Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.

Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.

Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.

Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.

Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.

Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.

Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.

Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.

A flexible acrylic ground with a high grit content designed to provide a stable white surface on which to paint. Atelier Gesso may be used directly from the container for all over thick textural effects.

A ready made Rabbit Skin Glue size. Stand in warm water to liquefy. Can be used for sizing canvas, for making traditional gesso (along with whiting) or as an adhesive.

A ready made Rabbit Skin Glue size. Stand in warm water to liquefy. Can be used for sizing canvas, for making traditional gesso (along with whiting) or as an adhesive.

"World's best canvas pliers"

Holbein has created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as an extremely opaque and ultra-matt finish acrylic paint medium.

Holbein Colored Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matte surface. It may be overpainted with water-based or oil-based colours or pastels.

Canvas: 100% Linen Priming: Oil Primed Texture: Fine Grain Width: 210cm Weight: 327gsm Note: Price is per metre, the length you order will be cut as a single piece from a 210cm wide roll, and packed carefully to protect the surface. Also available in 10m rolls.

The Clairefontaine ready-to-paint round canvas boards are universally primed and are suitable for oil, acrylic and gouache paints. The canvas is 100% cotton with a medium texture. Diameter: 30cm Thickness: 3mm

Claire Fontaine 14 x 19in (35.5x48.3cm) 15 sheet Oil block - 240gsm - glued 4 edges - linen texture

Daler-Rowney Premium stretched canvases are now made in the EU to the highest specifications. They are made with a superior-quality heavyweight (380gsm), acid-free, 100% cotton, medium grain canvas and professional stretcher bars in heavy wood for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics that holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner and they are individually wrapped to protect the surface.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

Ampersand Museum Series Claybord is made using 3mm true artist hardboard and features Ampersand’s simply amazing kaolin clay ground formula similar in paintability to the clay gesso grounds used during the Renaissance. The surface is sanded to an ultra-smooth, highly absorbent finish so your paint colours remain true and brilliant. Work the surface by thinly applying paint or ink, then remove it, reapply it, even scratch through it to add contrast, texture and fine details. Claybord is a favourite of both fine and graphic artists. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge.No other panel on the market protects an artist’s work like an Ampersand panel. Every Claybord panel is protected by our proprietary Archival-Seal barrier technology, the most advanced formula for sealing wood that prevents support induced discoloration. Only Ampersand uses true high-density hardboard made from US-grown renewable Aspen wood fibres. Claybord is archival, eco-friendly, formaldehyde-free and made by hand in the USA.Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens and painting tools. Claybord is also an excellent printing surface and can also be used for image transfers.With Claybord, paints and inks can be manipulated to vary tonal value, create detail and to develop highlights and correct mistakes. Various artist tools can be used such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allows the use of an abrasive like oil-free steel wool or sand paper to remove pigment without damaging the finish.While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected.Please note: These products have been finished with an industrial sander. If you are planning on doing a very thin glaze or wash, this may reveal usually imperceptible circular marks made by the sanding process. If you need an extremely smooth claybord surface, we suggest using a very fine sandpaper or oil-free steel wool prior to applying paint.Ampersand Claybord Panels• Ultra-smooth absorbent clay ground• Accepts more mediums than any other surface• One of a kind workability with paints and artist toolsMany Fine Art Uses:• Excellent for use with India, pigmented and alcohol inks• Also use with egg tempera, acrylics, collage, pencil, pens, airbrush, photo-transfers, casein, watercolour, gouache and mixed media• Bonds well with adhesives to mount paper and fabrics

Featuring the finest professional grade Belgian linens, Jackson's Ultralite Linen Board is a versatile option for artists wanting to work on high quality and ultra thin ready-made boards. Oil primed and suitable for work with oil paints, Jackson's Ultralite Linen Board consists of a Claessens 66 Medium Surface canvas on a durable and archival quality paper and resin composite board.

The linen has a medium texture and has been double primed: first, zinc white is used as a primer, bound with linseed oil. The canvas is then left to dry naturally for three days, after which the canvas is then sanded and a coating layer based on titanium white is applied. The final step involves drying the canvas for ten days. The linen canvas is fixed to the board using a pH-neutral and acid-free glue.

Ideal for plein air work or in the studio, these boards are ready to be created upon immediately and are lightweight enough to carry around.

Ampersand Museum Series Claybord is made using 3mm true artist hardboard and features Ampersand’s simply amazing kaolin clay ground formula similar in paintability to the clay gesso grounds used during the Renaissance. The surface is sanded to an ultra-smooth, highly absorbent finish so your paint colours remain true and brilliant. Work the surface by thinly applying paint or ink, then remove it, reapply it, even scratch through it to add contrast, texture and fine details. Claybord is a favourite of both fine and graphic artists. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge.Ampersand Claybord panels are available in a 22mm or 38mm Cradle Profile. The new 38mm profiles offers more flexibility to artists for hanging and framing their work. This cradle profile is handcrafted with premium grade 13-ply birch plywood, designed to fit both standard canvas and floater frames. The cradle can easily be painted or stained to complement the artwork or primed with gesso to wrap the image around the edges.No other panel on the market protects an artist’s work like an Ampersand panel. Every Claybord panel is protected by our proprietary Archival-Seal barrier technology, the most advanced formula for sealing wood that prevents support induced discoloration. Only Ampersand uses true high-density hardboard made from US-grown renewable Aspen wood fibres. Claybord is archival, eco-friendly, formaldehyde-free and made by hand in the USA.Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens and painting tools. Claybord is also an excellent printing surface and can also be used for image transfers.With Claybord, paints and inks can be manipulated to vary tonal value, create detail and to develop highlights and correct mistakes. Various artist tools can be used such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allows the use of an abrasive like oil-free steel wool or sand paper to remove pigment without damaging the finish.While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected.Please note: These products have been finished with an industrial sander. If you are planning on doing a very thin glaze or wash, this may reveal usually imperceptible circular marks made by the sanding process. If you need an extremely smooth claybord surface, we suggest using a very fine sandpaper or oil-free steel wool prior to applying paint.Ampersand Claybord Panels• Ultra-smooth absorbent clay ground• Accepts more mediums than any other surface• One of a kind workability with paints and artist toolsMany Fine Art Uses:• Excellent for use with India, pigmented and alcohol inks• Also use with egg tempera, acrylics, collage, pencil, pens, airbrush, photo-transfers, casein, watercolour, gouache and mixed media• Bonds well with adhesives to mount paper and fabrics

These high quality Italian made canvas panels are more solid than regular art panels, they are made from 3.2mm thick MDF board with fine grain 100% cotton canvas glued to the front surface. The canvas has a sheared edge, and is universal primed making it suitable for oils, acrylics, mixed media etc.

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Covered with 100% natural linen, this canvas board is traditionally the choice of professional artists owing to the fact it is tougher and more flexible than cotton.Suitable for all techniques, the Pebeo Natural Linen Canvas is prepared with two coats of clear primer - allowing for a natural linen finish with a medium texture.

A flexible acrylic ground with a high grit content designed to provide a stable white surface on which to paint. Atelier Gesso may be used directly from the container and has a thinner consistency then the regular Atelier Gesso Primer, it spreads more easily for a smoother painting surface.