'HI, MY NAME IS MATTHEW, although you may know me by my full name. My friends call me Matty.'

So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who travelled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called Friends Like Us . . . and so much more.

In an extraordinary story that only he could tell - and in the heartfelt, hilarious, and warmly familiar way only he could tell it - Matthew Perry lays bare the fractured family that raised him (and also left him to his own devices), the desire for recognition that drove him to fame, and the void inside him that could not be filled even by his greatest dreams coming true. But he also details the peace he's found in sobriety and how he feels about the ubiquity of Friends, sharing stories about his castmates and other stars he met along the way.

Frank, self-aware, and with his trademark humour, Perry vividly depicts his lifelong battle with addiction and what fuelled it despite seemingly having it all.

The Village Indian is a vibrant exploration of the dramas and humour inherent to small-town life in South Africa. Through a series of engaging anecdotes and personal experiences, the author invites readers to journey alongside a mixed-race family as they navigate the quirky and often challenging terrain of a close-knit village, where Govender is one of the few people of Indian descent.

From the perils of small-town politics to heartwarming acts of community spirit, the book showcases the richness of village life that often contrasts sharply with urban living. With a blend of wit and insight, the author reveals that small towns are far from dull; they pulsate with energy, charm and a sense of connection that many city dwellers yearn for in a post-lockdown world.

The Village Indian is not just a celebration of small-town living but a testament to the vivid community and culture that thrives outside the bustling cities, reminding us that adventure and inspiration can be found in the most unexpected places.

Son of a Preacher Man is a story about a loving but fraught relationship between a father and son in apartheid South Africa.

The father was Bruce Evans, a Jewish-born, evangelical Anglican clergyman who became Bishop of Port Elizabeth. His children grew up in the 1960s and ’70s in a world awash with chapter-and-verse ‘born-again’ Christianity that included ‘talking-in-tongues’, ‘divine healings’ and exorcism.

Gavin, his middle son, who narrates the tale, eventually broke with the religious beliefs he’d inherited and threw himself into the ‘struggle’ for democracy while keeping his father at arms’ length. But they reconciled shortly before Bruce’s death from motor neuron disease in 1993.

The book delves into the psyches of both men and examines how it played out in the 33 years they had together.

Die eiesoortige vriendskap tussen Winston Churchill en Jan Smuts is ’n studie in kontraste. In hul jeug het hulle uiteenlopende wêrelde bewoon: Churchill was die weerbarstige en energieke jong aristokraat; Smuts die asketiese, filosofiese Kaapse plaasseun, wat later aan Cambridge sou gaan studeer. Daar sou hy die eerste student word wat albei dele van die finale regskursus in dieselfde jaar neem en al twee met onderskeiding slaag.

Nadat hulle in die Anglo-Boereoorlog eers as vyande, en later in die Eerste Wêreldoorlog as bondgenote byeengebring is, het die mans ’n vriendskap gesmee wat oor die eerste helfte van die twintigste eeu gestrek het en tot Smuts se dood in 1950 voortgeduur het. Richard Steyn, die skrywer van Jan Smuts: Afrikaner sonder grense, bestudeer dié hegte vriendskap deur twee wêreldoorloë aan die hand van ’n magdom argiefstukke, briewe, telegramme en die omvangryke boeke wat oor albei mans geskryf is.

Dit is ’n fassinerende verhaal oor twee besonderse individue in oorlog en vrede – die een die leier van ’n groot ryk, die ander die leier van ’n klein, weerspannige lid van daardie ryk.

Adolf Hitler is the most notorious political figure of the twentieth century. The story of his life, how he became a dictator, and how he managed to convince so many to follow his cause is a subject of perennial fascination.

Balancing narrative and analysis, this biography employs a chronological approach to describe the main features of Hitler s career. Set against the background of developments in Germany and Europe during his lifetime, the text tells the extraordinary story of how an Austrian layabout rose to become F hrer of the Third Reich.

The chapters incorporate into their narrative the major debates surrounding Hitler s ideas, behaviour and historical significance. Particular attention is paid to his experience as a soldier in 1914 -18 and to the reasons why his original left-wing sympathies transmuted into Nazism. Arguments over the real character of Hitler s dictatorship are analysed and a measured assessment is offered on the disputed issues of how far Hitler initiated the Third Reich s domestic and foreign policies himself and to what extent he was controlled by events. His destructive leadership of wartime Germany is now a subject of close scrutiny among historians and the book s final chapters deal with this theme and offer a set of reflections on Hitler s relationship with the German people and his legacy to the German nation.

Michael Lynch provides a balanced guide to this most difficult of figures that will be enlightening for students and general readers alike

A portrait of the writer Mikhail Bulgakov, fighting for his work and his life in a society riven with fear of Stalin's tyranny Mikhail Bulgakov was born in Kiev in 1891. He started as a career writing articles and satiric short stories about the revolution and the economic reconstruction in the young Soviet state. He drew on these writings in many of his stage plays which brought him into conflict with the authorities. He died in 1940.

"The book is the product of a protracted, laborious and scrupulous research and draws on a most extensive and varied assembly of documents. But the archival evidence, factual accounts and even personal narratives would have remained remote, dry and cold if not for the author's remarkable gift of empathy. Barbara Engelking gives the witnesses of the Holocaust a voice which readers of this book will understand....Under her pen memories come alive again."--from the Foreword by Zygmunt BaumanOriginally published in Polish to great acclaim and based on interviews with survivors of the Holocaust in Poland, Holocaust and Memory provides a moving description of their life during the war and the sense they made of it. The book begins by looking at the differences between the wartime experiences of Jews and Poles in occupied Poland, both in terms of Nazi legislation and individual experiences. On the Aryan side of the ghetto wall, Jews could either be helped or blackmailed by Poles. The largest section of the book reconstructs everyday life in the ghetto. The psychological consequences of wartime experiences are explored, including interviews with survivors who stayed on in Poland after the war and were victims of anti-Semitism again in 1968. These discussions bring into question some of the accepted survivor stereotypes found in Holocaust literature. A final chapter looks at the legacy of the Holocaust, the problems of transmitting experience and of the place of the Holocaust in Polish history and culture.

In this perceptive and original study of one of the most popular of English poets, Douglas Kerr has written the life of Wilfred Owen's language. The book explores the meaning in Owen's life of the family, the Church, the army, and English poets of the past. It examines the language of these four communities, and shows how their discourses helped to mould the poet's own. The language in which Owen's extraordinary poems and letters are written was learned in and from these communities which shaped his short career. But there were times too when he hated each of them. As Douglas Kerr shows, much of the power of Owen's writing derives from his desire to transform the communities which formed him. Accessible and lucid, and informed by the insights of recent theory, Wilfred Owen's Voices throws important new light on the best-known of the English war poets, and on both the cultural history and intense personal drama to be read in his work.

Pringle's autobiography offers a graphic and often painful account of his experiences with major marathons, including the Marathon des Sables and the Yukon Arctic Ultra. Journalists and scientists monitor his progress as he pushes his body to the very limits, as he competes in extreme sporting events which have already claimed lives. A growing sense of self-knowledge and a sense of unity with the natural world lead him to overcome his inner demons, and to find a distinctive and transformational spiritual path.

In 1913, a secretive American millionaire, who lived on the top floor of the famous Carlton Hotel, had a crazy idea: to make movies in Johannesburg. And not just any movies but the biggest in the world, huge spectacles with elaborate sets, thousands of extras and epic story lines.

Isidore Schlesinger – better known as ‘IW’ – built a studio on a farm called Killarney, where he set out to challenge a place in America that was in its infancy: Hollywood.

The glamour, gossip and high drama of IW’s studio fit perfectly into a city experiencing an intoxicating golden age. There was as much action on the movie sets as there was on screen: from political intrigue and the clashing of massive egos to public outbursts, fiery judicial inquiries, disaster and death.

Behind this mad enterprise was a maverick, a tycoon, a recluse, a friend of the famed and the connected. IW could have held his own in California but he chose as his base the City of Gold. This is the never-been-told-before story of the rise and fall of the strangest and most unique movie empire ever.

In Paris during the summer of 1814, two lovers, Percy Bysshe Shelley and Mary Wollstonecraft Godwin, began a chronicle of their life together, starting with an account of the day they eloped to France. These journals--kept during the early years by both of them and then, after their marriage, mostly by Mary alone--are an essential source of information about the lives, both individually and together, of two major British literary figures. This critical edition, the first to be faithful to the manuscript, presents the full text of all surviving journal entries and provides extensive biographical commentary drawn from unpublished as well as published sources.