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The Art of Re-enchantment - Making Early Music in the Modern Age (Hardcover)
Loot Price: R881
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The Art of Re-enchantment - Making Early Music in the Modern Age (Hardcover)
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In the late 1960s, a new movement emerged championing historically
informed 'authentic' approaches to performance. Heard today in
concert halls across the world and in a library's worth of
recordings, it has completely transformed the way in which we
listen to 'old' music, while revolutionizing the classical music
profession in the process. Yet the rise of Early Music has been
anything but uncontroversial. Historically informed performance
(HIP) has provoked heated debate amongst musicologists, performers
and cultural sociologists. Did HIP's scholar-performers possess the
skills necessary to achieve their uncompromising agenda? Was
interest in historically informed performance just another facet of
the burgeoning heritage industry? And was the widespread promotion
of early music simply a commercial ruse to make money put forward
by profit-driven record companies?
In The Art of Re-enchantment: Making Early Music in the Modern Age,
author Nick Wilson answers these and other questions through an
in-depth analysis of the early music movement in Britain from the
1960s to the present day. While other books have examined the
history of early music's revival, this interdisciplinary study is
unique in its focus on how various constituencies actually made
their living from the early music business. Through chapters
discussing the professionalization of early music, the influence of
institutions such as the BBC and record companies, and the
entrepreneurial role of leading early music pioneers, this book
will shed new light on one of the most fascinating and influential
movements in 20th Century art music.
The Art of Re-enchantment begins a much-needed conversation about
the true value of art and authenticity today. This volume is a must
have for early music fans and performers, music historians and
musicologists with an interest in performance practice, and anyone
interested in the production, distribution and consumption of
music.
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