Ampersand Museum Series Aquabord is an acid-free textured clay surface that absorbs watercolours like a fine paper. Colours retain their purity and vibrancy in a way that even the finest of watercolour papers can never match. When compared with watercolour paper, this multimedia panel simulates the absorbency and texture of a cold pressed surface, but allows colour to be lifted back to white easily while also leaving the richest, most vibrant colour possible. This workable surface provides natural looking highlights, fluid glazes, transparent subtle layers, and the ability to lift colour while the surface is wet or even after it is dry. Uniquely absorbent Aquabord is perfect for watercolours and gouache, but is also ideal for casein and acrylics. It will not tear, shrink or buckle even under heavy water application. Ampersand Aquabord is archival and eco-friendly. Seal finished watercolours or gouache with several light coats of spray varnish (or fixative), being careful to spray outdoors during warmer months or in a well ventilated and heated area during colder times of the year. Aquabord is available in a 3mm flat panel for standard framing behind glass and in a 22mm cradle profile for either frameless presentation or for use with floater frames. For best results, it’s a good idea to first “flush out” the surface of the panel with water using a large flat watercolour brush to release trapped air. Once the surface is slightly damp, it is ready to use. Rewetting may be needed as you work. Note that heavy water applications may release more air. Use a blow dryer to dry and also to dissipate air if needed.

Gesso panels made in Italy suitable for a wide variety of techniques thanks to the high absorbancy of the surface. They are handmade and finished with a smooth surface. The 7mm thick wooden base is poplar multi-ply which is stable and lightfast.

Made with acrylic gesso these ultra-smooth boards are very absorbent and you may wish to use extra oil in your oil paint. But, they may not be absorbent enough for use with egg tempera which usually needs genuine gesso (homemade with rabbit skin glue and whiting). If the surface isn't absorbent enough the egg tempera paint may lift off the first layer when you apply a second glaze.

10% discount on boxes of ten.

Canvas: 100% Linen Priming: Universal Primed Texture: Fine Grain Width: 210cm Weight: 523gsm Note: Price is per metre, the length you order will be cut as a single piece from a 210cm wide roll, and packed carefully to protect the surface. Also available in 10m rolls.

Daler-Rowney Premium stretched canvases are made with a high-quality 380gsm, acid-free, 100% cotton, medium grain canvas, and professional stretcher bars for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics. This holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner. They are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are now made in the EU to the highest specifications. They are made with a superior-quality heavyweight (380gsm), acid-free, 100% cotton, medium grain canvas and professional stretcher bars in heavy wood for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics that holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner and they are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are made with a high-quality 380gsm, acid-free, 100% cotton, medium grain canvas, and professional stretcher bars for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics. This holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner. They are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are made with a high-quality 380gsm, acid-free, 100% cotton, medium grain canvas, and professional stretcher bars for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics. This holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner. They are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are now made in the EU to the highest specifications. They are made with a superior-quality heavyweight (380gsm), acid-free, 100% cotton, medium grain canvas and professional stretcher bars in heavy wood for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics that holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner and they are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are made with a high-quality 380gsm, acid-free, 100% cotton, medium grain canvas, and professional stretcher bars for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics. This holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner. They are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are made with a high-quality 380gsm, acid-free, 100% cotton, medium grain canvas, and professional stretcher bars for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics. This holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner. They are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are made with a high-quality 380gsm, acid-free, 100% cotton, medium grain canvas, and professional stretcher bars for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics. This holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner. They are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are now made in the EU to the highest specifications. They are made with a superior-quality heavyweight (380gsm), acid-free, 100% cotton, medium grain canvas and professional stretcher bars in heavy wood for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics that holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner and they are individually wrapped to protect the surface.

Daler-Rowney Premium stretched canvases are now made in the EU to the highest specifications. They are made with a superior-quality heavyweight (380gsm), acid-free, 100% cotton, medium grain canvas and professional stretcher bars in heavy wood for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics that holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner and they are individually wrapped to protect the surface.

Fine Grain natural linen

• Canvas: Cotton/Poly (mixed fibres)
• Priming: Universal Primed
• Texture: Extra-Fine Grain
• Width: 210cm
• Weight: 253gsm

Ampersand Museum Series Aquabord is an acid-free textured clay surface that absorbs watercolours like a fine paper. Colours retain their purity and vibrancy in a way that even the finest of watercolour papers can never match. When compared with watercolour paper, this multimedia panel simulates the absorbency and texture of a cold pressed surface, but allows colour to be lifted back to white easily while also leaving the richest, most vibrant colour possible. This workable surface provides natural looking highlights, fluid glazes, transparent subtle layers, and the ability to lift colour while the surface is wet or even after it is dry. Uniquely absorbent Aquabord is perfect for watercolours and gouache, but is also ideal for casein and acrylics. It will not tear, shrink or buckle even under heavy water application. Ampersand Aquabord is archival and eco-friendly. Seal finished watercolours or gouache with several light coats of spray varnish (or fixative), being careful to spray outdoors during warmer months or in a well ventilated and heated area during colder times of the year. Aquabord is available in a 3mm flat panel for standard framing behind glass and in a 22mm cradle profile for either frameless presentation or for use with floater frames. For best results, it’s a good idea to first “flush out” the surface of the panel with water using a large flat watercolour brush to release trapped air. Once the surface is slightly damp, it is ready to use. Rewetting may be needed as you work. Note that heavy water applications may release more air. Use a blow dryer to dry and also to dissipate air if needed.

Linen by nature is stronger and durable than cotton and is proven to stand the test of time. Although more affordable and the most popular today, cotton canvas is not as strong and deteriorates faster than linen. Artfix Linen has been handcrafted for over 30 years in Provence, France by the Narozni family. The warm, dry climate is ideal for slow, even drying of primed canvas surfaces. Artfix Linen has superb archival characteristics: each canvas is guaranteed not to peel, crack or flake, and will not fluctuate or lose stability due to changes in humidity and temperature. Artfix linen is made from a strong, tightly woven extra fine grade fabric that is double sized to protect the material from the adverse effects of oil paints. Up to 6 layers of ground ensures an utterly flawless support surface.

Claire Fontaine 9.5 x 12in (24x30.5cm) 15 sheet Oil block - 240gsm - glued 4 edges - linen texture

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and production process in order to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For universal primed canvases, the next step involves applying a coat of acrylic-bound titanium white paint to the canvas by means of a knife. As the primer and coating are water-based, these universal primed canvases are dried in a hot-air oven, where the water can evaporate more quickly.Universal primed Claessens canvases are suitable for both oil paint and acrylic paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click here

Covered with 100% natural linen, this canvas board is traditionally the choice of professional artists owing to the fact it is tougher and more flexible than cotton.Suitable for all techniques, the Pebeo Natural Linen Canvas is prepared with two coats of clear primer - allowing for a natural linen finish with a medium texture.

Covered with 100% natural linen, this canvas board is traditionally the choice of professional artists owing to the fact it is tougher and more flexible than cotton.Suitable for all techniques, the Pebeo Natural Linen Canvas is prepared with two coats of clear primer - allowing for a natural linen finish with a medium texture.

Covered with 100% natural linen, this canvas board is traditionally the choice of professional artists owing to the fact it is tougher and more flexible than cotton.Suitable for all techniques, the Pebeo Natural Linen Canvas is prepared with two coats of clear primer - allowing for a natural linen finish with a medium texture.

A ready made Rabbit Skin Glue size. Stand in warm water to liquefy. Can be used for sizing canvas, for making traditional gesso (along with whiting) or as an adhesive.

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Featuring the finest professional grade Belgian linens, Jackson's Ultralite Linen Board is a versatile option for artists wanting to work on high quality and ultra thin ready-made boards. Oil primed and suitable for work with oil paints, Jackson's Ultralite Linen Board consists of a Claessens 66 Medium Surface canvas on a durable and archival quality paper and resin composite board.

The linen has a medium texture and has been double primed: first, zinc white is used as a primer, bound with linseed oil. The canvas is then left to dry naturally for three days, after which the canvas is then sanded and a coating layer based on titanium white is applied. The final step involves drying the canvas for ten days. The linen canvas is fixed to the board using a pH-neutral and acid-free glue.

Ideal for plein air work or in the studio, these boards are ready to be created upon immediately and are lightweight enough to carry around.