Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

Claire Fontaine 14 x 19in (35.5x48.3cm) 15 sheet Oil block - 240gsm - glued 4 edges - linen texture

Claire Fontaine 9.5 x 12in (24x30.5cm) 15 sheet Oil block - 240gsm - glued 4 edges - linen texture

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap)

Linen texture

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect.

The papers and boards of Hahnemühle Traditional FineArt are characterized by supreme quality, are resistant to ageing, can be used for numerous applications, and are simply beautiful.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

Strathmore 300 Series Black Canvas Paper allows colours to take center stage, letting the artist create dramatic shadows and tones. This bold black canvas-textured paper is great for practicing techniques and making finished art.

Strathmore 300 Series Black Canvas Paper allows colours to take center stage, letting the artist create dramatic shadows and tones. This bold black canvas-textured paper is great for practicing techniques and making finished art.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

The high surface weight of this acrylic paint board makes it very robust. This stable painting base ensures optimum results for multi-layered viscous and also thinly layered and transparent colour applications.

The Hahnemühle acrylic paint board delights with its finely textured surface ensuring vivid colour rendition and attractive colour application. The bright white of the board makes the colours glow. Acid free and age resistant.

This acrylic paper has been developed specifically for use with System 3 colours and mediums. Its remarkable irregular linen-textured surface offers ideal tooth not only for System 3 colours, but also for all acrylic paints on the market.

Pad contains 20 sheets of heavy 230gsm acid-free linen textured acrylic painting paper.

Size: A5 / 148 x 210 mm / 5.8 x 8.3 in

This oil paper has been developed specifically for use with Georgian colours. Its double primed linen-textured surface offers ideal tooth not only for Georgian colours, but also for all oil paints on the market.

Pad contains 12 sheets of heavy 290gsm acid-free fine linen textured oil painting paper.

Size: 20 x 16" / 508 x 406 mm

Arches Oil Paper is a 300gsm (140lb) paper that is specially formulated for oil painting. It features an efficient oil barrier that absorbs water, solvents, and binders evenly while allowing the paint and pigment to remain on the surface.

Mould-made, 100% rag (cotton), neutral pH, acid free, watermarked in a NOT surface.

Includes 12 sheets in the pad

This oil paper has been developed specifically for use with Georgian colours. Its double primed linen-textured surface offers ideal tooth not only for Georgian colours, but also for all oil paints on the market.

Pad contains 12 sheets of heavy 250gsm (150lb) acid-free fine linen textured oil painting paper.

Size: 12" x 9" / 305 x 228 mm

This oil paper has been developed specifically for use with Georgian colours. Its double primed linen-textured surface offers ideal tooth not only for Georgian colours, but also for all oil paints on the market.

Pad contains 12 sheets of heavy 290gsm acid-free fine linen textured oil painting paper.

Size: 16" x 12" / 406 x 305 mm

This oil paper has been developed specifically for use with Georgian colours. Its double primed linen-textured surface offers ideal tooth not only for Georgian colours, but also for all oil paints on the market.

Pad contains 12 sheets of heavy 290gsm acid-free fine linen textured oil painting paper.

Size: 10" x 7" / 254 x 177 mm

This oil paper has been developed specifically for use with Georgian colours. Its double primed linen-textured surface offers ideal tooth not only for Georgian colours, but also for all oil paints on the market.

Pad contains 12 sheets of heavy 290gsm acid-free fine linen textured oil painting paper.

Size: 14" x 10" / 355 x 254 mm

This acrylic paper has been developed specifically for use with System 3 colours and mediums. Its remarkable irregular linen-textured surface offers ideal tooth not only for System 3 colours, but also for all acrylic paints on the market.

Pad contains 20 sheets of heavy 230gsm acid-free linen textured acrylic painting paper.

Size: A3 / 297 x 420 mm / 11.7 x 16.5 in