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Books > Sport & Leisure > Hobbies, quizzes & games > Indoor games > Board games
The Scheveningen is an uncompromising and flexible variation of Black's most popular defence to 1 e4, the Sicilian. This book takes a different look at this famous opening. The early moves and ideas are introduced and care is taken to explain the reasoning behind them.
The Caro-Kann is a reliable yet at the same time dynamic answer to White's most popular opening move, 1 e4. It has the seal of approval of numerous leading Grandmasters including Vishy Anand, Evgeny Bareev and Alexey Dreev, as well as former World Champion Anatoly Karpov, who has utilized it with great success throughout his illustrious career. One of the attractions of the Caro-Kann is that it suits a variety of different styles; it can lead to wild tactical battles as well as quiet, positional play. In Play the Caro-Kann, Jovanka Houska presents the reader with a concise and trustworthy repertoire within the opening, providing a solution against all of White's main possibilities. Houska examines the important tactical and strategic plans for both sides, arming the reader with enough information to begin playing the Caro-Kann with confidence in his or her own games. *A complete repertoire against 1 e4 *Written by a Caro-Kann expert *Ideal for improvers, and club and tournament players
John Healy's The Grass Arena describes with unflinching honesty his experiences of addiction, his escape through learning to play chess in prison, and his ongoing search for peace of mind. This Penguin Classics edition includes an afterword by Colin MacCabe. In his searing autobiography Healy describes his fifteen years living rough in London without state aid, when begging carried an automatic three-year prison sentence and vagrant alcoholics prowled the parks and streets in search of drink or prey. When not united in their common aim of acquiring alcohol, winos sometimes murdered one another over prostitutes or a bottle, or the begging of money. Few modern writers have managed to match Healy's power to refine from the brutal destructive condition of the chronic alcoholic a story so compelling it is beyond comparison. John Healy (b. 1943) was born into an impoverished, Irish immigrant family, in the slums of Kentish Town, North London. Out of school by 14, pressed into the army and intermittently in prison, Healy became an alcoholic early on in life. Despite these obstacles Healy achieved remarkable, indeed phenomenal expertise in both writing and chess, as outlined in the autobiographical The Grass Arena. If you enjoyed The Grass Arena, you might like Last Exit to Brooklyn, also available in Penguin Modern Classics. 'Sober and precise, grotesque, violent, sad, charming and hilarious all at once' Literary Review 'Beside it, a book like Orwell's Down and Out in Paris and London seems a rather inaccurate tourist guide' Colin MacCabe
You may be happy with your main openings - sorted with the Sicilian and content with the King's Indian - but are you afraid of the unknown? Do you fall to pieces if your opponent plays something strange in the opening? Here's some good news...Beating Unusual Chess Openings is a godsend to those chess players fed up with struggling against all opening moves other than White's main two: 1 e4 and 1 d4. From the respectable (English Opening, Reti and King's Indian Attack) through to the offbeat (Nimzo-Larsen Attack, Bird's Opening) and the totally bizarre (Orang-utan, Grob); everything Black needs to know about facing unusual openings is covered within these pages. Richard Palliser gets to grips with all of White's possibilities, examining their strengths and weaknesses and in turn organizing a reliable and practical repertoire for Black. He discusses the key strategies, tactics and move-order tricks for both sides, arming the reader with enough know-how to face this assortment of chess openings with renewed confidence. *Everything you need to know about facing unusual openings *Written by an openings expert *Ideal for improvers, and club and tournament players
Endgame theory teaches us two fundamental issues: First, how to extract the maximum from a basic theoretical position with little material, where the experts (from practice comprising thousands of games) have reached definite conclusions. Second, the way in which we can handle an endgame, depending on the material remaining on the board, and the ideas and plans we should employ. This second issue is significantly more difficult to master because, apart from making full use of the first one (we must be aware of the possible outcomes of the endgame in question) it is greatly influenced by our experience and understanding, which are basically derived from the images and impressions we have from related positions. A primary role is played here by the effort we have invested in studying. In middlegame theory, things are even tougher. We are obliged to study various types of positions with specific strategic and tactical attributes, so as to understand the underlying ideas and be able to employ them ourselves in similar situations. While players have studied these topics and acquired knowledge, it is the application of this knowledge in practice that helps differentiate between them. Chess is not a simple game. The purpose of this series is to introduce the reader to advanced training concepts, using the same methods of presentation and instruction that were taught to great players by famous trainers that they have worked with. The series will continue with the topic of "the Bishop Pair", the first volume handled 'bishop endings' and we will examine how to handle this "power of the sun" coupling.
The purpose of this series is to introduce the reader to advanced training concepts, using the same methods of presentation and instruction that were taught to great players by famous trainers that they have worked with. The series will commence with the The Passed Pawn and we will examine how to handle such pawns. Every chess player who wishes to improve his level in the difficult subject of chess is obliged to study methodically and understand the existing principles that govern the theory of the opening, middlegame and endgame. Most chess players focus more on the study of opening theory than other aspects of the game. The reasons are probably clear: opening theory is easier to learn and can provide immediate results, although this is based more on the opponent's ignorance than our own abilities. Even for a chess trainer, it is easier to teach some variations from this or that opening or a set of simple tactical motifs than to engross himself in the exposition of middlegame and endgame theory. Yes, middlegame and endgame theory does exist. The great difficulty in approaching it lies in the fact that it does not follow absolute and clear-cut paths, but rather involves deep research in the ideas and logic by which specific types of positions are treated. Moreover, unlike opening theory, the theory of the middlegame and the endgame does not change rapidly based on modern developments; it remains almost intact through the years. In view of the above, any chess player who wishes to follow a chess career or simply become a better player must refrain from the commonplace and assume a different approach. He must develop a good understanding of middlegame and endgame theory, so as to be able in his games to proceed in a proper way after his chosen opening has reached its conclusion. The chess player can differentiate himself only in the opening; there, each one of us brings forth his own beliefs and convictions, and in general his own experiences and references. Objectively, no opening loses - but also no opening wins. The opening is just the beginning of the journey and serves to offer us a comfortable start. But to reach the end of this journey successfully we have to count on our knowledge and experience, as regards middlegame and endgame theory. Endgame theory teaches us two fundamental issues. First, how to extract the maximum from a basic theoretical position with little material, where the experts, from practice comprising thousands of games, have reached definite conclusions. Second, the way in which we can handle an endgame, depending on the material remaining on the board, and the ideas and plans we should employ. This second issue is significantly more difficult to master because, apart from making full use of the first one (we must be aware of the possible outcomes of the endgame in question) it is greatly influenced by our experience and understanding, which are basically derived from the images and impressions we have from related positions. A primary role is played here by the effort we have invested in studying. In middlegame theory, things are even tougher. We are obliged to study various types of positions with specific strategic and tactical attributes, so as to understand the underlying ideas and be able to employ them ourselves in similar situations. While many chess players have studied these topics and acquired knowledge, it is the application of this knowledge in practice that helps differentiate between them. Chess is not a simple activity, but it becomes so much more attractive when we acquire this knowledge.
Power Play The Literature and Politics of Chess in the Late Middle Ages Jenny Adams The game of chess reached western Europe by the year 1000, and within several generations it had become one of the most popular pastimes ever. Both men and women, and even priests played the game despite the Catholic Church's repeated prohibitions. Characters in countless romances, "chansons de geste," and moral tales of the eleventh through twelfth centuries also played chess, which often symbolized romantic attraction or sexual consummation. In "Power Play," Jenny Adams looks to medieval literary representations to ask what they can tell us both about the ways the game changed as it was naturalized in the West and about the society these changes reflected. In its Western form, chess featured a queen rather than a counselor, a judge or bishop rather than an elephant, a knight rather than a horse; in some manifestations, even the pawns were differentiated into artisans, farmers, and tradespeople with discrete identities. "Power Play" is the first book to ask why chess became so popular so quickly, why its pieces were altered, and what the consequences of these changes were. More than pleasure was at stake, Adams contends. As allegorists and political theorists connected the moves of the pieces to their real-life counterparts, chess took on important symbolic power. For these writers and others, the game provided a means to figure both human interactions and institutions, to envision a civic order not necessarily dominated by a king, and to imagine a society whose members acted in concert, bound together by contractual and economic ties. The pieces on the chessboard were more than subjects; they were individuals, playing by the rules. Jenny Adams teaches English at the University of Massachusetts, Amherst. The Middle Ages Series 2006 264 pages 6 x 9 9 illus. ISBN 978-0-8122-3944-7 Cloth $59.95s 39.00 ISBN 978-0-8122-0104-8 Ebook $59.95s 39.00 World Rights Literature Short copy: Reading through influential texts of the later Middle Ages, Adams shows how specific representations of chess encoded concerns about political organization, civic community, and individual autonomy.
The Closed Sicilian is an ideal weapon for players who wish for an aggressive way to attack the Sicilian. This book takes a different look at this famous opening. The early moves and ideas are introduced and care is taken to explain the reasoning behind them.
Combinations are the central element in chess; they make the game
so magical and captivating. The beautiful point of sacrificing a
queen, the strongest piece, in order to checkmate with a lowly pawn
brings a smile of joy to all chess lovers. Virtually all chess
games possess a combination, either one hidden in the shadows of
analysis carefully avoided or one that provides a decisive blow.
It is hard to understate the importance of tactic ability to overall chess proficiency. Of course other elements such as a knowledge of opening play and an understanding of strategy are also important. However, it is undoubtedly the case that 99% of games are won or lost because one player either spots or overlooks a tactic. Consider your own games and just imagine how much stronger you would be if you never overlooked a tactical idea. The good news is that your tactical ability is not some genetically-acquired unalterable trait. Tactical ability can always be improved through the application of diligent practice. Tactical themes are repetitive. The same arrangements of pieces occur again and again and a continual study of the subtle interactions between the forces will inevitably lead to a greater sharpness in actual play. In Tactical Training, experienced chess coach and prolific author Cyrus Lakdawala guides the reader through numerous tactical themes. Topics include: * Checkmating patterns. * The 32 major combinational concepts. * Numerous positions ranked in terms of level of difficulty. The final chapter focuses on a 2020 online match between Magnus Carlsen and Hikaru Nakamura, currently the top two ranked players in blitz, the form of chess where tactics predominate.
Endgames with kings, rooks and pawns are by far the most common
type - it is estimated that rook endgames are reached in nearly one
in five of all chess games. It's clear that a firm understanding of
them is required in order to become self-assured in this typical
phase of the game. And yet it is exactly this area in which many
players drop precious points or half-points through a lack of
either technique or understanding.
* Jan Boekelman has produced you with a playable repertoire out of a somewhat sideline Opening, which nobody dared to touch to make it into an entire repertoire. * Try to expand your knowledge in the 3.c3 variation and go beyond the book's content * Deepen your knowledge in 3.c4 variation and do not play it before you know it well * Finally, follow the very strong GM Vladislav Artemiev, who has had a relatively successful run with this opening in rapid online events.
Directs the game into asymmetrical positions in which he or she can play for the win without unjustified risk. This book introduces early moves and ideas, and explains the reasoning behind them. It includes notes, tips and warnings highlighting the vital characteristics of the Sicilian Najdorf and of opening play in general.
Tired of playing the same old openings? Bored with stuffy opening theory? This book provides a welcome antidote! Former American Open Champion Cyrus Lakdawala presents a range of vicious weapons for White in a repertoire which is perfect for those who have little time for study, but enjoy taking opponents out of their comfort zones and causing them problems from the very beginning. The repertoire's backbone is provided by the aggressive Veresov Opening (1 d4, 2 Nc3 and 3 Bg5) and this weapon is accompanied by equally hostile options against other Black tries such as the French, Caro-Kann, Dutch, Benoni, Pirc and Philidor. These weapons are ideal choices for those who revel in forcing opponents into chaotic, uncomfortable positions. *Opening weapons to shock and confound opponents *Covers all of Black's main defences *Includes game summaries with key points to remember
Bird's Opening is an underrated and dynamic choice for White that
immediately directs the game into relatively unexplored territory,
setting Black players early problems and forcing them to think for
themselves rather than having the luxury of relying on the theory
of more mainstream openings. It's also a very flexible option that
can lead to both sharp gambit play, such as the notorious From's
Gambit, as well as quieter positional lines.
There is no doubt that playing the Open Games is one of Black's
most reliable and yet aggressive ways of meeting White's favourite
opening move, 1 e4. Experts also agree that playing these
fundamental openings is a crucial step in the development of a
chess player, while moving up to the highest level it provides the
battleground for countless duals between the likes of World number
one Garry Kasparov, Vishy Anand and Vladimir Kramnik. It's true
that some Black players are put off by the seemingly endless number
of variations they can be faced with, as White can choose a between
the King's Gambit, Vienna Game, Scotch Opening, Bishop's Opening
and a number of wild and offbeat gambits. However, in "Play 1 e4
e5"! Nigel Davies provides a complete answer to this perennial
problem by offering a concise and practical repertoire for the
Black player, whilst crucially including a dependable defence to
the Ruy Lopez - White's most popular attacking try in the Open
Games. Davies is the perfect choice for this subject, having been
battle-hardened by years of international competition in these
openings.
Designed to revive The Art of Conversation(R), TAOC(R) is a fabulous way to make all get-togethers of families and friends memorable. This All Ages Edition is fun and easy to use, and as with all TAOC(R) games, all that's required is your own life experience, interests and ideas. Contains over 300 communication development areas distributed over 104 business-sized playing cards, plus instruction booklet. TAOC(R) is a simple yet effective way to have balanced, interesting and meaningful communications between two or more people of all age groups, promoting the development of stronger relationships and improving communication skills. TAOC(R) works well in a variety of settings on various levels, encouraging individual development and insight into oneself as well as others. TAOC(R) also teaches that differences need not create conflicts, and helps clear pathways and emotional blocks to learning and understanding.
The King's Indian Attack was a firm favorite of the legendary Bobby
Fischer, and more recently it has been utilized with great success
by world-class Grandmasters such as Alexander Morozevich. The
renowned chess coach Mark Dvoretsky regards the King's Indian
Attack as a perfect weapon on which to base an opening repertoire.
Its great advantage over other openings is that it's a thematic
system that can be employed against many different lines, while the
emphasis is on the understanding of ideas rather than the dry
memorization of moves. The King's Indian Attack leads to rich
middlegame positions that are full of dynamic possibilities for
both sides.
Few would disagree that the Sicilian Dragon is one of the most
exciting, high profile and controversial openings in chess history.
Right from the very beginning of the game Black chooses to
unbalance the position, thus maximizing his or her chances of
playing for a win. The positions reached are dynamic and of a
highly tactical nature, with both players very often going straight
for each other's throats in search of a quick-fire knockout blow.
In these razor-sharp encounters, it goes without saying that one
slip by either side can prove to be fatal. Because of its
aggressive nature, the Sicilian Dragon is very popular at all
levels of chess, while it received an ultimate seal of approval
when Garry Kasparov used it as his main weapon to beat Vishy Anand
in a World Championship match. *Written by an openings expert
The Ruy Lopez Exchange (or Spanish Exchange) is a classical and
well-respected opening that is a favorite among Grandmasters and
club players alike. It has provided the battle scene for many
heavyweight clashes between the world's elite, including (among
others) Alexei Shirov, Jan Timman, Nigel Short, and Michael Adams.
Very early on in the game, a distinctive pawn structure is
obtained, and in this particular opening it's the understanding of
key ideas, plans, and structures that's more important than the
memorization of long theoretical variations.
The Petroff Defence is considered as one of Black's most reliable
methods of meeting the king's pawn opening. By counterattacking as
early as move two, Black avoids the hazards of having to face lines
such as the Scotch Opening, the Italian Game and the 'Spanish
torture' of the Ruy Lopez. An early breach of a central file
together with active piece play for both sides characterizes the
Petroff as a typical king's pawn opening.
The Dutch Defence is an ambitious and underrated counter to the
queen's pawn opening. With his very first move Black creates an
asymmetrical pawn structure, thus unbalancing the position from a
very early stage and allowing both White and Black players to fight
for the initiative. Black also has many options within the Dutch
Defence, from the ultra-solid Stonewall formation through to the
fluid Classical System and the dynamic Leningrad Variation.
Learn sure-fire tactics and combinations from one of the world's
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