Min het Zirk van den Berg, toe hy in 1998 met sy gesin na Nieu-Seeland verhuis, geweet wat dit sou verg vir ʼn huis vol Kapenaars om Kiwi’s te word. Hy vind homself werkloos, in ʼn piepklein huisie van karton, in die land van kettingsae en grassnyers. Die son skyn nooit en sy vrou sniks sags in haar kussing. Tog slaag Zirk uiteindelik daarin om ʼn betekenisvolle bestaan in Auckland vir hom en sy mense te bou.

On the Railway takes readers through South Africa’s rich railway history, from Estcourt to the grand steam engines on narrow gauges. David Williams highlights luxurious trains like the White and Blue Trains, and the vital role of goods trains in the economy. He explores engineering feats that tamed tough terrains and the growth of railway towns. The book also addresses racial segregation, the decline of the rail network, and reflects on the past and uncertain future of South African railways.

Farren Cloete is geroep vir ’n tyd soos hierdie, maar wys vir jou op jou roeping ook: dit maak nie saak wat mense sê nie, as God jou geroep het kan geen mens jou keer nie en jy hoef aan niemand rekenskap te gee nie. Farren kom maak ons vry daarvan dat ons dink ons moet ander gelukkig maak, en help ons om te fokus op wat God van ons wil hê. Dit maak nie saak hoe moeilik ons roeping is nie, of ons opgewasse voel daarvoor of nie, God is by ons en Hy roep ons vir ’n tyd soos hierdie.

When Covid-19 pulled the rug out from under Marita van der Vyver and her Frenchman's feet and they were forced to sell their old, large house in the French countryside, they decided to get rid of most of their earthly possessions and travel far across the world. In this journey, which spans three continents, a lifetime of memories from one of Afrikaans’s greatest writers is explored. Sometimes you have to lose a lot, and also be willing to lose yourself, before you can truly gain freedom.

This first-ever biography of American painter Grace Hartigan traces her rise from virtually self-taught painter to art-world fame, her plunge into obscurity after leaving New York to marry a scientist in Baltimore, and her constant efforts to reinvent her style and subject matter. Along the way, there were multiple affairs, four troubled marriages, a long battle with alcoholism, and a chilly relationship with her only child. Attempting to channel her vague ambitions after an early marriage, Grace struggled to master the basics of drawing in night-school classes. She moved to New York in her early twenties and befriended Willem de Kooning, Jackson Pollock, and other artists who were pioneering Abstract Expressionism. Although praised for the coloristic brio of her abstract paintings, she began working figuratively, a move that was much criticized but ultimately vindicated when the Museum of Modern Art purchased her painting The Persian Jacket in 1953. By the mid-fifties, she freely combined abstract and representational elements. Grace-who signed her paintings "Hartigan"- was a full-fledged member of the "men's club" that was the 1950s art scene. Featured in Time, Newsweek, Life, and Look, she was the only woman in MoMA's groundbreaking 12 Americans exhibition in 1956, and the youngest artist-and again, only woman-in The New American Painting, which toured Europe in 1958-1959. Two years later she moved to Baltimore, where she became legendary for her signature tough-love counsel to her art school students. Grace continued to paint throughout her life, seeking-for better or worse-something truer and fiercer than beauty.

In June of 1964, three young, white blues fans set out from New York City in a Volkswagen, heading for the Mississippi Delta in search of a musical legend. So begins Preachin' the Blues, the biography of American blues signer and guitarist Eddie James "Son" House, Jr. (1902 - 1988). House pioneered an innovative style, incorporating strong repetitive rhythms with elements of southern gospel and spiritual vocals. A seminal figure in the history of the Delta blues, he was an important, direct influence on such figures as Muddy Waters and Robert Johnson.
The landscape of Son House's life and the vicissitudes he endured make for an absorbing narrative, threaded through with a tension between House's religious beliefs and his spells of commitment to a lifestyle that implicitly rejected it. Drinking, womanizing, and singing the blues caused this tension that is palpable in his music, and becomes explicit in one of his finest performances, "Preachin' the Blues." Large parts of House's life are obscure, not least because his own accounts of them were inconsistent. Author Daniel Beaumont offers a chronology/topography of House's youth, taking into account evidence that conflicts sharply with the well-worn fable, and he illuminates the obscurity of House's two decades in Rochester, NY between his departure from Mississippi in the 1940s and his "rediscovery" by members of the Folk Revival Movement in 1964. Beaumont gives a detailed and perceptive account of House's primary musical legacy: his recordings for Paramount in 1930 and for the Library of Congress in 1941-42. In the course of his research Beaumont has unearthed not only connections among the many scattered facts and fictions but new information about a rumoured murder in Mississippi, and a charge of manslaughter on Long Island - incidents which bring tragic light upon House's lifelong struggles and self-imposed disappearance, and give trenchant meaning to the moving music of this early blues legend.

An annual collection of studies on individuals who have made major contributions to the development of geography and geographical thought. Each paper describes the geographer's education, life and work, discusses his or her influence and includes a bibliography of works and a chronology.

Three years ago, when Cavan footballer Alan O'Mara was twenty-two, he spoke out about his battle with depression which led him to contemplate suicide. Only the thought of his parents and the pain that they would experience in his death prevented him from taking his own life. Now, in The Best is Yet to Come, he tells his story. From the role the GAA played in his life, to the decision he made to share his journey, this is an account of an ordinary young man, a GAA star, who found a way to move past the dark thoughts that beset his mind during his worst days, and who discovered that the only way out of the darkness is to ask for help. 'In summoning his courage and becoming the first active inter-county player to speak of his experiences with depression, Alan O'Mara gives a much needed voice to an aspect of human experience that has been cloaked in silence and stigma. This book, which is needed now more than ever, gives a rare glimpse into the complex inner world of depression and will give hope to those suffering in silence, guidance to those seeking solutions and inspiration for families and friends supporting loved ones.' Conor Cusack

Cardinal Francis E. George, O.M.I., was a model pastor and a heroic disciple of Christ. A native Chicagoan, he was told as a young man that he would never be a priest in Chicago because of a physical disability resulting from polio. He went on to be ordained a priest with the Oblates of Mary Immaculate in 1963. He was appointed as Archbishop of Chicago in 1997, created a cardinal in 1998, and served in Chicago until 2014, just months before his death at the age of 78.
Cardinal George's many gifts — including his superior intellect — made him a pivotal player in Church affairs nationally and internationally. He governed during difficult and challenging times, yet he always attempted to lead with the heart of Christ, living out his episcopal motto, "To Christ be glory in the Church."
A man of pastoral availability, Cardinal George poured out his life in service to Christ and the Church, always attentive to the poor and those on the margins. Universally admired for his pursuit and proclamation of the truth, and his personal witness to the Gospel, Cardinal George remains a model for discipleship and leadership. By the time of his death in 2015, Cardinal George was regarded as one of the most respected bishops in American Catholic history. His fascinating and inspiring story reminds us that God's ways are always better than our own.

A stunning and poignant account of an extraordinary teacher's determination from the author of the #1 Sunday Times bestsellers The Tiger's Child and One Child. Jadie never spoke, never laughed, never cried. She spent every waking hour locked in her own private world of shadows. But nothing in Torey Hayden's experience had prepared her for the nightmare Jadie revealed to her when finally persuaded to break her self-imposed silence. It was a story too painful, too horrific for Hayden's professional colleagues to acknowledge. But Torey Hayden could not close her ears... or her heart. A little girl was trapped in a living hell of unspeakable memories. And it would take every ounce of courage, compassion, and love that one remarkable teacher possessed to rid the "Ghost Girl" of the malevolent spirits that haunted her.

I wrote this book for myself. It is a humorous look at my own crazy world. Welcome to my life. Please keep your hands and feet inside the ride at all times. A broken home, absent addict father, dead dog, sex, and a relatively happy ending. Yep, this book has it all. Join me on my journey through my most personal memories and experiences. My deepest emotions and my darkest hours.

Ken Thompson served as Sarasota's city manager from 1950 to 1988, making him the longest-serving manager in United States history. During these years, Sarasota experienced a population explosion and an unprecedented modernization of city services. The city moved from a sleepy little town to an independent city with an identifiable economy. This period of growth gave residents a vastly improved bayfront that included Island Park and the Marina Jack development and saw the creation of the current city hall and the Van Wetzel Theater. In thirty-eight years, Sarasota moved from the Circus City to the multifaceted city it is today. Follow well-known Sarasota historian Jeff LaHurd as he recounts the sometimes controversial era of Sarasota's greatest growth.

From the moment RoseMarie Terenzio unleashed her Italian temper on the entitled nuisance commandeering her office in a downtown New York PR firm, an unlikely friendship bloomed between the blue-collar girl from the Bronx and John F. Kennedy Jr.
Many books have sought to capture John F. Kennedy Jr.'s life. None has been as intimate or as honest as "Fairy Tale Interrupted." Recalling the adventure of working as his executive assistant for five years, RoseMarie portrays the man behind the icon--patient, protective, surprisingly goofy, occasionally thoughtless and self-involved, yet capable of extraordinary generosity and kindness. She reveals how he dealt with dating, politics, and the paparazzi, and describes life behind the scenes at "George "magazine. Captured here are her memories of Carolyn Bessette, how she orchestrated the ultra-secretive planning of John and Carolyn's wedding on Cumberland Island--and the heartbreak of their deaths on July 16, 1999, after which RoseMarie's whole world came crashing down around her. Only now does she feel she can tell her story in a book that stands as "a fitting personal tribute to a unique boss . . . deliriously fun and entertaining" ("Kirkus Reviews").

Oliver Sacks, one of the great humanists of our age – who describes himself in these pages as a ‘philosophical physician’ and an ‘astronomer of the inward’ – wrote to an eclectic array of family and friends. Most were scientists, artists, and writers, even statesmen: Francis Crick, Antonio Damasio, Jane Goodall, W. H. Auden, Susan Sontag, Stephen Jay Gould, Björk, and his first cousin, Abba Eban. But many of the most eloquent letters in this collection are addressed to the ordinary people who wrote to him with their odd symptoms and questions, to whom he responds with a sense of generosity and wonder.

With some correspondents, Sacks shares his struggle for recognition and acceptance both as a physician and as a gay man, providing intimate accounts as well of his passions for competitive weightlifting, motorcycles, botany, and music. With others, he chronicles his penchant for testing the boundaries of authority, the discovery of his writer’s voice, and his explosive seasons of discovery with the patients who populate his book Awakenings.

His descriptions of travels as a young man and the extraordinary people he encounters can be lyrical, ferocious, penetrating and hilarious. Many of his musings include the first detailed sketches of an essay forming in his mind, or miniature case histories rivalling those in his beloved essay collections.

Sensitively selected and introduced by Kate Edgar, Sacks’s longtime editor, the letters trace the arc of a remarkable life and reveal an often surprising portrait of Sacks as he wrestles with the workings of his own brain and mind.

Envisioning a Tibetan Luminary examines the religious biography of Shardza Tashi Gyaltsen (1859-1934), the most significant modern figure representing the Tibetan Boen religion-a vital minority tradition that is underrepresented in Tibetan studies. The work is based on fieldwork conducted in eastern Tibet and in the Boen exile community in India, where traditional Tibetan scholars collaborated closely on the project. Utilizing close readings of two versions of Shardza's life-story, along with oral history collected in Boen communities, this book presents and interprets the biographical image of this major figure, culminating with an English translation of his life story. William M. Gorvine argues that the disciple-biographer's literary portrait not only enacts and shapes religious ideals to foster faith among its readership, but also attempts to quell tensions that had developed among his original audience. Among the Boen community today, Shardza Tashi Gyaltsen has come to be unequivocally revered for an impressive textual legacy and a saintly death. During his lifetime, however, he faced prominent critics within his own lineage who went so far as to issue polemical attacks against him. As Gorvine shows, the biographical texts that inform us about Shardza's life are best understood when read on multiple registers, with attention given to the ways in which the religious ideals on display reflect the broader literary, cultural, and historical contexts within which they were envisioned and articulated.

One of the world’s bestselling storytellers, Lesley Pearse writes brilliantly about survivors. Why? Because she is one herself . . .

Born during the Second World War, Lesley’s innocence came to an abrupt end when a neighbour found her, aged 3, coatless in the snow. The mother she’d been unable to wake had been dead for days. Sent to an orphanage, Lesley soon learned adults couldn’t always be trusted.

As a teenager in the swinging sixties, she took herself to London. Here, the second great tragedy of her life occurred. Falling pregnant, she was sent to a mother and baby home, and watched helplessly as her newborn was taken from her.

But like so many of her generation, Lesley had to carry on. She was, after all, a true survivor. Marriage and children followed – and all the while she nurtured a dream: to be a writer. Yet it wasn’t until at the age of 48 that her stories – of women struggling in a difficult world – found a publisher, and the bestseller lists beckoned.

As heartbreaking as it is heartwarming, Lesley’s story really is A Long and Winding Road with surprises and uplifting hope around every corner . . .

‘Nozipho’s story shows how all our experiences are rehearsals getting us ready for the big stages of life. It’s a wonderful piece of work!’ – Dr Phumzile Mlambo-Ngcuka, former Deputy President of South Africa

When the flames of life’s challenges have swept through you, who do you become from the ashes?

Nozipho Tshabalala is a high-performing, excellence-driven, successful black woman. Being in control of everything in her life was crucial to her survival and success. For the most part, it had always served her well – until it didn’t.

In this captivating and deeply personal memoir, conversation strategist Nozipho invites you into her world – one shaped by political violence, professional triumphs on global stages and the intimate battles with loss that would test her most fundamental beliefs. Now in her 40s, she has realised that what she needed most to survive may not be what she needs to thrive.

After the Fires is a call to reclaim the narrative amid life’s unexpected turns. It honours the complexity of womanhood while celebrating the possibility of becoming exactly who you were meant to be, even when that person looks nothing like what you imagined.

With vulnerability and wisdom, Nozipho demonstrates how surrender becomes not an act of defeat but a pathway to freedom. Her story reminds us that sometimes our greatest strength lies not in holding tighter but in opening our hands to release what no longer serves us.

A staggering memoir from New York Times-bestselling author Ada Calhoun tracing her fraught relationship with her father and their shared obsession with a great poetWhen Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O'Hara, she set out to finish the book her father had started forty years earlier. As a lifelong O'Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O'Hara's past, but also her father's, and her own. The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it. In reckoning with her unique heritage, as well as providing new insights into the life of one of our most important poets, Calhoun offers a brave and hopeful meditation on parents and children, artistic ambition, and the complexities of what we leave behind.