of songs, arias, and other
vocal pieces, from the age William Byrd to that of Handel. Keyboard
arrangements of vocal music flourished in England between1560 and
1760. Songs without Words, by noted harpsichordist and early-music
authority Sandra Mangsen, is the first in-depth study of this
topic, uncovering abody of material that is remarkably varied,
musically interesting, and indicative of major trends in musical
and social life at the time. Mangsen's Songs without Words argues
that the pieces upon which these keyboardarrangements were based
constituted a shared repertoire, akin to the jazz standards of the
twentieth century. In Restoration England, the ballad tradition saw
tunes and texts move between oral, manuscript, and printed
transmissionand from street to playhouse and back again. During the
eighteenth century, printed keyboard arrangements were aimed
particularly at female amateur keyboardists and helped opera to
become a widely popular genre. Songs without Words considers a wide
range of model pieces, including songs of many kinds and arias and
other numbers from operas and oratorios. The resulting keyboard
versions range from simple and pedagogically oriented to highly
virtuosic. Two central issues -- the relationship between an
arrangement and its model and the reception and aesthetics of
arrangements -- are explored in the framing chapters. The result is
a study that will be of great interest toscholars, performers, and
anyone who loves the music of the late Renaissance, Baroque, and
early Classic eras. Sandra Mangsen is professor emerita of music at
the University of Western Ontario.
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