Growing up in the village of Sabhoza near Ulundi and the city of Durban of the 1950s and 1960s, Thembi Mtshali Jones listened to her beloved gogo’s stories and marvelled at the voices emerging from her father’s gramophone, but she could never imagine that, one day, her own voice would be enthralling audiences across the globe. Or that she would become so famous that Nelson Mandela would thank her personally for entertaining him in prison where he watched her perform on TV as Thoko in the sitcom Sgudi Snaysi .

A vivid memoir of food and family, survival and triumph, Love, Loss And What We Ate traces the arc of Padma Lakshmi's unlikely path from an immigrant childhood to a complicated life in front of the camera.

Long before Padma Lakshmi ever stepped onto a television set, she learned that how we eat is an extension of how we love, how we comfort, how we forge a sense of home-and how we taste the world as we navigate our way through it. Shuttling between continents as a child, she lived a life of dislocation that would become habit as an adult, never quite at home in the world. And yet, through all her travels, her favorite food remained the simple rice she first ate sitting on the cool floor of her grandmother's kitchen in South India. Poignant and surprising, Love, Loss And What We Ate is Lakshmi's extraordinary account of her journey from that humble kitchen, ruled by ferocious and unforgettable women, to the judges' table of Top Chef and beyond.

It chronicles the fierce devotion of the remarkable people who shaped her along the way, from her headstrong mother who flouted conservative Indian convention to make a life in New York, to her Brahmin grandfather-a brilliant engineer with an irrepressible sweet tooth-to the man seemingly wrong for her in every way who proved to be her truest ally. A memoir rich with sensual prose and punctuated with evocative recipes, it is alive with the scents, tastes, and textures of a life that spans complex geographies both internal and external.

Love, Loss And What We Ate is an intimate and unexpected story of food and family-both the ones we are born to and the ones we create-and their enduring legacies.

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.

A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.

An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy? And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives. Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.

Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings is a tart and sweet ode to finding small joys where you can. Yes, even in black licorice.

How does the greatest writer of our time tell her own story? Immerse yourself in the creative universe of Margaret Atwood for a riot of life, art and everything in between

Every writer is at least two beings: the one who lives, and the one who writes

Raised by scientifically minded parents, Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful.

From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars and larger-than-life characters straight from the pages of an Atwood novel.

As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art – and the workings of one of our boldest imaginations.

"I became a life insurance salesman in London in May 1969, for the glamour, the fast cars, the groupies... the beautiful women who'd stop at nothing to buy life insurance. It's a very well-kept secret." Thus begins Peter Rosengard's extraordinary account of his life so far, and the endless adventures in which he made, lost and remade a fortune; founded London's famous Comedy Store, discovered and managed some of the greats in stand-up comedy; turned an unknown boy band into a chart-topping sensation; and sold the world's biggest life insurance policy in history, for $100m, which is still celebrated by the Guinness Book of Records. This is a book about "chutzpah," testament to a simple belief that "nothing is impossible."

In October 1805 Lord Horatio Nelson, the most brilliant sea commander who ever lived, led the British Royal Navy to a devastating victory over the Franco-Spanish fleets at the great battle of Trafalgar. It was the foundation of Britain's nineteenth-century world-dominating empire. Adam Nicolson's "Seize the Fire" is not only a close and revealing portrait of a legendary hero in his final action but also a vivid account of the brutal realities of battle; it asks the questions: Why did the winners win? What was it about the British, their commanders and their men, their beliefs and their ambitions, that took them to such overwhelming victory?

Essays from a Native American grandfather to help navigate life's difficult experiences. Offered in the oral traditions of the Nez Perce, Native American writer W. S. Penn records the conversations he held with his granddaughter, lovingly referred to as ""Bean,"" as he guided her toward adulthood while confronting society's interest in possessions, fairness, and status. Drawing on his own family history and Native mythology, Penn charts a way through life where each endeavor is a journey-an opportunity to love, to learn, or to interact-rather than the means to a prize at the end. Divided into five parts, Penn addresses topics such as the power of words, race and identity, school, and how to be. In the essay "In the Nick of Names," Penn takes an amused look at the words we use for people and how their power, real or imagined, can alter our perception of an entire group. To Have and On Hold is an essay about wanting to assimilate into a group but at the risk of losing a good bit of yourself. "A Harvest Moon" is a humorous anecdote about a Native grandfather visiting his granddaughter's classroom and the absurdities of being a professional Indian. "Not Nobody" uses "Be All that You Can Be Week" at Bean's school to reveal the lessons and advantages of being a "nobody." In "From Paper to Person," Penn imagines the joy that may come to Bean when she spends time with her Paper People-three-foot-tall drawings, mounted on stiff cardboard-and as she grows into a young woman like her mom, able to say she is a person who is happy with what she has and not sorry for what she doesn't. Comical and engaging, the essays in Raising Bean will appeal to readers of all backgrounds and interests, especially those with a curiosity in language, perception, humor, and the ways in which Native people guide their families and friends with stories.

Four decades ago, The Solution, a best-seller co-authored by Leon Louw, helped shape South Africa’s political settlement and left an indelible imprint on its Constitution. Today, the country finds itself at an economic impasse once more – and Louw’s ideas feel more urgent than ever.

From his early battles against apartheid-era property laws to his international advocacy for economic freedom, this book explores what worked, what didn’t, and what still might. With clarity and courage, Cohen distills Louw’s enduring belief: that prosperity and justice flow from empowering people, not politicians.

For policymakers, political thinkers, and all who care about South Africa’s future, this is more than a biography – it’s an invitation to think differently. Perhaps, even, to wake the continent’s economic lion from its long slumber.

In this deeply researched and elegantly told account, Tim Cohen – one of South Africa’s most respected and incisive financial journalists – draws on hours of conversations with Louw to capture the man behind the ideas. The result is a rare and revealing portrait of the extraordinary life, philosophy, and influence of a maverick libertarian who championed liberty, enterprise, and accountability when it mattered most.

Concise: Goes straight to the heart of the subject

One of the world’s bestselling storytellers, Lesley Pearse writes brilliantly about survivors. Why? Because she is one herself . . .

Born during the Second World War, Lesley’s innocence came to an abrupt end when a neighbour found her, aged 3, coatless in the snow. The mother she’d been unable to wake had been dead for days. Sent to an orphanage, Lesley soon learned adults couldn’t always be trusted.

As a teenager in the swinging sixties, she took herself to London. Here, the second great tragedy of her life occurred. Falling pregnant, she was sent to a mother and baby home, and watched helplessly as her newborn was taken from her.

But like so many of her generation, Lesley had to carry on. She was, after all, a true survivor. Marriage and children followed – and all the while she nurtured a dream: to be a writer. Yet it wasn’t until at the age of 48 that her stories – of women struggling in a difficult world – found a publisher, and the bestseller lists beckoned.

As heartbreaking as it is heartwarming, Lesley’s story really is A Long and Winding Road with surprises and uplifting hope around every corner . . .

ROCKET SCIENTIST KILLED IN PASADENA EXPLOSION screamed the headline of the Los Angeles Times. John Parsons, a maverick rocketeer who helped transform the rocket from a derided sci-fi plotline into a reality, was at first mourned as a scientific prodigy. But reporters soon uncovered a more shocking story: Parsons had been a devotee of black magic.
George Pendle re-creates the world of John Parsons in this dazzling portrait of prewar superstition, cold war paranoia, and futuristic possibility. Fueled by childhood dreams of space flight, Parsons was a leader of the motley band of enthusiastic young men who founded the Jet Propulsion Laboratory, a cornerstone of the American space program. But Parsons's wild imagination also led him into the occult- for if he could make rocketry a reality, why not magic?
With a cast of characters including Howard Hughes,
L. Ron Hubbard, and Robert Heinlein, Strange Angel explores the unruly consequences of genius.

This is the story of a simple idea that turned into a global movement. This is the story of parkrun, told for the very first time from the man who started it all.

Growing up in the brutal care system of South Africa, Paul Sinton-Hewitt had a lonely, difficult childhood. Yet he found solace in running – a simple pleasure that taught him resilience and offered a young boy a sense of self-worth.

With dogged determination, Paul built a stable family life for himself and eventually settled in the UK. But by 2004 he was struggling to hold it all together. He’d lost the successful career he’d worked so hard for, his marriage had broken down, and now a devastating injury threatened to cut him off from the running club which had been a lifeline.

In search of connection and purpose, Paul came up with a simple idea. He would start a weekly time trial run every Saturday morning in his local park. There would be no winners or losers, it would always be free and Paul would be there every week – even on Christmas Day – whether or not anyone else came. Little did he know that from just thirteen runners on that first Saturday, parkrun would grow into a 10 million strong community across five continents. Twenty years on parkrun continues to grow, bringing together people from all walks of life in search of health, happiness and community.

Filled with hope and optimism, One Small Step is a powerful affirmation of how coming together in simple ways can change our own lives and might even change the world.

Ivan Petrov was born in 1934 in the industrial town of Chapaevsk. His father was shot by Stalin as an 'enemy of the people', and Ivan was brought up by his mother and violent stepfather - both alcoholics, along with most of the rest of the town. By his early 20s, Ivan had also succumbed to the lure of the bottle. 'Smashed in the USSR' is his eye-opening, frequently eye-watering story.