From an acclaimed Wall Street Journal reporter comes the first biography of the enigmatic leader of the AI revolution, charting his ascent within the tech world as well as his ambitions for this powerful new technology.

On November 30, 2022, OpenAI released ChatGPT, a chatbot that captivated the world with its uncanny ability to hold humanlike conversations. Not even a year later, on November 17, 2023, Sam Altman, the CEO of OpenAI, was summarily fired on a video call by the company’s board. The firing made headlines around the globe: OpenAI is the leader in the race to build AGI―artificial general intelligence, or AI that can think like a human being―and Altman is the most prominent figure in the field. Yet it was mere days before Altman was back running the company he had co-founded, with most of the directors who voted to fire him themselves removed from the board.

The episode was a demonstration of how quickly the industry is moving, and of Altman’s power to bend reality to his will. In The Optimist, the Wall Street Journal reporter Keach Hagey presents the most detailed account yet of Altman’s rise, from his precocious childhood in St. Louis to his first, failed startup experience; his time as legendary entrepreneur Paul Graham’s protégé and successor as head of Y Combinator, the start-up accelerator where Altman became the premier power broker in Silicon Valley; the founding of OpenAI and his recruitment of a small yet superior team; and his struggle to keep his company at the cutting edge while fending off determined rivals, including Elon Musk, a former friend and now Altman’s bitter opponent.

Hagey conducted more than 250 interviews, with Altman’s family, friends, teachers, mentors, co-founders, colleagues, investors, and portfolio companies, in addition to spending hours with Altman himself. The person who emerges in her portrait is a brilliant dealmaker with a love of risk, who believes in technological progress with an almost religious conviction―yet who sometimes moves too fast for the people around him. With both the promise and peril of AI increasing by the day, Hagey delivers a nuanced, balanced, revelatory account of the individual who is leading us into what he himself has called “the intelligence age.”

Altman is a figure out of Isaac Asimov or Neal Stephenson. Or he is the author himself: if it feels as though we have all collectively stepped into a science fiction short story, it is Altman who is writing it.

Eierigting is‘n regsterm wat beteken dat jy die reg in jou eie hande neem.

In ‘n grondwetlike bestel is die uitgangspunt dat die burgery kollektief hul reg om hulself te beskerm oordra aan die staat. Wanneer die staat faal en nie meer sy burgers beskerm nie, verander die situasie. Dan raak eierigting nodig.

Willie Spies skryf sedert 2016 – die jaar van Fees Must Fall in Suid-Afrika en die verkiesing van Donald Trump in die VSA – rubrieke vir Beeld en Netwerk 24.

Die rubrieke ontgin die stand van die makro-omgewing van verval van die staat waarin Suid-Afrikaners hulle bevind gedurende die jare van staatskaping, die einde van die Zuma-bewind, die EFF, die einde van Afrikaans in die universiteitswese, die era van Rama-forie, die COVID-pandemie en gepaardgaande wêreld gebeure in historiese konteks.

Dit keer telkens terug na die mikro-werklikheid van eie menswees, geloof, hartseer, eensaamheid, verlies, ouer-word en vergifnis.

Dit ondersoek ’n nuwe vryheidsideaal, 30 jaar na die verkiesing van 27 April 1994 en beskryf hoe eierigting regmatig deur instellings van die burgerlike samelewing plaasvind wat leemtes vul wat die staat ooplaat.

Essays from a Native American grandfather to help navigate life's difficult experiences. Offered in the oral traditions of the Nez Perce, Native American writer W. S. Penn records the conversations he held with his granddaughter, lovingly referred to as ""Bean,"" as he guided her toward adulthood while confronting society's interest in possessions, fairness, and status. Drawing on his own family history and Native mythology, Penn charts a way through life where each endeavor is a journey-an opportunity to love, to learn, or to interact-rather than the means to a prize at the end. Divided into five parts, Penn addresses topics such as the power of words, race and identity, school, and how to be. In the essay "In the Nick of Names," Penn takes an amused look at the words we use for people and how their power, real or imagined, can alter our perception of an entire group. To Have and On Hold is an essay about wanting to assimilate into a group but at the risk of losing a good bit of yourself. "A Harvest Moon" is a humorous anecdote about a Native grandfather visiting his granddaughter's classroom and the absurdities of being a professional Indian. "Not Nobody" uses "Be All that You Can Be Week" at Bean's school to reveal the lessons and advantages of being a "nobody." In "From Paper to Person," Penn imagines the joy that may come to Bean when she spends time with her Paper People-three-foot-tall drawings, mounted on stiff cardboard-and as she grows into a young woman like her mom, able to say she is a person who is happy with what she has and not sorry for what she doesn't. Comical and engaging, the essays in Raising Bean will appeal to readers of all backgrounds and interests, especially those with a curiosity in language, perception, humor, and the ways in which Native people guide their families and friends with stories.

A frenetic, gonzo account of Britney Spears’s historic rise and equally tragic fall told by an iconoclastic music journalist.

America, 2003: A country at war, its shiny veneer beginning to crack. Von Dutch and The Simple Life dominate. And on the cover of every magazine, a twenty-one-year-old pop star named Britney Spears. Tracking her every move for a third-tier gossip rag in Los Angeles was an unknown young writer taking whatever job he could while pursuing his distant literary dreams. He'd instead become an eyewitness to the slow tragedy of a changing nation, represented in spirit by “the coy it-girl at the end of history.”

Years later, after finally establishing himself as a celebrated journalist, Jeff Weiss presents Waiting for Britney Spears, a gonzo, nostalgic, and “allegedly true” recounting of his years as a tabloid spy in the lurid underbelly of Los Angeles. Weiss follows America’s sweetheart through Vegas superclubs and Malibu car chases, annulled marriages and soul-crushing legal battles, all the way to Britney’s infamous 2007 VMA performance. As Weiss lives through the chaos leading to Britney’s conservatorship, he observes, with peerless style, cringe-inducing fashion waves, destructive celebrity surveillance, and a country whose decline is embodied by the devastating downturn of its former golden child.

With the narrative flair that established him as a singular chronicler of modern pop culture, Weiss goes for broke in Waiting for Britney Spears, a descent into a neon hall of mirrors reflecting our obsession with fame, morality, and the mystery of what really happened to the last great pop star.

A New York Times bestselling memoir from Olympic gold medalist, world champion, and the most decorated US female Olympian in history: Katie Ledecky.

Katie Ledecky has won more individual Olympic races than any female swimmer in history. She is a four-time Olympian, a nine-time gold medalist, a twenty-one-time world champion, eight-time NCAA Champion, and a world record-holder in individual swimming events. At the 2024 Olympics in Paris, she became the most decorated US female Olympian of all time. Time and again, the question is posed to her family, her coaches, and to her—what makes her a champion? Now, for the first time, she shares what it takes to compete at an elite level.

Again and again, Ledecky has broken records: those of others and, increasingly, her own. She is both consistent and innovative—consistent at setting goals and shattering them, and innovative in the way she approaches her training. A true competitor, she sets her goals by choosing the ones that feel the scariest. But, crucially, she never sacrifices the joy of competition, even in the face of adversity. Her positive mental outlook and a great support system provides the springboard to her success.

Just Add Water charts Ledecky’s life in swimming. It details her start in Bethesda, Maryland, where she played sharks and minnows and first discovered the joy of the pool; her early foray into the Olympics at the tender age of fifteen where, as the youngest member of the American team, she stunned everyone by winning her first gold medal; her time balancing competition and her education at Stanford University; how she developed a champion’s mindset that has allowed her to persevere through so many meets, even under intense pressure; and how she has maintained her dominance in a sport where success depends on milliseconds. You learn how every element of her life—from the support of her family to the tutelage of her coaches, from her childhood spent in summer league swimming to the bright lights of Olympic pools in London, Rio, and Tokyo—set her up to become the champion she is.

In the end, Katie’s story is about testing yourself against the difficult, and seeing who you become on the other side.

On 11 June 2011, three days short of his sixth-ninth birthday, Jonathan Raban suffered a stroke which left him unable to use the right side of his body, wheelchair-bound in a rehab facility and endlessly frustrated by his newfound physical limitations. As he resisted the overbearing ministrations of the nurses helping him along the road to recovery, Raban began to reflect not only on the measure of his own life but the extraordinary story of his parents’ early marriage, conducted for three years by letter while his father fought in the Second World War.

The rise, fall, and revival of the Caesar of Silicon Valley.

Elon Musk famously leads his companies from a bully pulpit, cutting through red tape whenever possible with little regard for the fallout. Musk's approach to business and politics is truly singular - he alternately seems to be either in complete command or on the verge of a meltdown, and many in his orbit have had their lives upended by buying into his utopian vision.

From the chaotic launch of the Tesla Cybertruck to his decision to reshape Twitter into 'X' as part of his self-proclaimed mission to defeat the 'woke mind virus', Musk is seemingly drawn to public controversy, yet he has emerged from these turbulent moments more influential and powerful than ever.

Hubris Maximus offers an unprecedented insight into the motives and mindset that have driven Musk's stratospheric rise to power. In this cautionary tale about the pitfalls of magnetic leaders, Washington Post journalist Faiz Siddiqui offers a gripping portrait of a uniquely messy and lucrative period in Musk's career, one which has seen him ascend into a key role in Trump's administration.

Systemic racism and sexism caused one of South Africa’s most important writers to disappear from public consciousness. Is it possible to justly restore her historical presence?

Regina Gelana Twala, a Black South African woman who died in 1968 in Swaziland (now Eswatini), was an extraordinarily prolific writer of books, columns, articles, and letters. Yet today Twala’s name is largely unknown. Her literary achievements are forgotten. Her books are unpublished. Her letters languish in the dusty study of a deceased South African academic. Her articles are buried in discontinued publications. Joel Cabrita argues that Twala’s posthumous obscurity has not developed accidentally as she exposes the ways prejudices around race and gender blocked Black African women like Twala from establishing themselves as successful writers.

Drawing upon Twala’s family papers, interviews, newspapers, and archival records from Pretoria, Uppsala, and Los Angeles, Cabrita argues that an entire cast of characters—censorious editors, territorial White academics, apartheid officials, and male African politicians whose politics were at odds with her own—conspired to erase Twala’s legacy. Through her unique documentary output, Twala marked herself as a radical voice on issues of gender, race, and class. The literary gatekeepers of the racist and sexist society of twentieth-century southern Africa clamped down by literally writing her out of the region’s history.

Written Out also scrutinizes the troubled racial politics of African history as a discipline that has been historically dominated by White academics, a situation that many people within the field are now examining critically. Inspired by this recent movement, Cabrita interrogates what it means for her —a White historian based in the Northern Hemisphere—to tell the story of a Black African woman. Far from a laudable “recovery” of an important lost figure, Cabrita acknowledges that her biography inevitably reproduces old dynamics of White scholarly privilege and dominance. Cabrita’s narration of Twala’s career resurrects it but also reminds us that Twala, tragically, is still not the author of her own life story.

The first time Ravi Shankar was arrested, he spoke out against racist policing on National Public Radio and successfully sued the city of New York. The second time, he was incarcerated when his promotion to full professor was finalized. During his ninety-day pretrial confinement at the Hartford Correctional Center--a level 4, high-security urban jail in Connecticut--he met men who shared harrowing and heart-felt stories. The experience taught him about the persistence of structural racism, the limitations of mass media, and the pervasive traumas of twenty-first-century daily life. Shankar's bold and complex self-portrait--and portrait of America--challenges us to rethink our complicity in the criminal justice system and mental health policies that perpetuate inequity and harm. Correctional dives into the inner workings of his mind and heart, framing his unexpected encounters with law and order through the lenses of race, class, privilege, and his bicultural upbringing as the first and only son of South Indian immigrants. Vignettes from his early life set the scene for his spectacular fall and subsequent struggle to come to terms with his own demons. Many of them, it turns out, are also our own.

Bestselling writer and psychotherapist Irvin D. Yalom puts himself on the couch in a “candid, insightful” memoir​.

Irvin D. Yalom has made a career of investigating the lives of others. In this profound memoir, he turns his writing and his therapeutic eye on himself.

He opens his story with a nightmare: He is twelve, and is riding his bike past the home of an acne-scarred girl. Like every morning, he calls out, hoping to befriend her, "Hello Measles!" But in his dream, the girl's father makes Yalom understand that his daily greeting had hurt her. For Yalom, this was the birth of empathy; he would not forget the lesson.

As Becoming Myself unfolds, we see the birth of the insightful thinker whose books have been a beacon to so many. This is not simply a man's life story, Yalom's reflections on his life and development are an invitation for us to reflect on the origins of our own selves and the meanings of our lives.

This captivating narrative tells the story of Beyers Truter, a world-renowned South African winemaker known for his expertise and dedication to crafting some of the finest wines. From his early days at Kanonkop to his rise as the proud owner of Beyerskloof, Beyers' journey is one of triumph, vision, and a profound love for his craft. In 1991, his exceptional skill earned him the prestigious title of International Winemaker of the Year.

At the heart of this story is Pinotage, the uniquely South African grape that Beyers championed with unmatched passion. His connection to this cultivar goes beyond winemaking—Pinotage became a symbol of his unwavering dedication to quality and innovation.

But Beyers' story is not just about wine. It’s a tale of a man who lives with a heart full of passion, generosity, and humility. His personal narrative is woven with humor, touching moments, and vivid anecdotes, whether recounting his nervous first harvest at Kanonkop or his dream of owning his own vineyard—a dream he realized with the creation of Beyerskloof.

Through this memoir, Beyers shares stories of deep friendships, camaraderie with fellow wine legends, and the simple joys of life, such as his love for dogs, diving, seafood, and the people of Namibia. This is not a conventional biography, but rather an exploration of Beyers Truter’s zest for life, his unwavering commitment to his craft, and the relationships that shaped him along the way.

Traildust In A Wine Glass is a celebration of passion, perseverance, and the beauty of living fully—one glass of wine at a time.

From beloved spiritual writer and Catholic leader Gregory Floyd comes a moving meditation on the power of memory and how God is often more clearly seen when we look back. This is a book about memory, about what stays in the mind, and why. It is a book about the presence of God in our lives and the sights, sounds, words, and experiences that become unforgettable. Beginning with a single word he heard in the middle of the night-one that changed his life-this powerful memoir by Gregory Floyd asks the question: without memory, who are we? It is a meditation on beauty, marriage, family, and prayer, asking of the memories that each implants: what do they reveal? Where do they lead? -and witnessing to their potential to draw us to God.

In Troep! vertel meer as ’n honderd oud-troepe wat hulle onthou van diensplig: om op skool opgeroep te word, te gaan oorlog maak en twee jaar later weer huis toe te kom. Tussenin lê stories van varkpanne, tiekiebokse, twee-komma-viers, boeliebief, die DB, ryloop, pakkies, bosbussies, naweekpas, ratpacks, stof, Buffels, landmyne en skrapnel – en ook herinneringe van vriende, seuns en broers wat nie teruggekom het nie.

Bun Booyens voeg al hierdie stemme saam tot die verhaal van die uitsonderlike dinge wat duisende gewone seuns beleef het. Hierdie stories sal ’n snaar by veterane roer, en hul naastes help om te verstaan watter dinge hierdie mense vandag steeds met hulle saamdra – dit wat hulle onthou, maar ook dit wat hulle nie kan vergeet nie.

Stanley Baxter delighted over 20 million viewers at a time with his television specials. His pantos became legendary. His divas and dames were so good they were beyond description. Baxter was a most brilliant cowboy Coward, a smouldering Dietrich. He found immense laughs as Formby and Liberace. And his sex-starved Tarzan swung in a way Hollywood could never have imagined. But who is the real Stanley Baxter? The comedy actor's talents are matched only by his past reluctance to colour in the detail of his own character. Now, the man behind the mischievous grin, the twinkling eyes and the once- Brylcreemed coiffure is revealed. In a tale of triumphs and tragedies, of giant laughs and great falls from grace, we discover that while the enigmatic entertainer could play host to hundreds of different voices, the role he found most difficult to play was that of Stanley Baxter.