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Books > Language & Literature > Biography & autobiography
'I was at a time in my life where I got to thinking more about people's
choices – how everything would be different if just the slightest
decision changed...'
Volume I of Herbert Musurillo's critical editions, with translations and commentaries, of ancient martyr literature, surveys the development of the genre, discussing the political and historical background which produced it. These texts were written in the form of court records reporting the trials of Alexandrian heroes punished by the Roman authorities. Anti-Roman and often violently propagandist in tone, they reflect the political tensions experienced by the Greeks under German rule.
A much-anticipated biography—twenty years in the making—of the entertainer who redefined late-night television and reshaped American culture. In 2002, Bill Zehme landed one of the most coveted assignments for a magazine writer: an interview with Johnny Carson—the only one he’d granted since retiring from hosting The Tonight Show a decade earlier. Zehme was tapped for the Esquire feature story thanks to his years of legendary celebrity profiles, and the resulting piece portrayed Carson as more human being than showbiz legend. Shortly after Carson’s death in 2005 and urged on by many of those closest to Carson, Zehme signed a contract to do an expansive biography. He toiled on the book for nearly a decade—interviewing dozens of Carson’s colleagues and friends and filling up a storage locker with his voluminous research—before a cancer diagnosis and ongoing treatments halted his progress. When he died in 2023 his obituaries mentioned the Carson book, with New York Times comedy critic Jason Zinoman calling it “one of the great unfinished biographies.” Yet the hundreds of pages Zehme managed to complete are astounding both for the caliber of their writing and how they illuminate one of the most inscrutable figures in entertainment history: A man who brought so much joy and laughter to so many millions but was himself exceedingly shy and private. Zehme traces Carson’s rise from a magic-obsessed Nebraska boy to a Navy ensign in World War II to a burgeoning radio and TV personality to, eventually, host of The Tonight Show—which he transformed, along with the entirety of American popular culture, over the next three decades. Without Carson, there would be no late-night television as we know it. On a much more intimate level, Zehme also captures the turmoil and anguish that accompanied the success: four marriages, troubles with alcohol, and the devastating loss of a child. In one passage, Zehme notes that when asked by an interviewer in the mid-80s for the secret to his success, Carson replied simply, “Be yourself and tell the truth.” Completed with help from journalist and Zehme’s former research assistant Mike Thomas, Carson the Magnificent offers just that: an honest assessment of who Johnny Carson really was.
In the stirring first volume of his presidential memoirs, Barack Obama
tells the story of his improbable odyssey from young man searching for
his identity to leader of the free world, describing in strikingly
personal detail both his political education and the landmark moments
of the first term of his historic presidency―a time of dramatic
transformation and turmoil.
Volume II of Herbert Musurillo's critical editions, with translations and commentaries, of ancient martyr literature, surveys the development of the genre, discussing the political and historical background which produced it. These texts were written in the form of court records reporting the trials of Alexandrian heroes punished by the Roman authorities. Anti-Roman and often violently propagandist in tone, they reflect the political tensions experienced by the Greeks under German rule.
From Jon King, legendary front man of iconic post-punk band Gang of Four, comes a memoir to remember. TO HELL WITH POVERTY! documents King’s story from a south London slum and working-class background to international success as core musician, lyricist, writer, and producer in the legendary post-punk/funk band Gang of Four. King’s memoir takes the reader on an episodic journey full of raucous adventures from his childhood and teenage years, to the height of Gang of Four’s success in the seventies and eighties. Thrown off Top of the Pops, truncheoned by police at an anti-Nazi rally, coming of age in the heart of the Leeds music scene and the UK post-punk movement, mingling with Hells Angels and other undesirables, supported by bands like R.E.M. and playing with the likes of the Police, Iggy Pop, and the Buzzcocks―King’s time with Gang of Four is rich with jaw-dropping stories. Evocative, fast-paced, and witty, To Hell with Poverty! is a music memoir for the ages. Gang of Four’s Entertainment! LP is consistently ranked as one of the greatest debut albums of all time and continues to inspire new generations of musicians today. The band has influenced many artists, from the Red Hot Chili Peppers, Nirvana, and INXS, to 2025-era Frank Ocean, the Idles, and hip-hop giants Run the Jewels. Gang of Four have been championed by the likes of Flea, Sofia Coppola, Massive Attack, Damien Hirst, Greil Marcus, and many more.
Gioachino Rossini was one of the most influential, as well as one of the most industrious and emotionally complex of the great nineteenth-century composers. Between 1810 and 1829, he wrote 39 operas, a body of work, comic and serious, which transformed Italian opera and radically altered the course of opera in France. His retirement from operatic composition in 1829, at the age of 37, was widely assumed to be the act of a talented but lazy man. In reality, political events and a series of debilitating illnesses were the determining factors. After drafting the Stabat Mater in 1832, Rossini wrote no music of consequence for the best part of twenty-five years, before the clouds lifted and he began composing again in Paris in the late 1850s. During this glorious Indian summer of his career, he wrote 150 songs and solo piano pieces his 'Sins of Old Age' and his final masterpiece, the Petite Messe solennelle. The image of Rossini as a gifted but feckless amateur-the witty, high-spirited bon vivant who dashed off The Barber of Seville in a mere thirteen days-persisted down the years, until the centenary of his death in 1968 inaugurated a process of re-evaluation by scholars, performers, and writers. The original 1985 edition of Richard Osborne's pioneering and widely acclaimed Rossini redefined the life and provided detailed analyses of the complete Rossini oeuvre. Twenty years on, all Rossini's operas have been staged and recorded, a Critical Edition of his works is well advanced, and a scholarly edition of his correspondence, including 250 previously unknown letters from Rossini to his parents, is in progress. Drawing on these past two decades of scholarship and performance, this new edition of Rossini provides the most detailed portrait we have yet had of one of the worlds best-loved and most enigmatic composers.
In The Syndicate of Twenty-two Natives Lindiwe Sangweni-Siddo offers an
elegy to her father, the late Professor Stan Sangweni, which explores
the personal saga of a family’s lineage rooted in eZuka on Suspence
Farm, Newcastle, in what is now northern KwaZulu-Natal.
When it comes to the trials and triumphs of becoming a grown up, journalist Dolly Alderton has seen and tried it all. In her memoir, she vividly recounts falling in love, wrestling with self-sabotage, finding a job, throwing a socially disastrous Rod-Stewart themed house party, getting drunk, getting dumped, realising that Ivan from the corner shop is the only man you've ever been able to rely on, and finding that that your mates are always there at the end of every messy night out. Glittering, with wit and insight, heart and humour, this is a book about the struggles of early adulthood in all its grubby, hopeful uncertainty.
In The Allies on the Rhine Skrjabina describes the coming of the Allies to the Rhineland, the occupation, and the first clear signs of the recovery of war-shattered Germany. She describes what occurred and how it was interpreted at the time by a keen observer who had lived under Soviet, Nazi, American, and French rule. She describes the first chaotic days of the occupation when instead of the calm and peace expected as a remit of the American advance, there was fearful chaos. She shows clearly that as the main allied forces moved on there was no real law and order and that she and the frightened populace were often terrorized by marauding youthful former work camp inmates over whom there was no effective control.
Hello to you, I am with news. I have a new book: I Haven’t Been
Entirely Honest With You. I know – what an intriguing title! |
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