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Books > Language & Literature > Biography & autobiography
A captivating and insightful account of Dr Max Price’s journey at the helm of a major South African university during a period of immense upheaval. As Vice-Chancellor of the University of Cape Town for two terms from 2008 to 2018, he offers a candid look at the challenges he faced during his time including transformation, rights of artistic expression, institutional culture, clemencies and amnesties, restorative justice and ethical decision, and of course, #FeesMustFall protests – which shook the country's higher education sector to its core. Drawing on his experiences, Price delves into the complexities of multi-stakeholder decision-making, crisis management, and the importance of values such as academic freedom in an increasingly polarised world. Part memoir, part insider's view of history, and part leadership guide, Statues and Storms is a must-read for anyone interested in higher education, South African history, or the art of leadership during times of crisis.
Die eerste uitgawe van Die keer toe ek my naam vergeet het verskyn in 1995, vyf jaar nadat die skrywer F.A. Venter ’n beroerte gekry het. In hierdie outobiografiese vertelling dokumenteer hy die pynlike en stadige proses van herstel: hy moet weer leer loop, leer praat, leer skryf. Dit is verder ’n verhaal oor die verhouding tussen Venter en sy geliefde vrou, Stella. In Die Afrikaanse literatuur 1652–2004 beskryf J.C. Kannemeyer Die keer toe ek my naam vergeet het as een van Venter se “belangrikste bydraes tot die Afrikaanse prosa”: “Die aangrypende verhaal van ouderdom en lyding, maar ook van ’n mooi huwelik en toegewyde liefde, is terselfdertyd ’n getuienis van die onblusbare gees van die skeppende mens wat, ten spyte van alle teenspoed, kan voortgaan met die werk waarvoor hy hier op aarde geplaas is.” Op ’n eerlike en roerende wyse, en met ’n tikkie humor, raak Venter die universele, tydlose temas van siekte, oudword en die dood aan. Uiteindelik is dit ’n verhaal van aanvaarding: “Ek het baie verloor – die kosbaarste. Maar ek het ook geleer om te verduur. Te aanvaar. Tevrede te wees. Anders sou dit ondraaglik wees.”
Fasten your seatbelts as Formula 1's favourite underdog, Guenther
Steiner, takes you on a wild ride through his ten years at Team Haas.
In die verlede, was ek baie keer onseker oor myself, veral as ek in 'n moeilike situasie beland het of 'n krisis moes hanteer. Noudat ek vierkantig daarmee gekonfronteer word, is dit vir my lekker om te weet ek het nie moed opgegee nie. Mathys Roets het sy musiekloopbaan in 1989 begin toe hy met sy kitaar in die hand, in 'n winkelsentrum in Pretoria, vir fooitjies gesing het. In 1996 maak hy 'n belangrike deurbraak met sy debuutproduksie op die KKNK. In hierdie vertoning, Nokturne, sing hy die musiek van Koos du Plessis. Met sy donker fluweelstem het die musiek van Koos du Plessis, Mathys soos 'n handskoen gepas. Deur sy loopbaan het Mathys bekendheid verwerf vir sy sielvolle vertolkings van die wereld se mooiste ballades, veral die musiek van Leonard Cohen, Roger Whittaker en Neil Diamond. Die pad wat hy gestap het was nie maklik nie. Hy het harde bene gekou, self luidsprekers rondgedra en van restaurant na restaurant gegaan om daar te sing, maar toe hy uiteindelik raakgesien word, het dinge behoorlik vir hom vlam gevat. Op 6 April 2009, op pad na die KKNK in Oudtshoorn, ry Mathys met sy geel BMW motorfiets van die pad af. Vir dae lank hang sy lewe aan ? draadjie en uiteindelik reik die Rosepark Hospitaal ? verklaring uit: Mathys is verlam. Ten spyte van hierdie terugslag, besluit Mathys om vorentoe te kyk en steeds voluit te leef. Steeds Mathys is die inspirerende lewensverhaal van Mathys Roets, soos vertel aan Alita Vorster. Dis 'n verhaal wat lesers sal laat glimlag, maar ook aangryp en besiel. Na die lees van hierdie boek moet 'n mens wonder hoe jy enige uitdaging as te groot kan beskou!
In the stirring first volume of his presidential memoirs, Barack Obama
tells the story of his improbable odyssey from young man searching for
his identity to leader of the free world, describing in strikingly
personal detail both his political education and the landmark moments
of the first term of his historic presidency―a time of dramatic
transformation and turmoil.
The Real Interior not only allows the reader a behind-the-scenes peek into the glitz and glamour of design and décor, but into a career once never considered an option for a young girl, born in Soweto. As one of the first black and very recognisable faces of Interior Design in Africa, Nthabi Taukobong was thrust into the limelight from the very start of her profession. Spanning a career of more than 23 years she has worked on esteemed residential and leisure projects for presidents, African royalty, captains of industry and five-star hotels, to name but a few. Through the rough and often very challenging terrain of her chosen career, sprinkled generously with the high-end glamour of prestigious interiors that Nthabi has been privileged to work on, she learned that she, in fact, had to be seated right within her own interior before she could offer anything further to those in search of her creative gift. And as she searched and explored the greater world of design, trying to grasp what it really took to be an esteemed designer, the journey unexpectedly brought her right back into her own home. Not only Nthabi’s physical home, but also to her inner-home, the place that she refers to as her ‘real interior’. It was in writing a letter one evening, congratulating herself on reaching the milestone of 21 years in her career, that Nthabi discovered she was not only writing to herself, but to every creative. Her letter ended up being an entire book and Nthabi finally understood how her unique story could inspire and encourage others.
Van al die gebeure in die Kaapkolonie gedurende die Tweede Vryheidsoorlog het die teregstelling van Hans Lötter, asook dié van kmdt. Gideon Scheepers, die meeste emosie onder Afrikaners ontketen. Lötter en sy mederebelle in die Kolonie het die verbeelding van die plaaslike bevolking aangegryp en die Britte maande lank hoofbrekens besorg. Sy gevangeneming, verhoor en teregstelling deur ’n Britse vuurpeloton op Middelburg, Kaap, het groot woede en verontwaardiging veroorsaak en hom verewig as Boeremartelaar in die Afrikaner-volksoorleweringe. Nou word sy boeiende verhaal vir die eerste keer volledig vertel.
A collection of edited life story interviews conducted with 25 current and past residents of Wentworth, Durban, that illustrates the social history of this historically ‘çoloured’ township. This history from below documents the formation of the townships in the late 1950s and its history through the life experiences of the 25 residents during various periods. The book illustrates the wide diversity of the members of this black South African community in terms of origin, ancestry, class, educational qualifications, political outlook, self-identification, primary concerns, political activism, contribution to society, social impediments suffered, etc. that refute generalisations made about the ‘race’ to which they belong. The life stories also illustrate the impact of major transformations, such as the advent of democracy, on members of this community.
13 Augustus 2017. Ansja vat haar twee dogtertjies kerk toe. Heeldag het sy ʼn naar gevoel op die krop van haar maag, asof iemand haar wind uitgeskop het. Sy hou by ʼn stopstraat naby hul huis stil en ʼn motor jaag van agter in hulle vas. Haar jongste dogtertjie, Larissa, se kop word met die impak vergruis soos ʼn waatlemoen. Met bomenslike krag sleep sy haar dogters uit die kar en sit hulle op die sypaadjie neer. Dan verloor sy haar bewussyn en sien haarself en haar kinders van bo. Alles word lig. Daar is lieflike musiek en reënboogkleure. Vrede en liefde heers en niks maak meer saak nie. Sy dryf weg. Maar dan hoor sy haar oudste dogtertjie na haar roep. En sy moet terug. Na die pyn van ʼn gebreekte lyf en gebroke hart. Hoe hervat sy haar lewe?
'HI, MY NAME IS MATTHEW, although you may know me by my full name. My friends call me Matty.' So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who travelled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called Friends Like Us . . . and so much more. In an extraordinary story that only he could tell - and in the heartfelt, hilarious, and warmly familiar way only he could tell it - Matthew Perry lays bare the fractured family that raised him (and also left him to his own devices), the desire for recognition that drove him to fame, and the void inside him that could not be filled even by his greatest dreams coming true. But he also details the peace he's found in sobriety and how he feels about the ubiquity of Friends, sharing stories about his castmates and other stars he met along the way. Frank, self-aware, and with his trademark humour, Perry vividly depicts his lifelong battle with addiction and what fuelled it despite seemingly having it all.
Slot van die dag: Gedagtes is die skrywer se mymeringe oor ouderdom en die einde van die lewe, saam met verspreide herinnerings van ’n algemene aard, om ’n ryk geskakeerde beeld te verskaf van ’n skrywerslewe van byna tagtig jaar. Die reeks outobiografiese boeke wat met ’n Duitser aan die Kaap, Merksteen en Die laaste Afrikaanse boek begin het, word hiermee afgesluit. Dit is 'n baie persoonlike boek oor ouderdom, die skryfproses en selfbeskikking met kommentaar op oud word en wees, met inbegrip van praktiese wenke, en heelwat inligting oor die moontlike en waarskynlike einde van die lewe. Die element van afskeid en gelatenheid is deurlopend. Die ouderdom is teenswoordig die vernaamste onderwerp van sy oorpeinsing, en die vernaamste element in sy daagliks ervarings. Die verwysings en aanhalings is treffend en spreek van iemand wat sy leeswereld ook sy leefwereld maak. Ten slotte verduidelik die skrywer sy bevrydende besluit oor selfdood.
Duduza. Bopha. Imbiza. Phapha. Asixoliseni. Amapopeye . . . What is the power of a single word? Six days a week, advertising creative Melusi Tshabalala posts a Zulu word on his Everyday Zulu Facebook page and tells a story about it. His off-beat sense of humour, razor-sharp social observations and frank political commentary not only teaches his followers isiZulu but also offer insight into the world Melusi inhabits as a 21st century Zulu man. Over the past few months he has built up a big and a loyal following that include radio host Jenny Crwys-Williams and Afrikaans author Marita van der Vyfer. He pokes fun at our differences and makes us laugh at ourselves and each other. Melusi asks critical questions of everyone, from Aunty Helen, Dudu-Zille to Silili (Cyril Ramaphosa) and even Woolworths (why are their aircons always set on ‘jou moer’?). His fans love him for his honesty and commitment to pointing out subtle and overt forms of prejudice and racism. Melusi’s Everyday Zulu holds up a mirror that shows South African society in all its flaws and its sheer humanity. Most importantly, he shows the power of words and that there’s umzulu in all of us!
When Robert McBride was sentenced to death, he turned to the public gallery in court and said: ‘Freedom is just around the corner. I am leaving you at the corner – and you must take that corner to find freedom on the other side.’ As the guard moved in, he raised his fist and shouted: ‘The struggle continues till Babylon falls!’ It was 1987: the time of ‘total onslaught’. The trial of the MK unit that planted the Magoo's bomb on the Durban beachfront dominated the news but few knew the real facts of the brave young people who brought the armed struggle to KwaZulu-Natal. This is the remarkable story of McBride and his comrades: the substation sabotage spree, rescuing a compatriot from hospital and smuggling him to Botswana, the devastating Why Not and Magoo's car bomb that killed three women, the dramatic trial and McBride’s 1 463 days on Death Row. Now updated to include McBride’s controversial life after the end of apartheid, this is a thrilling tale of a young South African’s incredible courage, loyalty between friends and falling in love across the race barrier. Today, the struggle continues as McBride fights against corruption and state capture.
Patrick was a wayward child who could not speak until he was four and ran away from boarding school. A disappointment to his parents and the despair of his teachers, he lacked the normal abilities that young people acquire as they grow up. After being sacked from his job, Patrick decided to try his fortunes overseas. A timid traveller and always obedient to authority, how did he come to the attention of the FBI, the Royal Canadian Mounted Police, the Los Angeles Police Departments South Africa's Bureau of State Security and Rhodesia's BSA Police? And why did he come to be in police custody in Tanganyika and the first white man deported by newly independent Kenya? Back in England, Patrick's CV was no conducive to gainful employment of the kind enjoyed by his peers: encyclopaedia salesman, nomadic field-hand, lavatory cleaner, bear-chaser, baggage-smasher, waitress (yes!), factory labourer, scullion. The BBC offered sanctuary as a clerk, with few prospects of advancement. After five years of entertaining if ill-paid work in an office full of colourful misfits, Patrick fell into the embrace of the Civil Service. A trainee again at the age of 30, could things improve? Things could, but not without a catalogue of mishaps on the way. Patrick's propensity for bright ideas tended towards disaster, including a national crisis when he set in train the events that culminated in Black Wednesday. |
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