Norman Lewis arrives in war-torn Naples as an intelligence officer in 1944. The starving population has devoured all the tropical fish in the aquarium, respectable women have been driven to prostitution and the black market is king. Lewis finds little to admire in his fellow soldiers, but gains sustenance from the extraordinary vivacity of the Italians. There is the lawyer who earns his living bringing a touch of Roman class to funerals, the gynaecologist who "specializes in the restoration of lost virginity" and the widowed housewife who times her British lover against the clock. "Were I given the chance to be born again," writes Lewis, "Italy would be the country of my choice."

’n Baie lang brief aan my dogter is Marita van der Vyver, een van Afrikaans se mees geliefde skrywers, se ontroerende jeugmemoir. Dit is 'n speurtog deur die skrywer se beginjare, maar dit is ook ’n liefdesbrief aan ’n dogter en ’n taal en ’n land. En bowenal is dit ’n ma se poging om sin te maak van hierdie onverskillige en wrede wêreld waarin sy haar nou begewe.

This timely memoir-cum-guide includes the insights of black women at various stages of their career as they navigate the pitfalls of the corporate world.

A performance review of the working world introduced to the young women reveals issues such as racism, sexism, ethnic chauvinism, ageism, and sexual harassment that many encounter with naivety.

When technical expertise and hard work are not the issue, how do black women make the most of their efforts and support each other to success?

From Neal Gabler, the definitive portrait of one of the most important figures in twentieth-century American entertainment and cultural history.
Seven years in the making and meticulously researched--Gabler is the first writer to be given complete access to the Disney archives--this is the full story of a man whose work left an ineradicable brand on our culture but whose life has largely been enshrouded in myth.
Gabler shows us the young Walt Disney breaking free of a heartland childhood of discipline and deprivation and making his way to Hollywood. We see the visionary, whose desire for escape honed an innate sense of what people wanted to see on the screen and, when combined with iron determination and obsessive perfectionism, led him to the reinvention of animation. It was Disney, first with Mickey Mouse and then with his feature films--most notably "Snow White, Pinocchio, Fantasia, Dumbo, "and "Bambi--"who transformed animation from a novelty based on movement to an art form that presented an illusion of life."
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We see him reimagine the amusement park with Disneyland, prompting critics to coin the word "Disneyfication" to describe the process by which reality can be modified to fit one's personal desires. At the same time, he provided a new way to connect with American history through his live-action films and purveyed a view of the country so coherent that even today one can speak meaningfully of "Walt Disney's America." We see how the True-Life Adventure nature documentaries he produced helped create the environmental movement by sensitizing the general public to issues of conservation. And we see how he reshaped the entertainment industry by building a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise in a way that was unprecedented and was later widely imitated.
Gabler also reveals a wounded, lonely, and often disappointed man, who, despite worldwide success, was plagued with financial problems much of his life, suffered a nervous breakdown, and at times retreated into pitiable seclusion in his workshop making model trains. Gabler explores accusations that Disney was a red-baiter, an anti-Semite, an embittered alcoholic. But whatever the characterizations of Disney's personal life, he appealed to the nation by demonstrating the power of wish fulfillment and the triumph of the American imagination. Walt Disney showed how one could impose one's will on the world.
This is a masterly biography, a revelation of both the work and the man--of both the remarkable accomplishment and the hidden life

Sometimes you can't choose your own battles. A memoir of coming of age in Rhodesia explores the author's experiences as a young conscript caught up in the bush war of the late 1970s.

This is a compelling, touching and often humorous account of growing up in a straitlaced, racist society and the absurdity of fighting for a dying regime. The ugliness of the conflict, the trauma of transformation, the agonies of conscience of the writer, the beauty of the landscape: all are captured here in brilliant detail.

Threading through the narrative is the story of Williams’ obsessive infatuation with the enigmatic, sharp-tongued Bianca Pennefather, who leads him on a painful emotional and spiritual journey. Looming over this fragile world is the grotesque experience of the battlefield, where young soldiers like Paul Williams inexorably shed their illusions and lost their youth.

The True Story Behind the Powerful Film ALL SAINTS

Newly ordained, Michael Spurlock's first assignment is to pastor All Saints, a struggling church with twenty-five devoted members and a mortgage well beyond its means. The best option may be to close the church rather than watch it wither any further. But when All Saints hesitantly risks welcoming a community of Karen refugees from Burma--former farmers scrambling for a fresh start in America--Michael feels they may be called to an improbable new mission.

Michael must choose between closing the church and selling the property--or listening to a still, small voice challenging the people of All Saints to risk it all and provide much-needed hope to their new community. Together, they risk everything to plant seeds for a future that might just save them all.

Discover the true story that inspired the film while also diving deeper into the background of the Karen people, the church, and how a community of believers rally to reach out to those in need, yet receive far more than they dared imagine.

The Reverend Michael Spurlock served All Saints Episcopal Church in Smyrna, Tennessee, for three years. He is currently on the clergy staff at Saint Thomas Church Fifth Avenue in New York City. Michael, his wife, Aimee, and their two children live in New York City..

What do three murderers, Karl Marx's daughter and a vegetarian vicar have in common? They all helped create the Oxford English Dictionary. The Oxford English Dictionary has long been associated with elite institutions and Victorian men; its longest-serving editor, James Murray, devoted 36 years to the project, as far as the letter T. But the Dictionary didn't just belong to the experts; it relied on contributions from members of the public. By the time it was finished in 1928 its 414,825 entries had been crowdsourced from a surprising and diverse group of people, from archaeologists and astronomers to murderers, naturists, novelists, pornographers, queer couples, suffragists, vicars and vegetarians. Lexicographer Sarah Ogilvie dives deep into previously untapped archives to tell a people's history of the OED. She traces the lives of thousands of contributors who defined the English language, from the eccentric autodidacts to the family groups who made word-collection their passion. With generosity and brio, Ogilvie reveals, for the first time, the full story of the making of one of the most famous books in the world - and celebrates to sparkling effect the extraordinary efforts of the Dictionary People.

Imagine raising six spirited kids on a grass farm-today. Newspaper columnist Dorcas Smucker and her brood live out their days in full view in this collection of musings-picking blueberries while watching for bears, hoping for angels while driving off the freeway, moving into the "thousand-story house," and enduring lectures from teenage children about the virtue of respect. Three books in one, this collection includes Smucker's Ordinary Days: Family Life in a Farmhouse, Upstairs the Peasants are Revolting: More Family Life in a Farmhouse, and Downstairs the Queen Is Knitting. Often slightly off-stride and with disarming humility, Dorcas finds endless materials for stories and life lessons in everyday happenings. As she says, "I, like my mother, feed my children mashed potatoes and stories. I repeat the ones I heard from Mom and turn our family escapades into tales to be repeated while washing dishes or snapping buckets of green beans on the front porch. A story is much more than just a story, of course. It is entertainment, identity, interpretation, and lessons. This is who we are, this is why we do what we do, this is important, that is not, and don't ever whack your brother's finger with a hatchet like your dad did to Uncle Philip." This delightful trilogy includes some of Smucker's best writing. She covers topics and dilemmas everyone can relate to while also inviting readers to explore her Mennonite family's more personal experiences. Her voice is humorous, encouraging, and at times, doubting, but she never takes herself too seriously. As you read, her stories will entertain you and ultimately soothe your soul.

The definitive biography that unlocks the remarkable story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn't share them with others. Now, in this definitive biography, Ann Marks uses her complete access to Vivian's personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman-a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.

Ses jaar ná die verskyning van Bloedvreemd vertel Juliana Coetzer wat hét geword van haar dogter, Anneke. In Bloedvreemd vertel die skrywer hoe Anneke op sewejarige ouderdom ’n virus opgedoen wat haar brein aangetas het, en geleidelik het sy verstandelik begin agteruitgaan. Die werklikheid het egter nie stilgestaan nie. Ses jaar ná die boek vra mense steeds – wat het geword van julle? Is Anneke oukei? Hoe maak ’n mens met die voortdurende verlies, die agteruitgang?

Juliana Coetzer is ook ’n terapeut. Met 'n skreiend eerlike stem wat voortdurend selfondersoek doen, skryf Juliana oor die verdere reis met Anneke, nou al in haar vroeg dertigs. Sy kan al hoe minder praat, al hoe minder verstaan, en steeds probeer sy haar onafhanklikheid behou. Sover Juliana en haar eggenoot, Fanus, daartoe in staat is, probeer hulle haar omhul in ’n wêreld met embarming en begrip. Maar elke dag (en nag) bring sy eie, eindelose uitdagings.

Die kind se naam is Anneke is aangrypende leesstof vir enigiemand wat al pyn/verlies ervaar het. Of jy ’n kind het of nie. En of jy Bloedvreemd gelees het al dan nie.

Two-time Peabody Award-winning writer and producer Ira Rosen reveals the intimate, untold stories of his decades at America's most iconic news show. It's a 60 Minutesstory on 60 Minutes itself. When producer Ira Rosen walked into the 60 Minutes offices in June 1980, he knew he was about to enter television history. His career catapulted him to the heights of TV journalism, breaking some of the most important stories in TV news. But behind the scenes was a war room of clashing producers, anchors, and the most formidable 60 Minutes figure: legendary correspondent Mike Wallace. Based on decades of access and experience, Ira Rosen takes readers behind closed doors to offer an incisive look at the show that invented TV investigative journalism. With surprising humor, charm, and an eye for colorful detail, Rosen delivers an authoritative account of the unforgettable personalities that battled for prestige, credit, and the desire to scoop everyone else in the game. As one of Mike Wallace's top producers, Rosen reveals the interview secrets that made Wallace's work legendary, and the flaring temper that made him infamous. Later, as senior producer of ABC News Primetime Live and 20/20, Rosen exposes the competitive environment among famous colleagues like Diane Sawyer and Barbara Walters, and the power plays between correspondents Chris Wallace, Anderson Cooper, and Chris Cuomo. A master class in how TV news is made, Rosen shows readers how 60 Minutes puts together a story when sources are explosive, unreliable, and even dangerous. From unearthing shocking revelations from inside the Trump White House, to an outrageous proposition from Ghislaine Maxwell, to interviewing gangsters Joe Bonanno and John Gotti, Jr., Ira Rosen was behind the scenes of some of 60 Minutes' most sensational stories. Highly entertaining, dishy, and unforgettable, Ticking Clock is a never-before-told account of the most successful news show in American history.

Rooms of Their Own travels around the world examining the unique spaces, habits and rituals in which famous writers created their most notable works. The perennial question asked of all authors is, 'How do you write?'. What do they require of their room or desk? Do they have favourite pens, paper or typewriters? And have they found the perfect daily routine to channel their creativity? Crossing centuries, continents and genres, Alex Johnson has pooled 50 of the best writers and transports you to the heart of their writing rooms - from attics and studies to billiard rooms and bathtubs. Discover the ins and outs of how each great writer penned their famous texts, and the routines and habits they perfected. Meet authors who rely on silence and seclusion and those who need people, music and whisky. Meet novelists who travel half-way across the world to a luxury writing retreat, and others who just need an empty shed at the bottom of the garden. Some are particular about pencils, inks, paper and typewriters, and some will scribble on anything - including the furniture. But whether they write in the library or in cars, under trees, private islands, hotel rooms or towers - each of these stories confirms that there is no 'best way' to write. From James Baldwin, writing in the small hours of the morning in his Paris apartment, to DH Lawrence writing at the foot of a towering Ponderosa pine tree, to the Bronte sisters managing in a crowded co-working space, this book takes us into the lives of some of history's greatest ever writers, with each writing space illustrated in evocative watercolour by James Oses. In looking at the working lives of our favourite authors, bibliophiles will be transported to other worlds, aspiring writers will find inspiration and literature fans will gain deeper insight into their most-loved authors.

'Brilliantly gripping' Sunday Times; 'Compelling' Daily Mail; 'Heart-rending' Sunday Telegraph; 'Excellent' The Times; 'Engrossing' Independent The UK's only war crimes trial took place in 1999 and had its origins in the horrors of the Holocaust, but only now in The Ticket Collector from Belarus can the full story be told. The Ticket Collector from Belarus tells the remarkable story of two interwoven journeys. Ben-Zion Blustein and Andrei Sawoniuk were childhood friends in 1930s Domachevo, a holiday and health resort in what is now Belarus. During the events that followed the Nazi invasion in 1941, they became the bitterest of enemies. After the war, Ben-Zion made his way to Israel, and 'Andrusha the bastard' to England, where he found work as a British Rail ticket collector in London. They next confronted each other in the Old Bailey, over half a century later, where one was the principal prosecution witness, and the other charged with a fraction of the number of murders he was alleged to have committed. There was no physical evidence, just one man's word against another, leaving the jury with a series of agonising dilemmas: Could any witness statement be trusted so long after the event? Was Andrusha a brutal killer, a hapless pawn or a scapegoat? And were his furious protests a sign of guilt or the justified anger of an innocent old man? Mike Anderson was gripped by the story, and so began his quest to find the truth about this astonishing case and the people at its heart. As he discovered, it was even more remarkable than he could ever have imagined.

'A beautiful love letter to the diaspora, Haramacy is an essential collection of essays that push the conversation forward on issues to do with visibility, mental health, race and class' Nikesh Shukla 'A superbly crafted collection of essays. Often elegant, often visceral, always essential' Musa Okwonga Journalism in the UK is 94 per cent white and 55 per cent male, while only 0.4 per cent of journalists are Muslim and 0.2 per cent are Black. The publishing industry's statistics are equally dire. Many publications will use British Black, Indigenous People of Colour when it's convenient; typically, when the region the writer represents is topical and newsworthy. Otherwise, their voices are left muted. Haramacy amplifies under-represented voices. Tackling topics previously left unspoken, this anthology offers a space for writers to explore ideas that mainstream organisations overlook. Focusing on the experiences of twelve Middle Eastern and South Asian writers, the essays explore visibility, invisibility, love, strength and race, painting a picture of what it means to feel fractured - both in the UK and back home. Appreciating both heritage and adopted home, the anthology highlights the various shades that make up our society. The title, Haramacy, is an amalgamation of the Arabic word 'haram', meaning indecent or forbidden, and the English word 'pharmacy', implying a safe, trustworthy space that prescribes the antidote to ailments caused by intersectional, social issues. The book features contributions by novelists, journalists, and artists including Aina J. Khan, Ammar Kalia, Cyrine Sinti, Joe Zadeh, Kieran Yates, Nasri Atallah, Nouf Alhimiary, Saleem Haddad and Sanjana Varghese, as well as essays by editors Dhruva Balram, Tara Joshi and Zahed Sultan.

For many years an atheist, C. S. Lewis vividly describes the spiritual quest that convinced him of the truth and reality of Christianity, in his famous autobiography. "In the Trinity Term of 1929 I gave in, and admitted that God was God ... perhaps the most dejected and reluctant convert in all England." Thus Lewis describes memorably the crisis of his conversion. 'Surprised by Joy' reveals both that crisis and its momentous conclusion that would determine the shape of Lewis's entire life.

Between the Mountain and the Sky shows us the goodness that is possible when a single person--regardless of age--takes action to help another and, in the process, changes the lives of hundreds. Maggie's story begins in suburban New Jersey, in a comfortable middle-class family that supports her decision to travel the world during a gap year before starting college. During her travels, the trajectory of her life alters when she has a surprise encounter with a Nepali girl breaking rocks in a quarry. Maggie decides to invest her life savings of five thousand dollars to buy a piece of land and open a children's home in Nepal. That home becomes Kopila Valley Children's Home, and eventually, the nonprofit Maggie launches, the BlinkNow Foundation, also starts the Kopila Valley School, which provides tuition-free education for more than four hundred students. Maggie and BlinkNow's work have been recognized around the world for their innovative, sustainable work. However, this book isn't a how-to for fledging philanthropists or nonprofit founders--it's a coming-of-age story about a young woman suspended between two worlds, as well as the love, loss, healing, and hope she experiences along the way. And Maggie's inspiring, intimate tale shows readers an important truth: the power to change the world exists within all of us.

Paris Nights: My Year at the Moulin Rouge opens with a bored twenty-seven-year old Cliff Simon staring out at the ocean from his beachfront house, wishing he was somewhere else. Gavin Mills telephones him from Paris inviting him to join him at the iconic Moulin Rouge. Cliff sells everything he owns, leaving Johannesburg, South Africa for the City of Lights. He learns that his spot at the Moulin is not guaranteed and is forced to audition. Making the grade, he is put into can can school before he is allowed into the company. His adrenaline is pumping from excitement and fear, both of which he has faced before. Taking a look back, we see twelve-year-old Cliff helming a racing dinghy in the midst of a thunderstorm on the Vaal River. His father yells at him not to be a sissy, and he brings the boat back to shore alone. We then travel to London with his family escaping the tumult of Apartheid. He trains for the Olympics, but drops out, enrolling in the South African military where he subjected to harsh treatment and name calling Fokken Jood. After a honorable discharge, he works in cabaret at seaside resorts and is recruited as a gymnast in a cabaret, where he realizes that the stage is his destiny. The memoir fast forwards to Cliffs meteoric rise at the Moulin from swing dancer to principal in Formidable. Off stage he gets into fights with street thugs, hangs out with diamond smugglers, and has his pick of gorgeous women. With a year at the Moulin to his credit, doors open for him internationally and back in South Africa. He earns a starring role in Egoli: Place of Gold, and marries his long-time girlfriend, Colette. On their honeymoon to Paris, Cliff says, Merci Paris for the best year of my life.