By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

A deep-dive into the art, science and practice of leadership around the world and across the ages by a Harvard professor and historian - essential reading for our turbulent times.

Across the world, and throughout time, there have been people who have risen to the challenge of leading others. Sometimes their power is undeserved, sometimes it's ill-used, but always their actions have impact. But do leaders really make history, or does history make leaders? And how might we harness the answers to find and become better leaders today?

For the past decade, Moshik Temkin has been exploring these questions at Harvard University's Kennedy School of Government and at universities around the world. In this book, he offers a deep dive into the nature of leadership, from the highest ranks to the most hopeless situations.

Drawing on stories from across history and culture, Temkin considers how leaders have made decisions, inspired others and forged a path in challenging circumstances - from the Great Depression to the dictatorship of Rafael Trujillo, from the Suffragettes to the anticolonial wars of the 20th century to the civil rights struggle - and how, in a world desperate for good leadership, we can evaluate those decisions and draw lessons for ourselves today.

This book from John Van der Kiste, the eminent historian of European royalty, is an account of Queen Victoria's personal and political relationships with the empires, or to be more exact, the Kings and Queens, Emperors, Empresses and their families of France, Germany, Austria and Russia. Victoria had close connections with the royal houses of Germany long before the King of Prussia became the German Emperor in 1871, and with the exiled former Emperor and Empress of the French and their son, the Prince Imperial, after the fall of the French Empire in 1870. Van der Kiste deftly weaves together the various strands of the relationships-including the close family marriage ties-to provide a fascinating picture of European royalty in the last two thirds of the nineteenth century.

A rich fund of anecdotes drawn from the authora s time as an airline pilot and manager which spanned a forty year career, starting in the 1960s. Roughly tracing the authora s career, each story paints a different picture, be it be of a pilot, his faults and foibles, an experience the author had, a management problem and more. The backdrop is aviation but many of these stories could just as easily be transposed to a different setting. Most, but not all, have a strong flavour of humour and/or irony running through them. In todaya s world of political correctness and in a society otherwise constrained by litigious lawyers and an overbearing press many of these [mostly amusing] stories almost defy belief. Such has the world, and the world of aviation, moved on, few of the present crop of young pilots flying today would believe what went on behind closed doors. And neither would the rest of us!

This timely memoir-cum-guide includes the insights of black women at various stages of their career as they navigate the pitfalls of the corporate world.

A performance review of the working world introduced to the young women reveals issues such as racism, sexism, ethnic chauvinism, ageism, and sexual harassment that many encounter with naivety.

When technical expertise and hard work are not the issue, how do black women make the most of their efforts and support each other to success?

’n Baie lang brief aan my dogter is Marita van der Vyver, een van Afrikaans se mees geliefde skrywers, se ontroerende jeugmemoir. Dit is 'n speurtog deur die skrywer se beginjare, maar dit is ook ’n liefdesbrief aan ’n dogter en ’n taal en ’n land. En bowenal is dit ’n ma se poging om sin te maak van hierdie onverskillige en wrede wêreld waarin sy haar nou begewe.

Ses jaar ná die verskyning van Bloedvreemd vertel Juliana Coetzer wat hét geword van haar dogter, Anneke. In Bloedvreemd vertel die skrywer hoe Anneke op sewejarige ouderdom ’n virus opgedoen wat haar brein aangetas het, en geleidelik het sy verstandelik begin agteruitgaan. Die werklikheid het egter nie stilgestaan nie. Ses jaar ná die boek vra mense steeds – wat het geword van julle? Is Anneke oukei? Hoe maak ’n mens met die voortdurende verlies, die agteruitgang?

Juliana Coetzer is ook ’n terapeut. Met 'n skreiend eerlike stem wat voortdurend selfondersoek doen, skryf Juliana oor die verdere reis met Anneke, nou al in haar vroeg dertigs. Sy kan al hoe minder praat, al hoe minder verstaan, en steeds probeer sy haar onafhanklikheid behou. Sover Juliana en haar eggenoot, Fanus, daartoe in staat is, probeer hulle haar omhul in ’n wêreld met embarming en begrip. Maar elke dag (en nag) bring sy eie, eindelose uitdagings.

Die kind se naam is Anneke is aangrypende leesstof vir enigiemand wat al pyn/verlies ervaar het. Of jy ’n kind het of nie. En of jy Bloedvreemd gelees het al dan nie.

Andre Laurendeau was the most widely respected French-Canadian nationalist of his generation. The story of his life is to a striking degree also the story of French-Canadian nationalism from the 1930s to the 1960s, that period of massive societal change when Quebec evolved from a traditional to a modern society. The most insightful intellectual voice of the nationalist movement, he was at the tumultuous centre of events as a young separatist in the 1930s; an anti-conscription activist and reform-minded provincial politician in the 1940s; and an influential journalist, editor of the Montreal daily Le Devoir, in the 1950s. At the same time he played an important role in Quebec's cultural life both as a novelist and playwright and as a well-known radio and television personality. In tracing his life story, this biography sheds indispensable light not only on the development of Laurendeau's own nationalist thought, but on his people's continuing struggle to preserve the national values that make them distinct.

The number one bestseller and Sunday Times Humour Book of the Year by national treasure Bob Mortimer.'The most life-affirming, joyful read of the year' - Sunday Times 'Winningly heartfelt' - The Guardian 'A triumph' - Daily Mail Bob Mortimer's life was trundling along happily until suddenly in 2015 he was diagnosed with a heart condition that required immediate surgery and forced him to cancel an upcoming tour. The episode unnerved him, but forced him to reflect on his life so far. This is the framework for his hilarious and moving memoir, And Away... Although his childhood in Middlesbrough was normal on the surface, it was tinged by the loss of his dad, and his own various misadventures (now infamous from his appearances on Would I Lie to You?), from burning down the family home to starting a short-lived punk band called Dog Dirt. As an adult, he trained as a solicitor and moved to London. Though he was doing pretty well (the South London Press once crowned him 'The Cockroach King' after a successful verdict), a chance encounter in a pub in the 1980s with a young comedian going by the name Vic Reeves set his life on a different track. And now, six years on, the heart condition that once threatened his career has instead led to new success on BBC2's Gone Fishing. Warm, profound, and irrepressibly funny, And Away... is Bob's full life story (with a few lies thrown in for good measure.)

A wonderfully vivid picture of the life of a distinguished and much respected Royal Engineer. Ian McGill's plain speaking insights, told with a human touch, provide an absorbing account of his childhood and subsequent military career, enriched with tales of family life. From the antics of maize-stealing baboons, the horrors of the conflict in Northern Ireland to the complexities of more recent military deployments, the book's title says it all.

As he works his way through his medical training, Ike Anya's grandmother reassures him, saying:

Everything worthwhile is achieved small by small.

It's the 1990s, a turbulent time in Nigeria's political history, and a young Ike Anya embarks on the journey to qualifying as a medical doctor. In a story that charts the triumphs and failures of his student days through to his first demanding year as a house officer, Anya's sharp wit, gentle humour and abounding curiosity present a medical memoir unlike any from the West. Recalling the vibrancy of tempestuous 1990s Nigeria - the political unrest, social change and worsening economy - Anya also celebrates the friendships, minor rebellions and hard graft of student days.

Small by Small is a deeply intimate memoir imbued with determination, compassion and a love of storytelling.

Paris Nights: My Year at the Moulin Rouge opens with a bored twenty-seven-year old Cliff Simon staring out at the ocean from his beachfront house, wishing he was somewhere else. Gavin Mills telephones him from Paris inviting him to join him at the iconic Moulin Rouge. Cliff sells everything he owns, leaving Johannesburg, South Africa for the City of Lights. He learns that his spot at the Moulin is not guaranteed and is forced to audition. Making the grade, he is put into can can school before he is allowed into the company. His adrenaline is pumping from excitement and fear, both of which he has faced before. Taking a look back, we see twelve-year-old Cliff helming a racing dinghy in the midst of a thunderstorm on the Vaal River. His father yells at him not to be a sissy, and he brings the boat back to shore alone. We then travel to London with his family escaping the tumult of Apartheid. He trains for the Olympics, but drops out, enrolling in the South African military where he subjected to harsh treatment and name calling Fokken Jood. After a honorable discharge, he works in cabaret at seaside resorts and is recruited as a gymnast in a cabaret, where he realizes that the stage is his destiny. The memoir fast forwards to Cliffs meteoric rise at the Moulin from swing dancer to principal in Formidable. Off stage he gets into fights with street thugs, hangs out with diamond smugglers, and has his pick of gorgeous women. With a year at the Moulin to his credit, doors open for him internationally and back in South Africa. He earns a starring role in Egoli: Place of Gold, and marries his long-time girlfriend, Colette. On their honeymoon to Paris, Cliff says, Merci Paris for the best year of my life.

New Zealand's prime minister has been hailed as a leader for a new generation, tired of inaction in the face of issues such as climate change and far-right terrorism. Her grace and compassion following the Christchurch mosque shooting captured the world's attention. Oprah Winfrey invited us to 'channel our inner Jacindas' as praise for Ardern flooded headlines and social media. The ruler of this remote country even made the cover of Time. In this revealing biography, journalist Madeleine Chapman discovers the woman behind the headlines. Always politically engaged and passionate, Ardern is uncompromising and astute. In her first press conference, she announced an election campaign of 'relentless positivity'. The tactic was a resounding success: donations poured in and Labour rebounded in the polls. But has Ardern lived up to her promise? What political concessions has she had to make? And beyond the hype, what does her new style of leadership look like in practice?

Eye-opening and candid, David Bailey's Look Again is a fantastically entertaining memoir by a true icon.

David Bailey burst onto the scene in 1960 with his revolutionary photographs for Vogue. Discarding the rigid rules of a previous generation of portrait and fashion photographers, he channelled the energy of London's newly informal street culture into his work. Funny, brutally honest and ferociously talented, he became as famous as his subjects.

Now in his eighties, he looks back on an outrageously eventful life. Born into an East End family, his dyslexia saw him written off as stupid at school. He hit a low point working as a debt collector until he discovered a passion for photography that would change everything. The working-class boy became an influential artist. Along the way he became friends with Mick Jagger, hung out with the Krays, got into bed with Andy Warhol and made the Queen laugh.

His love-life was never dull. He propelled girlfriend Jean Shrimpton to stardom, while her angry father threatened to shoot him. He married Catherine Deneuve a month after meeting her. Penelope Tree’s mother was unimpressed when he turned up on her doorstep. ‘It could be worse, I could be a Rolling Stone,’ Bailey told her. He went on to marry Marie Helvin and then Catherine Dyer, with whom he has three children.

He is also a film and documentary director, has shot numerous commercials and has never stopped working. A born storyteller, his autobiography is a memorable romp through an extraordinary career.

When Michael K. Williams died on 6 September 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO's The Night Of and Lovecraft Country, Williams inhabited a slew of indelible roles that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn't be denied, whose stories were too often left out of the main narrative. At the time of his death, Williams had nearly finished a memoir that tells the story of his past while looking to the future, a book that merges his life and his life's work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush and his early years as a dancer to his battles with addiction and the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with social justice organisations and his community, especially in helping at-risk youth find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in with his whole heart. Imbued with poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did-in his own voice, in his own words, as only he could.