With a racing career spanning more than four decades, coming second is never an option for Peter Lindenberg. Troubled by a lack of self-confidence, Peter’s ‘average’ childhood saw a bitter parent who doubted his abilities, a demanding school system that forced him to fit the mould, a younger brother who was better at everything, and brutal, undeserved beatings with a sjambok. But when Peter tasted the buzz of barefoot water-skiing he found it impossible to resist, and went on to break records, earn numerous Springbok Colours, and win many world championships. This, however, was just the start.

Little did Peter know the sporting magic that would follow in his life – first as a powerboat racer and then as a race car driver. Despite counting on pins and metal to hold his battered body intact, being arrested unjustly, a serious motor racing accident with his car going up in flames, and a brain haemorrhage, Peter keeps going flat out and quickly ranks on the international championship charts, cheats death twice, and presses the reset button to positively influence a failed marriage.

Flat Out and Fearless is Peter’s cut-to-the-chase life journey that has rendered him one bionic man who is proud of his blatant honesty and his courageous quest to uplift and transform the lives of the downtrodden.

Hello to you, I am with news. I have a new book: I Haven’t Been Entirely Honest With You. I know – what an intriguing title!

Basically, I have had an unexpectedly difficult decade – there have been surprising joys, but also deep revelations and challenging lows. I shall be honest about those, because what I discovered in the difficult times were my, what I call, treasures.

Treasures – practical tools, values, ways, answers researched from some great scientists, neuroscientists, therapists, sociologists (all the ‘ists’) out there, that have genuinely led to a sense of freedom, joy, peace and physical recovery I never would have thought possible.

Life now, amazingly, with what I will share, is – SUCH FUN! (always important to quote your own catch phrases. . .) If you fancy having a read, then I hope my story might help your story. After all, we are in this beautiful, mysterious, challenging life together. Rest assured there are funny stories along the way – we will have a laugh too, my dear reader chum.

Oh, and I couldn’t possibly say if there is a love story in it . . . (There is – shush). Exciting.

Antjie Krog is ’n (ook internasionaal) bekroonde digter, joernalis, vertaler en akademikus. Sy debuteer op die jong ouderdom van 18 met die bundel Dogter van Jefta (1970) waarna talle bekroonde digbundels en publikasies volg. As joernalis by Die Suid-Afrikaan lewer sy in die 1990’s verslag oor die Waarheids-en-versoeningskommissie en verwoord haar ervarings oor dié proses in Country of my skull, wat in 1998 gepubliseer is en onder meer die Alan Paton-toekenning vir niefiksie en die Olive Schreiner-prys ontvang. Sy vertaal ook Nelson Mandela se biografie, Long walk to freedom, in Afrikaans as Lang pad na vryheid.

Sy wen drie keer die gesogte Hertzogprys – vir Lady Anne (1990), Mede-wete (2017), asook vir haar jongste poësiebundel, Plunder, in 2023. Mees onlangs het sy die Tienie Holloway-medalje van die SA Akademie ontvang vir Vetplantfeetjies, saam met medewerkers Fiona Moodey en Ingrid de Kock, vir haar kinderdigbundel oor die natuur en inheemse plantegroei.

Hierdie huldigingsbundel is die 16de in die reeks van die SA Akademie vir Wetenskap en Kuns wat literêre kunstenaars huldig wat met die Hertzogprys bekroon is, en wat die Afrikaanse letterkunde oor dekades heen verryk het.

For decades, Amy ran. Through the dirt roads of Amarillo, Texas, where she grew up; to the streets of New York, where she built her adult life; through marriage, motherhood, and a thriving career. To outsiders, it all looked, in many ways, perfect. But Amy was running from something – a secret she was keeping not only from her family and friends, but unconsciously from something terrible in her past.
 
When her ten-year-old daughter confronts her on the distance between them, Amy is propelled to confront what she has spent a lifetime trying to escape. So begins Amy’s journey through the world of MDMA-assisted psychedelic therapy, to the limits of the judicial system, and ultimately, home to Texas, where her story began.
 
In her relentless search for the truth, Griffin scrutinises the pursuit of perfectionism, control, and maintaining appearances that drives so many women. She asks the question: When, in our path from girlhood to womanhood, did we learn to look outside ourselves for validation? And what kind of freedom is possible if we better protect girls from being taken advantage of on this journey.
 
Heartbreaking, powerful and raw, The Tell points a way forward for all of us, shedding light on the courage and power of truth-telling that’s required to move through trauma.

Dr Franklin Sonn is a struggle icon, diplomat, educationalist and business leader.

He was born in the Vosburg district of Victoria West. As a civil rights campaigner, he was arrested for leading a protest march in 1989. He later served as rector of the (Cape) Peninsula Technikon and as head of the Cape Teachers' Professional Association. He was a good friend and confidant of Nelson Mandela.

In 1995, Madiba asked him to be South Africa’s ambassador to Washington, USA. Sonn celebrated his 85th birthday on 11 October 2024.

Introduced in 1918 as an award for bravery in the field, the Military Medal was almost immediately open to women. During its 80 year existence, the Military Medal was awarded to women on only 146 occasions, the vast majority during the First World War. This volume provides the definitive roll of recipients together with citations, many of which were not available at the time, plus service and biographical detail. Over 80% of the entries are accompanied by a photograph. The vast majority of the recipients were British, but the medal was open to women of all nationalities and the names of French and United States recipients are recorded together with allied personnel from the Empire.

Lake Chemong, 1954. Every summer, from June to August, the Fogle family pack up and leave the big city of Toronto, escaping to their white, cedar-clad cottage, the last in a row of a cluster of houses nestled in primordial forest on a wide, ink-blue lake. Mr Fogle, a silent mountain of a man, built the cottage himself. In the mind of ten year old Bruce, his father is brown and green, the colours of the land, his whip smart, gregarious mother, a vivid and fiery red. This year, joining his parents, his older brother Rob and Angus the family dog, is his mother's wise and enigmatic brother, Reub. At first, this summer break seems like any other. Bruce spends his days floating in the row boat with Grace from next door, jumping off the diving raft, eating peach pie, watching the seagulls and herons, observing frogs and turtles and catching crayfish. Relishing the heat of the sun on his bare skin and the sludge of the lakebed beneath his toes, he, even at this young age, understands his life is pretty perfect. But then everything starts to change. Family dynamics are shifting, and over the summer both the harshness of the adult world and the thoughtless cruelty of children leave their mark. By the time the weather turns Bruce will be a different child, and will have chosen his own path to understanding the shifting, fragile wilderness that frames their summer idyll. Teeming with wonderful characters, Barefoot at the Lake is the story of a boy discovering his place in the world and realising his deep connection with nature. It is a memoir that will utterly transport you - you'll feel the sun on your face, the pebbles of the lake under foot and catch the scent of the pine on the wind.

Gidon Lev, an 89-year-old Holocaust survivor, has lived an extraordinary life. At the age of six, he was imprisoned in the concentration camp of Theresienstadt. Liberated when he was ten, he lost at least 26 members of his family, including his father and grandfather.

But Gidon’s life is extraordinary not only because he is one of the few living survivors remaining but because of his lessons learned over nearly a century. His enduring message is of hope and opportunity – to make things better. By sharing his timeless simple belief and truths, Gidon reminds us that we have the power to incrementally improve what is in front of us and leave something better behind us.

His life is a lesson of how to do it, even in the face of astonishing adversity, and Let’s Make Things Better is the calling card of an indomitable spirit.

The Book of Small is a collection of thirty-six short stories about a childhood in a town that still had vestiges of its pioneer past. Emily Carr tells stories about her family, neighbours, friends and strangers-who run the gamut from genteel people in high society to disreputable frequenters of saloons-as well as an array of beloved pets. All are observed through the sharp eyes and ears of a young and ever-curious girl. Carr's writing is a disarming combination of charm and devastating frankness.

From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, struggles with illness, and of the enduring power of song.

Blessed with a singular voice and a fiery temperament, Sinéad O’Connor rose to massive fame in the late 1980s and 1990s with a string of gold records. By the time she was twenty, she was world-famous—living a rock-star life out loud. From her trademark shaved head to her 1992 appearance on Saturday Night Live when she tore up Pope John Paul II’s photograph, Sinéad has fascinated and outraged millions.

In Rememberings, O’Connor recounts her painful tale of growing up in Dublin in a dysfunctional, abusive household. Inspired by a brother’s Bob Dylan records, she escaped into music. She relates her early forays with local Irish bands; we see Sinéad completing her first album while eight months pregnant, hanging with Rastas in the East Village, and soaring to unimaginable popularity with her cover of Prince’s “Nothing Compares 2 U.”

Intimate, replete with candid anecdotes and told in a singular form true to her unconventional career, Sinéad’s memoir is a remarkable chronicle of an enduring and influential artist.

Widely recognized as Canada's finest literary humorist, Stephen Leacock was a prolific author, publishing over sixty books during his lifetime, in addition to countless articles and pamphlets. He was also a devoted correspondent, writing hundreds of letters to friends, relatives, and business associates. Illustrated with several original photographs, The Letters of Stephen Leacock brings together over 800 letters, most of them never before published. Together they give a vivid picture of one of the twentieth century's most distinguished men of letters, a man who was honest, compassionate, and committed to his craft. From the brief, unpolished lines he wrote as a boy to his father, to the final letters he wrote before his death, Leacock's correspondence reveals much about the man behind the humour: the devoted son, husband, and father; the distinguished McGill professor; the proud Canadian; the generous uncle; the social critic; and the private citizen consumed and deeply troubled by the two world wars. Fans of Leacock's many books of humour will find glimpses of his trademark wit in letters on subjects ranging from the Scottish penchant for whiskey to the beauty of the west. More than a humorist, Leacock was an intellectual and an educator who wrote serious works on many topics, including political economy, education, and social reform, and many of his strong views on these subjects are laid out plainly in letters to associates and friends. He was also an astute businessman, and was, as letters to numerous publishers show, a writer by profession. As Leacock himself wrote of his letters to a friend and associate, 'We wrote in the plain straighforward way only possible in such an interchange of letters, about what we thought of this new world that seemed to overwhelm us in our old age.' These are the letters of a gentleman, written with charm, grace, and humour, occassionally blunt and assertive in dealings with publishers, but - in keeping with his humour - never mean-spirited or designed to injure. Together, they represent a fascinating collection that will captivate anyone who enjoys Canadian fiction or history. David Staines has spent 15 years bringing together Leacock's letters, many of them from private collections in Britain, the United States, and Canada. His ten chapter introductions place these carefully selected and annotated letters in the context of Leacock's life and work.

This is a part of a collection, published annually, of studies on individuals who have made major contributions to the development of geography and geographic thought. The 17th volume in the series, this study describes the geographers' education, life and work, and discusses their influence and spread of academic ideas.;The scope of the book is international, both in terms of personalities and contributors, and focuses on both famous and lesser-known geographers.

This first-ever biography of American painter Grace Hartigan traces her rise from virtually self-taught painter to art-world fame, her plunge into obscurity after leaving New York to marry a scientist in Baltimore, and her constant efforts to reinvent her style and subject matter. Along the way, there were multiple affairs, four troubled marriages, a long battle with alcoholism, and a chilly relationship with her only child. Attempting to channel her vague ambitions after an early marriage, Grace struggled to master the basics of drawing in night-school classes. She moved to New York in her early twenties and befriended Willem de Kooning, Jackson Pollock, and other artists who were pioneering Abstract Expressionism. Although praised for the coloristic brio of her abstract paintings, she began working figuratively, a move that was much criticized but ultimately vindicated when the Museum of Modern Art purchased her painting The Persian Jacket in 1953. By the mid-fifties, she freely combined abstract and representational elements. Grace-who signed her paintings "Hartigan"- was a full-fledged member of the "men's club" that was the 1950s art scene. Featured in Time, Newsweek, Life, and Look, she was the only woman in MoMA's groundbreaking 12 Americans exhibition in 1956, and the youngest artist-and again, only woman-in The New American Painting, which toured Europe in 1958-1959. Two years later she moved to Baltimore, where she became legendary for her signature tough-love counsel to her art school students. Grace continued to paint throughout her life, seeking-for better or worse-something truer and fiercer than beauty.

Reggie Peace was 13 jaar oud toe hy by die kinderhuis se voordeur gaan aanklop het. Die kinderhuis bied hom stabiliteit en gou begin Reggie presteer. Maar hy bly ontevrede met homself - hy sug voordurend na erkenning en aanvaarding. Tot hy besef dat hy ʼn keuse het: Kies die lewe, óf kies ’n stadige dood. Reggie se verhaal is een van hoop. Sy storie is een van swaarky, maar ook van uitdagings wat oorkom kan word en hoe om met Christus aan jou sy sterker anderkant uit te kom.

When Covid-19 pulled the rug out from under Marita van der Vyver and her Frenchman's feet and they were forced to sell their old, large house in the French countryside, they decided to get rid of most of their earthly possessions and travel far across the world. In this journey, which spans three continents, a lifetime of memories from one of Afrikaans’s greatest writers is explored. Sometimes you have to lose a lot, and also be willing to lose yourself, before you can truly gain freedom.

Min het Zirk van den Berg, toe hy in 1998 met sy gesin na Nieu-Seeland verhuis, geweet wat dit sou verg vir ʼn huis vol Kapenaars om Kiwi’s te word. Hy vind homself werkloos, in ʼn piepklein huisie van karton, in die land van kettingsae en grassnyers. Die son skyn nooit en sy vrou sniks sags in haar kussing. Tog slaag Zirk uiteindelik daarin om ʼn betekenisvolle bestaan in Auckland vir hom en sy mense te bou.

Annamarie van Niekerk gaan brutaal eerlik om met vraagstukke waarmee ons daagliks worstel: plaasmoord, geweld teen vroue, skuld en onmag, aandadigheid en keuse.

Sy woon in Den Haag, maar keer terug Suid-Afrika toe vir die begrafnis van haar liewe vriend, Ruben, wat saam met sy ma in ʼn wrede plaasmoord vermoor is. Dié reis lei terug na ander reise: Van haar kinderjare in PE in ʼn streng Nasionale huishouding met ʼn Broederbondpa. Na Umtata, waar sy gaan klasgee en verlief raak op ʼn swart kollega. Na Hillbrow, waar die twee van hulle onwettig saamwoon en aktief is in skrywersirkels met vriende soos Nadine Gordimer en Njabulo Ndebele. Tot geweld ook hul verhouding binnedring. Uiteindelik na die tronk, waar sy Ruben se moordenaars gaan soek in haar strewe na verstaan.

Van Niekerk vervleg haar eie storie aangrypend met ’n verkenning van die groot kwessies in ons land. Onder ʼn bloedrooi hemel is ʼn diep ontroerende persoonlike reis, van geweld na genade, meesterlik vertel.

On the Railway takes readers through South Africa’s rich railway history, from Estcourt to the grand steam engines on narrow gauges. David Williams highlights luxurious trains like the White and Blue Trains, and the vital role of goods trains in the economy. He explores engineering feats that tamed tough terrains and the growth of railway towns. The book also addresses racial segregation, the decline of the rail network, and reflects on the past and uncertain future of South African railways.

The long-awaited memoir of legendary Lionel Richie

As a storyteller second to none, Lionel Richie is ready to tell it all. In this intimate, deeply candid memoir, Lionel revisits hilarious and harrowing events to inspire all who doubt themselves or feel their dreams don’t matter. Lionel chronicles lessons learned during his unlikely story of remarkable success—his dramatic transformation from painfully shy, 'tragically' late bloomer to world-class entertainer and composer of love songs that have played as the soundtrack of our lives.

Funny, warm and riveting, Lionel recalls his childhood in Tuskegee, Alabama, where he grew up on its university campus during the heyday of the Civil Rights movement, raucous adventures as a member of The Commodores, coming-of-age in late 1960s Harlem, culture shock playing gigs on the French Riviera, the big break of being signed to Motown, his meteoric solo career that included an Olympics performance witnessed by two billion around the globe, all the way through to writing and recording 'We Are the World' and his current multi-generational fame as a judge on American Idol. Even with its turbulence, loss, and near-calamity, Lionel’s journey takes us on a thrill ride and delivers a memoir for the ages—reminding us of the power of love to elevate our own lives and our world.

Lionel Richie’s memoir includes three eight-page photo inserts.

A staggering memoir from New York Times-bestselling author Ada Calhoun tracing her fraught relationship with her father and their shared obsession with a great poetWhen Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O'Hara, she set out to finish the book her father had started forty years earlier. As a lifelong O'Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O'Hara's past, but also her father's, and her own. The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it. In reckoning with her unique heritage, as well as providing new insights into the life of one of our most important poets, Calhoun offers a brave and hopeful meditation on parents and children, artistic ambition, and the complexities of what we leave behind.

In June of 1964, three young, white blues fans set out from New York City in a Volkswagen, heading for the Mississippi Delta in search of a musical legend. So begins Preachin' the Blues, the biography of American blues signer and guitarist Eddie James "Son" House, Jr. (1902 - 1988). House pioneered an innovative style, incorporating strong repetitive rhythms with elements of southern gospel and spiritual vocals. A seminal figure in the history of the Delta blues, he was an important, direct influence on such figures as Muddy Waters and Robert Johnson.
The landscape of Son House's life and the vicissitudes he endured make for an absorbing narrative, threaded through with a tension between House's religious beliefs and his spells of commitment to a lifestyle that implicitly rejected it. Drinking, womanizing, and singing the blues caused this tension that is palpable in his music, and becomes explicit in one of his finest performances, "Preachin' the Blues." Large parts of House's life are obscure, not least because his own accounts of them were inconsistent. Author Daniel Beaumont offers a chronology/topography of House's youth, taking into account evidence that conflicts sharply with the well-worn fable, and he illuminates the obscurity of House's two decades in Rochester, NY between his departure from Mississippi in the 1940s and his "rediscovery" by members of the Folk Revival Movement in 1964. Beaumont gives a detailed and perceptive account of House's primary musical legacy: his recordings for Paramount in 1930 and for the Library of Congress in 1941-42. In the course of his research Beaumont has unearthed not only connections among the many scattered facts and fictions but new information about a rumoured murder in Mississippi, and a charge of manslaughter on Long Island - incidents which bring tragic light upon House's lifelong struggles and self-imposed disappearance, and give trenchant meaning to the moving music of this early blues legend.

An annual collection of studies on individuals who have made major contributions to the development of geography and geographical thought. Each paper describes the geographer's education, life and work, discusses his or her influence and includes a bibliography of works and a chronology.